The Decameron
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Cultural Heritage, Cinema, and Identity by Kiun H
Title Page Framing, Walking, and Reimagining Landscapes in a Post-Soviet St. Petersburg: Cultural Heritage, Cinema, and Identity by Kiun Hwang Undergraduate degree, Yonsei University, 2005 Master degree, Yonsei University, 2008 Submitted to the Graduate Faculty of The Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2019 Committee Page UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Kiun Hwang It was defended on November 8, 2019 and approved by David Birnbaum, Professor, University of Pittsburgh, Department of Slavic Languages and Literatures Mrinalini Rajagopalan, Associate Professor, University of Pittsburgh, Department of History of Art & Architecture Vladimir Padunov, Associate Professor, University of Pittsburgh, Department of Slavic Languages and Literatures Dissertation Advisor: Nancy Condee, Professor, University of Pittsburgh, Department of Slavic Languages and Literatures ii Copyright © by Kiun Hwang 2019 Abstract iii Framing, Walking, and Reimagining Landscapes in a Post-Soviet St. Petersburg: Cultural Heritage, Cinema, and Identity Kiun Hwang, PhD University of Pittsburgh, 2019 St. Petersburg’s image and identity have long been determined by its geographical location and socio-cultural foreignness. But St. Petersburg’s three centuries have matured its material authenticity, recognizable tableaux and unique urban narratives, chiefly the Petersburg Text. The three of these, intertwined in their formation and development, created a distinctive place-identity. The aura arising from this distinctiveness functioned as a marketable code not only for St. Petersburg’s heritage industry, but also for a future-oriented engagement with post-Soviet hypercapitalism. Reflecting on both up-to-date scholarship and the actual cityscapes themselves, my dissertation will focus on the imaginative landscapes in the historic center of St. -
The Remaining Second World Sokurov and Russian
The Remaining Second World: Sokurov and Russian Ark 1/20/09 8:08 PM contents great directors cteq annotations top tens about us links archive search The Remaining Second World: Sokurov and Russian Ark by Benjamin Halligan Benjamin Halligan's critical biography of Michael Reeves will be published by Manchester University Press in June. He is currently completing a study of European New Wave films. “Sir, [the Russians] have two expressions (I am not speaking of the lackeys who have only one; I am speaking of the nobles). When they come through here on the way to Europe they have a gay, free, happy air. They are like horses turned to pasture, like birds who have flown the cage – men, women, young, old, all are as happy as school children on a holiday. The same people, on their return have long, gloomy, tormented faces; they have a worried look. Their conversation is brief and their speech abrupt. I have concluded from this difference that a country which one leaves with so much joy and returns to with so much regret is a bad country.” “Perhaps you are right,” I reply, “but your observations prove that the Russians are not as deceptive as one paints them. I thought they were more inscrutable.” – The Marquis de Custine, 1839 (1) There is a perverse, contrarian impulse at the heart of Aleksandr Sokurov's new film, Russkij Kovcheg (Russian Ark, 2002). Initially this is manifested in the way in which Russian Ark is patently unlike all other films. But even this base level of difference is only one aspect of the experience of seeing Russian Ark – which is the experience of encountering something genuinely new in itself. -
November 20, 2012 (XXV:12 Aleksandr Sokurov, RUSSIAN ARK (2002, 99 Min)
November 20, 2012 (XXV:12 Aleksandr Sokurov, RUSSIAN ARK (2002, 99 min) Directed by Aleksandr Sokurov Written by Boris Khaimsky, Anatoli Nikiforov, Svetlana Proskurina and Aleksandr Sokurov Produced by Andrey Deryabin and Jens Meurer Original Music by Sergei Yevtushenko Cinematography by Tilman Büttner Film Editing by Stefan Ciupek, Sergey Ivanov, Betina Kuntzsch Sergei Dontsov…The Stranger (The Marquis de Custine) Mariya Kuznetsova…Catherine The Great Leonid Mozgovoy…The Spy Mikhail Piotrovsky…Himself (Hermitage Director) David Giorgobiani…Orbeli Aleksandr Chaban… Boris Piotrovsky Lev Yeliseyev…Himself Boris Smolkin…Chancellor Nesselrode Oleg Khmelnitsky…Himself Yuri Khomutyansky…Insane Italian Alla Osipenko…Herself Valery Gergiev…Conductor Artyom Strelnikov…Talented Boy The State Hermitage Orchestra…Orchestra Tamara Kurenkova…Herself (Blind Woman) Aleksandr Sokurov…The Time Traveller (voice) Maksim Sergeyev…Peter the Great Natalya Nikulenko…Catherine the Great ALEKSANDR SOKUROV (b. Aleksandr Nikolaevich Sokurov, June 14, Yelena Rufanova…First Lady 1951, Podorvikha, Irkutskaya oblast, RSFSR, USSR [now Russia]) Yelena Spiridonova…Second Lady has 58 directing credits, about half of them documentaries. Some of Konstantin Anisimov…First Cavalier his films are 2011Faust, 2010 Intonatsiya. Vladimir Yakunin, 2007 Aleksey Barabash…Second Cavalier Alexandra, 2006 Elegiya zhizni. Rostropovich. Vishnevskaya., 2005 Ilya Shakunov…Third Cavalier The Sun, 2004 “The Diary of St. Petersburg: Mozart. Requiem”, 2003 Anna Aleksakhina…Alexandra Fyodorovna, -
Francofonia Press
flmswelike 0A DONOST1A ZINEMALDIA FESTIVAL DE SAN SEBASTIAN ,• .uff ,,,nto NrEmmottAt FILM FESMAL , 41 1;q • F- A FILM BY ALEXANDER SOKUROV NI AN LEGY FOR EUROPE flmswelike 20152015 VENICE FILMFILM FESTIVAL OffcialOfficial Competition IDEALEIDEALE AUDIENCE,AUDIENCE, ZERO ONE FILMFILM,, N279N279 ENTERTAINMENT presentpresent MANEinin co-production with ARTE FRANCE CINEMA and LE MUSEENIA DU LOUVRE aA FILMfilm BYby ALExANDERALEXANDER SOkUROVSOKUROV with Louis-Do DE LENCqUESAINgLENCQUESAING,, Benjamin UTZERAThUTZERATH,, Vincent NEMEThNEMETH,, JJohannaohanna kORThALSKORTHALS ALTES WORLD SALES AND FESTIVALS INTERNATIONALINTERNATIONAL PRESSPRESS FILMSFILMS BOUTIqUEBOUTIQUE RIChARDRICHARD LORMAND -- FILM|PRESS|PLUSFILMIPRESSIPLUS KöpenickerKopenicker Strasse 184 - berlin,Berlin, Germany tel.tel. +33-9-7044-9865+33-9-7044-9865 Tel : +49-30-695-378-50+49-30-695-378-50 iNIN VENiCE:VENICE: +39-347-256-4143+39-347-256-4143 www.flmsboutique.comwwwfilmsboutique.com www.FilmPressPlus.comwww.FlimPressPlus.com [email protected]@fihnsboutique.com [email protected]@aol.com 2015 -- FranceFrance/Germany/Netherlands/Germany/Netherlands -- 87 minsmins -- inin FrenchFrench,, Russian andand GermanGerman 02 - FRANCOFONIA SyNOPSISSYNOPSIS FRANCOFONIA isis thethe story of two remarkableremarkable men, Louvrelouvre director Jacques Jaujard and Nazi Occupation offcerofficer Count Franziskus Wolff-Metternich - enemies then collaboratorscollaborators -- whosewhose alliancealliance wouldwould bebe thethe drivingdriving force behind thethe preservation -
Sydney Film Festival 6-17 June Reveals First Films 02/04/2012
MEDIA RELEASE EMBARGOED UNTIL: Monday 2 April, 2012 Sydney Film Festival 6-17 June reveals first films The 59th Sydney Film Festival today announced early highlights in advance of the full program launch on Wednesday, 9 May. ‘Revealing the first confirmed films for this year's Festival really lets us share our excitement,’ said Nashen Moodley in his first year as Festival Director for Sydney Film Festival. ‘This is just a cross-section and a taste of what we have in store, but you'll already see the extraordinary diversity in subject, style and geography that makes a great international film festival memorable and thought-provoking. From the film that everyone was talking about in Sundance to a look inside Woody Allen's head to Some Guy Who Kills People, cinema lovers in Sydney, NSW or around Australia will have many reasons to join us here in June.’ This first announcement comprises 25 titles including 22 Australian premieres, 15 features and 10 documentaries, as well as some of the top prize-winning films from Sundance, Rotterdam and Berlin. Today’s announcement includes the winner of the US Dramatic Grand Jury Prize at Sundance Film Festival Beasts of the Southern Wild, the winner of the FIPRESCI prize at Berlin Film Festival Tabu, the winner of the FIPRESCI prize at International Film Festival Rotterdam Neighbouring Sounds and the winner of the World Cinema Grand Jury Prize Documentary at Sundance, The Law In These Parts. Since its inception in 1954, Sydney Film Festival (SFF) has become a key cultural event for Sydney and well- established in the international film festival calendar. -
Download Press
Father and Son directed by Alexander Sokurov F ather and Son directed by Alexander Sokurov with Andrey Shchetinin and Aleksey Neymyshev screenplay Sergey Potepalov director of photography Alexander Burov editor Sergey Ivanov art directorNatalya Kochergina composer A n d r e y S i g l e , music based on themes by Peter Tchaikovsky costume designer B e r nadette Corstens make-up artist Z hanna Rodionova sound designer Sergey Moshkov producer T homas Kufus production z e r o f i l m in co-production with L u men Films, Nikola-Film, Mikado Film and Isabella Films in cooperation with L e n f i l m , St. Petersburg with support from M i n i s t r y o f C u l t u r e o f the Russian Federation, Filmboard Berlin-Brandenburg, Filmstiftung Nordrhein-Westfalen, Centre National de la Cinématographie, Dutch Filmfund and Fondazione MonteCinemaVerità »She said we built a Fortress – That we don’t let anyone inside« c olor – 84 min – 35 mm – 1,66 – Dolby SRD – 2003 world sales Celluloid Dreams 2 rue Turgot F 75009 Paris T (+33-1) 4970-0370 F (+33-1) 4970-0371 [email protected] www.celluloid-dreams.com Cannes: Grand Hôtel Dauphin 7D T (+33-4) 9399-8470 F (+33-4) 9399-8471 international press Richard Lormand / Viviana Andriani Father and Son www.filmpressplus.com [email protected] directed by Alexander Sokurov Cannes: (May 14–25) T (+33-6) 2416-3731 F (+33-4) 9368-9745 S ynopsis The Story of a Family Father and Son live together in a rooftop apartment. -
Bio-Filmography
Bereg Productions Alexei Jankowski 10, Kamennoostrovski prospekt Born in 1968 in Leningrad, Russia 197101 ST.PETERSBURG, RUSSIA Film Director Education 1995 - state diploma in Filmmaking 1990 - master’s degree in Ancient History FEMIS Film School University of Leningrad Paris, France Leningrad, Russia Filmography Legki veter (A Light Wind) documentary, Betacam SP, 52 min Language: Russian Production: 2003, Bereg, St.Petersburg, Russia Muzyka posle yunosti (The Little Red Tram) documentary, Betacam SP, 43 min Language: Russian Production: 2002, Bereg, Vstrechi v Sibiri, Russia Kirkenesskaya Etika (The Kirkenes Ethics) documentary, Betacam SP, 52 min Language: Russian Production: 1998, Bereg, Russia Nuit, printemps (Night, Spring) documentary, Betacam SP, 26 min Language: French Production: 1997, North Foundation, Russia Laterna feature, 16 mm, 30 min Production: 1996, North Foundation, Russia Promenades nocturnes fiction, 35 mm, 20 min Language: Russian Production: 1994, FEMIS, France Un jour en moins documentary, Betacam SP, 16 min Language: French Production: 1993, FEMIS, France Updated 29.11.2007 Page 1 of 2 film scripts Stephan Permski (St. Stephan of Perm) long feature film script for Eskom Film, 1997 Malchik so zvezdami (A Little Astronomer) short feature film script for Mosfilm, 1996 from other professional experience productions of Alexander Sokurov Moloch, feature, 102 min, video version, 1999 computer graphics and video editing Dolce, documentary, 61 min, 1999 computer graphics and video editing Elegy of a Voyage, documentary, 47 min, 2001 assistant director, production coordinator, special effects supervisor assistant on documentary and feature films by Alexander Sokurov at Lenfilm and Leningrad Documentary Film Productions in 1986-1990 (Painful Indifference, Days of the Eclipse, Save and Protect, Evening Sacrifice etc.) publications Eclissi di cinema (Alexander Sokurov), Turin, 2003 co-editor and co-author, with Stefano Francia di Celle and enrico ghezzi Death's Duel, by John Donne. -
A Leisure Times Features Release a FILM by ALEXANDER SOKUROV
F A U S T A Leisure Times Features release A FILM BY ALEXANDER SOKUROV Based on the tragedy by Johan Wolfgang Von Goethe The Final Part of the Tetralogy Moloch – Taurus - The Sun Golden Lion (Best Film), 2011 Venice International Film Festival Nika, Best Film, 2012 Russian Academy Awards Running time: 134 minutes. Not rated. Press notes and stills can be downloaded at http://www.leisurefeat.com/ NY/National Press Contact: Sophie Gluck and Associates Sophie Gluck Aimee Morris 212 595 2432 [email protected] [email protected] F A U S T SYNOPSIS Winner of the 2011 Venice International Film Festivalʼs Golden Lion, FAUST is acclaimed director Alexander Sokurovʼs latest film, a hallucinatory re-imagining of Goetheʼs masterpiece set in the early 19th century. Using elaborate camera movements, a dense soundscape, intricate production design and spectacular locations, FAUST conjures up a unique and phantasmagoric vision of the Faustian legend. Faust (Johannes Zeiler,) is a man in search of the ideals of the Enlightenment, but becomes obsessed with the lovely Margarete (Isolda Dychauk) and eventually sells his soul to the Devil (Anton Adasinsky) also known as the Moneylender, so that he may possess her. Comic, cosmic, painterly and stunningly beautiful scenes abound as the Devil takes Faust on a strange, unforgettable journey that ends in Hell itself. The story of FAUST is one of the most popular in western literature – there is the opera, play, movies and countless other adaptations. FAUST is the final installment of Alexander Sokurovʼs cinematic tetralogy on the nature of power. The main characters in the first three films are real historical figures: Adolph Hitler (Moloch, 1999), Vladimir Lenin (Taurus, 2000), and Emperor Hirohito (The Sun, 2005). -
Persmapfrancofonia CF Hi 65.Pdf
FRANCOFONIA The Louvre Under Occupation Frankrijk/Duitsland/Nederland; 2015; kleur; 87 minuten Frans/Russisch/Duits gesproken, Nederlands ondertiteld Geproduceerd in samenwerking met Le Musée du Louvre Paris Regie & scenario: Alexander Sokurov Camera: Bruno Delbonnel Montage: Alexei Jankowski, Hansjorg Weissbrich Geluid: Emil Klotzsch Muziek: Murat Kabardokov Productie: Ideale Audience/Zero One Film/N279 Entertainment Met: Louis-Do de Lencquesaing, Benjamin Utzerath, Vincent Nemeth, Johanna Korthals Altes, Andrey Chelpanov, Jean-Claude Caer, Alexander Sokurov Van de regisseur van o.a. FAUST (Gouden Leeuw Venetië), RUSSIAN ARK, MOLOCH en MOTHER AND SON Wereldpremière: Filmfestival Venetië 2015 (official competition), awards: Fedeora Award for Best Euro-Mediterranean Film & Mimmo Rotella Award Distributie: Contact Film Vanaf 4 februari 2016 in de Filmtheaters FRANCOFONIA is het verhaal over twee opmerkelijke mannen, aanvankelijk elkaars vijanden: directeur van het Louvre Jacques Jaujard en nazi-officier Franz Graf Wolff- Metternich. Hun samenwerking was niet zonder risico's en zou de drijvende kracht worden achter het veiligstellen en behoud van Franse museum- en andere kunstschatten. Juni 1940. Duitse troepen marcheren Parijs binnen. Een officier, Franz Graf Wolff- Metternich, gaat al snel naar museum het Louvre. Hij is hoofd van Kunstschutz, de Duitse commissie ter bescherming van kunstwerken in bezet gebied. In het Louvre wordt hij ontvangen door Jacques Jaujard, directeur en bedenker van het evacuatieplan voor nationale musea. Het Louvre is - net als andere musea in Parijs - gesloten en nagenoeg leeg. De kunstschatten zijn in augustus 1939 al ondergebracht in landhuizen, net voordat de oorlog werd verklaard. In eerste instantie om ze te beschermen tegen mogelijke bombardementen. Aan kunstroof werd nog niet gedacht. -
December 2011 at BFI Southbank
PRESS RELEASE October 2011 11/74 December 2011 at BFI Southbank Gotta Sing! Gotta Dance! & Aleksandr Sokurov continue, Debbie Reynolds on-stage, Peter Kosminsky Featured Events Highlights from our events calendar include: x Debbie Reynolds in Conversation The dazzling Hollywood actress talks about her amazing career as a highlight of Gotta Sing! Gotta Dance! The MGM Musical x In 2012 the bi-centenary of Charles Dickens’ birth will be celebrated nationwide, with a three- month overview at BFI Southbank, starting in January. To launch this BFI Southbank will premiere Armando Ianucci’s new adaptation of The Mystery of Edwin Drood and preview Arena: Dickens on Film x A special Family Funday will see Eddie Izzard talk about the preview of The Lost Christmas (2011), an urban fairytale from the backstreets of Manchester x Eerie, seasonal shockers will be free-to-view in the Mediatheques with A Ghost Story for Christmas x Plus previews of Sherlock, A Scandal In Belgravia, with special guests Steven Moffat, Mark Gatiss and cast, Mike Cahill’s Another Earth and Puss in Boots (3D), when Shrek’s cohort gets his own film. The innovative composer Sir Peter Maxwell Davies will appear in Conversation with RAM Manson Ensemble before a screening of The Boy Friend (1971), which will be introduced by Ken Russell and Barbara Windsor; African Odysseys presents Bob Marley: The Making of a Legend and Kevin Macdonald explores the use of archive material through the 40- year career of Ernest Lindgren, the first curator of the BFI National Archive Major Seasons x Gotta Sing! Gotta Dance! The MGM Musical, Part Two The BFI homage to the delectable MGM Musical concludes with an array of titles from the 1950s, including On the Town (1949), Kiss Me Kate 3D (1953) and High Society (1956). -
LABYRINTHS of DECEIT Culture, Modernity and Identity in the Nineteenth Century
LABYRINTHS OF DECEIT Culture, Modernity and Identity in the Nineteenth Century LIVERPOOL ENGLISH TEXTS AND STUDIES 44 LABYRINTHS OF DECEIT Culture, Modernity and Identity in the Nineteenth Century Richard J. Walker LIVERPOOL UNIVERSITY PRESS First published 2007 by Liverpool University Press 4 Cambridge Street Liverpool L69 7ZU Copyright © 2007 Richard J. Walker The right of Richard J. Walker to be identified as the author of this work has been asserted by him in accordance with the Copyright, Design and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or trans- mitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. British Library Cataloguing-in-Publication data A British Library CIP record is available ISBN 978-0-85323-849-2 cased Typeset by XL Publishing Services, Tiverton Printed and bound in the European Union by Biddles Ltd, King’s Lynn Contents Acknowledgements vii Introduction: Tracing the fragments of modernity 1 Part I (De)Generating doubles: duality and the split personality in the prose writing of James Hogg, Robert Louis Stevenson and Oscar Wilde Introduction 29 1 Speaking and answering in the character of another: James Hogg’s private memoirs 49 2 He, I say – I cannot say, I: Robert Louis Stevenson’s strange case 68 3 The psychopathology of everyday narcissism: Oscar Wilde’s picture 91 Part II The stripping of the halo: religion and identity in the poetry of Alfred Tennyson, James ‘B. V.’ Thomson and Gerard Manley Hopkins Introduction 119 4 A life of death: Alfred Tennyson’s ‘St Simeon Stylites’ 124 5 But what am I? Alfred Tennyson’s In Memoriam 137 6 All is vanity and nothingness: James ‘B. -
As Count Franziskus Wolff-Metternich) German Actor Benjamin Utzerath Has an Extensive Career in Theater and Television
2015 VENICE FILM FESTIVAL Official Competition IDEALE AUDIENCE, ZERO ONE FILM, N279 ENTERTAINMENT present in co-production with ARTE FRANCE CINEMA and LE MUSEE DU LOUVRE A FILM BY ALEXANDER SOKurov with Louis-Do DE LENCQUESAING, Benjamin UtzeratH, Vincent NEMETH, Johanna KORTHALS Altes WORLD SALES AND FESTIVALS INTERNATIONAL PRESS FILMS BOUTIQUE RICHARD LORMAND - FILM|PRESS|PLUS Köpenicker Strasse 184 - Berlin, Germany tel. +33-9-7044-9865 Tel : +49-30-695-378-50 IN VENICE: +39-347-256-4143 www.filmsboutique.com www.FilmPressPlus.com [email protected] [email protected] 2015 - France/Germany/Netherlands - 87 mins - in French, Russian and German 02 - FRANCOFONIA SYNOPSIS FRANCOFONIA is the story of two remarkable men, Louvre director Jacques Jaujard and Nazi Occupation officerCount Franziskus Wolff-Metternich - enemies then collaborators - whose alliance would be the driving force behind the preservation of museum treasures. FRANCOFONIA explores the relationship between art and power, the Louvre museum as a living example of civilization, and what art tells us about ourselves even in the midst of one of the bloodiest conflicts the world has ever seen. From the master director of FAUST (Venice Golden Lion), RUSSIAN ARK, MOLOCH and MOTHER AND SON. Throughout his vast filmography – documentary, fiction and others somewhere in between – Alexander Sokurov has demonstrated that a museum is much more than a place to preserve art. Museums are the veritable DNA of a civilization, the living organ of the city where the heart of a nation beats. Sokurov’s approach to a museum is nothing less than sacred. With FRANCOFONIA, he explores a historical chapter that we might know, but whose description does not take into account all the lines that run through it.