DOCSLIB.ORG

Chamberfest Cleveland Announces 2016 Season by Daniel Hathaway

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Chamberfest Cleveland Announces 2016 Season by Daniel Hathaway ChamberFest Cleveland announces 2016 season by Daniel Hathaway ChamberFest Cleveland has announced its fifth season under the joint artistic direction of its founders, Cleveland Orchestra principal clarinet emeritus Franklin Cohen and his daughter, Diana Cohen, concertmaster of Canada’s Calgary Symphony. Eleven concerts over fourteen days will be held at venues throughout metropolitan Cleveland from June 16 through July 2. The theme for 2016 is “Tales and Legends.” Concerts will center around stories ranging from the profane to the divine, including the fantastical, mystical, and obsessive. Performers who will join Franklin and Diana Cohen include (to name just a few) pianists Orion Weiss and Roman Rabinovich, violinist/violist Yura Lee, violinist Noah Bendix­Balgley, and accordionist Merima Ključo, who is composing a piece to be premiered at the festival. The complete schedule is as follows (performers for each event will be announced later). For subscriptions and ticket information, visit the ChamberFest website. ​ ​ ​ Wednesday, June 15 — Nosh at Noon at WCLV’s Smith Studio in Playhouse Square, ​ featuring ChamberFest Cleveland’s 2016 Young Artists (free event). Thursday, June 16 at 8:00 pm — Schumann Fantasies at CIM’s Mixon Hall, 11021 ​ East Blvd. (Opening­night party follows the performance at Crop Kitchen, 11460 Uptown Ave.) Robert Schumann’s Fantasiestucke, Movement from the “F.A.E” Sonata and ​ ​ ​ ​ Piano Quintet, Gyorgy Kurtág’s Hommage à Schumann, and Stephen Coxe’s A ​ ​ ​ ​ Book of Dreams. ​ Friday, June 17 at 8:00 pm — To My Distant Beloved in Reinberger Chamber Hall at ​ Severance Hall (sponsored by The Cleveland Orchestra). Frank Bridge’s Three Songs for Mezzo­Soprano, Antonín Dvořák’s Cypresses, ​ ​ ​ ​ Gyorgy Kurtág’s One More Voice from Far Away, Ludwig van Beethoven’s To ​ ​ ​ My Distant Beloved, and Johannes Brahms’s Piano Quartet in c. ​ ​ ​ Saturday, June 18 at 8:00 pm — Isaac’s Dreams at Maltz Center for the Performing ​ Arts, 1855 Ansel Road. Joseph Haydn’s Piano Trio in E­flat, “Jacob’s Dream,” Merima Ključo’s Duo, ​ ​ ​ “Miriam the Prophetess,” Benjamin Britten’s Canticle II, Op. 51, and Osvaldo ​ ​ ​ Golijov’s Dreams and Prayers of Isaac the Blind. ​ ​ Monday, June 20 at 8:00 pm — Movie Night with Matan Porat at Dobama Theatre, ​ 2340 Lee Rd., Cleveland Heights. Buster Keaton’s silent movie Steamboat Bill, Jr., with live music. ​ ​ Wednesday, June 22 (two performances at 6:30 pm and 8:30 pm) — YURA! Carte ​ Blanche with Yura Lee at Transformer Station, 1460 W. 29th Street. ​ ​ Heinrich Biber’s Passacaglia “The Guardian Angel,” Georges Enescu’s Fiddler ​ ​ ​ (Impressions d’Enfance), Eugène Ysaÿe’s Sonata No. 5, Fritz Kreisler’s ​ ​ ​ Recitativo and Scherzo, Heinrich Wilhelm Ernst’s The Last Rose of Summer, and ​ ​ ​ J.S. Bach’s Chaconne. ​ Friday, June 24 at 8:00 pm — Obsession at CIM’s Mixon Hall. ​ Richard Wagner’s Wesendonck Lieder, Leoš Janáček’s String Quartet “Intimate ​ ​ ​ Letters,” Erwin Schulhoff’s Sonata Erotica, and César Franck’s Quintet. ​ ​ ​ ​ ​ Saturday, June 25 at 8:00 pm — (Fairy)tales and Tales of the Macabre at Harkness ​ Chapel, Case Western Reserve Univers, (followed by Mitchell’s ice cream). Robert Schumann’s Märchenbilder, André Caplet’s Conte Fantastique, Maurice ​ ​ ​ ​ Ravel’s Mother Goose (piano four hands), and Charles Ives’ Trio. ​ ​ ​ ​ Monday, June 27 at 8:00 pm — Last Words at United Methodist Church of Chagrin ​ Falls, 20 South Franklin St. Yoshihisa Taïra’s Sublimation, Joseph Haydn’s Seven Last Words of Christ, Sofia ​ ​ ​ ​ Gubaidulina’s Sieben Worte, and Richard Strauss’s Metamorphosen. ​ ​ ​ ​ Tuesday, June 28 at 8:00 pm — Shakespeare at CIM’s Mixon Hall. ​ Erich Korngold’s Four Shakespeare Songs, Ludwig van Beethoven’s String ​ ​ ​ Quartet, Op. 18, No. 1, Sebastian Currier’s Night Time, and Sergei Prokofiev’s ​ ​ ​ ​ ​ Romeo and Juliet. ​ Friday, July 1 at 8:00 pm — Schubert Journeys in Harkness Chapel at Case Western ​ Reserve University. Franz Schubert’s Quartettsatz and Octet, and Kurt Rohde’s Maestoso, Misterioso. ​ ​ ​ ​ ​ ​ Saturday, July 2 at 7:30 pm — L’Histoire du Soldat (A Soldier’s Tale) at Maltz ​ Center for the Performing Arts (closing night party with Mitchell’s ice cream). Performance features life­sized puppets designed and acted by puppeteers from Talespinner Children’s Theatre, with video mapping technology created by T. Paul Lowry, and narration by Dorothy Silver. Igor Stravinsky’s The Soldier’s Tale, Eric Ewazen’s Philharmonic Fanfare, ​ ​ ​ ​ Antonín Dvořák’s Sextet, and J.S. Bach’s Agnus Dei. ​ ​ ​ ​ All concerts will be preceded by a 7:15 pm lecture with Patrick Castillo, except on July 1, when the lecture will be given by composer Kurt Rohde. Yura Lee will speak at her performances, and there will be no lecture before the Movie Night performance. Additionally, a special event will be held on Sunday, June 19 at 11:30 am for the first 75 patrons who purchase a $75 ticket. Brunch with ChamberFest Musicians at Maron Glass Box, 629 Euclid Avenue, Fl. 16 will be catered by Murray Hill Market. The program includes J.S. Bach’s Cello Suite No. 1, Ernst von Dohnányi’s Serenade, and Max Bruch's ​ ​ ​ ​ Octet. ​ Published on ClevelandClassical.com April 26, 2016. ​ ​ Click here for a printable copy of this article Return to the Front Page. .
Load more

Recommended publications
  • The Glorious Violin David Finckel and Wu Han, Artistic Directors July 14–August 5, 2017
    Music@Menlo CHAMBER MUSIC FESTIVAL AND INSTITUTE The Fifteenth Season: The Glorious Violin David Finckel and Wu Han, Artistic Directors July 14–August 5, 2017 REPERTOIRE LIST (* = Carte Blanche Concert) Joseph Achron (1886–1943) Hebrew Dance, op. 35, no. 1 (1913) Johann Sebastian Bach (1685–1750) Chaconne from Partita no. 2 in d minor for Solo Violin, BWV 1004 (1720)* Prelude from Partita no. 3 in E Major, BWV 1006 (arr. Kreisler) (1720)* Double Violin Concerto in d minor, BWV 1043 (1730–1731) Ludwig van Beethoven (1770–1827) String Quintet in C Major, op. 29 (1801) Violin Sonata no. 10 in G Major, op. 96 (1812) Heinrich Franz von Biber (1644–1704) Passacaglia in g minor for Solo Violin, The Guardian Angel, from The Mystery Sonatas (ca. 1674–1676)* Ernest Bloch (1880–1959) Violin Sonata no. 2, Poème mystique (1924)* Avodah (1929)* Bluegrass Fiddling (To be announced from the stage)* Alexander Borodin (1833–1887) String Quartet no. 2 in D Major (1881) Johannes Brahms (1833–1897) Horn Trio in E-flat Major, op. 40 (1865) String Quartet no. 3 in B-flat Major, op. 67 (1875)* Arcangelo Corelli (1653–1713) Concerto Grosso in g minor, op. 6, no. 8, Christmas Concerto (1714) Violin Sonata in d minor, op. 5, no. 12, La folia (arr. Kreisler) (1700)* John Corigliano (Born 1938) Red Violin Caprices (1999) Ferdinand David (1810–1873) Caprice in c minor from Six Caprices for Solo Violin, op. 9, no. 3 (1839) Claude Debussy (1862–1918) Petite suite for Piano, Four Hands (1886–1889) Ernő Dohnányi (1877–1960) Andante rubato, alla zingaresca (Gypsy Andante) from Ruralia hungarica, op.
    [Show full text]
  • Constantin Silvestri Conducts the Bournemouth Symphony Orchestra Hiviz Ltd
    CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread CYAN MAGENTA Customer YELLOW Catalogue No. BLACK Job Title Page Nos. 20 - 1 The RMA (Romanian Musical Adventure) With special thanks to: was formed to record outstanding works The Bournemouth Symphony Orchestra by Romanian composers, new and and the Musicians Union CONSTANTIN SILVESTRI David Lee, Wessex Film & Sound Archive lesser-known repertoire and well-known Raymond Carpenter and Kenneth Smith repertoire interpreted in a new light. Glen Gould, Audio restoration ABOURNEMOUTHLOVEAFFAIR 72 Warwick Gardens, London W14 8PP Georgina Rhodes and Richard Proctor, Design. Email: [email protected] Photograph of the sea, Richard Proctor The legendary Constantin Silvestri conducts the Bournemouth Symphony Orchestra www.romanianmusicaladventure.org HiViz Ltd. Media Solutions, CD Production and print BBC The George Enescu Museum, Bucharest Constantin Silvestri’s BBC recordings are also available on BBC Legends www.mediciarts.co.uk © 2009 RMA, London. The BBC word mark and logo is a trade mark of the British Broadcasting Corporation and is used under license from BBC Worldwide. BBC logo © BBC 1996 2CD DIGITALLY RE-MASTERED CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread CYAN MAGENTA Customer YELLOW Catalogue No. BLACK Job Title Page Nos. 2 - 19 Constantin Silvestri conducts the Bournemouth Symphony Orchestra Disc 1 69.93 Disc 2 75.73 George Enescu (1881–1955) George Enescu (1881–1955) Symphony No. 1 First Orchestral Suite 1 Assez vif et rythmé 11.17 1 Prélude à l’unisson 6.40 2 Lent 12.42 2 Menuet lent 11.13 3 Vif et vigoureux 8.53 3 Intermède 3.40 4 Vif 6.05 Wolfgang Amadeus Mozart (1756–1791) Second Orchestral Suite 4 The Magic Flute Overture 6.52 5 Ouverture 3.43 6 Sarabande 4.12 Wolfgang Amadeus Mozart 7 Gigue 2.29 Symphony No.
    [Show full text]
  • Romanian Folkloric Influences on George Enescu’S Artistic and Musical
    The Treatise Committee for Maria Zlateva Zlateva certifies that this is the approved version of the following treatise: Romanian Folkloric Influences on George Enescu’s Artistic and Musical Development as Exemplified by His Third Violin Sonata. Committee: ____________________________________ James Buhler, Supervisor ____________________________________ Eugene Gratovich, Co-Supervisor ____________________________________ Andrew Dell’Antonio ____________________________________ Phyllis Young ____________________________________ David Neubert ____________________________________ Martha Mason Romanian Folkloric Influences on George Enescu’s Artstic and Musical Development as Exemplified by His Third Violin Sonata. by Maria Zlateva Zlateva, BMus, M.M. Treatise Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts The University of Texas at Austin May, 2003 UMI Number: 3119655 ________________________________________________________ UMI Microform 3119655 Copyright 2004 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ____________________________________________________________ ProQuest Information and Learning Company 300 North Zeeb Road PO Box 1346 Ann Arbor, MI 48106-1346 Table of Contents Chapter 1: Introduction…………………………………………………………1 Chapter 2: Life and Works……………………………………………………...8 Chapter 3: Formal and Stylistic
    [Show full text]
  • THE UNKNOWN ENESCU Volume One: Music for Violin
    THE UNKNOWN ENESCU Volume One: Music for Violin 1 Aubade (1899) 3:46 17 Nocturne ‘Villa d’Avrayen’ (1931–36)* 6:11 Pastorale, Menuet triste et Nocturne (1900; arr. Lupu)** 13:38 18 Hora Unirei (1917) 1:40 2 Pastorale 3:30 3 Menuet triste 4:29 Aria and Scherzino 4 Nocturne 5:39 (c. 1898–1908; arr. Lupu)** 5:12 19 Aria 2:17 5 Sarabande (c. 1915–20)* 4:43 20 Scherzino 2:55 6 Sérénade lointaine (1903) 4:49 TT 79:40 7 Andantino malinconico (1951) 2:15 Sherban Lupu, violin – , Prelude and Gavotte (1898)* 10:21 [ 20 conductor –, – 8 Prelude 4:32 Masumi Per Rostad, viola 9 Gavotte 5:49 Marin Cazacu, cello , Airs dans le genre roumain (1926)* 7:12 Dmitry Kouzov, cello , , 10 I. Moderato (molto rubato) 2:06 Ian Hobson, piano , , , , , 11 II. Allegro giusto 1:34 Ilinca Dumitrescu, piano , 12 III. Andante 2:00 Samir Golescu, piano , 13 IV. Andante giocoso 1:32 Enescu Ensemble of the University of Illinois –, – 20 14 Légende (1891) 4:21 , , , , , , DDD 15 Sérénade en sourdine (c. 1915–20) 4:21 –, –, –, , – 20 ADD 16 Fantaisie concertante *FIRST RECORDING (1932; arr. Lupu)* 11:04 **FIRST RECORDING IN THIS VERSION 16 TOCC 0047 Enescu Vol 1.indd 1 14/06/2012 16:36 THE UNKNOWN ENESCU VOLUME ONE: MUSIC FOR VIOLIN by Malcolm MacDonald Pastorale, Menuet triste et Nocturne, Sarabande, Sérénade lointaine, Andantino malinconico, Airs dans le genre roumain, Fantaisie concertante and Aria and Scherzino recorded in the ‘Mihail Jora’ Pablo Casals called George Enescu ‘the greatest musical phenomenon since Mozart’.1 As Concert Hall, Radio Broadcasting House, Romanian Radio, Bucharest, 5–7 June 2005 a composer, he was best known for a few early, colourfully ‘nationalist’ scores such as the Recording engineer: Viorel Ioachimescu Romanian Rhapsodies.
    [Show full text]
  • My Name Is Cucu Alexandru-Nicu, but You Can Call Me Alex. I'm Almost 17
    Introducing myself Hello ! My name is Cucu Alexandru-Nicu, but you can call me Alex. I’m almost 17 and I live in Bacau, a beautiful town with beautiful people. I live with my family in a house situated in a neighborhood called Serbanesti. I study at National College ―Vasile Alecsandri‖ which, in my opinion, is the best highschool in town. As you can see I love sports, all kind of sports. But mainly motor- sports, hunting, fishing and boxing are my favorite. Once a year my father and I take part in a Enduro European Championship. If you want to know the best place to fish or hunt you can ask me and I’ll say that Danube Delta is the perfect place. As my uncle owns a pension, I spend almost 4 months per year there. My family consists of my father (Nicu), my mother (Mihaela) and my brother (Radu). I can say that we are very close and my father is one of my best friends. Bacău Bacău is the main city in Bacău County, Romania. It covers a land surface of 43 km², and, as of January 1, 2009, has an estimated population of 177,087. The city is situated in the historical region of Moldavia, at the foothills of the Carpathian Mountains, and on the Bistriţa River (which meets the Siret River about 8 km (5.0 mi) to the south of Bacău). The Ghimeş Pass links Bacău to Transylvania. It has a public university and several colleges. Two major Romanian poets, George Bacovia and Vasile Alecsandri were born here.
    [Show full text]
  • Flutist & Conductor
    Flutist & Conductor Jack Price Managing Director 1 (310) 254-7149 Skype: pricerubin [email protected] Rebecca Petersen Executive Administrator 1 (916) 539-0266 Skype: rebeccajoylove [email protected] Olivia Stanford Marketing Operations Manager [email protected] Contents: Karrah O’Daniel-Cambry Biography Opera and Marketing Manager [email protected] Press Reviews Mailing Address: Recommendations 1000 South Denver Avenue Repertoire Suite 2104 YouTube Video Links Tulsa, OK 74119 Photo Gallery Website: http://www.pricerubin.com Complete artist information including video, audio and interviews are available at www.pricerubin.com Orlando Cela – Biography Venezuelan born musician Orlando Cela is committed to engaging audiences with lively performances that open new worlds of experience. Known for his engaging performances using imaginative programming, Orlando has premiering over 100 works, both as a flutist and as a conductor. In concert, Mr. Cela regularly offers short lively introductions to selected works, offering audiences entry points into unfamiliar works, so that listeners can easily connect the music with other life experience. As a flutist, Mr. Cela has performed at the National Portrait Gallery of the Smithsonian (Washington DC), the Isabella Stewart Gardner Museum (Boston), and at the Center for New Music and Technologies at UC Berkeley. His credits abroad include concerts at the Zentrum Danziger (Berlin), the Espace des Femmes (Paris), and at the Musikverein (Vienna). As a collaborative artist, Mr. Cela has concertized with flutist Paula Robison, tabla player Samir Chatterjee, harpsichordist John Gibbons, and shen (mouth organ) virtuoso Hu Jianbing. To help expand the flute repertoire further, Orlando recently launched FluteLab, an online forum in which he answers composers’ questions about writing for the flute, posting answers and commentaries in engaging video clips to help the entire field and share the latest approaches and technical wizardry.
    [Show full text]
  • The Fifteenth-Anniversary Season: the Glorious Violin July 14–August 5, 2017 David Finckel and Wu Han, Artistic Directors Experience the Soothing Melody STAY with US
    The Fifteenth-Anniversary Season: The Glorious Violin July 14–August 5, 2017 David Finckel and Wu Han, Artistic Directors Experience the soothing melody STAY WITH US Spacious modern comfortable rooms, complimentary Wi-Fi, 24-hour room service, itness room and a large pool. Just two miles from Stanford. BOOK EVENT MEETING SPACE FOR 10 TO 700 GUESTS. CALL TO BOOK YOUR STAY TODAY: 650-857-0787 CABANAPALOALTO.COM DINE IN STYLE 4290 Bistro features creative dishes from our Executive Chef and Culinary Team. Our food is a fusion of Asian Flavors using French techniques while sourcing local ingredients. TRY OUR CHAMPAGNE SUNDAY BRUNCH RESERVATIONS: 650-628-0145 4290 EL CAMINO REAL PALO ALTO CALIFORNIA 94306 Music@Menlo The Glorious Violin the fifteenth-anniversary season July 14–August 5, 2017 DAVID FINCKEL AND WU HAN, ARTISTIC DIRECTORS Contents 2 Season Dedication 3 A Message from the Artistic Directors 4 Welcome from the Executive Director 4 Board, Administration, and Mission Statement 5 The Glorious Violin Program Overview 6 Essay: “Violinists: Old Time vs. Modern” by Henry Roth 10 Encounters I–V 13 Concert Programs I–VII Léon-Ernest Drivier (1878–1951). La joie de vivre, 1937. Trocadero, Paris, France. Photo credit: Archive 41 Carte Blanche Concerts I–V Timothy McCarthy/Art Resource, NY 60 Chamber Music Institute 62 Prelude Performances 69 Koret Young Performers Concerts 72 Master Classes 73 Café Conversations 74 The Visual Arts at Music@Menlo 75 Music@Menlo LIVE 76 2017–2018 Winter Series 78 Artist and Faculty Biographies 90 Internship Program 92 Glossary 96 Join Music@Menlo 98 Acknowledgments 103 Ticket and Performance Information 105 Map and Directions 106 Calendar www.musicatmenlo.org 1 2017 Season Dedication Music@Menlo’s ifteenth season is dedicated to the following individuals and organizations that share the festival’s vision and whose tremendous support continues to make the realization of Music@Menlo’s mission possible.
    [Show full text]
  • Formal Procedures in Three Works for String Chamber Ensemble
    FORMAL PROCEDURES IN THREE WORKS FOR STRING CHAMBER ENSEMBLE BY FELIX MENDELSSOHN-BARTHOLDY by GEORGE CLIFFORD EVERARD AUSTIN B.Mus., The University of British Columbia, 1977 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF MUSIC' in THE FACULTY OF GRADUATE STUDIES (Department of Music) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA May 1982 c) George Clifford Everard Austin, 1982 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia 1956 Main Mall Vancouver, Canada V6T 1Y3 Date DE-6 (3/81) ii ABSTRACT The works of Felix Mendelssohn-Bartholdy (1809-47) are problematic in that it is extremely difficult, if not impossible, to categorise them as being "Classic" or "Romantic", or to divide them into "style periods" which present clear indications of progression from one to the other. The architec• tural parameters of the works selected for this analysis are determined by the classical Sonata Form which was undergoing a degree of neglect during Mendelssohn's lifetime as a result of the work of both the preceeding generation of composers and of his comtemporaries.
    [Show full text]
  • Vilde Frang Bartok Violin Concerto No.1 Enescu Octet for Strings
    Bartok Violin Concerto No. 1 & Enescu Octet Vilde Frang Release date: 7 September 2018 Following her 2016 Warner Classics release of the Britten and Korngold violin concertos, praised by The Sunday Times as “A bold coupling, superbly executed”, Vilde Frang goes back several decades in musical history to make another imaginative pairing: Bartók’s Violin Concerto No 1 (composed in 1907) and a large-scale chamber piece, Enescu’s Octet for Strings (dating from 1900). As Vilde Frang explains : “Both works are firm favourites in my repertoire. I perform both quite frequently and I am excited to bring them together on a recording. Bartók arnd Enescu have a lot in common …. They were born in same year, and – according to today’s geographical borders – in the same country.” (The town in in south-east Hungary where Bartók was born is now in Romania .) “They had mutual admiration for each other and performed together in recital several times. They both also lived and died in self-imposed exile, Bartók in America, Enescu in France, but they remain two of the 20th century’s greatest nationalist composers and major contributors to their countries’ culture and art. What’s more, both the works on this album were written at a very young age – Enescu was in his late teens and Bartók was in his early twenties – and each in its own way was dismissed and neglected for decades.” Frang’s partners in the Bartók are the Orchestre Philharmonique de Radio France and its Finnish-born music director, Mikko Franck, while in the Ensecu she collaborates with seven distinguished soloists and chamber-players: the violinists Erik Schumann, Gabriel Le Magadure and Rosanne Philippens, the viola players Lawrence Power and Lily Francis, and the cellists, Nicolas Altstaedt and Jan-Erik Gustafsson.
    [Show full text]
  • Programme Notes Thursday 10 December 2020 • 8Pm
    AUTUMN CONCERT SEASON 2020 IN THE STREAM OF LIFE PROGRAMME NOTES THURSDAY 10 DECEMBER 2020 • 8PM 2018: BEHIND NIGHT AND CLOUDS JUROWSKI CONDUCTS ENESCU, BACH & KATS-CHERNIN J S Bach Orchestral Suite No. 1 Elena Kats-Chernin Piano Concerto No. 3 (Lebewohl) EUROPEAN PREMIERE Enescu Decet for Winds* Enescu Chamber Symphony* Vladimir Jurowski conductor Alexandra Silocea piano Concert supported by the *Generously supported by the Romanian Cultural Institute LONDON PHILHARMONIC ORCHESTRA • 10 DECEMBER 2020 LONDON PHILHARMONIC ORCHESTRA • 10 DECEMBER 2020 CONTENTS HOW TO CLICK ON THE HEADINGS TO JUMP TO A SECTION WATCH TONIGHT’S CONCERT 3 HOW TO WATCH Go to marquee.tv Watch anytime, anywhere Each concert will be available for 7 days for free, Watch on your tablet or phone wherever you are – or 3 2020 VISION no registration required. To access the full season download to watch on the go – via the Marquee TV iOS please subscribe to MarqueeTV and enjoy the LPO and Android apps. 4 PROGRAMME NOTES: BACH collection together with the world’s best opera, dance, theatre and ideas. Watch on the big screen 5 PROGRAMME NOTES: KATS-CHERNIN For the ultimate viewing experience, download Details of how to subscribe and start your free trial at the Marquee TV app directly on your Apple TV, marquee.tv/freetrial Amazon Fire TV, Android TV, Roku TV or Samsung 9 PROGRAMME NOTES: ENESCU - DECET (coming soon). Alternatively, cast from your phone/ tablet to your Smart TV via AirPlay or Google 11 PROGRAMME NOTES: ENESCU - CHAMBER SYMPHONY Chromecast. 14 VLADIMIR JUROWSKI 15 ALEXANDRA SILOCEA www.marquee.tv 16 LONDON PHILHARMONIC ORCHESTRA 17 LEADER: PIETER SCHOEMAN 18 ON STAGE TONIGHT 19 NEXT CONCERTS 20 PLAY ON APPEAL 21 SOUND FUTURES DONORS 22 THANK YOU February–December 2020 25 MEMBERSHIPS & DONATIONS Tonight’s concert is part of our 26 CORPORATE PARTNERSHIPS year-long 2020 Vision series, 27 LPO ADMINISTRATION exploring the journey of music with pioneering works that have defined the sound of the Concert recorded at the Southbank Centre’s Royal Festival Hall on 2 December 2020.
    [Show full text]
  • Workshop Guide
    2019 ACMP Worldwide Chamber Music WORKSHOP GUIDE Chamber music study and performance for adult amateur musicians. ACMP: Associated Chamber Music Players 2019 Board of Directors Staff Peter Tacy Stephanie Ann Hicks Mystic, CT Australia Henry Q. Conley Jennifer Clarke Chair, ACMP Executive Director Ivy A. Turner Patsy Hulse New York, NY Cambridge, MA New Zealand Joseph Brock Richard Weinert Membership & Administration George C. Valley Talia Ilan Vice Chair, ACMP Associate Los Angeles, CA Israel New York, NY Kitty Benton Joan E. Vazakas Ileana Ionesti Christiana Carr Newsletter Editor Bonita Springs, FL Romania Treasurer, ACMP North American David Yang Michael Knoch Ashland, OR Outreach Council Philadelphia, PA Germany Peter Hildebrandt Janet White Chair, ACMP Foundation Ronald Ling Chair International Singapore Johns Creek, GA San Diego, CA Ambassadors Council Françoise Longrée Anthony James Vine Edwin K. Annavedder Henri van den Hombergh Belgium Vicer Chair, ACMP Foundation Carlsbad, CA Chair New York, NY The Netherlands Tommaso Napoli Edward J. Bridge Italy David Pearl Louisville, KY Marcel Arditi Treasurer, ACMP Foundation Switzerland Akira Okamoto Christina D. Carrière Washington, DC Japan Montréal, QC Christian Badetz Harriet S. Wetstone France and Russia Bastiaan Van Ouwerkerk Celeste Chau Secretary, ACMP; ACMP The Netherlands Foundation Kew Gardens, New York Andy Baruch Lenox, MA England Maja Popovic Cynthia L. Howk Montenegro Celeste Chau Rochester, NY D. Keith Bowen Kew Gardens, NY England Marjana Rutkowski Martha Ann Jaffe Brazil Candice Chin Newton Center, MA Stephan Brandel Seattle, WA China Bernhard & Christel Phyllis Kaiden Schluender Jean Jellinek Carol Beatrice Francais Vashon, WA Portugal New York, NY Switzerland Carol Kirsh Wendy Schottman Phoebe Csenki Laura Jean Goldberg Toronto, ON France New York, NY Scotland Janis Krauss Takaharu Shimura Aldo De Vero Henri van den Hombergh North Augusta, SC Japan Nijmegen, The Netherlands Italy Susan D.
    [Show full text]
  • Ted Sugata, Oboe
    South Bay Chamber Music Society September 21 & 23, 2018 Los Angeles Wind Octet Jennifer Cullinan, oboe; Ted Sugata, oboe; Sérgio Coelho, clarinet; Edgar David Lopez, clarinet; Judith Farmer, bassoon; Elliot Moreau, bassoon; Amy Jo Rhine, horn; Gregory Roosa, horn; Steve Dress, contrabass Program Notes by Boglárka Kiss, D.M.A A wind band, circa 1753, with two players on each instrument. Octets are one of the largest groupings of classical chamber music. Most commonly, octets are scored for the following formations: strings only (two string quartets, or eight cellos), winds only (usually two of each: oboe, clarinet, horn, bassoon), or winds and strings of various combinations. The octet repertoire spans over 200 years, with works by the likes of Mozart, Beethoven, as well as by 20th century greats such as Stravinsky, Hindemith, and Varèse. Wind octets likely originate in the German wind band tradition, cultivated by the aristocracy in the 18th century. Wind bands, called Harmonie, were often employed for outdoor social events or as background music. With the social and cultural changes of the 19th century, the role of wind instruments expanded dramatically, including music for the military, brass ensemble music, and school music. The 20th century witnessed further expansions into the concert hall and movies and television. Cinq Pieces en Trio Jacques Ibert (French, 1890-1962) A Paris native, Ibert studied at the Paris Conservatoire before embarking on a successful career in music. His studies were interrupted by World War I, in which he served as a naval officer. In 1919, he won the top prize of the Conservatoire, the Prix de Rome, which gave him the opportunity to study music in Rome.
    [Show full text]