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Gustav Mahler Music Weeks 2021 Saturday, July 17, 6:00 p.m. Gustav Mahler Auditorium Opening of the Gustav Mahler Music Weeks Thomas Christian Ensemble Kathy Kelly, soprano Claude Debussy: Prélude à l’après-midi d’un faune (arrangement by Benno Sachs) Gustav Mahler: Symphony No. 4 (arrangement for chamber ensemble by Erwin Stein) 25€/20€ Monday, July 19, 6:00 p.m. Gustav Mahler Auditorium Klangforum Vienna Christina Daletska, alto Emilio Pomàrico, conductor Paul Hindemith: Kammermusik op. 24 No. 1 with Finale 1921 Arnold Schönberg: Five orchestral pieces op. 16 (chamber orchestra version A. Schönberg) Simon Öggl: “Reibung” (premiere) Hannes Kerschbaumer: String quartet abbozzo IV (premiere) Ferruccio Busoni/E. Stein: Berceuse élégiaque op. 42 for 9 instruments, set by Erwin Stein Gustav Mahler: "Der Abschied" from "Das Lied von der Erde" (arrangement by Reinbert de Leeuw) In collaboration with the Südtiroler Künstlerbund 25€/20€ * 5€ student special Tuesday, July 20, 6:00 p.m. Gustav Mahler Auditorium Marie Radauer-Plank, violin Henrike Brüggen, piano W. A. Mozart: Sonatas in G major, KV 301 and in E minor, KV 304 Ludwig van Beethoven: Sonata No. 10 in G major, op. 14 No. 2 George Enescu: Impressions d'Enfance, op. 28 15€/10€ Wednesday, July 21, 6:00 p.m. Gustav Mahler Auditorium Piano duo Herbert Schuch - Gülru Ensari W. A. Mozart: Sonata in C major, KV 521 for piano 4 hands Johannes Brahms: Waltz op. 39 for 2 pianos Paul Hindemith: Waltz op.6 "Three beautiful girls in the Black Forest" for piano 4-hands Hubert Stuppner: Salome's Veil Dances for 2 pianos (world premiere) Peter Ilyich Tchaikovsky: Nutcracker Suite (version for 2 pianos by Nicolas Economou) 15€/10€ Thursday, July 22, 6:00 p.m. Gustav Mahler Auditorium Amatis Piano Trio Ib Hausmann, clarinet Johannes Brahms: Clarinet Trio in A minor, op. 114 Ludwig van Beethoven: Trio in B flat major, op. 11 "Gassenhauer Trio" Felix Mendelssohn: Trio No. 2 in C minor, op. 66 15€/10€ Friday, July 23, 6:00 p.m. Gustav Mahler Auditorium Camerata RCO (Members of the Royal Concertgebouw Orchestra Amsterdam) Anton Webern: Langsamer Satz for string quartet Franz Schubert: Octet in F major for clarinet, horn, bassoon and string quintet 25€/20€ *5€ student special Saturday, July 24, 6:00 p.m. Gustav Mahler Auditorium Recital Thomas Hampson, baritone Wolfram Rieger, piano Songs by Gustav Mahler, Alexander von Zemlinsky, Arnold Schoenberg, Anton Webern, Alban Berg, Alma Mahler and Richard Strauss 30€/25€ Thursday, July 29, 6:00 p.m. Gustav Mahler Auditorium Gustav Mahler Orchestra Toblach Marco Serino, violin Yuki Serino, violin Sybille Werner, conductor J. S. Bach: Double concerto for 2 violins and orchestra in D minor, BWV 1043 Gustav Mahler: Adagietto from Symphony No. 5 W. A. Mozart: Symphony in G minor, KV 550 (1st version) 15€/10€ Exhibition: "40 Years of Gustav Mahler Music Weeks Toblach": 17.07. - 12.09.2021 Lecture series "Mahler in dialogue": 18.07. - 24.07.2021 [email protected] | 0474 976151 .

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Louis Andriessen : the New Yorker
Louis Andriessen : The New Yorker http://www.newyorker.com/arts/critics/musical/2010/05/03/100503cr... MUSICAL EVENTS Louis Andriessen’s “La Commedia,” at Carnegie, and other premières. by Alex Ross MAY 3, 2010 Andriessen summons up a panorama of decadence, agony, and almost insolent joy. n November, 1969, a group of radical young Dutch musicians ran amok at the Concertgebouw, the fabled Amsterdam concert hall. At the start of a performance by the Concertgebouw Orchestra, the troublemakers, who included the composers Louis Andriessen and Reinbert de Leeuw, began making noise with nutcrackers, rattles, bicycle horns, and other devices. They also distributed leaflets denouncing the orchestra as a “status symbol of the ruling élite.” The Netherlands being both a tradition-minded and a tolerant land, the Nutcracker Action, as it was called, elicited an ambivalent response: the provocateurs were summarily ejected from the hall, but their ideas prompted much serious discussion. Forty years on, the Nutcrackers have become eminences: Andriessen is the most influential of Dutch composers, and de Leeuw, who has focussed on conducting, has held posts from Tanglewood to Sydney. Yet they haven’t quite sold out. Although Andriessen occupies the Richard and Barbara Debs Composer’s Chair at Carnegie Hall—the kind of big-money post that his younger self might have mocked—Carnegie’s recent survey of Andriessen’s work and that of his colleagues and protégés, de Leeuw among them, has revealed an undiminished capacity for making mischief. The composer still resists Romantic trappings, favoring what he has called a “terrifying twenty-first- century orchestra” of electric guitar, keyboards and Hammond organ, saxophones, bongos, and other non-Wagnerian instruments.
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A/L CHOPIN's MAZURKA
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INFORMATION to USERS This Manuscript Has Been Reproduced
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Download Program Notes
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