Rebecca Scroggs

Total Page：16

File Type：pdf, Size：1020Kb

Rebecca Scroggs Agents Ellie Blackford [email protected] Roles Television Production Character Director Company BEFORE WE DIE Tina Carter Jan Matthys Eagle Eye for Channel 4 GRACE Ari Branson John Alexander ITV FLACK S1 and S2 Reese Peter Cattaneo/ George Hat Trick/ UKTV/ Talbot/ Stephen Moyer POPTV US SCARBOROUGH WPC Treeves Darren Litten BBC ALEX RIDER Snake Andreas Prochaska/ Sony/ Eleventh Hour Chris Smith QUEENS OF MYSTERY Ursula Ian Emes Sly Fox Productions/ Acorn TV CASUALTY Frankie Adams James Bryce BBC HOLBY CITY Toi Clifton Louise Hooper BBC1 EASTENDERS Fiona "Tosh" Various BBC Mackintosh - Series Regular PLENTY MORE FISH Kimberley Alex Winkler BBC3 DEATH IN PARADISE Michelle Bouchant Paul Harrison BBC United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company BATTLE OF THE Bayana Dave Stewart BBC1 APEMEN Stage Production Character Director Company RAVENS: SPASSKY VS Nikolai Annabelle Cromyn Hampstead Theatre FISCHER STEEL Vanessa/ Josie Rebecca Frecknall Sheffield Crucible Theatre WHAT SHADOWS Rose Cruickshank Roxana Silbert Birmingham Rep THE SUICIDE Maya Nadia Fall National Theatre ONE MONKEY DON'T STOP Beverly Dawn Walton Eclipse Theatre/ Tricycle NO SHOW Theatre A MIDSUMMER NIGHT'S Helena Sean Holmes Filter/ Lyric Hammersmith DREAM DREAM STORY Marianne/ Mizzi Anna Ledwich Gate Theatre DORIS DAY Anna Lucy Morrison Clean Break FATAL LIGHT Jay Lucy Morrison Clean Break DANTONS DEATH Elenor Duplay Michael Grandage National Theatre DETAINING JUSTICE Chi Chi Indhu Rubasingham Tricycle Theatre THE THREE SISTERS Masha Jonathan Miller RADA THE LAST DAYS OF JUDAS St Monica/ Loretta Toby Frow RADA ISCARIOT Film Production Character Director Company AWAKENED DREAMS Pale Chris Bouchard XD Productions Short Film Production Character Director Company HARD TO LOSE Laura Manfredi Mancuso Radio Production Character Director Company United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] CARDBOARD HEART Goadsby Pia Furtado Lucky Giant/ Radio 4 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected].

Copy Link

Recommended publications

Keeping America Safe from Rentboy Escorts
local name global coverage September 2, 2015 vol. 6 // issue 35 s o u t h f l o r i d a g a y n e w s CHECKKC OUTTUO THEEHT NEWWEN GaGaWiltonznotl ManoeonaM rstte ITINSERT IN CENTER pages 18, 34 - 35 Keeping America safe from Rentboy escorts SOUTHFLORIDAGAYNEWS SOFLAGAYNEWS SFGN.COM SouthFloridaGayNews.com comments from sfgn’s The opening Line online outlets SEPTEMBER 2, 2015 •VOLUME 6 • ISSUE 35 Compiled by John McDonald 2520 N. DIXIE HIGHWAY • WILTON MANORS, FL 33305 PHONE: 954-530-4970 FAX: 954-530-7943 Photos: Facebook. PUBLISHER • NORM KENT Ted cRuz says [email protected] an open Letter CHIEF EXECUTIVE OFFICER • PIER ANGELO GUIDUGLI To The Owners of Tropics Gays should be able to discriminate against Christians ASSOCIATE PUBLISHER / EXECUTIVE EDITOR • JASON PARSLEY [email protected] debbie chamberlin – SFGN embarrasses Luimar zibetti garza – Editorial ART DIRECTOR • BRENDON LIES themselves yet again. Very And flowers around the world just shake their blooming [email protected] unprofessional on both sides, heads at our self proclaimed “intelligence.” Dude....it’s a DESIGNER • MARTIN GOULD but this is the kind of pissy f**ken bouquet of flowers just trying to either stay planted [email protected] writing you save for yourself and live, or die while somebody else smiles at their fading INTERNET DIRECTOR • DENNIS JOZEFOWICZ and never allow to see the petals ..... light of day. If the editor pitches a public [email protected] EDITORIAL ASSISTANT • JILLIAN MELERO bitch fit, how can any reasonable person ....seriously, pick a “new” analogy and git over yourselves..
[Show full text]
Iain Robertson
22 Astwood Mews, London, SW7 4DE CDA +44 (0)20 7937 2749|[email protected] IAIN ROBERTSON HEIGHT: 5’8 HAIR: Black EYES: Hazel VEHICLE LICENCES: Full Driving Licence Iain received a Scottish BAFTA for Gillies Mackinnon’s ‘Small Faces’. He has been nominated for the Ian Charleson Award twice, receiving a commendation for Bill Bryden’s ‘Mysteries’ trilogy, and third prize for Michael Grandage’s ‘The Tempest’. THEATRE LAST FERRY TO DUNOON ‘Johnaboy’ Dir. David Hayman Jr. [Òran Mór] ON THE SIDELINES ‘John’ Dir. Gilles MacKinnon (Òran Mór) VLAD THE IMPALER ‘Aga Carasol/Dragavei/Dan/Painter/Impaled Romanian’ Dir. Faynia Williams (Òran Mór) THE BRIDGE ‘Davy’ Dir. Donna Franceschild (Òran Mór) FRANK’S DEAD ‘Neil’ Dir. Graeme Maley (Òran Mór) SHANG-A-LANG ‘Carl’ Dir. Michael Emans (Rapture Theatre) THE GREAT TRAIN RACE ‘Cammie’ Dir. Rob Jones (Òran Mór and Lemon Tree, Aberdeen) BREAKER ‘Danny’ Dir. Graeme Maley (Sodid Svid Company at Underbelly, Edinburgh Festival) CLASSIC CUTS: THE TAMING OF THE SHREW ‘Petruchio’ Dir. Rosie Kellagher (Òran Mór) TAKIN’ OVER THE ASYLUM ‘Eddie’ Dir. Mark Thompson (Lyceum Edinburgh / Citizens Glasgow) Nominated Best Male Performance, Critics’ Awards for Theatre in Scotland 2012 - 2013 TAKE ME IF YOU NEED ME Dir. Graeme Maley (Òran Mór) ANGELS ‘Nick’ Dir: Graeme Maley (Oran Mor, Glasgow / Traverse, Edinburgh) THE HARD MAN ‘Johnstone/The Bandit’ Dir. Philip Breen (Edinburgh Festival Theatre) MY ROMANTIC HISTORY ‘Tom’ Dir. Lyndsey Turner (Bush Theatre/Sheffield Theatre/Traverse Theatre) LYSISTRATA ‘Cleonice’ Dir. David MacLennan (Òran Mór) CONFESSIONS OF A JUSTIFIED SINNER ‘Gill-Martin’ Dir. Mark Thomson (Royal Lyceum, Edinburgh) HOMECOMING SCOTLAND CELEBRATIONS ‘Robert Burns’ Dir.
[Show full text]
Completeandleft
MEN WOMEN 1. JA Jason Aldean=American singer=188,534=33 Julia Alexandratou=Model, singer and actress=129,945=69 Jin Akanishi=Singer-songwriter, actor, voice actor, Julie Anne+San+Jose=Filipino actress and radio host=31,926=197 singer=67,087=129 John Abraham=Film actor=118,346=54 Julie Andrews=Actress, singer, author=55,954=162 Jensen Ackles=American actor=453,578=10 Julie Adams=American actress=54,598=166 Jonas Armstrong=Irish, Actor=20,732=288 Jenny Agutter=British film and television actress=72,810=122 COMPLETEandLEFT Jessica Alba=actress=893,599=3 JA,Jack Anderson Jaimie Alexander=Actress=59,371=151 JA,James Agee June Allyson=Actress=28,006=290 JA,James Arness Jennifer Aniston=American actress=1,005,243=2 JA,Jane Austen Julia Ann=American pornographic actress=47,874=184 JA,Jean Arthur Judy Ann+Santos=Filipino, Actress=39,619=212 JA,Jennifer Aniston Jean Arthur=Actress=45,356=192 JA,Jessica Alba JA,Joan Van Ark Jane Asher=Actress, author=53,663=168 …….. JA,Joan of Arc José González JA,John Adams Janelle Monáe JA,John Amos Joseph Arthur JA,John Astin James Arthur JA,John James Audubon Jann Arden JA,John Quincy Adams Jessica Andrews JA,Jon Anderson John Anderson JA,Julie Andrews Jefferson Airplane JA,June Allyson Jane's Addiction Jacob ,Abbott ,Author ,Franconia Stories Jim ,Abbott ,Baseball ,One-handed MLB pitcher John ,Abbott ,Actor ,The Woman in White John ,Abbott ,Head of State ,Prime Minister of Canada, 1891-93 James ,Abdnor ,Politician ,US Senator from South Dakota, 1981-87 John ,Abizaid ,Military ,C-in-C, US Central Command, 2003-
[Show full text]
Creating a Better Future Annual Report 2019 Our Core Values
CREATING A BETTER FUTURE ANNUAL REPORT 2019 OUR CORE VALUES The Immune Deficiency Foundation (IDF) improves the diagnosis, treatment, and quality of life of people affected by primary immunodeficiency (PI) through fostering a community empowered by advocacy, education, and research. Our core values are inclusion, integrity, and innovation. Inclusion can only occur when everyone within our community and beyond has the opportunity to belong, to be heard, to be valued. To uphold integrity, it’s critically important that we are trustworthy stewards for the PI community, putting their livelihood first. We will embrace challenges head-on with new solutions and ways to strengthen the PI community through innovation. In addition, we commit to serving our constituents with transparency, trust, and compassion. The Immune Deficiency Foundation is proud to be an equal opportunity employer. We are rare and we are powerful. Like the stripes of a zebra, no two people are the same, and at IDF, we celebrate this uniqueness every day. An inclusive, diverse, and fair workplace makes our community more powerful. At IDF, we build communities and programs for people living with PI. It’s through these services, that they can connect with other individuals, families, and healthcare professionals who are living and working with PI. In 2019, we implemented initiatives to foster relationships within the community, and provide rich and accurate information and resources to thousands. We helped advance research and worked collaboratively with expert clinicians from across the country to better understand patient experiences and improve outcomes. All those living with PI continue to rely on IDF for information and support, which is why we’ve made the commitment to ensure a better future for generations to come.
[Show full text]
Death TV | Drone Warfare in Contemporary Popular Culture | 1
“A ground-breaking analysis of drone stories” Susan Flynn DEATH Drone warfare in contemporaryTV popular culture “A cogent, lively, and urgent contribution to the cultural study of drones” Ronak K. Kapadia Alex Adams Note: The term ‘drone’ is used interchangeably with ‘Unmanned Aerial Vehicle (UAV)’ in this report. Drone Wars UK is a small British NGO established in 2010 to undertake research and advocacy around the use of armed drones. We believe that the growing use of remotely-controlled, armed unmanned systems is encouraging and enabling a lowering of the threshold for the use of lethal force as well as eroding well established human rights norms. While some argue that the technology itself is neutral, we believe that drones are a danger to global peace and security. We have seen over the past decade that once these systems are in the armoury, the temptation to use them becomes great, even beyond the constraints of international law. As more countries develop or acquire this technology, the danger to global peace and security grows. Published by Drone Wars UK Drone Wars UK Written by Alex Adams Peace House, 19 Paradise Street March 2021 Oxford, OX1 1LD Design by Chris Woodward www.dronewars.net www.chriswoodwarddesign.co.uk [email protected] Death TV | Drone warfare in contemporary popular culture | 1 Contents Executive summary 2 Introduction: Drone stories 4 1 Just in time 12 Imminence, Legality, Morality 2 Collateral damage 23 Civilian Death/Bugsplat 3 Technophilia 32 The Glory Of The Weapon 4 Hijack and blowback 38 Drones And/As
[Show full text]
2012 Webcast Topics and Presenters
American Association for Respiratory Care Board of Directors Meeting Renaissance Orlando at SeaWorld Orlando, FL July 18-19, 2013 1 Index Page # Agenda……………………………………………………… 3 Recommendations…………………………………………. 7 Minutes …………………………………………………….. 10 E-Motions ………………………………………………….. 35 General Reports ……………………………………………. 36 Standing Committee Reports ………………………………. 116 Specialty Section Reports ………………………………….. 126 Special Committee Reports ………………………………… 137 Special Representatives Reports …………………………… 158 Roundtable Reports ………………………………………… 176 Ad Hoc Committee Reports ………………………………… 189 Other Reports (ARCF, CoARC, NBRC)……………………….. 212 Unfinished Business ……………………………………….... 218 New Business ………… ……………………………………... 219 2 AMERICAN ASSOCIATION FOR RESPIRATORY CARE AARC Executive and Finance Committee Meetings – July 17, 2013 Board of Directors Meeting – July 18-19, 2013 Wednesday, July 17 4:00-7:00 pm Executive Committee Meeting (Committee Members only) [Executive Boardroom] 7:00-8:00 pm AARC Finance Committee Meeting (BOD and HOD members are encouraged to attend) [Atlantis] Thursday, July 18 8:00 am-5:00 pm Board of Directors Meeting [Atlantis] 8:00 am Call to Order Announcements/Introductions Disclosures/Conflict of Interest Statements Approval of Minutes pg. 10 E-motion Acceptance pg. 35 General Reports pg. 36 President pg.37 Past President pg.39 Executive Director Report pg. 40 (R) Government & Regulatory Affairs pg. 53 (A) House of Delegates pg. 71 Board of Medical Advisors pg. 72 Presidents Council pg. 75 10:00 am BREAK 10:15 am Standing Committee Reports pg. 76 Audit Subcommittee pg. 77 Bylaws Committee pg. 78 (R) Elections Committee pg. 113 (R) Executive Committee pg. 114 Finance Committee pg. 115 Judicial Committee pg. 116 Program Committee pg. 117 Strategic Planning Committee pg. 119 12:00 pm Lunch Break (Daedalus Board Meeting) 1:30 pm Reconvene – JOINT SESSION 3:30 pm Break 3:45 pm Specialty Section Reports pg.
[Show full text]
Study Guide For
Study Guide for Written by Sophie Watkiss Edited by Rosie Dalling Rehearsal photography by Marc Brenner Production photography by Hugo Glendining This programme has been made possible by the generous support of The Bay Foundation, Noel Coward Foundation and Universal Consolidated Group 1 Contents Section 1: Cast and Creative Team Section 2: Lanford Wilson and a New American Theatre Off-Off Broadway The style of Lanford Wilson’s work An introduction to SERENADING LOUIE The quartet of characters Section 3: Inside the rehearsal room Design concept A conversation with Ben Woolf, Associate Director Section 4: Practical work Act One, Scenes One and Two Section 5: Bibliography and endnotes 2 section 1 Cast and Creative Team Cast Charlotte Emmerson: MARY Theatre: includes Wallenstein (Chichester Festival), On the Rocks (Hampstead), The Children’s Hour, Great Expectations (Manchester Royal Exchange), Therese Raquin, The Coast of Utopia, The Good Hope, The Cherry Orchard (NT), The Daughter-in-Law (Watford Palace), Postman Always Ring Twice (Playhouse/ WYP), The Seagull (Edinburgh Festival), Our Song (TEG Productions), Baby Doll (Birmingham Rep/NT/Albery), The Crucible (tour). Film: includes The Last Minute, Smile, Weekend Bird, Food of Love, Wangle. Television: includes Casualty 1909, Berry’s Way, The Innocent Project, Stan, See No Evil, Midsomer Murders, Vincent, Outlaws, The Brief, Foyles War, The Alan Clark Diaries, Holby City, Peak Practise, Just Desserts, Noah’s Ark, The Lives and Crimes of William Palmer, Underworld, Staying Alive. Jason
[Show full text]
Bulk Fuel Marines Keep Aircraft in Sky During TACP Destructive Weather
Celebrating 100 Years of Marine Aviation Vol. 69, No. 34 www.cherrypoint.marines.mil August 25, 2011 Bulk Fuel Marines keep aircraft in sky during TACP Destructive weather LANCE CPL. GLEN E. SANTY MCAS CHERRY POINT Marines with Marine Wing Support Squadron 274’s Bulk Fuels kept Marine Corps aircraft in the air during Tactical Air Control Party at the Marine Corps Auxiliary Landing Field Bogue, Monday - Wednesday. The Marines conducted “hot” and “cold” refueling and reloading during the TACP missions. “This training gives our Marines a chance to fully use and understand our systems,” said Sgt. Wallace Renshaw, a Cherry Point Bulk Fuel specialist. “I’m hoping to see that the Marines have a basic understanding of what their job is. NASA Bulk Fuel is not a glamorous job, but it has its The fi rst hurricane of the season, Irene, was upgraded to a Category 3 storm and made landfall in San Juan Puerto purpose. Everybody in the Marines Corps needs Rico Tuesday. Irene reached the Bahamas today and is predicted to continue toward Florida by Friday and enter fuels for something.” eastern North Carolina Saturday. Stay tuned to local news for updates on Hurricane Irene. A system called the tactical airfi eld fuel dispensing system is used during hot refuels. Aircraft are taxied into the fuel pits, and with Preparing for approaching storm engines still running are refueled. “It’s dangerous but you just really have to pay SPECIAL TO THE WINDSOCK period, roughly fi ve hurricanes strike surface. attention to what’s going on around you,” said NOAA the US coastline, killing approximately 1 knot = 1 nautical mile per hour or Lance Cpl.
[Show full text]
Post-Incident Recovery Considerations of the Health Care Service Delivery Infrastructure: Workshop Summary
This PDF is available from The National Academies Press at http://www.nap.edu/catalog.php?record_id=13442 Post-Incident Recovery Considerations of the Health Care Service Delivery Infrastructure: Workshop Summary ISBN Theresa Wizemann and Bruce M. Altevogt, Rapporteurs; Forum on 978-0-309-26060-2 Medical and Public Health Preparedness for Catastrophic Events; Board on Health Sciences Policy; Institute of Medicine 40 pages 6 x 9 PAPERBACK (2012) Visit the National Academies Press online and register for... Instant access to free PDF downloads of titles from the NATIONAL ACADEMY OF SCIENCES NATIONAL ACADEMY OF ENGINEERING INSTITUTE OF MEDICINE NATIONAL RESEARCH COUNCIL 10% off print titles Custom notification of new releases in your field of interest Special offers and discounts Distribution, posting, or copying of this PDF is strictly prohibited without written permission of the National Academies Press. Unless otherwise indicated, all materials in this PDF are copyrighted by the National Academy of Sciences. Request reprint permission for this book Copyright © National Academy of Sciences. All rights reserved. Post-Incident Recovery Considerations of the Health Care Service Delivery Infrastructure: Workshop Summary Post-Incident Recovery Considerations of the Health Care Service Delivery Infrastructure Workshop Summary Theresa Wizemann and Bruce M. Altevogt Rapporteurs Forum on Medical and Public Health Preparedness for Catastrophic Events Board on Health Sciences Policy PREPUBLICATION COPY: UNCORRECTED PROOFS Copyright © National Academy of Sciences. All rights reserved. Post-Incident Recovery Considerations of the Health Care Service Delivery Infrastructure: Workshop Summary THE NATIONAL ACADEMIES PRESS • 500 Fifth Street, NW • Washington, DC 20001 NOTICE: The project that is the subject of this report was approved by the Governing Board of the National Research Council, whose members are drawn from the councils of the National Academy of Sciences, the National Academy of Engineering, and the Insti- tute of Medicine.
[Show full text]
1873 Newspaper Reports
COMPILATION OF CANAL TRADE ARTICLES FROM THE ALLEGANIAN and THE DAILY TIMES Two Cumberland newspapers, THE HERALD AND TORCH LIGHT A Hagerstown, Md. Newspaper, NATIONAL REPUBLICAN and EVENING STAR Two Washington, D. C. newspapers and THE ALEXANDRIA GAZETTE An Alexandria, Va. newspaper 1873 Compiled by William Bauman C & O Canal Association Volunteer [email protected] JULY 2016 1 A. PREFACE This compilation of newspaper articles about the C. & O. Canal is one of a series. The Alleganian and The Daily Times, two Cumberland, Md. newspaper were found on microfilm at Frostburg State University, Frostburg, MD. The Herald and Torch Light a Hagerstown, Md. Newspaper, the National Republican and Evening Star, two Washington, D. C. newspapers and The Alexandria Gazette an Alexandria, Va. newspaper were found on-line. Articles transcribed from The Alleganian are preceded by CA, those from The Daily Times are preceded by DT, those from The Herald and Torch Light are preceded by H&TL, those from the National Republican are preceded by NR, those from the Evening Star are preceded by ES and those from the Alexandria Gazette are preceded by AG. The Daily Times issues for Oct. and Dec. 1874 were missing from the microfilm roll. Not every edition of a newspaper had a story about the canal, and some issues were missing from the microfilm roll; thus the reader will notice gaps in the record. This is an edited report. After the transcription was complete, an EXCEL spread sheet of the canal trade entries was made to establish consistency in spellings of the canal boat names.
[Show full text]
(Executive Producer) Willow Grylls Started Her Career in Film, Working
PRODUCTION BIOGRAPHIES WILLOW GRYLLS (Executive Producer) Willow Grylls started her career in film, working on Lynne Ramsay's Morvern Callar and Shane Meadows' A Room for Romeo Brass (2000) before moving on to produce Penny Woolcock's Mischief Night (2006). Morvern Callar went on to win a Scottish BAFTA Award for Best Actress in a Feature Film in 2002 as well as two British Independent Film Awards and two Cannes Film Festival Awards, among many others. Willow joined Charlie Pattinson and George Faber's Company Pictures at its inception in 1998, working initially on film in development and business affairs. She then became a producer and series producer for television commencing with Martina Cole’s “The Take” (2009), starring Tom Hardy, and “The Runaway,” starring Alan Cumming, both for Sky. “The Runaway” was nominated for an International Emmy® Award in 2010. In October 2013, Willow joined Charlie Pattinson as an executive alongside Elaine Pyke to build up a new production slate at New Pictures. Launched in September 2013, New Pictures is producing “Indian Summers,” a 10-hour returning series for Channel 4 and WGBH. CHARLES PATTINSON (Executive Producer) Charlie Pattinson launched Company Pictures in 1998 with George Faber and developed it into one of the UK’s largest and most awarded independent production companies. In 2014 he launched New Pictures, which recently produced the first series of “Indian Summers” for Channel 4 and Masterpiece. Charlie’s credits include the Golden Globe®-winning “Elizabeth I” for HBO starring Helen Mirren
[Show full text]
This Electronic Thesis Or Dissertation Has Been Downloaded from Explore Bristol Research
This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Piper, Helen Title: Questions of value and problems of critical judgement : British television drama serials, Autumn 1997 - Autumn 2000. General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. Questions of Value and Problems of Critical Judgement: British Television Drama Serials, Autumn 1997 - Autumn 2000 Helen Piper A dissertationsubmitted to the University of Bristol in accordancewith the requirementsof the degreeof Doctor of Philosophy in the Faculty of Arts.
[Show full text]