May 2019 Preview-Art.Com Media Sponsor ERIC KLEMM Fields of Colour

GUIDE TO GALLERIES + MUSEUMS

ALBERTA BRITISH COLUMBIA WASHINGTON OREGON

April - May 2019 preview-art.com Media Sponsor ERIC KLEMM Fields of Colour

April 6 - 30, 2019 Opening Reception: Saturday, April 6 from 2 to 4 pm

2342 Granville Street, Vancouver iantangallery 604 738 1077 iantangallery.com Installation Storage Shipping Transport Framing

Providing expert handling of your fine art for over thirty years.

155 West 7th Avenue, Vancouver, BC Canada V5Y 1L8 604 876 3303 denbighfas.com [email protected] Installation Storage Shipping Transport Framing

Providing expert handling of your fine art for over thirty years.

155 West 7th Avenue, Vancouver, BC Canada V5Y 1L8 604 876 3303 denbighfas.com [email protected] BRITISH COLUMBIA ALBERTA

Laxgalts’ap

Prince Rupert Prince George St. Albert Skidegate Edmonton HAIDA GWAII North Vancouver West Vancouver Port Moody Williams Lake Vancouver Coquitlam Burnaby Maple Ridge Richmond New Westminster Banff Canmore Chilliwack Calgary Surrey Fort Langley Salmon Arm Tsawwassen White Rock Abbotsford Foothills Kamloops Vernon Black Diamond Lake Country Whistler Kelowna Medicine Hat Black Creek Comox Penticton Nelson Qualicum Beach Lethbridge Vancouver Grand Forks Port Alberni (see above) Castlegar Tofino Nanaimo Osoyoos Bellingham Oroville Victoria La Conner Friday Harbor Everett Port Angeles Spokane Bellevue Bainbridge Island Seattle Ellensburg Tacoma WASHINGTON Pacific Ocean

Astoria Cannon Beach Portland Manzanita Salem Sisters Eugene OREGON

6 APR - MAY 2019 H OPEN LATE ON FIRST THURSDAYS April - May 2019 Vol.33 No.2 ALBERTA PREVIEWS & FEATURES 8 Banff, Black Diamond, Calgary 12 Canmore 13 Edmonton 10 Alberta Vignettes 16 Foothills, Lethbridge 11 Christian Dior - Glenbow Museum 17 Medicine Hat, St. Albert 13 Cul-de-sac - Art Gallery of Alberta BRITISH COLUMBIA 20 Stephanie Patsula - The Reach Gallery Museum 17 Abbotsford 18 Black Creek, Burnaby, Castlegar, Chilliwack 23 Lynne Cohen - Burnaby Art Gallery 19 Comox, Coquitlam, Fort Langley, Grand Forks, Kamloops 26 British Columbia Vignettes 20 Kelowna 21 Lake Country, Laxgalts'ap, Maple Ridge, 28 Karen Tam - Richmond Art Gallery Nanaimo 32 Moving Still - Vancouver Art Gallery 22 Nelson, New Westminster 24 North Vancouver 42 Close-Up: Salt Spring National Art Prize 25 Osoyoos, Penticton, Port Alberni 28 Port Coquitlam, Port Moody 44 Tales of an Empty Cabin - Audain Art Museum 29 Prince George, Prince Rupert, Qualicum Beach, Richmond 46 Jim Breukelman - West Vancouver Art Museum 30 Salmon Arm, Skidegate, Surrey, Tofino 51 Close-Up: Mark Loria - Alcheringa Gallery 32 Vancouver 52 Vernon 54 Landscapes of Edo - 53 Victoria 55 West Vancouver Art Gallery of Greater Victoria 56 Whistler 58 White Rock, Williams Lake 57 Washington Vignettes 60 Close-Up: Gaylen Hansen - Linda Hodges Gallery WASHINGTON 58 Bainbridge Island, Bellevue 65 Seattle Style - Museum of History & Industry 59 Bellingham, Ellensburg 67 Translations - Museum of Glass 61 Everett, Friday Harbor, La Conner, Oroville 62 Port Angeles, Seattle 69 Oregon Vignettes 66 Spokane, Tacoma 71 Terry Toedtemeier - Portland Art Museum

OREGON 73 Mel Bochner - Oregon Jewish Museum 68 Astoria, Cannon Beach 70 Eugene, Manzanita, Portland and Center for Holocaust Education 74 Salem, Sisters 75 Exhibition Catalogues of Interest © 1986-2019 Preview Art Media Inc. ISSN 1481-2258 Member of Tourism Vancouver and Visit Seattle. 76 Art Services Reproduction in whole or in part is strictly forbidden EDITORIAL + ADVERTISING 78 Index Tel 604-222-1883 Toll Free 1-844-369-8988 Email [email protected] Address PO Box 39041, 3695 W 10th Ave. Cover: Dan Friday (Lummi, born 1975) Sxwo’le (Reef Net) Vancouver, BC V6R 4P1 Canada Anchor, 2018, blown glass. Paula Fairweather, Publisher Courtesy of the artist. Meredith Areskoug, Listings Editor Photo: Ian Lewis. Trevor Martin, Art & Production Manager Judith Mazari, Graphic Production Artist Banner Image: Visitors enjoy exhibition at Foss Waterway Seaport. The views, opinions and positions expressed are those Photo courtesy of Foss Waterway Seaport. of the authors and do not necessarily reflect those of the publisher. Please note that all gallery particulars are set out as submitted by clients prior to the date of publication. Printed on FSA approved and recycled paper preview-art.com PREVIEW 7 historic portraits painted by re- tiful Alberta Foothills comes fibre spected painters from the past 600 artist Judy Sysak. Sysak processes ALBERTA years with a contemporary young raw sheep’s fleece by hand, kettle person who is choreographed to dyes the fibre, spins it into yarn, and BANFF resemble and interact with the his- weaves it into cloth on her Saori toric subject. Her accomplished and loom. To Jun 1 Because It Never Whyte Museum captivating paintings unite past eras Occurs to Us that we cannot by of the Canadian Rockies with current contemporary culture. Robin Lambert. The Surface of 111 Bear St &403-762-2291 Opening Reception: April 13, 7pm. Things; Chasing Light by Brenda whyte.org Malkinson, and Milk & Oil by daily 10am-5pm. Admission: adults BLACK DIAMOND Giselle Peters. Three exhibitions $10; seniors $9; students & locals running concurrently. (Lake Louise to Morley) $5; children Bluerock Gallery Opening Reception: Apr 27, 2pm. under 12 & members free. Apr 110 Centre Ave W &403-933-5047 13-Jun 9 Carl White: Carousel. bluerockgallery.ca Contemporary Calgary White’s fascination with art history daily 10am-6pm including holidays various locations &403-770-1350 and mythology together with his and by appt. A destination for contemporarycalgary.com understanding of artistic techniques, handmade, one-of-a-kind fine art Public programs and exhibitions are theories and application are the and craft. We represent close to 200 held at a variety of central Calgary foundations of his practice. An artists, most of whom live and work locations. See website for details. intelligent and highly-skilled painter, within 100 miles of the gallery. he combines these fundamentals Esker Foundation to shape compelling, historic paint- CALGARY 4th floor - 1011 9th Ave SE erly references in coexistence with &403-930-2490 poetically nuanced contemporary Alberta Craft Gallery eskerfoundation.com impressions. Opening Reception: Suite 280-1721 29th Ave SW &587- tue-sun 11am-6pm; thu-fri 11am- April 13, 7pm. Laara Cassells 391-0129 albertacraft.ab.ca 8pm. Free admission. To May 12 _after. Working with digital wed-fri 11am-5 pm; Sat 10am-5pm. Neil Campbell: wheatfield. reference material and live models, Free Admission To Apr 6 SPOTLIGHT Campbell’s works - which range Cassells re-stages and combines YYC: Judy Sysak. From the beau- in execution from wall paintings,

Nickle Galleries UNIVERSITY

OF CALGARY

N W 1 Trans-Canada Hwy Edmonton Trail

1A Illingworth Kerr Gallery ALBERTA UNIVERSITY CALGARY OF THE ARTS orial Dr N em W M

Bo W w S

t Ri DOWNTOWN v S e 2 r 4

1 The New Gallery Ave SW 4 S

8 Ave SW e

t TRUCK Contemporary Art 10 Ave SW 9 Ave n SW e Glenbow

C Esker Foundation 10 Ave SW

Herringer Kiss Newzones E

S The Collectors' Gallery of Art

11 Ave SW t 9 S A ve

1 W W W 17 Ave SW SE

S S S

t t t CALGARY

S S S

2 7 6 STAMPEDE E B S ow Rive il ow lb r ra R E T iv t e o kfo r

W c Bla S

l i r a T 29 Ave SW Alberta Craft Gallery E d l

i S t h

c S

w 33 Ave SW 4 o

r il

a l C r i S W

a T

r d T o 42 Ave SE t e l o 2 0 S t c o Leighton Art Centre a rf M e Founders’ Gallery e Bluerock Gallery D

8 APR - MAY 2019 H OPEN LATE ON FIRST THURSDAYS Glenna Cardinal, mourning home. Presented in partnership with TRUCK Contemporary Art. Photo: John Dean. Esker Foundation, Calgary painted panels that gesture toward van Agtmael. Part of Exposure 2019, jewellery. Kent Monkman: The Rise the sculptural, photography, and Alberta’s Photography Festival. and Fall of Civilization. Monkman’s light installations – address the alter-ego Miss Chief Eagle Testickle expanded somatic field and the Glenbow H stands atop a 9-ft high replica of a physicality connected to the act of 130 9th Ave SE &403-268-4100 rock-face buffalo jump as sculptural viewing. Jeremy Shaw: Quanti- glenbow.org bison run through the gallery. fication Trilogy. At the center of tue-thu 9am-5pm; fri 9am-8pm; Shaw’s first solo show in Calgary 9am-5pm;sun 12pm-5pm. Admis- Herringer Kiss Gallery are three para-fictional short films: sion: adults $16, seniors & students 101, 1615-10 Ave SW Quickeners (2014), Liminals (2017), $11, youth (7-17) $10, family (2 &403-228-4889 and I Can See Forever (2018), the adults & 4 youth) $40, children herringerkissgallery.com latter of which is making its Cana- under 6 free, members free. First tue-sat 11 am-5 pm. To May 2 dian installation premiere. PROJECT thu free: 5pm-9pm. To May 26 Chris Blake Senini: Dear Nevermore. SPACE: To Apr 28 Glenna Cardinal: Cran: At Play. Begins with Cran ex- One of Alberta’s most highly mourning home. ploring a self-imposed question like regarded sculptors, Senini is the “What if I do this?” or “What if I mix recipient of numerous awards and Founders’ Gallery this with that?” To Jun 2 Christian has exhibited widely, both nation- 4520 Crowchild Trail SW Dior. A selection of breathtaking ally and internationally, for over 40 &403-410-2340 fashions ranging from daytime to years. Light and photography, with founders.ucalgary.ca evening wear for grand occasions. their peculiar characteristics and mon-fri 9am-5pm; sat & sun Meryl McMaster: Confluence. relationships to form, have always 9:30am-4pm. To May 20 Walled McMaster (Plains Cree and Euro-Ca- been of particular interest to Blake’s Off: The Politics of Containment. nadian) explores her own sense of studio practice and research. Perhaps the ultimate denial of identity, and the complex history of May 2-Jun 22 Michael Davidson: freedom is captivity; this exhibition the photographic representation of Thelonious. Davison’s work can brings together photographic work Indigenous peoples. Antoni Tàpies: be found in collections in Canada, that explores state suppression, Prints, 1948-1976. Works that the United States, Europe, Asia and control and containment, and have never before been publicly Australia. His paintings are included summons the never-ending quest exhibited at Glenbow. On Location: in the acclaimed Carte Blanche 2: for individual liberty and human Artists Explore a Sense of Place. Painting – a survey of new Canadian dignity. Curated by Dona Schwartz, A collection of Glenbow’s modernist painting (2009) and The 60 Painters University of Calgary and including and contemporary art. Artist In exhibition and catalogue in Toronto, work by Nina Berman, Edmund Residence: Albertine Crow Shoe, Canada (2012). Davidson lives and Clark, Paula Luttringer and Peter known primarily for her exquisite works in Toronto. preview-art.com PREVIEW 9 Christian Dior Vignettes by Robin Laurence ALBERTA GLENBOW MUSEUM, Calgary AB - To June 2 by Michael Turner HOME ECONOMICS: 150 YEARS OF CANADIAN HOOKED RUGS Borealis Gallery, Legislative Assembly Visitor Centre, Edmonton. To Apr 23 Most people know the story of how pleats, Touring from the Textile Museum of Canada, this exhibition of hooked rugs demon- cu s and ru es fell out of fashion during strates the origins of a true Canadian folk art in poverty, frugality, and the resourceful the Second World War, due in large part reuse of old materials. It follows rug hooking of the late 19th and early 20th century to rationing. Fewer know that the post- up to the present day, exemplifying the craft’s enduring creative and expressive po- war “New Look” is attributed to the 1947 DEANNE FITZPATRICK, SCHOOL OF FISH, c. 1995 tential. Among those on view are works by Florence Ryder, who adapted geometric presentation of designer Christian Dior’s COLLECTION OF RUTH MANDEL Sioux designs to East Coast folk traditions. fi rst collection. The designer is heralded for his exaggerated massing, unique silhouettes and intricate embroidery, but Dior’s BLAKE SENINI: DEAR NEVERMORE legacy might lie in his ability to sidestep Herringer Kiss Gallery, Calgary. To May 15 wartime pragmatism without appearing Calgary-based sculptor Blake Senini takes inspiration from the relationship between the play of light and the medium of photography. Often working in wood, which he ostentatious. To achieve this, he took a may fi nish with cochineal dye, lacquer paint, and brass or copper leaf, he creates holistic approach, what he called the “com- evocative forms that range from the organic to the geometric. Rather than attempt plete look.” to dictate a reading of sculptures that may suggest anything from a splayed fan to a For Dior, fashion began with the small- BLAKE SENINI, heap of feathered wings, Senini invites viewers to bring their own experiences and est details and built outwards. Perfume, THERE'S FIRE IN THE PINES, 2018 interpretations to bear. handbags, shoes and jewellery were not Photo: Laziz Hamani Photo: Laziz so much scripted features attached to a JASON CARTER Caracas Late Afternoon Dress, Christian Dior, Paris, Libre, single production but part of a permutable Bearclaw Gallery, Edmonton. April 13 - 25 Spring-Summer 1957. © Royal Ontario Museum system. Predominant in this exhibition or- Widely acclaimed artist Jason Carter, from the Little Red River Cree Nation, works ganized by the Royal Ontario Museum are across painting, sculpture, illustration and public art. Carter’s stone carvings and gowns and daytime apparel from the fi rst 10 years of the House of Dior (1947-57), when the de- brightly coloured, darkly outlined paintings – reminiscent of stained glass – often signer was most active. Also on display are supplementary elements that detail Dior’s revival retell stories passed on to him from the elders of his community. Featuring wild of older dressmaking techniques and their fusion with modern materials, cuts and designs. creatures, such as Bear, Moose and Raven, the stories combine traditional narratives with Carter’s rich imagination to tell what he calls “new stories fi lled with wonder In her curatorial statement, Alexandra Palmer notes that 40 of the garments were “donated JASON CARTER, and morals.” THE REFLECTING BEAR REFLECTS, 2018 to [the ROM] by Toronto socialites. They are fragile records of the lives and aspirations of those who made, sold, and wore them. I have interviewed many of these women and men to capture LAARA CASSELLS: _AFTER their stories and the transformative power of fashion. It is through the marriage of these re- Whyte Museum of the Canadian Rockies, Ban . Apr 13 - Jun 9 sources with archival research, that I trace histories of ingenuity and partnerships from Paris to Realist artist Laara Cassells juxtaposes the subjects of historical portrait paintings Toronto. It is this complicated mix of the personal, the aesthetic, and the economic that makes with contemporary models as the latter interact with electronic devices such as fashion such an endlessly fascinating subject of research...” cellphones, tablets and laptop computers. Executed in exquisite detail, these double glenbow.org portraits suggest a subtle degree of interaction between young people past and present, while also articulating their di erences. Cassells’ work is displayed in conjunction with Carl White’s equally engaging deconstructions of historic painting tropes LAARA CASSELLS, JESSICA HOWARD AND GRACE ORPEN AFTER WILLIAM and techniques. ORPEN, 2015. COLLECTION OF THE ARTIST

VIKINGS: BEYOND THE LEGEND Royal Alberta Museum, Edmonton. Apr 18 - Oct 20 Viking culture, society and technology are on display in this internationally touring exhibition – and so is a 37-metre-long Viking warship. Reconstructed using 25% of the original planks, estimated to be 1,000 years old, the ship, together with models, sculptures, tools, jewellery, coins and interactive displays, will provide viewers with ROSKILDE 6, DISPLAYED WITH ORIGINAL an expansive picture of Viking life, history, artisanship and inﬂ uence. Vikings is on 1,000 YEAR OLD PLANKS loan from the National Museum of Denmark. IMAGE COURTESY OF MUSEUMSPARTNER

10 APR - MAY 2019 H OPEN LATE ON FIRST THURSDAYS Christian Dior GLENBOW MUSEUM, Calgary AB - To June 2 by Michael Turner Most people know the story of how pleats, cu s and ru es fell out of fashion during the Second World War, due in large part to rationing. Fewer know that the postwar “New Look” is attributed to the 1947 presentation of designer Christian Dior’s ﬁ rst collection. The designer is heralded for his exaggerated massing, unique silhouettes and intricate embroidery, but Dior’s legacy might lie in his ability to sidestep wartime pragmatism without appearing ostentatious. To achieve this, he took a holistic approach, what he called the “com- plete look.” For Dior, fashion began with the small- est details and built outwards. Perfume, handbags, shoes and jewellery were not Photo: Laziz Hamani Photo: Laziz so much scripted features attached to a Caracas Late Afternoon Dress, Christian Dior, Paris, Libre, single production but part of a permutable Spring-Summer 1957. © Royal Ontario Museum system. Predominant in this exhibition organized by the Royal Ontario Museum are gowns and daytime apparel from the ﬁ rst 10 years of the House of Dior (1947-57), when the designer was most active. Also on display are supplementary elements that detail Dior’s revival of older dressmaking techniques and their fusion with modern materials, cuts and designs. In her curatorial statement, Alexandra Palmer notes that 40 of the garments were “donated to [the ROM] by Toronto socialites. They are fragile records of the lives and aspirations of those who made, sold, and wore them. I have interviewed many of these women and men to capture their stories and the transformative power of fashion. It is through the marriage of these resources with archival research, that I trace histories of ingenuity and partnerships from Paris to Toronto. It is this complicated mix of the personal, the aesthetic, and the economic that makes fashion such an endlessly fascinating subject of research...” glenbow.org

CALGARY criticism. Mentored by critically Metals, Media Arts + Digital acclaimed Faculty students are Technologies, Painting, Photography, Illingworth Kerr Gallery immersed in a 20 month program Print Media, Sculpture, and Visual Alberta University of the Arts focused on ceramics, fibre, glass, Communication Design programs. 1407 14th Ave NW &403-284-7633 and jewellery and metals. AGLEN- Works by 200 graduating students, ikg.acad.ca NCO: Softly to Pip. Jessie Fraser: including the recipients of AUArts tue-fri 12pm-6pm; sat 12-4pm. The Very Texture of Memory. Board of Governor Awards. Apr 2-13 MFA in Craft Media Sheila Mahut: The Skin of the Thesis Exhibition. A collaborative, World. Opening: April 4, 5pm. Grad Newzones cross-disciplinary, studio-based Show 2019. This annual exhibi- 730 11th Ave SW &403-266-1972 program that encourages students tion features works of graduating newzones.com to explore materials and tech- students from AUArts Ceramics, tue-fri 10:30am-5pm; sat 11:30am- nology informed by theory and Drawing, Fibre, Glass, Jewellery + 4:30pm. Free admission. To Apr 27 preview-art.com PREVIEW 11 CALGARY for AltaGlass by presenting 113 The New Gallery (TNG) selected objects from the collection 208 Centre St SE &403-233-2399 Cathy Daley: Caress. Daley makes alongside cyanotypes, following in thenewgallery.org drawings, paintings sculptures and the footsteps of Anna Atkins (1799- tue-sat 12-6pm. Apr 5-May 11 collages that draw on art history 1871) who is often considered the Varvara & Mar: Chameleon. This and popular culture to create a first female photographer. To Apr 13 exhibition tackles current political contemporary vision of female Breaking Tradition: Landscape and identity-related issues, welcom- sexuality, beauty and power. Su- (Im)possibilities. The photographic ing any and all kinds of discourse sannah Montague: Lucid Dreams. works in this exhibition challenge and interpretations. A complex Montague’s ceramic figurative traditional understandings, per- identity crisis, brought on by a cos- sculptures are finely detailed, hugely ceptions, and interpretations of land- mopolitan and hyperconnected era, intricate, and loaded with religious scape. To May 3 Revolutionaries is the cause of losing one’s sense of and mythological imagery. Opening and Ghosts: Memory, Witness and belonging, yet in contrast, the rise of May 4 Alex Katz: Coca-Cola Girls. Justice in a Global Canadian Con- radical nationalism. It aims to raise American painter and graphic artist, text. These works summon stories questions about the superpowers Katz is best known for his unique re- of political and personal responses of our society, the meanings behind alist style. Mark Birksted: Untitled. to and memories of many impactful their flags, and the resurgence of By questioning the concepts of line and sustained world events from the nationalism in a cosmopolitan age. and balance, he develops sculptural 20th and 21st centuries. forms that do not follow logical TRUCK Contemporary Art criteria, the results are abstracted The Collectors’ Gallery of Art 2009 10th Ave SW &403-261-7702 to the extent that meaning is shifted 1332 9th Ave SE &403-245-8300 truck.ca and possible interpretation becomes collectorsgalleryofart.com tue-fri 11am-5pm; sat 12-5pm. multifaceted. Geoffrey Hunter: tue-fri 10am-5:30pm; sat 10am- free admission. To Apr 28 Glenna Untitled. The works are a con- 5pm. The Collectors’ Gallery carries Cardinal: mourning home. Through glomeration of mistakes, erasures, important original works of art beautifully crafted work that in- forgotten gestures and the debris including paintings, works on paper, cludes home furnishings, taxidermy, of a visual culture found in books, and sculpture by Canadian masters and rocks from the area around her manuals, science, video games, from pre-Confederation to the former childhood home, Cardinal’s even the Internet. present day. The Collectors’ Gallery work explores themes of land and also represents over 30 prominent home, displacement and loss related Nickle Galleries contemporary Canadian artists. To to the construction Calgary’s South- University of Calgary Apr 10 Jean Richards ASA FCA west Ring Road through Tsuut’ina 410 University Court NW (1926-2015). Works from the Artist’s Nation. On display at Esker Project &403-220-7234 nickle.ucalgary.ca Estate. Apr 13-May 11 Steve Coffey: Space (444, 1011 9th Avenue mon-fri 10am-5pm; thu 10am-8pm; Window Sun. New works. S.E. Calgary). TRUCK is pleased to sat 11am-4pm. To Apr 6 Mireille Meet the Artist: Apr 13, 1pm. partner with the Esker Foundation Perron: Through The Anatomy Opening May 30 Blake Ward: to present Cardinal’s important and of a Glass Menagerie: AltaGlass. Relevant Space. Sculpture. timely installation exploring the hu- Perron contributes to a reactivation Meet the Artist: May 30, 6pm. man impacts of urban development of meanings and examinations on First Nations land. CANMORE Canmore Art Guild Gallery Elevation Place 102-700 Railway Ave &403-678-8713 canmoreartguild.org thu-tue 10am-5pm Canmore Art Guild Gallery at Elevation Place exhibits works of members of CAG and occasional guest artists. Exhibitions change every 3 weeks and include Guild group shows, private shows and yearly specialized shows. To Apr 16 Canmore Quilter’s Guild Fiber Arts Show Visions 2019. An exhibition of original art quilts made by the members of the Mountain Cabin Carissa Baktay, Lopi, 2018 Quilters Guild. Apr 19-May 7 Alberta Craft Gallery, Edmonton

12 APR - MAY 2019 H OPEN LATE ON FIRST THURSDAYS Cul-de-sac ART GALLERY OF ALBERTA, Edmonton AB - April 13 - Aug 18 by Michael Turner For many post-war North Ameri- can parents, the cul-de-sac was a residential design feature that promised tra c-calmed neigh- bourhoods and family-oriented block parties. However, for cer- tain teenage children, the cul- de-sac had more in common with its 18th-century French ori-

Courtesy of Douglas Cardinal Architect Inc. gin – a word that (politely) translates as “bottom of the bag.” In Kamloops Indian Band (Tk’emlúps Douglas Cardinal Architect Inc., its current exhibition, the AGA te Secwepemc)’ Land Use Plan – Cluster of 10 homes, 2005, drawing explores the range of meanings and perceptions carried by this culturally loaded word through the work of Alberta-born architect Douglas Cardinal, photographer and writer Christoph Gielen, and “image-based” artist Isabelle Hayeur. Hayeur’s Uprooted (2012) is a meditative 11-minute video representative of the artist’s ongoing interest in the intersection of built and natural environments. Beginning with a soft- focus shot of an unpaved forest road, the camera zooms out to reveal a trompe l’oeil mural on the side of a suburban housing development. The path motif continues, linking people and “progress,” construction and destruction. Gielen’s aerial photography and video similarly shed light on our relationship to “growth” and our oftentimes disrespectful treatment of the land on which we, as human beings, are said to “prosper.” If Hayeur’s Uprooted is a poetic preface, and Gielen’s images a mapping of more recent human settlements, Cardinal’s work is a potential road out: “a planning process based on Indigenous values of living in harmony with the environment,” one that asks, “What future is created when design is obliged to consider seven generations forward? What opens up with models of matriarchal understanding? And how might market-based and sustainable design practices learn from the tenets of natural law?” youraga.ca

Dana Roman: Layers, solo show. assembly.ab.ca/visitorcentre/ Alberta Craft Gallery Dana combines her painted abBranded.html 10186 106th St NW transparent and translucent silk mon-wed & fri 10am-5pm; thu &780-488-6611 albertacraft.ab.ca with acrylics, to create variety of 10am-8pm; sat & sun noon- Mon - Sat 10am-5pmThu open until paint layers. The silk properties like 5pm. Ongoing Showcase 2019: 6pm To Apr 20 Lumina. A couplet shine and reflection work well in Influence/Confluence. The process exhibition of contemporary blown layers and add special depth to her of making is not a singular act of glass lighting designs by Carissa abstract paintings. May 11-28 CAG influence or confluence. The creative Baktay (Calgary, AB) and Cathinka Group Show, art made by members process demands a confluence of Maehlum (Loften, Norway). To Apr of the guild. one’s own history, bias, abilities, and 27 Portraits. A portrait can convey even limitations with the influences the likeness of a person in physical- EDMONTON of politics, economics, social con- ity, personality, or even mood. This structs and the physical environ- exhibition features the work of 35 Alberta Branded ment. By embracing both influence Fine Craft artists who share stories Legislative Assembly Visitor Centre and confluence, we form a new and of family, culture, place, being, and 9820 107 St NW &780-422-3982 original path. belonging through their work. preview-art.com PREVIEW 13 EDMONTON and our responsibility to the natural Borealis Gallery environment. To May 19 Boarder X Legislative Assembly Visitor Centre Apr 27-Jun 8 Art in Ubiquity. The brings together interdisciplinary con- 9820 107 St NW tea towel. An object that is seen, temporary art from artists of Indig- &780-427-7362 handled, and used daily. Yet mostly enous nations across Canada who assembly.ab.ca/visitorcentre/ overlooked and under appreciated. surf, skate, and snowboard. Vernon borealis.html Art in Ubiquity is an exhibition that Ah Kee: cantchant. Referencing mon-wed & fri 10am-5pm; thu celebrates the 65th Anniversary of the 2005 Cronulla race riots that 10am-8pm; sat & sun noon-5pm. the Edmonton Weavers’ Guild and took place near Sydney, Australia, To Apr 22 Home Economics: the thing that ties this group of fibre it provides a compelling statement 150 Years of Canadian Hooked lovers together: the making of beau- on the racially motivated conflicts Rugs. Exploring the unique stories tifully crafted, everyday objects. between white Australians and more and histories that have informed recent, non-Western immigrants to hooked rugs in Canada, the Art Gallery of Alberta the country. Ongoing Kablusiak: highly recognizable forms of folk 2 Sir Winston Churchill Square akunnirun kuupak. art with roots in 19th-century North &780-425-5379 youraga.ca America. Featuring hooked rugs tue-wed 11am-5pm; thu 11am- Bearclaw Gallery from the Museum’s rich archive of 8pm; fri-sun 11am-5pm. Admission: 10403 124 St NW &780-482-1204 international material culture, the adults $12.50; seniors (65+)/stu- bearclawgallery.com exhibition represents generations of dents $8.50; children 7-17 $8.50; mon-sat 10am-5:30pm. The gallery artisanal entrepreneurship, women’s family (up to 2 adults + 4 children) has been representing First Nations, domestic and collective work, as $26.50; members and children Indigenous, Inuit and Métis art in well as rural development in Cana- under 6 free Opening Apr 13 Edmonton for over 40 years. In April da. Opening May 16 Where Are The Cul-de-Sac. The works of Douglas the gallery will feature acrylic on Children? Healing the Legacy of Cardinal, Christoph Gielen and canvas paintings by Laird Goulet Residential Schools. This exhibition Isabelle Hayeur question our as- and new works on canvas, and in allows visitors to understand the sumptions about growth, mounting stone by Jason Carter in May. history of residential schools and a disconnect between urban habitat the lasting impact they have had on

Art Gallery of St. Albert 107 Ave Musée Héritage Museum Ston y Pla in Rd EDMONTON t 1 0 S

Scott Gallery S 1 2 4 t

OLIVER SQUARE N

104 Ave NW W The Front Gallery Bearclaw Gallery 104 Ave NW 103 Ave NW Royal Alberta Museum Peter Robertson Gallery

Art Gallery of Alberta1

102 Ave NW

Bugera Matheson Gallery S

Alberta Craft Gallery

N 1 2 W 1 3 2 4 Udell Xhibitions S t

S N

1 ve 1 Jasper A t 1 W

1 1 2

3 DOWNTOWN 0

S t

S 5

t 0

1 N N 7

1 0

t 0

S t

N 9

W 6

W S

N N W

103 Ave NW t N

d N

R W

t W a o r G Borealis Gallery R ive r Alberta Branded W Va N lle d ry R R l d il N H W 7 Av 9 e N y N W m a o l r l th e B Sa ALBERTA sk Victoria Park atc LEGISLATURE he wa BUILDING E n R mily iver Mur phy Pa rk R d NW

14 APR - MAY 2019 H OPEN LATE ON FIRST THURSDAYS SPRING 2019 GALLERY WALK

Jason Carter, The canoodling bears David Foxcroft, Digital Breakdown, SATURDAY in the red canoe, 2018, acrylic on canvas 2018, mixed media APRIL 13, 2019 1 2 10AM 5PM BEARCLAW BUGERA MATHESON GALLERY GALLERY SUNDAY 10403 124 St. NW 10345 124 St. NW APRIL 14, 2019 780.482.1204 780.482.2854 12PM 4PM bearclawgallery.com bugeramathesongallery.com

107 AVE NW

106 AVE NW

EDMONTON NW ST 116 FEATURED GALLERIES STONY PLAIN RD

105 AVE NW

125 ST NW ST 125

124 ST NW ST 124

127 ST NW ST 127

123 ST NW ST 123 122 ST NW ST 122

OLIVER SQUARE 4 3 1 104 AVE NW 104 AVE NW 2 N 103 AVE NW 1 102 AVE NW 1 Lynn Malin, Three Red Pears Still, Jeff Sylvester, Night Sky, 2018-19, 2018-19, oil on paper mixed media on panel

3 4 SCOTT THE FRONT GALLERY GALLERY 10411 124 St. NW 10402 124 St. NW 780.488.3619 780.488.2952 scottgallery.com thefrontgallery.com generations of First Nations, Inuit draw on ideas of the subconscious sources. Each collage is refined to and Métis cultures, languages and from the dreamlike art of Surreal- create a complex composition and communities. This is a traveling ism.” -Margaret Witschl May 4-17 theme that becomes evident as I exhibition courtesy of the Legacy of Robert Dmytruk and David Fox- build on the work.” Hope Foundation and Library and croft: Animated Colour. Influenced Archives Canada. by time spent in San Miguel de Peter Robertson Gallery Allende, Mexico and his Ukrainian/ 12323 104th Ave NW Bugera Matheson Gallery Polish heritage, Robert Dmytruk’s &780-455-7479 10345 124th St NW new work invites words like instinc- probertsongallery.com &780-482-2854 tive, playful, whimsical and at times tue-fri 11am-5pm; sat 10am-5pm. bugeramathesongallery.com naively objective. David Foxcroft’s Apr 13-May 11 Angela Snieder tue-fri 11am-5pm; sat 10am-5pm. art is bold, surreal and bursting with & Morgan Wedderspoon: Apr 6-20 Margaret Witschl: Maps. colour. He explains “I’ve become Darkening Ground. An exhibition “These paintings explore ideas of a so-called hunter and gatherer, of print and installation works chance, risk, the unknowable and armed with a camera, collecting drawing from alternative lens- the oddities of coincidence. They subject matter from a number of based processes. preview-art.com PREVIEW 15 EDMONTON landscape of our unwanted goods, This space between a community I was thinking of the way these that works together to achieve some Apr 13-27 Camera Obscura mountains of stuff are an accidental collective benefit and a community installation by Angela Snieder. construction of our times, a shadow that works to move and direct you May 23-Jun 22 Gregory Hardy: city built beside the one we live in. to an ideology that isn’t necessarily Prairie Revisited. “For the past On one hand is the urban landscape based on your own beliefs, contin- number of years, the motif of Lac la built with the things we chose, and ues to become less and less open. Ronge has been the major source of here was the landfill, carved by the Opening Reception: Apr 25, 7pm. my inspiration. [Returning] to motifs negative space of our desires.” May of the prairie within 5 km of my 1-31 Lynn Malin: Solo Exhibition, Udell Xhibitions studio, my pursuit of evoking light new drawings and paintings. Lynn Fine Art Gallery using exaggerated colour remains Malin is an artist living and working 10332 124th St NW my primary focus.” - Gregory Hardy in Edmonton Alberta and Jasper &780-488-4445 Nation Park. She is a painter and [email protected] Royal Alberta Museum creator of public art installations. udellxhibitions.com 9810 103a Avenue NW Her work incorporates drawing, By appt. Check web for info &825-468-6000 printing and printing, based on aerial royalalbertamuseum.ca perspectives and maps of land use. FOOTHILLS daily 10am-5pm; thu 10am-8pm. May 18: daily 10am-6pm; thu The Front Gallery Leighton Art Centre 10am-8pm. Admission: adult $19; 10402 124th St NW &780-488- 282027 144 St W &403-931-3633 senior (65+) $14; youth (7-17) $10; 2952 thefrontgallery.com leightoncentre.org child (6 and under) free. Opening tue-fri 11am-5pm; sat 10am-5pm. tue-sat 10am-4pm. To Apr 13 just Apr 18 Vikings: Beyond the Leg- Apr 25-May 15 Jeff Sylvester: Sum turn your head a little. Explores end is the largest touring exhibition of its Parts. A solo exhibition of the intelligence of the body. Artist of Viking artifacts in the world. layered acrylic and epoxy paintings. Verna Vogel will has created a They impart a shimmering, multi di- series of site-specific installations, Scott Gallery mensional appearance to groupings paired with mixed media cold wax 10411 124th St NW of birds. Subtle murmurations that paintings by Frances Vettergreen. &780-488-3619 scottgallery.com symbolize our sense of community Monique Martin: Context is tue-sat 10am-5pm. Apr 2-30 and the ability to become more than Everything. Using a simple weed Andrea Kastner: The Edges of our own individual sums; to work found in a ditch on the prairies as Things, new paintings. In the and transform as a group. Placing the impetus, this exhibition encour- summer of 2018, Kastner created these groups of birds in direct ages people to take another look a suite of paintings at a landfill in relation to communication towers before we judge the worth of some- Haliburton, Ontario. ”Sitting on the creates an alternative or underlying thing or someone. Apr 20-Jun 2 side of a hill made of the accumu- narrative that speaks to group be- 17th Annual Juried Members lated decades of refuse, painting the havior in the context of social media. Show. This spring favourite group exhibition features a selection of our artist members’ best work, selected from among hundreds of pieces submitted to the competition. LETHBRIDGE Southern Alberta Art Gallery H 601 3 Ave S &403-327-8770 saag.ca tue-sat 10am-5pm; thu 10 am-7pm; sun 1-5pm. Admission: general $5; students/seniors $4; groups $3 per person; members & children under 12 free. To Apr 28 Mary Kavanagh: Daughters of Uranium explores the legacy of the atomic age from the perspective of the sentient body and intergenerational trauma. While considering the ideological appara- tus that has surrounded nuclearism since its inception, this new work has emerged from a longstanding Michael Davidson, ESP, Like Lemon Ice, 2019 Herringer Kiss Gallery, Calgary interest in the body as a site of 16 APR - MAY 2019 H OPEN LATE ON FIRST THURSDAYS memory, erasure, violence, and to present an unpredictable array inscription. Robin Peck: Crania is of artworks. Participating Schools: an exhibition of twelve, mixed-media Bellerose Composite High School, sculptures, selected from more than École Secondaire Saint Marguerite one hundred made since 2012 by d’Youville, École Secondaire Paul Canadian artist, writer and educator Kane High School, St. Albert Catholic Robin Peck, currently living in High School, Outreach High School Fredericton, NB. and École Alexandre-Tache School. Opening Reception: May 2, 6pm. MEDICINE HAT Musée Héritage Museum Esplanade Art Gallery 5 St Anne St &780-459-1528 401 First St SE &403-502-8580 museeheritage.ca esplanade.ca tue-sat 10am-5pm; sun 1-5pm. mon-fri 10am-5pm; sat & holidays Apr 2-Jun 2 Gold Mountain Dream! 12-5pm Apr 6-May 25 Poul Niel- Bravely Venture into the Fraser sen: Light, Reconfigured. These Valley. Through meticulously chosen works are Poul Nielsen’s response archival photographs, the exhibition to the extraordinary light, colour and illustrates the personal triumphs and overwhelming space that he experi- sacrifices of Chinese migrants in Julya Hajnoczky, Colaptes auratus, 2017 ences on a daily basis in the pristine the 1850s as they landed on British Beaty Biodiversity Museum, UBC Vancouver prairie environment. Opening Recep- Columbia’s shores in search of gold. 3-dimensional talk on two impactful tion: May 10, 7pm. School Art 2019. It also tells a tale of the tremen- periods of our human history. Experience the creativity, charm and dous change that took place in this May 4-28 Abbotsford Photo Arts talent of Medicine Hat and region’s fevered era, as barriers of class and Club. Showcasing the talents of students! A Medicine Hat tradition race were broken down and people local photographers, this exhibit for 41 years, the annual exhibition reached out for the extraordinary features a fresh visual experience has grown from approximately 50 opportunities that glittered beyond of local scenes, creative composi- works to over 800 from more than the horizon. The exhibition was tions, and unexpected views. This 40 schools. Paintings, drawings, created by the Royal BC Museum collection encompasses the works collages, sculptures, ceramics, pho- in collaboration with the Canadian of many passionate photographic tographs, murals, animated and live Museum of History. An interna- artists in a range of stylistic sensibil- action video-and some works which tionally acclaimed exhibition, Gold ities. Available for purchase. defy categorization-will awe, amaze Mountain Dream! was previously and inspire you. Opening Reception: displayed at the Guangdong Muse- Apr 21, 1 pm. S’eliyemetaxwtexw um of Chinese Nationals residing Art Gallery Abroad in Guangzhou, China. University of the Fraser Valley ST. ALBERT 33844 King Rd Art Gallery of St. Albert H &604-504-7441 ext 4543 sag-ufv.ca 19 Perron St &780-460-4310 artgalleryofstalbert.ca mon-fri 9am-5:30pm. free admis- tue-sat 10am-5pm; thu 10am-8pm. BRITISH COLUMBIA sion. To Apr 5 Trial & Error. The Ongoing Kim Ohman: Chairionette Annual UFV Visual Arts Diploma Series looks at the possibilities of ABBOTSFORD exhibition presents a diverse selec- inanimate objects having souls, tion of inventive works from current personalities and lives of their own. Kariton Art Gallery & Boutique Diploma Students. Participating Featuring painted, mixed-media 2387 Ware St &604-852-9358 Artists: Jesse Samuelson, Chelsey canvasses, as well as Ohman’s abbotsfordartscouncil.com Swedberg, Kateri Charlie, Trevor studio model: a life-sized chair/ tue-thu 11am-4pm. Apr 6-30 Mykulak, Alexis Shaw. April 8-12 Selected works from Sculpture marionette. Opening Reception: Evolution/Devolution? From the & Extended Media Students. Apr 6, 2:30pm. Apr 4-27 Cynthia Victorian Age and the Industrial Apr 27-May 18 Interpret: Creative Fuhrer: Splendid String. This Revolution to the Computer Age and Performing Arts Festival, an Edmonton artist explores the and the Digital Revolution. In a annual celebration of emerging deep-rooted and inextricable con- 100-year span, the world has talent in Visual Arts, Theatre and nection that exists between human experienced massive changes due Creative Writing at the UFV. New and animal-kind. Opening Reception: to technological advances. Many of York concert pianist Kimball Gallagh- Apr 6, 2:30pm. May 2-Jun 1 High these have transformed the way we er opens the Festival.Participating Energy 24. Each year local St. live, work, and relate to the natural Artists: Dorothy Keating, Katherine Albert high school students and art world. In this exhibit, a husband and Searle, Madeline Hildebrandt, teachers join forces with the Gallery wife team presents their unique Casse de Jong, Jenny Kingma, preview-art.com PREVIEW 17 ABBOTSFORD BLACK CREEK Deer Lake Art Gallery Burnaby Arts Council Andrew Muth, Sharon Clark, Lynden Brian Scott Fine Arts Gallery H 6584 Deer Lake Ave Chan, Jenna Cook, Austin Kwidzins- 8269 North Island Highway &604-298-7322 ki, Susan Thompson, Kaylee Stamm, &778-428-6249 burnabyartscouncil.org Amanda Garcia, and students in bscottfinearts.ca tue-sat 12-4pm. free admission. Theatre and Creative Writing. tue-sun 10am-6pm Expressionist To Apr 6 Luminescence IV! A oil and acrylic paintings reflecting family friendly event. Experience The Reach whimsical West Coast themes. artworks by 20+ notable artists from Gallery Museum Current subjects: contrasting varying disciplines. Artists present 32388 Veterans Way distortions of harbour scenes and the many ways this brilliant natural &604-864-8087 thereach.ca man-made forms (geometric) with phenomenon-the essence of light or tue, wed, fri 10am-5pm; thu 10am- organic forms (irregular) caused by Luminescence-has inspired them. 9pm; sat & sun 12-5pm. Admission tidal action. This year one of the featured artists by donation. To May 5 Stephanie is local Burnaby icon Ron Simmer Patsula: (In)Site. A number of BURNABY featuring Berzerkatroid Dragon. large-scale photos that document Apr 11-May 4 Transition. Part of some of her performances in remote Burnaby Art Gallery Vancouver Capture 2019 Photog- wilderness areas for very limited 6344 Deer Lake Ave raphy Festival; the Burnaby Photo- (or no) audiences. Cindy Baker: &604-297-4422 graphic Society will be exhibiting a Crash Pads and Trucker Bombs. burnabyartgallery.ca print show. Opening Reception: Apr Includes two distinct but related tue-fri 10am-4:30pm; sat & sun 11, 7pm. Artist Talk: Apr 13, 2pm. bodies of work. Remote Garden- 12-5pm. Admission by donation. ing with DysfunctionED Tools: A To Apr 21 Lynne Cohen: These CASTLEGAR Mohsen Khalili Retrospective. This Walls. A retrospective exhibition fea- exhibition is a comprehensive survey turing works by Lynne Cohen, best Kootenay Gallery of Art of Khalili’s abundant creative output. known for her photographs of insti- 120 Heritage Way &250-365-3337 Showcasing several major series tutional interior spaces. May 3-Jun 9 kootenaygallery.com of paintings, sculpture, and prints, Arts Alive 2019. Burnaby students tue-sat 10am-5pm. Admission by this exhibition is a poignant journey have the opportunity to present their donation. To Apr 13 Hildur Jonas- through the processes by which one art work at the gallery. For over 30 son: Fata Morgana. A Fata Morgana human body, or large systems, can years, the gallery and the school is the name of a complex form of become dysfunctional. Ketty Zhang: district have collaborated to make mirage that distorts distant objects ART ON DEMAND 5.2. For her this event a success. OFFSITE Bob often to the point of non-recogni- project Gen 1.5 at The Reach, Zhang Prittie Library, 6100 Willingdon Ave. tion. Fata Morgana, the exhibition, combines installation, performance, To May 26 Hybrid Prints: Laurie features a new body of work by Jo- and photography to address her own Mackie. McGill Library, 4595 Albert nasson that explores nature and our experience as a “1.5 generation” St. To May 28 Marie Price: Some relationship to it through a northern immigrant, constantly navigating Assembly Required. lens. The viewer will experience the between cultures and discourses. essence and ephemeral quality of Arctic nature while allowing space for introspection. Apr 18-May 2 Young Visions. An important part of the Kootenay Gallery’s community outreach program. In celebration of a year-long endeavour, the students and teachers from School District 20 are provided with the opportunity to exhibit their visual interpretations of life and community in the Kootenays. Opening May 31 West Kootenay Camera Club Photo Salon. Photo- graphic competition by members of the West Kootenay Camera Club. CHILLIWACK O’Connor Group Art Gallery Chilliwack Cultural Centre 9201 Corbould St &604-392-8000 Dysfunctioned Body Parts (detail), 2003–18, digital photo composite on aluminum, dimensions variable oconnorgroupartgallery.com

18 APR - MAY 2019 H OPEN LATE ON FIRST THURSDAYS wed-sat 12-5pm. free admission. journey across time. Part of the To Apr 13 Graham Dowden and 2019 Capture Photography Festival. Jeff Wilson: People and Places May 4-Jun 30 Amanda Strong: brings together figurative photog- anaamakamig (under the ground). raphy of Graham Dowden and This behind-the-scenes exhibition landscape painting of Jeff Wilson. explores the world of Biidaaban (The Apr 17-May 25 ART 33. A showcase Dawn Comes), the newest stop-mo- of talent and creativity of students in tion animation film by this Indige- Grade 10-12 from School District 33. nous artist. The immersive display All works were completed as part includes elaborate sets, puppets, of the art programs of Chilliwack and storyboards that tell the story Senior, G.W. Graham, The Education of Biidaaban, a young gender fluid Center and Sardis Secondary. Anishinaabeg maple harvester and Opening Reception: Apr 18, 6pm. their friend Sabe, a 10,000-year-old May 29-Jun 1 Chilliwack Society shape-shifter. for Community Living: The Open Opening Reception: May 8. Shary Bartlett, Whorled, 2018 Door. Displaying art pieces created Parker Art Salon, May 24-26, Vancouver by a variety of people who have a DaVic Gallery love and passion for art. Using their of Native Canadian Arts GRAND FORKS imaginations and abilities, the artists &604-679-8392 transfer that love onto canvas and nativecanadianarts.com Gallery 2 – Grand Forks other mediums creating a diverse online gallery available 7 days a Art Gallery and interesting show. Opening week, 24 hrs a day. A family busi- 524 Central Ave &250-442-2211 Reception: May 30, 6pm. ness dedicated to the promotion and gallery2grandforks.ca sale of authentic First Nations and tue-fri 10am-4pm; sat 10am-3pm. COMOX Inuit art including Northwest Coast, Apr 20- May 4 Boundary Show- Woodland and Inuit art styles. We case - Post Diluvian The Boundary Central Island Studio Tour give much attention to providing you Showcase is back! While the exhi- various locations &250-334-2983 with high quality and variety of pic- bition continues to be non-juried, centralislandartsguide.ca tures as well as detailed information this year, we have asked Boundary May 24, 25 & 26; 10am-4pm to make your visit and purchase ex- artists to submit work that considers Visit more than 90 artist, artisan and perience simple, informational and the impact of the spring floods of creative studios! Spanning 168 km enjoyable. Your visit and purchase 2018. Post Diluvian provides an of stunning Central Vancouver Island are secured using strong encryption opportunity to reflect on what was (Parksville to Campbell River includ- and we never store locally nor share lost, celebrate the strength of the ing the Islands), you can combine your personal information. DaVic Art Boundary’s community spirit, and a relaxing scenic drive with an art Gallery is your trusted online gallery consider how we move forward. exploration like no other. For 3 full for Native Canadian Art, and we will Closing Reception: May 4, 1pm. days you can tour studios of paint- make sure you receive top quality May 11-25 Rembrandt’s Attic. The ers, potters, beaders, photographers, service end to end. popular fundraiser is back! Get an jewellers, carvers, furniture makers, original artwork by Gallery 2 artists sculptors, pyrographers, master FORT LANGLEY past, present, and future. Your ticket upcyclers, silver and goldsmiths, purchase guarantees a valuable designers, screenprinters, and more. Barbara Boldt artwork; the question is which Original Art Studio will it be? At the closing reception, COQUITLAM 25340 84th Ave &604-888-5490 numbers are drawn to determine barbaraboldt.com who gets to pick first. Tickets on Art Gallery please call ahead In-home studio sale online and at the Gift Shop at Evergreen Cultural Centre gallery of Barbara Boldt, located 5 starting Apr 20. 1205 Pinetree Way &604-927-6550 km outside of Fort Langley, featuring Gala Reception: May 25, 7pm. &604-927-6566 original local landscapes, forest and evergreenculturalcentre.ca/exhibit/ garden scenes in oils and soft pas- KAMLOOPS wed-sat 12-5pm; sun 12-4pm. tels, and her signature EarthPatterns Free admission. To Apr 21 Amalie paintings of sandstone formations Kamloops Art Gallery H Atkins: where the hour floats. found on Galiano Island. Copies of 101-465 Victoria St Saskatoon-based artist Amalie biography Places of Her Heart: The &250-377-2400 kag.bc.ca Atkins uses film and photography Art and Life of Barbara Boldt, by mon-sat 10am-5pm; thu 10am- to transform a familiar prairie Barbara Boldt with K. Jane Watt, are 9pm; closed stat holidays. landscape into the set of a cinematic available at the studio and various CENTRAL GALLERY Opening Apr 6 fable, where her all-female cast bookstores. For directions to the Samuel Roy-Bois: Presences. Roy- embarks on an epic, bittersweet studio, see map on website or call. Bois’ artistic practice involves preview-art.com PREVIEW 19 Stephanie Patsula: (In) Site Capture Photography Festival THE REACH GALLERY MUSEUM, Abbotsford BC - To May 5 by Michael Turner Artist Stephanie Patsula came to public attention with Forum (2014), a window installation derived from her work with the Kamloops Mu- seum’s permanent collection. Commissioned by Kamloops Art Gallery curator Charo Neville to create a work for the city’s 2014 Luminocity festival, Patsula selected 68

Photo courtesy of the artist local artifacts and texts for a Stephanie Patsula, from the series Symbols of Solitude, 2018, inkjet print multimedia mash-up of sculpture and video projection. For her current exhibition, Patsula presents a body of work oriented from the opposite direction: not the relative safety of the airless, tomblike museum archive, but the wide-open stage of the great outdoors. Another notable di erence between Forum (2014) and the large-scale photos in Patsula’s (In) Site exhibition is the literal presence of the artist in the work. In Forum, this presence is ﬁ g- urative: a record of gestures made by the artist through the aesthetic arrangement of objects and texts. But in the untitled (In) Site photos, the literal gesture is present in the form of the artist’s hands as they reach from behind large and variously shaped mirrors. Here, the artist is both present and absent; but in enlisting her reﬂ ection, the gesture is no longer singular but in relation to “another.” The use of mirrors in the landscape is not new to lens-based artists. Robert Smithson famously used them in his mirror displacements in the late 1960s, as did Dan Graham, whose glass pa- vilions confuse notions of inside and outside, subject and object, in relation to contemporary sculpture. What distinguishes Patsula’s sculptural montage lies in part in her willingness to explore and perform her work in remote landscapes, alone. A gesture that, in itself, is worthy of attention. thereach.ca

KAMLOOPS Is it possible to conceive of one’s KELOWNA existence outside any material link- site-specific installations concerned age? We make things, but are things Geert Maas Sculpture with the conceptual and material making us? THE CUBE Ongoing Dar- Gardens and Gallery definition of space and the ways lene Kalynka: Four Oldest Daugh- 250 Reynolds Rd &250-860-7012 the built environment contributes ters. Kalynka is a Kamloops-based geertmaas.org to our understanding of the world. artist working as an instructor in the mon-sat 10am-5pm; sun by Through sculpture, found objects, Faculty of Visual Arts at Thompson chance. Internationally acclaimed photography and sound, Roy-Bois Rivers University. In this new body artist Geert Maas invites the public interrogates the relational network of work, she reflects on family roles, to visit his exceptional sculpture of objects and their historical reso- labour and sacrifice across three gardens and indoor gallery, with one nance: how do we define ourselves generations of her family in Ukraine of the largest collections of bronze through the creation of structures? and Canada. sculpture in Canada; changing

20 APR - MAY 2019 H OPEN LATE ON FIRST THURSDAYS exhibitions, Maas creates distinctive, our Gallery Members to draw the rounded, semi-abstract figures, pets they love, whether dogs, cats, architectural structures and installa- gerbils or a pet borrowed from a tions in a wide variety of materials, neighbour. May 9-Jun 23 Behind including bronze, stainless steel, the Studio Door examines the aluminum, wood and stoneware. behind the scenes work that goes The great diversity of outdoor art is into an artist’s professional practice. complemented in the gallery by an This exhibition will be paired with overwhelming number of paintings, special programs, artist talks and serigraphs, medals, reliefs and professional development work- sculptures in various media. shops to support emerging artists who want to pursue a professional/ Kelowna Art Gallery H critical art career. 1315 Water St &250-762-2226 kelownaartgallery.com LAXGALTS’AP tue-sat 10am-5pm; thu 10am-9pm; sun 12-4pm. Admission: adults Nisga’a Museum $5; seniors/students $4; family 810 Highway Dr &250-633-3050 $10; group of 10+ $40; members nisgaamuseum.ca free; thu free. To Apr 14 Our Lives tue-sat 10am-5pm. Admission JANE Through Our Eyes: Nk’Mip Chil- (+GST): adults 19-59 $8; children dren’s Art brings together over 75 6-18 $5; preschool, senior & Nisga’a works of art created by children and citizens free; families (2 adults KENYON youth during the era of WW II, who with up to 4 children) $22. Ongoing attended the Inkameep Day School. Anhooya’ahl Ga’angigatgum’ – The VARIATIONS ON Opening Apr 20 Art in Action: Ancestors’ Collection features A RED TRIANGLE Community 33rd annual exhibition Nisga’a masks, bentwood boxes, of work created by middle and high- charms, headdresses, regalia, school students from the Central rattles, and other treasures. Visit our APRIL 13– Okanagan Region. To May 5 website for more information. The Poetics of Space presents a JUNE 8, 2019 range of historical and contemporary MAPLE RIDGE (CLOSED APRIL 19, 20, 21) works by 29 artists, that together communicate some of the countless The ACT Art Gallery RECEPTION: ways artists have contemplated Maple Ridge Pitt Meadows space. To Jun 16 Jane Everett: Un- Arts Council SATURDAY derstory. Immersive mixed-media 11944 Haney Pl &604-476-4240 APRIL 13, 2-4 PM theactmapleridge.org/gallery which evoke the feeling of standing ARTIST TALK/TOUR: amongst the grand forests of the BC tue-sat 10am-4pm. free admission. interior. OFFSITE: Kelowna Interna- To Apr 6 The Secondary School SATURDAY tional Airport (ylw) Ongoing David Art Show. The ACT Art Gallery is MAY 11, 2-3 PM Wilson Sookinakin: Water Travels delighted to be joining forces with art teachers from local secondary Jane Kenyon — Variations a Cycle. A series of six circular on a Red Triangle #3, 2018. compositions that explore the story schools to celebrate young talent in Acrylic/mixed media on paper 40”x30” of water’s social life, drawn from the the communities of Maple Ridge and symbols and stories of his Okanagan Pitt Meadows. Mixed media, juried First Nation heritage. exhibition. Apr 13-Jun 8 Jane Ken- yon: Variations on a Red Triangle. LAKE COUNTRY In this solo exhibition, Kenyon shifts her primary focus from painterly Lake Country Art Gallery textiles to non-objective paintings The ACT As Centre 10356 Bottom Wood Lake Rd marked by strong emotions and 11944 Haney Place, Maple Ridge &250-766-1299 wild colour. BC V2X 6G1 | 604-476-2787 lakecountryartgallery.ca Gallery Hours: Tue.-Sat. 11am-4pm tue-sun 10am-4pm To May 5 To the NANAIMO mapleridgeact @mapleridgeact Dogs. Our dogs are often our best acta gallery theactmapleridge.org models. They want to be wherever John Harris Gallery we are, they can hold a sleeping 115 Haliburton Street pose for hours, they don’t object to &250-591-2445 studio dust, and they ask nothing in tue-sat 11am-4pm (during exhibi- return. For this exhibition, we asked tions) or by appt. Apr 11-27 preview-art.com PREVIEW 21 NANAIMO adult $2; student/senior $1.75; Child cameras on provided tablets. (5-12) $0.75; Kids under 5 free. Closing Celebration: May 17, 7pm. Conversations new work from Ongoing Nanaimo Mysteries. A Artist Talk: May 18, 2pm. Group 5: Tony Martin, Donna Mattila, safe-cracking ex-cop, the last public Donna Nona, Ted Polkinghorne, hanging in Nanaimo and a spy are Touchstones Nelson Museum Katherine Surridge. Paintings, just a few mysteries to unravel of Art and History H collage, sculpture, drawings. in Nanaimo’s history. Cold cases 502 Vernon St &250-352-9813 Opening Reception: Apr 11, 5:30pm. and unsolved murders that date touchstonesnelson.ca back 150 years, rumours of hidden wed-sat 10am-5pm; tue & sun Nanaimo Art Gallery treasure and a psychic brought in 11am-4pm; thu 10am-8pm. Admis- 150 Commercial St to solve a missing persons case. sion: adults $8; seniors/students $6; &250-754-1750 Buildings and places that have youth $4; children and members nanaimoartgallery.com vanished such as a house that sank free; thu 5-8pm by donation. tue-sat 10am-5pm; sun 12-5pm into mine workings and a forgotten To May 19 Kiltie Band 100 Year during exhibitions. Admission by do- ski hill. Nanaimo Mysteries Celebration. Celebrating 100 years nation. Opening Apr 26 Across the explores aspects of local history that of the Kootenay Kiltie Pipe Band-the Table. Artists: Guy Ben-Ner, Justine are usually left buried and busts the oldest pipe band in the Interior of A. Chambers, Joel Good and William myths surrounding some of our most BC. To May 26 Douglas Bentham: Good, and Tanya Lukin Linklater. The infamous stories. The Tablets. ‘He is one of the title for this exhibition was inspired country’s most prolific sculptors,’ by the working methods of father NELSON writes art critic Terry Fenton, ‘one and son Snuneymuxw artists Joel of its finest, one of Canada’s first Good and William Good, who carve Oxygen Art Centre sculptors in every sense.’ Opening together across from each other at 3-320 Vernon St (Alley Entrance) May 25 Brenda Draney: Medium the kitchen table almost every day. &250-352-6322 of Exchange. Draney is Cree from However, this practice of shared oxygenartcentre.org Sawridge First Nation. She lives in learning through direct connections wed-sat 1-5pm. Apr 15-May 18 Edmonton and studied painting at across generations is central to all Matthew Talbot Kelly: … Emily Carr University before she of the artworks in the exhibition. In concerning the inept and yes, received the RBC Canadian Painting addition to collaborative carvings by foolhardy barricading of wayward Competition in 2009 and long-listed the Goods, Across the Table features denizens… While in residence at for the 2013 Sobey Art Award. a father and daughter who reenact Oxygen Art Centre, Talbot-Kelly will Moby Dick in their kitchen, and fam- build a temporary, multi-part Site NEW WESTMINSTER ilies who dance across generations Specific installation, an assemblage while sharing stories, music, made of two realities-physical and Amelia Douglas Gallery and gestures. digital. This is a domestically scaled Douglas College fence/barrier made from reclaimed 700 Royal Ave &604-527-5723 Nanaimo Museum and reconfigured furniture that is douglascollege.ca/about-douglas/ 100 Museum Way &250-753-1821 seamlessly and endlessly extended groups-and-organizations/art-gallery nanaimomuseum.ca by an Augmented Reality (AR) mon-fri 10am-7:30pm; sat 11am- mon-sat 10am-5pm. Admission: overlay made visible via the built-in 4pm To Apr 20 Michelle Sound: Chapan Snares Rabbits. Apr 25- Jun 15 Greenlinks 2019: Nature Caught My Eye. Insect photography by Tamara Sale and displays by Douglas College Institute of Urban Ecology’s UNIBUG. Opening Recep- tion: April 25, 4:30pm. Central Island Studio Tour Gabor Gasztonyi May 24-26, 10-4 Studio & Gallery 730 12th St &778-397-1449 90+ artists and arts groups gaborgasztonyigallery.com Parksville to Campbell River wed-sat 10am-5:30pm. A full service photographic studio and Get the Arts Guide for details. gallery showcasing award winning photographer Gabor Gasztonyi’s centralislandartsguide.ca classic black and white photographic prints and the oil paintings of Comox Valley Arts is supported by: Judith Copland, plus other artists. Gabor specializes in black and white

22 APR - MAY 2019 H OPEN LATE ON FIRST THURSDAYS Lynne Cohen: These Walls Capture Photography Festival BURNABY ART GALLERY, Burnaby BC - To April 21 by Michael Turner By the time of her passing in 2014, photographer Lynne Cohen of Montreal was renowned for her large-scale colour pictures of in- stitutional spaces. Some of these spaces were inside factories, private o ces and medical laborato- ries, while more di cult-to-access spaces included shooting ranges and military installations. In the words of National Gallery of Can- ada senior curator of photographs Ann Thomas, “There is a subplot

Photo courtesy of the estate of Lynne Cohen and Olga Korper Gallery Cohen and Olga Korper Photo courtesy of the estate Lynne connected with getting into plac- Lynne Cohen, Hall, 1982/2000, dye coupler print, ed. 1/5 es. It’s not obvious in the pictures but it’s there all the same.” In addition to her patience and tenacity, Cohen possessed another quality common to photographers in search of the perfect picture: an interest in research. To those close to her, Cohen was known to spend hours in archives and libraries, poring over technical journals in search of content, chasing down contacts on the telephone. Although not directly present in her pictures, there is always something lurking, a presence linked to activities associated with her chosen subjects. As is often the case, these activities, like research, have less to do with leisure than with labour. Mounted in conjunction with the 2019 Capture Photography Festival Selected Exhibition Pro- gram, this overdue retrospective marks the ﬁ rst time in decades that Cohen’s work has been shown on the West Coast. As well as her colour pictures, These Walls includes Cohen’s earlier work in black-and-white photography, some of which dates back to the early 1970s. For those interested in hearing more on Cohen and her work, BAG curator Jennifer Crane will lead a free “in-depth” tour on Sunday, April 7, at 2 pm. burnabyartgallery.ca studio portraits of children, families Kempinas: Magnetic explores how New West Artists Gallery as well as photographs of artwork. five artists use the mythic qualities 712C 12th St newwestartists.com The gallery is in New Westminster of magnets, magnetism and thu-sun 12-6pm A little shop of arts. nestled in a small art deco storefront magnetic fields to create profound watercolours • acrylics • oils • from the 1920s. works that reference unseen powers mixed media • photography • and uncanny agency. Warning: this jewellery • beading and textile art. New Media Gallery H exhibition contains static magnetic Drawing drop-ins, life drawing Anvil Centre and small electro-magnetic fields groups, special events, workshops, 777 Columbia St, 3rd Flr and will not be accessible to those meeting space. &604-875-1865 wearing implanted ferromagnetic newmediagallery.ca or electronic medical devices Plaskett Gallery tue-sun 10am-5pm; thu 10am-8pm. sensitive to magnetic fields such Massey Theatre Complex To May 19 Pe Lang, Nelo Aka- as Pacemakers. 735 Eighth Ave matsu, Tatiana Trouve, Zilvanas &604-517-5900 preview-art.com PREVIEW 23 NEW WESTMINSTER muted colour in conjuring memories Vancouver. Featuring artists Rachael of travel and fleeting impressions Ashe, Connie Sabo, Charles Clary, masseytheatre.com/events/ of place. Gail Grinnell, Annyen Lam, Leslie category/plaskett-gallery/ Opening Reception: May 1, 6pm. Pearson, Brangwynne Purcell and tue-sat 1-5pm; during all perfor- Concealed Studio. DISTRICT FOYER mances in the Massey Theatre; and NORTH VANCOUVER GALLERY: 355 W Queens Rd. mon-fri by appt. Apr 2-30 Susie Gilmour: 8am-4:30pm. To Apr 8 Snow. Works Going With The Flow, acrylics on Caroun Art Gallery H by Canadian landscape painter canvas. A native of Scotland, Susie 1403 Bewicke Ave &778-372-0765 Tatjana Mirkov-Popovicki, with a Gilmour lives on a float home on caroun.net particular focus on winter and alpine the beautiful Fraser River. Not a day 4-8 pm; 12-4 pm by appt. Apr 1-18 scenes. Apr 10-May 27 From Forest goes by without her thanking the Nowrouz Exhibition 1398. Owner- to Sea. An exhibition of paintings river for its tranquility, inspiration ship Certificate of Properties in Iran and ceramics by Carol Demers ex- and magical sunsets. With a career 1930-1954. First Collection of Old ploring the tactile surfaces in nature. in theatre arts she has recently re- Iranian Documents. Apr 20-May 17 DISTRICT LIBRARY GALLERY: 1277 newed her passion for painting and Second Collection: Old Iranian Lynn Valley Rd. mon-fri 8:30am- is currently working with fluid art. Documents. Different Documents 5pm.To Apr 29 Taehoon Kim: Find- May 1-31 Tom Morgan: How Nude from Iran 1930-1950. Land, Rent, ID, ing my Father at Yongpyong. Part is Too Nude?. A selection of oil tickets of buses and trains, Company of Capture Photography Festival. A paintings featuring the female form & Government Contracts, Stamps, series of works by Vancouver artist from this New Westminster artist. Kilims. May 18-31 Third Collection: Taehoon Kim that captures a journey Old Iranian Documents. Land, Rent, of personal and familial exploration The Gallery at Queen’s Park Stamps, Reports, Personal letters, through photography. Opening Centennial Lodge, Queen’s Park Formal Copies, Representative May 1 Along the Edge. A series &604-525-3244 acnw.ca/gallery Contracts, Jajims. Virtual Exhibitions: of abstract images by Vancouver wed 1-8pm; thu-sun 1-5pm. free Check website for details. photographer Jennifer Lamb. admission. Apr 3-28 Lisa-Scarlett Cruji: The Recollection Experi- CityScape Community Griffin Art Projects ment. A marriage of original poetry Art Space 1174 Welch St &604-985-0136 and tiny narratives with vintage North Vancouver Community Arts griffinartprojects.ca photographs, Cruji’s collection &604-988-6844 nvartscouncil.ca fri-sat 12-5pm, or by appt. To Apr 27 invites viewers to consider both the CITYSCAPE COMMUNITY ART SPACE: the poets have always preceded. identity of narrator and the ghosts of 335 Lonsdale Ave. mon-wed & Artists: Marian Penner Bancroft, bill personal memories that speak to us fri 12-5pm; thu 12-8pm; sat 12- bissett, Robin Blaser, Judy Char- through filters of love, fear, ecstasy 5pm. To May 4 Natural Alchemy. trand, Jess, Judith Copithorne, Pierre and regret. Opening Reception: Featuring work by Edward Peck, Coupey, Christos Dikeakos, Stan Apr 3, 6pm. May 1-26 Garey Pierre Liechner, Phyllis Schwartz Douglas, Beau Dick, Geoffrey Farm- Shergill: The Places We Can’t and Katherine Duclos. May 10-Jun er, Fran Herndon, Carole Itter, Roy Remember. Shergill explores the 15 On the Same Page: Trans- Kiyooka, Tiziana La Melia, Al Neil, pull and play of form and role of forming Paper. Part of Crafted Judy Radul, Rhoda Rosenfeld, Trudy Rubenfeld, Nancy Shaw and more. This exhibition explores some of the common methods and musings of poets and artists in Vancouver since 1960. Importantly, it gestures to the deep influence of the San Francisco Renaissance Poets on local writers (largely through the invitation of Ellen and Warren Tallman who hosted them in their home and at UBC). This project presents moments from this entwined history of visual and textual poets through examples of publications alongside focused presentations of artists' work.

Seymour Art Gallery 4360 Gallant Ave &604-924-1378 seymourartgallery.com tue-sun 10am-5pm. Free admission. Elahe Nour Bakhsh, Dancing Poppies in the Wind, 2017 To Apr 13 Pierre Coupey: Manifest | West of Main Art Walk, May 11-12, Vancouver

24 APR - MAY 2019 H OPEN LATE ON FIRST THURSDAYS Trace. Coupey presents work in a variety of media that foregrounds the importance of language and the immense impact it has on shaping our world. In homage to American writers William Carlos Williams and Gilbert Sorrentino, Coupey gives physical form to two of their seminal works and takes inspiration from their poetry about life and language. Apr 20-Jun 1 Start with Art. This truly unique show focuses on encouraging young people to appre- ciate, collect, and curate their own art collection. Exhibiting artists also offer advice for budding artists and frequently spark the idea in kids that one day their work could be shown in a gallery, too. Artists: Kristian Adam, Tara Lee Bennett, Katy Biele, Sandra Bowers, Kirsten Chursinoff, Shima Itabashi, Sarah Leckie, Ron OSOYOOS encourages visitors to pause and Love, Liane McLaren, Emilie Nunez, consider the varying possibilities Robin Reid, Sarah Ronald, M. A. Okanagan Art Gallery of light sources as well as their Tateishi, Kate Whitehead, Nellija Zi, 8302 Main St &778-437-2238 potential effects on the human and Graeme Zirk. okanaganartgallery.ca psyche and how light might affect Opening Reception: Apr 21, 2pm. tue-sat 11am-4pm Situated in the our shared humanity. heart of beautiful Osoyoos BC, the The Polygon Gallery Okanagan Art Gallery features over PORT ALBERNI 101 Carrie Cates Court two dozen professional local fine &604-986-1351 artists. For more than half a decade DRAW Gallery thepolygon.ca the gallery has been a place where 4529 Melrose St &250-724-2056 tue-sun 10am-5pm. Admission by fine art lovers and artists connect. &1-855-755-0566 donation, courtesy of BMO Financial View art works that have a story to drawgallery.com Group. To Apr 28 A Handful of Dust tell and interact directly with the art- tue-fri 12-5pm and by appointment, offers a rare opportunity to view a ists. Our popular once a month First too! Our ’Gallery Beyond Walls’ remarkable diversity of photographs Friday receptions offer a chance to offers Contemporary Canadian from the last 100 years, focusing sample Okanagan wines and meet Westcoast Art in an intimate setting on the theme of dust, unified in a the artists. Step out of the everyday celebrating the diversity and talent visual journey through the unlikeliest and discover what drives the artist of local and regional artists. imagery. Apr 6-21 Chester Fields to share a story and how they use To Apr 26. Spring Into ART!. DRAW 2019: Something In My Eye is the their work to bring the story to you. Gallery is pleased to open our 2019 gallery’s teen outreach program. Season with a group exhibit of paint- Every year, the gallery invites teens PENTICTON ings, photographs, mixed media, from across the Lower Mainland glass and copper featuring work to create an original work of Penticton Art Gallery by local & Island Artists. Opening photographic art in response to a 199 Marina Way &250-493-2928 May 7 Our Creative Nature: Group unique theme. Apr 13-May 12 Skwx pentictonartgallery.com Exhibit. Art is an expression, an wú7mesh Nation Basketball: tue-fri 10am-5pm sat & sun 11- acceptance, a depiction of thoughts Photographs by Alana Paterson. 4pm To May 12 Bentley Meeker: through creativity. It’s an explanation Part of the Capture Photography Immaculate Refraction. The first of events, a showcase of beauty, and Festival, Paterson’s recent works are major Canadian solo exhibition by it’s a gift to the eyes of humanity by focused on women’s empowerment the Internationally renowned lighting local and Island Artists such as Doug through sport, particularly young designer Bentley Meeker. For over Blackwell aka SockeyeKing, Jacques women at the beginning of their 30 years his practice has focused De Backer, Cecil Dawson, Lucas career. May 17-Jun 9 The Lind Prize on the component properties of Chickite, John Hofman, Pamela Holl 2019 features emerging artists from light, contrasting light sources and Hunt, Perry Johnston, Jillian Mayne, BC, working in mediums of film, frequencies to create a specific Ann McIvor, Todd Robinson, photography, or video. range of subtle hues which he uses Sue Thomas, Perrin Sparks, Ariane Reception and Prize Announcement: to illuminate his unique sculptural Terez, Nancy Wilson, Gordon Wilson May 21. reliefs. By its very nature, the work among others. preview-art.com PREVIEW 25 BRITISH COLUMBIA

AMALIE ATKINS: WHERE THE HOUR FLOATS Art Gallery at Evergreen Cultural Centre, Coquitlam. To Apr 21 Saskatoon-based, multidisciplinary artist Amalie Atkins has created a series of linked stories in the form of short ﬁ lms and large-format photographs. Featuring an all- female cast and set in a vast prairie landscape, these works “knit together autobiography with cultural history, fantasy with reality, and the conceptual with the emotional.” Atkins’ exhibition is part of the 2019 Capture Photography Festival and is her ﬁ rst in AMALIE ATKINS, APRONS, 2015 COURTESY OF THE ARTIST the Metro Vancouver area.

CORRINE HUNT: RESILIENCE 2019 Coastal Peoples Fine Arts Gallery, Vancouver. To Apr 26 Resilience through laughter is the prevailing theme of Corrine Hunt’s solo show. Hav- ing faced considerable hardship and adversity in her life, the Kwakwaka’wakw-Tlingit artist and designer decided to joyfully “reframe” her experience. Her inventive new work is “an opportunity to let go of the anger and negativity in the world right now, and explore the other side,” she says. Here, her lively ideas express themselves through her palette of bright colours and her inventive use of silver, cedar and re- CORRINE HUNT, EAGLE MASK, 2018 claimed materials.

COUNTERNARRATIVES: WATERCOLOUR PAINTINGS BY ARCHIBALD FAIRBAIRN Bill Reid Gallery of Northwest Coast Art, Vancouver. To Jun 2 Historic record or cultural appropriation? Colonial gaze or post-colonial re-evaluation? Watercolour paintings by the late South Africa–born, Vancouver Island–based artist Archibald Fairbairn (1888-1979) depict First Nations villages and totem poles on Haida Gwaii and in the Skeena and Bulkley valleys. Based on sketching trips undertaken ARCHIBALD FAIRBAIRN, in the 1930s and ’40s and executed in the English watercolour tradition, Fairbairn’s POLES IN LANDSCAPE, 1960 images are interpreted through a range of contemporary Indigenous voices.

JANE EVERETT: UNDERSTORY Kelowna Art Gallery, Kelowna. To Jun 16 In this powerfully immersive installation, large-scale charcoal drawings on drafting ﬁ lm create the sensation of standing within a forested landscape in the interior of British Columbia. Viewers look up into the branches of lodgepole pines, ponderosa pines and Douglas ﬁ rs, which seem to waft and sway in the breeze. Jane Everett

JANE EVERETT, UNDERSTORY DETAIL, also introduces sobering alien elements into our viewing experience, including IN STUDIO, 2018 hydroelectric lines and pine beetle die-o , reminding us of the human impact on the natural environment.

GRACE GORDON-COLLINS: THE DRESS Elissa Cristall Gallery, Vancouver. Apr 4 - 27 In North America, few articles of clothing are as charged with social and emotional meaning as the wedding dress – the subject of this exhibition of digital photographs, photograms and text. With their dreamy, surreal qualities, the photograms are a particularly evocative depiction of wedding dresses through four generations of the artist’s family. Grace Gordon-Collins is a multidisciplinary artist whose award-winning

GRACE GORDON COLLINS, practice includes architecture, design and ﬁ ne art photography. THE DRESS ON HANGER, 2018

26 APR - MAY 2019 by Robin Laurence Vignettes

THERE IS TRUTH HERE Museum of Vancouver, Vancouver. Apr 5, 2019 - Jan 2020 Subtitled Creativity and Resilience in Children’s Art from Indian Residential and Day Schools, this exhibition brings us rare surviving paintings, drawings, and sewing and beading samples, along with documents of drum work, drama and singing, by In- digenous children in British Columbia and Manitoba. Images include wild animals, warriors with bows and arrows, scenes of labour and daily life, and – most harrow- ing – smiling ghosts and skeletons dancing in a graveyard. All bear witness to the EDITH KRUEGER, SIN NAM HIT QUH DRAWING FROM NK'MIP CHRONICLES EDITED BY ANDREA experiences of survivors. WALSH, 2005. PHOTO: OSOYOOS MUSEUM SOCIETY COLLECTION

(DIS)CONNECT Two Rivers Gallery, Prince George. Apr 12 - Jul 7 Featuring stellar Canadian artists working solo and collaboratively, this show poses questions about 21st-century electronic communications. Is it possible that even as we are more globally connected than ever before, we are also more disconnected – our digital devices alienating us from face-to-face human interactions? Media range across painting, video, installation and photography, and artists featured are Mathieu Doyon, Simon Rivest, Shawna Dempsey, Lorri Millan, Diyan Achjadi, Brendan Lee Satish Tang and Jeroen Witvliet. DOYON RIVEST, JUSTICE LAPIDAIRE, 2018

OMER ARBEL: PARTICLES FOR THE BUILT WORLD Surrey Art Gallery, Surrey. Apr 13 - Jun 16 Based in Vancouver and Berlin, Omer Arbel is a designer and sculptor acclaimed for his experimental approach to his profession and for his concept-driven research into materials. This exhibition features his unconventional use of concrete, which he has poured into fabric rather than plywood moulds, resulting in rounded organic rather than rectilinear architectural forms. Cutaways into fabric-moulded concrete along with tall pillars in the shape of inverted trumpets provide insights into Arbel’s working methods. OMER ARBEL, 75.9, 2019 PHOTO: JULIAN KENCHENTEN

TAFADZWA TIGERE TANDI and ARTHUR MANYENGEDZO Ukama Gallery, Vancouver. May 1 - 16 This exhibition spotlights the work of two leading stone sculptors from Zimbabwe. Arthur Manyengedzo is recognized for his semi-abstract interpretations of human and animal subjects; he has said that he is sometimes inspired by the raw stone and sometimes by his dreams. Tafadzwa Tigere Tandi works in a realistic style and is best known for his detailed busts of men and women in traditional headwear and jewel-

lery, executed in hard stone such as verdite, lepidolite, dolomite and “butter jade.” TAFADZWA TIGERE TANDI, ELEGANT WOMAN, 2017

CLOSER Beaty Biodiversity Museum, Vancouver. May 18 - Nov 10 Large-scale photographs of biological specimens by Julya Hajnoczky and miniature treasure boxes of reconstructed ﬂ owers by Katrina Vera Wong reﬂ ect on life and death, love and loss, and the beauty and fragility of existence. Hajnoczky places natural forms such as moss, bones and feathers on a high-resolution scanner to produce meticulously detailed images, while Wong pieces together parts of pressed or dried

fl owers, particularly orchids, to create hybrids that she calls “Frankenfl ora.” JULYA HAJNOCZKY, CLADONIA CRISTATELLA, 2017 preview-art.com PREVIEW 27 Karen Tam: With wings like clouds hung from the sky RICHMOND ART GALLERY, Richmond BC - May 4 - June 30 by Michael Turner To say that artistic practice has shifted signifi cantly since the turn of the 21st century is a monumental under- statement. Although outdoor monuments continue to be produced under the rubric of public art, the gallery is becoming as much a site of research as it is a site for display. A recent example of the emergent research-creation exhibition can be found in Karen Tam, Flying Cormorant Studio (For Lee Nam), 2014, Montreal-based artist Karen as installed at the Mendel Art Gallery, Saskatoon, SK Tam’s project based on artist Lee Nam, an early-20th-century Chinese immigrant to British Columbia and a friend and col- league of the painter Emily Carr. From what began as a set of exhibitions and residencies at the Mendel Art Gallery (2014) and the Art Gallery of Greater Victoria (2017), Tam has developed an installation that reimagines Nam’s painting studio in Victoria’s Chinatown. For the RAG iteration, Tam has focused her archival research on Nam’s infl uence on Carr’s more fl uid mid-1930s paintings. At the same time, she o ers Nam’s studio as a platform to connect lineages and kinships among Chinese, Hong Kongese, Taiwanese and Canadian ink brush practitioners. In a dialogical gesture, Tam invited into Nam’s studio the work of others, including 20th-century Chinese ink brush artists Qi Baishi and Yu Fei’an; Victoria- and Montreal-based artists Lui Luk Chun and Tam’s own mother; and local contemporary ink brush artists from across Richmond and the Lower Mainland. Accompanying the exhibition is an extensive publication produced in partnership with the AGGV and the Varley Art Gallery that details Tam’s in-depth historical research methodology, her material fi ndings and her aesthetic responses to the artworks reproduced within. Opening reception May 3, 7-9pm richmondartgallery.org

PORT COQUITLAM ist with a body of work that includes Life and Other Curiosities. Sober- works on canvas, paper and sculp- anes’ series of whimsical art-object Leigh Square ture created in a rich colour palette assemblages, books and shadow Community Arts Village and using metallic paints. OUTLET boxes inspired by themes of imper- 2253 Leigh Square GALLERY, #110-2248 McAllister Ave, manence, memory, consciousness portcoquitlam.ca/recreation/ mon-fri 9:30am-6:30pm; and dreams are installed in the glass leigh-square-community-arts- sat 9:30am-5pm. To Apr 29 display cabinets of the gallery. village/ Clarissa Argueta: The Endless THE MICHAEL WRIGHT ART GALLERY, Braid. Argueta’s colourful acrylic PORT MOODY Gathering Place, #200-2253 Leigh portrait paintings are inspired by her Square Pl. tue-fri 1-5pm; sat 12- ancestral heritage, the indigenous Port Moody Arts Centre H 4pm. To Apr 29 Mat Holmstrom: civilizations in the Ancient Americas 2425 St Johns St &604-931-2008 Mount Delectable. A glimpse into and contemporary Latin America. pomoarts.ca the ever expanding world of the art- Venus Soberanes: The Books of mon, wed, fri 12-8pm; tue, thu

28 APR - MAY 2019 H OPEN LATE ON FIRST THURSDAYS Karen Tam: With wings like clouds hung from the sky RICHMOND ART GALLERY, Richmond BC - May 4 - June 30 by Michael Turner To say that artistic practice has shifted signifi cantly since the turn of the 21st century is a monumental under- statement. Although outdoor monuments continue to be produced under the rubric of public art, the gallery is becoming as much a site of research as it is a site for display. A recent example of the emergent research-creation exhibition can be found in Karen Tam, Flying Cormorant Studio (For Lee Nam), 2014, Montreal-based artist Karen 10am-8pm; sat-sun 10am-4pm; time in human history. Yet, many individual pieces of art inspired by as installed at the Mendel Art Gallery, Saskatoon, SK closed holidays. free admission. have argued, we are paradoxically their unique interpretation of a word Tam’s project based on artist To Apr 25 Vancouver Metal Arts more disconnected from our shared and its meaning. Lee Nam, an early-20th-century Chinese immigrant to British Columbia and a friend and col- Association-[Play]ground: a humanity than ever before. This con- league of the painter Emily Carr. Space for Exploration. An exhibition dition is the focus of artists whose QUALICUM BEACH that considers how play becomes an work is collected here offering From what began as a set of exhibitions and residencies at the Mendel Art Gallery (2014) and integral part of the creative process. insights from a number of different The Old School House the Art Gallery of Greater Victoria (2017), Tam has developed an installation that reimagines Pilar Mehlis: Transmigrification. perspectives. Artists: Mathieu Doyon, Arts Centre Nam’s painting studio in Victoria’s Chinatown. For the RAG iteration, Tam has focused her ar- Sculptures and paintings exploring Simon Rivest, Shawna Dempsey, 122 Fern Rd W &250-752-6133 chival research on Nam’s infl uence on Carr’s more fl uid mid-1930s paintings. At the same time, ideas of both human and animal Lorri Millan, Brendan Lee Satish theoldschoolhouse.org she o ers Nam’s studio as a platform to connect lineages and kinships among Chinese, Hong immigration and migrations through Tang, Diyan Achjadi, and Jeroen mon-sat 10am-4:30pm. Admission by donation. Apr1-27 Saltspring Kongese, Taiwanese and Canadian ink brush practitioners. anthropomorphic forms. Sandra Witvliet. Ongoing Benny Zenga: Yuen MacKay: Flowerspeak. High Up Hut #3 is a hybrid design Painter Diana Dean, RCA and In a dialogical gesture, Tam invited into Nam’s studio the work of others, including 20th-cen- MacKay moves from a dark place inspired by High Up Hut #1 (Belcar- Campbell River Painter Catherine tury Chinese ink brush artists Qi Baishi and Yu Fei’an; Victoria- and Montreal-based artists with vibrant florals, filled with light. ra) and High Up Hut #2 (Vancouver). Martha Holmes. Artist Tea: Apr 3, 2pm. Apr 29-May 25 Vancouver Lui Luk Chun and Tam’s own mother; and local contemporary ink brush artists from across May 2-30 Spirit of India. A group Unlike its predecessors, this hut is exhibition and events to celebrate located outdoors, high up on our Island Artists (2D and 3D) If Bees Richmond and the Lower Mainland. Accompanying the exhibition is an extensive publication traditional and contemporary Sculpture Court, rather than on a Are Few! Gordon James, Kathryn produced in partnership with the AGGV and the Varley Art Gallery that details Tam’s in-depth artworks by South Asian artists in vacant pole or harbour piling. Manry, Lisa Riehl and Marsha Ross. historical research methodology, her material fi ndings and her aesthetic responses to the art- our community. Julia Nygra-Ce- Flower Power, group show. Artist works reproduced within. ramic Artist in Residence: Tender PRINCE RUPERT Tea: May 1, 2pm. May 27-Jun 22 Formations. Stories of love passed A Retrospective of Contemporary Opening reception May 3, 7-9pm down by Nygra’s family inspired a Museum of Northern BC Painter Richard Alm, Squamish richmondartgallery.org collection of traditional and contem- 100 First Ave W &250-624-3207 Painter Zoe Evany and Campbell porary Indian pottery. museumofnorthernbc.com River Painter Sandra Lamb. Winter (Oct-May): tue-sat 9am-5pm. Artist Tea: May 29, 2pm. PRINCE GEORGE Admission: adults $6; teens 13-19 $3; children 6-12 $2; children under RICHMOND Two Rivers Gallery 5 $1; members free. To Apr 26 725 Canada Games Way Prints Rupert Camera Club Annual Lipont Place &250-614-7800 Exhibit, features a variety of photo- 4211 No. 3 Rd &604-285-9975 &1-888-221-1155 graphs by amateur and professional lipontplace.com tworiversgallery.ca photographers. The exhibit contains mon-fri 10am-5pm, weekends by mon-sat 10am-5pm; thu 10am- photographs highlighting the North- appointment. Apr 6-30 FORMULA- 9pm; sun 12-5pm Opening April 12 west region of BC. Opening Recep- TION OF TIME: Photography by (Dis)Connect. At the beginning of tion: April 3. Figuratively Speaking Phyllis Schwartz, Edward Peck, the twenty-first Century, commu- a group exhibition of works inspired Desiree Patterson, and Sand Wan. nication and other technologies by words and their definitions. Fibre May 11-Jun 7 ALL THAT LIGHT. ensure that we are more connected artists Debra Strand, Laurie Gray Paintings by Monica Gewurz and to each other than at any other and Jenny Boneshyn each create Farahnaz Samari.

preview-art.com PREVIEW 29 Arnold Mikelson Mind & Matter Art Gallery 13743 16th Ave &604-536-6460 mindandmatterart.com daily 12-6pm Apr Allison Thorpe, watercolour painting. Mary Mikel- son, oil painting. Elmer Gunderson, art in wood. Robert McMurray, oil painting. Jan Davidson, acrylic painting. Robert Parkes, glass blowing. Irena Chklover, acrylic painting. Valerie Grimmell, California , 2017, ink and acrylic on cow skull oil painting. May Arnold Mikelson, wood sculpture. Millie Meerheimb, watercolour painting. Georgina Hunt, acrylic painting. Darrel Heidi Chartrand, Hancock, pottery. Bette Hurd, acrylic painting. Jeannette Boothby, 311 Neill Street Tofino 250.551.5425 soapstone sculpture. Linda Morris, oil painting. Julie Bourne, raku. RICHMOND 15 to 24, with over 100 works in Surrey Art Gallery diverse media. Apr 13-Jun 1 Flight. 13750 88 Ave &604-501-5566 Richmond Art Gallery 15 multi-media Shuswap artists in surrey.ca/artgallery 180-7700 Minoru Gate a visual exploration of the declining tue-thu 9am-9pm; fri 9am-5pm; sat &604-247-8300 songbird population. 10am-5pm; sun 12-5pm (closed richmondartgallery.org Opening Reception: Apr 12, 7pm. mon & holidays) Apr 13-Jun 16 mon-fri 10am-6pm; sat & sun Omer Arbel: Particles for the Build 10am-5pm. Admission by donation. SKIDEGATE World, sculptural and home building To Apr 20 Adad Hannah: The experiments in fabric-formed Decameron Retold. In a newly Haida Gwaii Museum concrete. Opening Reception: Apr commissioned work, Hannah creates at Kay Llnagaay 13, 6:30pm. Fischli and Weiss: a series of video tableaux vivants 2 Second Beach Rd The Way Things Go, art video based on the 14th century work, The &250-559-4643 documents a spectacular chain Decameron, by Giovanni Boccaccio. haidagwaiimuseum.ca reaction of objects in a warehouse. Working with community members tue-sat 9:30am-5pm. Admission: Opening Apr 27 The Built World in front of and behind the camera adults $16; seniors $15; students Around Us, a juried photography and incorporating their stories with $10; children 6-12 $5; children exhibit capturing the built environ- Boccaccio’s medieval tales, Hannah under 5 free. Ongoing The Raven ment. To Apr 21 Purposeful Play: expands his typical improvisational and the Deer: Culture on Cloth by Art by Surrey Secondary School approach to production and com- Jenny Cross and Sandra Price. Students. OFFSITE: At UrbanScreen munity engagement. May 4-Jun 30 The Permanent Galleries feature a (exterior of Chuck Bailey Recreation Karen Tam: With wings like clouds world-class collection of Haida art Centre) To Apr 28 Nicolas Sassoon: hung from the sky. In this immer- from the late 1700s to today, includ- Liquid Landscapes, animated art sive installation, Montreal-based ing the works of Bill Reid, Robert evokes the beauty of parks and artist Karen Tam re-imagines Lee Davidson, James Hart, Isabel Rorick, rivers in Surrey. Nam’s painting studio, on Cormorant Evelyn Vanderhoop, Charles Eden- Street in Victoria’s Chinatown, to shaw, and other talented artists. TOFINO evoke the presence of this unknown artist. Presented in association with SURREY Experiential the Art Gallery of Greater Victoria. 311 Neill Street &250-551-5425 Curator: Shaun Dacey. Arbutus Gallery at Coast artisexperiential.com Capital Savings Library 11-4 every day free or by donation SALMON ARM Kwantlen Polytechnic University Original Art from this Super Natural D126-12666 72nd Ave Place. Experiential is a Studio space & Salmon Arm Arts Centre 604-599-2219 finagallery.ca as well as a Gallery; meet local 70 Hudson Ave NE &250-832-1170 mon-thu 7:30am-11pm; fri 7:30am- artists, experience the creative salmonarmartscentre.ca 9pm; sat 10am-4pm; sun 12-7pm. process. Emerging talent and fine art tue-sat 11am-4pm. Admission by The KPU Fine Arts Department coexist in this inspiring and intimate donation. To Apr 6 Kids These Days. exhibits student works and shows collection. Updated frequently and Open exhibition for artists aged by Canadian and international includes smaller gift items and art contemporary artists.

30 APR - MAY 2019 H OPEN LATE ON FIRST THURSDAYS preview-art.com PREVIEW 31 Moving Still: Performative Photography in India Capture Photography Festival VANCOUVER ART GALLERY, Vancouver BC - April 19 - Sep 2 by Michael Turner Featuring more than 100 works from mid- 19th-century India to the present, Moving Still explores themes of gender, sexuality, class and religion through the ascendant, digi- tizing medium of photography. As with The Polygon Gallery’s 2018 Persepolis exhibition, where the excavation of Iran’s classical past was documented by the means that carried it into modernity, Moving Still provides what VAG director Kathleen Bartels refers to as “a fascinating narrative of the artistic impact and infl uences across three generations of artists who turn the camera onto themselves in ground-breaking ways.” Chronologically, Moving Still begins in the major Indian cities of Bombay (Mumbai), Calcutta (Kolkata) and Madras, where the French-invented camera and its photo- Pushpamala N, Sunhere Sapne (Golden Dreams), 1998, graphs were fi rst discussed and exhibited. hand-tinted black-and-white photograph. Key practitioners include Sawai Ram Singh II, Shumita and Arani Bose Collection, NY the maharaja of Jaipur from 1835 to 1880, also known as India’s fi rst “Photographer Prince.” Another is Umrao Singh Sher-Gil, whose self-portraits feature a solitary (if not symbol- ist) fi gure engaged in interior spiritual activities like reading, writing and yoga, what historians have referred to as an early attempt at promoting a distinct international Indian subject. More recently, the exhibition highlights the work of Vivan Sundaram, the grandson of Umrao Singh Sher-Gil, who digitized and montaged his grandfather’s photo archive to create an alternative family history; Pushpamala N, whose photo series Sunhere Sapne (Golden Dreams) (1998) revolves around the artist as a stereotypical middle-class housewife and her fantasy alter-ego (a wealthy socialite) in a parody of the post-independence Indian family; and Sunil Gupta, whose Sun City (2011) follows the life of an HIV-positive gay man and the personal and political implications he experienced while living between England and India. Artist talks April 20 and 27, 3pm Annual Heller Lecture May 15 vanartgallery.bc.ca

TOFINO VANCOUVER Art Beatus showcases international art with a special focus on contem- cards. All Original. Art + Connection. Art Beatus (Vancouver) porary Asian art. Currently open Apr 19 Tomas Alejandro Missene. Consultancy Ltd. by appointment only as the gallery Apr 20-May 10 Sarah Platenius. 108-808 Nelson St prepares for a move in Spring 2019. May 11-30 Heidi Chartrand. Open- &604-688-2633 Please call for more info. ing May 31 Autumn Skye Morrison. artbeatus.com mon-fri 10am-6pm.

32 APR - MAY 2019 H OPEN LATE ON FIRST THURSDAYS Il Museo Ruth Preview Ad 14/03/19 Page 1

Art Vancouver &604-682-3701 artvancouver.net Apr 25 710pm; Apr 26 1-9pm; Apr 27 12-9pm; Apr 28 12-5pm Art Vancouver International Art Fair Ancient Women in Textile presents over 100 galleries and artists from around the world. More The Jacquard Weaving of than 1,200 visual art works, Panel RUTH SCHEUING Talks, Speaker Series, Art Classes, Live Art demonstrations, Guided April 18–June 15, 2019 Tours and more. Visit website Tuesday–Saturday 10:00AM–5:00PM for details.

Art Works Gallery 3075 Slocan Street, Vancouver, BC 1536 Venables St &604-688-3301 italianculturalcentre.ca artworksbc.com Tel: (604) 430-3337 mon-fri 9:30am-5:30pm; sat 10am-5:30pm; sun by appointment. Art Works represents some of BC's most dynamic artists. Working with corporations, movie studios, and The only free, public gallery dedicat- many of Vancouver’s leading interior Beaty Biodiversity Museum ed to young people's art in Canada. designers and architectural firms, 2212 Main Mall, UBC , our free drop-in & Art Works has developed a distinct ArtStarts Explores 604-827-4955 art activity for families and young beatymuseum.ubc.ca and unique aesthetic vision, comple- people ages 12 and under from tue-sun 10am-5pm. Admission: menting and creating value within 11am-12pm, happens on the first adults $14; seniors 65+/students/ residential and commercial spaces. three Saturdays of each month! youth 13-17 $12; children 5-12 Visit our website for information on $10; children under 5 free. Fall in upcoming exhibitions. Bau-Xi Gallery love with the diversity of life as you

Arts Off Main Gallery 3045 Granville St explore over 500 exhibits and stare &604-733-7011 bau-xi.com 1704 Charles St through the jaws of the largest Mon - Sat 10am-5:30pm; Sun &604-876-2785 creature ever to live on Earth - the artsoffmain.ca 11am-5:30pm. Apr 6-20 Anthony blue whale. Step into the enchanting tue-fri 12-6pm; sat 10am-6pm; sun Redpath: Sublimation. Vancou- miniature world of the often over- 11am-5pm. Arts off Main Gallery ver-based photographer Anthony looked in our newest temporary art is an artist collective that has been Redpath explores the industrial exhibit, Closer, by Julya Hajnoczky active for 15 years. At its core are edifices of the West Coast and visu- and Katrina Vera Wong. 9 artist-partners and a professional ally mines a landscape rooted in its framer. We carry a wide variety of industrial history in this series. Eric Bill Reid Gallery affordable art created by local artists Louie: Awakening. The upper gal- of Northwest Coast Art & and artisans; paintings, photography, lery space features Vancouver-based 639 Hornby Street 604-682-3455 billreidgallery.ca watercolours, textile arts, pottery, painter Eric Louie’s paintings wed-sun 11am-5pm; Admission jewelry, stained glass, sculpture, composed of his signature layers of (+GST): adults $13; seniors $10; woodwork and more. Our artist-part- luminescent glazes and delicate, yet students $8; youths (13-17) $6; ners are Lee Sanger, Elana Sigal, dynamic forms. Opening Receptions: children 12 and under and members Tom Antil, Gary Nay, Tanya Boya, Apr 4, 6pm. May 4-18 Steven Ned- free; family (2 adults + 2 children) Danielle Louise, NormaJean McCal- erveen. Painter Steven Nederveen’s $30. Opening Apr 10 qa y x - lan, Eileen Mosca and Cindy-Wynne latest series focuses on the patterns ʔ ə ʷ water honours us: Womxn and Kolding. All partners have their new of crashing waves, treetops and Waterways. Water is an essential work displayed in the gallery and mountain ranges as part of his ingredient for human life-it connects welcome commissions. Currently ongoing exploration of the natural us geographically, culturally, and featuring works by Suzanne Good- environment and the landscape socially while fueling our bodies and win, Martine Silk, Fran Alexander, Jill tradition. Casey McGlynn. Casey spirits. Guest curators ReMatri- Charuk and Roy Geronimo. McGlynn’s paintings of horses are visual composites of autobiography ate Collective reveal the unique ArtStarts Gallery and collective memory. Collaged, connection between womxn and water in the matriarchal societies 808 Richards St highly referential images narrate &604-336-0626 scenes from the artist’s life and our of the Northwest Coast, with special artstarts.com/gallery universal experiences. attention to the roles of child-bear- tue-sat 10am-4:30pm. Opening Receptions: May 4, 2pm. ers, healers, and doulas. To June 2 Counternarratives: Watercolour preview-art.com PREVIEW 33 VANCOUVER and an Events Program that spans town. The exhibition originates from tours, films, artist talks, and Young’s archival research on Won Paintings by Archibald Fairbairn community events. Alexander Cumyow, the first person (1888-1979). These sublime of Chinese descent born in Canada, watercolour paintings document the Catriona Jeffries and mobilizes Centre A’s new site, beauty of totem poles and communi- 950 East Cordova St in the former retail mall Sun Wah ties during the early 20th century. &604-736-1554 Centre, to stage a double vision of This exhibition juxtaposes an idealis- catrionajeffries.com contemporary global retrotopianism. tic painter’s postcolonial gaze with By appt only To May 11 Unex- critical discourse from contemporary plained Parade Artists: Abbas Akha- Chali-Rosso Art Gallery Indigenous voices. Ongoing Bill van, Valérie Blass, Raymond Boisjoly, 549 Howe St &604-733-3594 Reid: Creative Journeys celebrates Rebecca Brewer, Trisha Brown, Chris chalirosso.com the many creative journeys of Burden, Raven Chacon, Hanne Dar- mon-sat 10am-7pm; sun 12-5pm. acclaimed master goldsmith and boven, Geoffrey Farmer, Julia Feyrer, Ongoing exhibition of works by sculptor Bill Reid (1920-1998). Rochelle Goldberg, Dan Graham, historical masters Pablo Picasso, Brian Jungen, Janice Kerbel, Chris- Joan Miró, Salvador Dalí, Marc Brian Scott Fine Arts Gallery tine Sun Kim, Duane Linklater, Tanya Chagall, Henri Matisse, Pierre- 114-1118 Homer St Lukin Linklater, Christina Mackie, Auguste Renoir, Vassily Kandinsky, &250-337-1941 bscottfinearts.ca Myfanwy MacLeod, Liz Magor, Eliz- Jean Cocteau, Max Ernst, Robert wed-sat 11-4pm Old and New, abeth McIntosh, Damian Moppett, Motherwell, Andy Warhol, Roy antique copper etchings, Japanese Stephen Murray, Kate Newby, Jerry Lichtenstein, and Damien Hirst. woodblock prints and modern oils Pethick, Eileen Quinlan, Judy Radul, and acrylics by Brian Scott. We are Aurie Ramirez, Rob Renpenning, Chinese Cultural Centre very excited about purchasing the Marina Roy, Kevin Schmidt, Nick Museum Joyce Williams Gallery in Yaletown. Sikkuark, Michael Snow, Ron Terada, 555 Columbia St &604-658-8880 We have over 3500 pieces most Ian Wallace, Nicole Wermers, Ashes cccvan.com over 100 years old several from the Withyman, and more. tue-sun 10am-5pm. Admission by 15th Century. We also exhibit the donation. Ongoing Generation to paintings for my Book 6, 40 Paint- Centre A Generation - History of Chinese ings and Stories of Vancouver. Vancouver International Centre Canadians in British Columbia. for Contemporary Asian Art Photos and artifacts of the first Capture Photography Festival 268 Keefer St &604-683-8326 Chinese immigrants in British Co- various locations centrea.org lumbia from the 1800s. The Chinese capturephotofest.com tue-sat 12-5pm To Jun 4 Samson Canadian Military Museum is also Apr 3-30 Each April, photography Young: It’s a heaven over there. on location. Learn about Chinese and lens-based art is exhibited at The premiere solo exhibition in contributions to both world wars dozens of galleries and other venues Canada by celebrated Hong Kong and the personal stories of Chinese- throughout Metro Vancouver as part artist Samson Young. Situated in a Canadians in the Canadian Armed of the Exhibition Program, alongside cavernous gallery in the pink walled, Forces in WW II. an extensive Public Art Program, a neon-lit, 1980s era shopping mall in youth-oriented Learning Program, Vancouver’s ever gentrifying China- Choboter Fine Art 23 Alexander St &604-688-0145 choboter.com mon-sat 12-6pm. Ongoing presentation of new WE WILL BUY mixed-media, three dimensional paintings and older figurative YOUR DREAMS Louise Francis-Smith abstract paintings by local artist Photographic Installation Don Choboter. April 12-27 2019 Circle Craft Gallery 1-1666 Johnston St, Granville Island Reception: &604-669-8021 circlecraft.net Friday April 12 6-9pm daily 10am-7pm. A unique BC Artist Cooperative dedicated to providing Studio 884 opportunities for craftspeople 884 East Georgia St to connect with the community. Hours: 12-6pm (Fri-Sat-Sun) Formed in 1972, Circle Craft utilizes or by appointment a ‘direct from the artist’ approach, Contact: 604 813-2700 and our Granville Island Shop & Gallery features the work of over 130 artists from BC.

34 APR - MAY 2019 H OPEN LATE ON FIRST THURSDAYS Coastal Peoples Fine Arts Gallery Spring For Art! 200-332 Water St &604-684-9222 coastalpeoples.com 5TH ANNUAL FINE ART EXHIBITION Daily 10am-6pm A superb collection of museum-quality Northwest Coast, Inuit and Plains art. Showcasing culturally expressive works in various mediums from prominent and emerging First Nations artists from across Canada. Mar 16-Apr 26 Resilience: Through Laughter. Featuring artist Corrine Hunt, Kwakwaka’wakw / Tlingit. Resilience is one of the most important aspects in our lives, and Corrine Hunt’s experience with adversity takes us on a personal path through her MAY 24 • 25 • 26 latest exhibition. Corrine’s palate of bright colours and signature use of organic shapes and reclaimed Collector’s Night materials incorporated into her Friday 7—10pm rustic, naturalistic designs featuring Collector Pass & Early Bird tickets wood sculptures and silver and gold jewelry speak to the reinvention Online and at the door of herself, her traditions, and her PROCEEDS TO AnxietyCanada personal revitalization.

Contemporary Art Gallery Open Studio 555 Nelson St &604-681-2700 Saturday & Sunday 1—5pm contemporaryartgallery.ca FREE ADMISSION tue-sun 12-6pm. free admission. Opening Apr 5 Deanna Bowen: A Harlem Nocturne. A new exhibition Studio Tours by Toronto-based artist Deanna Book online Bowen, featuring still and moving images that mines her own family lineage to explore histories of Black BUY TICKETS ONLINE lives and communities in Vancouver. Presented in partnership with Cap- www.ParkerArtSalon.com ture Photography Festival. Rolande Souliere: Frequent Stopping IV 1000 Parker Street | Free Parking and V. Large-scale, site-specific work at two public sites: across the street level façade of the CAG and at the nearby Yaletown-Roundhouse and remembrance, Russell contem- Crafted Vancouver Station. OFFSITE: On selected plates the construction and recon- 700 - 318 Homer St TransLink B-Line buses Ongoing struction of human memory through &604-669-3099 How far do you travel? Works by kiln-formed glass, “translating these craftedvancouver.com Diyan Achjadi, Patrick Cruz, Rolande findings in the form of an in-depth May 6-30 MADE TO BE DISCOV- Souliere, Erdem Tasdelen,, and texture study.” In her dealing with ERED. Designed to celebrate the Anna Torma. Public transit vehicles the complexities of memory, such vitality of our hand-crafted world, enveloped by visual imagery and as its incompleteness, inaccuracy, Crafted Vancouver brings together traversing the space of the city. and above all its malleability, Russell exceptional local, national & interna- uses a variety of textures from glass tional artisans & designers, studios, Craft Council of BC Gallery powder to consider the processes of galleries, museums, showrooms, & 1386 Cartwright St 604-687-7270 memory-making and its unreliability shops & luxury retail, craft & design craftcouncilbc.ca in regard to truth. The project was schools and member associations, daily 10:30am-6pm To May 2 funded in part by the Columbia making, exhibiting, supporting or Katherine Russell: Memories Are Kootenay Cultural Alliance and the selling fine craft-based work. Malleable. In an exploration of truth Canada Council for the Arts. SPOTLIGHT ON MEXICO. preview-art.com PREVIEW 35

r D

l a i c r e m m o

S C

n i

Chilliwack E

Goldmoss Goldmoss Satellite

r D

k r a l Arts Off Main Off Arts C 1

Art Works Art

hfa s e

l t

Gallery at the Cultch the at Gallery

l l

n e

e w V

Parker Projects Projects Parker 11 e v

Parker Art Salon Art Parker A

Commercial Drive l

a Greater Vancouver

n i Abbotsford

t m r

r T

r Downtown/Eastside &

Catriona Jeffries Catriona

P 13

Centre A & SUM & A Centre

t S

n i PACIFIC CENTRAL CENTRAL PACIFIC a TRAIN/BUS STATION TRAIN/BUS M

Choboter

Gallery Gachet Gallery

Skwachàys Lodge Aboriginal Gallery Aboriginal Lodge Skwachàys Fort Langley

Inuit

t Centre Maple Ridge S

e USA TO t a

Goldmoss Gastown Goldmoss

Audain (SFU) Audain

Coastal Peoples Coastal 15

Teck Gallery (SFU) Gallery Teck W

Dr. Sun Dr.

Yat-Sen 1

Chinese Cultural Chinese

t Surrey

t S

e i b m a a C t i a r rg

v s S i o

o g r u e

d e t

r in d m G Coquitlam

t s S

o n

s n White Rock

C e n

PLACE a W

u o

P t H l D i CANADA CANADA

l 99 w

o Scott Brian

B New Westminster

t Deep Cove

S e

i y

Port Moody

b 91 s

ArtStarts e

n d

a r r

r o

h 1

H C Pendulum c

i Burnaby

17 R e ls a

Chali-Rosso F

North Van Tsawwassen

Bill Reid Gallery Reid Bill

Poly Art Gallery Art Poly t

S 99 d

r Richmond

a l

r Beatus Art i r

v u

Vancouver Art Gallery Art Vancouver B

t t r Vancouver S G S Van West n ie o v s a Airport b D Gallery Art Contemporary o BC Ferries R Vancouver Vancouver International

TO WHISTLER TO

Gallery

t t h S e

Federation e e e n g v

i v v o v t r

A A s

n w

h t t h

h h h o S r

t t

J t

a 6t e 7 8

i W

r W W W

d l

d y n A

d South Granville

r e

Granville Island &

Pacific Arts Market Arts Pacific

Ukama

Art Emporium Art

Ian Tan Ian

Eagle Spirit Eagle t S

e l l i v n a r G

Petley Jones Petley

Circle Craft Gallery Craft Circle

Craft Council of BC Gallery BC of Council Craft

e e A

ve ve v v

Dundarave Print Workshop Print Dundarave

Heffel

A A

A A h

Bau-Xi

h h

h h 4

t t t t

2 3 4 6

Lattimer W 1 1 1 1

W W W W

Marion Scott Marion

Spirit Wrestler Spirit Cristall Elissa

e v e

Uno Langmann Uno

v v

A A

Kimoto Gallery Kimoto t

d d

Douglas Reynolds Douglas

5 r

1 3

2 Z Gallery Arts Gallery Z

W W

36 APR - MAY 2019 1 y

P y

r w

y o H

m a

y d

e a e

PARK

n S

t a

M - B PROVINCIAL PROVINCIAL

s MT SEYMOUR MT

r Gallery Lake Deer

Burnaby Art Gallery Art Burnaby

Seymour Art Gallery Art Seymour

SFU Gallery Burnaby Gallery SFU

r o

r i d g

e e v

R E

l l

n e y L

a l

Il Museo Il Italian Cultural Centre Cultural Italian

s N a n a i m o

S t y a

E w

t g e v A e l a d s n o L S n t i s K 1 LAKE

CityScape

E TROUT d

a R

t h

d r D

k r a l a C e i R

o K

Libby Leshgold Gallery Leshgold Libby

B n QUAY QUAY W

e e

v MARKET

A u e

LONSDALE

Gordon Smith Gordon Q

grunt th

2 W

v Bewicke Ave

The Polygon The t Jones Gallery e n

2 S

y v

t A

w E s t

South Main South

Heritage Hall Heritage

1 s

1 t S

n i s a M

l Vancouver Harbour Vancouver

W E

e D r

r n

h e

e i

t r v

6 a

p Commercial Drive

U Gallery Art Caroun h

t Downtown/Eastside &

Vancouver Lipont Centre Lipont Vancouver t S

e i b m a C v

Richmond Art Gallery Art Richmond

t S

k a

O g t

Griffin Art Projects Art Griffin S

l e

n W

d R

o n a l i p a C

d G r a n v i l l e

S t i

d a &

r South Island i

L u B Granville Granville

Unitarian Church Unitarian

A v

n h

STANLEY PARK STANLEY

Silk Purse Silk

2 t S

h t 5 1 2t

Ferry Building Ferry

W e

t S r a g l a f a r T h

8t t S d l a n o d c a M Gallery Zack Gertrude & Sidney

e e

v v A W A

s e

n v e t

4 A

e u t

s Q W 1

Museum of Vancouver of Museum

A t S a m l

Vancouver Maritime Museum Maritime Vancouver

VISUALSPACE

West Vancouver Art Museum Art Vancouver West

d e v l v i PARK

B r

D y t

i REGIONAL REGIONAL e s n e r i

r e v d SPIRIT PACIFIC i English Bay a r v v

l i D M B n

e U W Buckland Southerst Buckland o n l i l S r e a l c al

M n M a k h oo C br es W all E M e riv e D Beaty Biodiversity Museum Biodiversity Beaty rin Ma NW

Morris & Helen Belkin Art Gallery Art Belkin Helen & Morris

Museum of Anthropology of Museum PARK VANCOUVER LIGHTHOUSE

Lookout Gallery Lookout preview-art.com PREVIEW 37 VANCOUVER phy exhibit documenting historical identity, and contemporary culture. A Chinatowns in Vancouver, Richmond, photo-based exhibition that expands Crafted Vancouver, along with Event and New Westminster as sources on these themes and looks at the Partner, the Consulate General of of living heritage. Artists: Rennie wedding industry, the ubiquity of Mexico in Vancouver, are thrilled to Brown, Jonathan Desmond, and social media and the minefield welcome artisan guests from Mexico Kayla Isomura. Opening Reception: of online dating. May 9-25 Kyle in a series of events. May 4, 4pm. May 11, 2pm Cha Dao Scheurmann: New Paintings. in the Garden with artist Lam Wong. Developing from his Field Studies Douglas Reynolds Gallery Opening dialogues around Chinese series, Scheurmann transitions from 2335 Granville St philosophy, art, and culture through watercolour to oil on canvas, and &604-731-9292 a traditional tea ceremony. Part of presents large scale canvases of douglasreynoldsgallery.com the 2019 explorASIAN Festival. dream trees and mystery forests. mon-sat 10am-6pm; sun 12-5pm Specializing in contemporary and Dundarave Federation Gallery historical Northwest Coast Native Print Workshop + Gallery 1241 Cartwright St, Granville Island art, a wide selection of artwork is 1640 Johnston St, Granville Island &604-681-8534 artists.ca offered by leading First Nations &604-689-1650 tue-sun 10am-5pm. Apr 2-14 artists including Bill Reid, Robert dundaraveprintworkshop.com Bloom. A visual celebration of Davidson, Don Yeomans and Phil Apr: wed-sun 11-5pm May: daily springtime, Bloom is enhanced with Gray. Artwork includes carved wood 11-5pm. To Apr 21 Water: Prints dynamic, flower sculptures from masks, cedar bentwood boxes, from the Wet Coast. Using the the Japanese Sogetsu School. This totem poles, paddles, bronze and theme of ‘Water’ the Dundarave collaborative display of nature, either glass works, baskets, prints, and Print Workshop artists explore immortalized through artwork or handcrafted gold and silver jewelry. their personal relationship with displayed in sculptures of ephemeral The gallery also offers custom this ubiquitous substance. Apr 24- beauty. Apr 30-May 12 Wildlife Ex- commissioned projects for individual May19 Jacquline Law: …is in the hibition. The lenses through which and corporate clients. detail. Using multiple printmaking we view ‘wildlife’ reflects truths techniques Law takes a look at the about the human condition and Dr. Sun Yat-Sen interaction between Nature and our own identity. Included artworks Classical Chinese Garden Humanity. May 20-Jun 9 green/e/ display themes of wildlife, not just 578 Carrall St &604-662-3207 scapes. Artists, Corey Mah, Maya Canadian wildlife. Any animal can be vancouverchinesegarden.com Schueller-Elmes and Barb Snyder, the subject of the artist’s work. tue-sun 10am-4pm.(Oct 1-Apr explore the significant role of nature 30): adults $12, seniors (65+) $10, and plant life in sustaining (and Gallery Gachet students ages 6-17 or over 17 with maintaining) our own personal 9 W Hastings St &604-687-2468 valid ID $9, family (2 adults and landscapes and daily lives. gachet.org up to 3 children under the age of tue-sat 12-6pm. Apr 5-May 25 17) $25, children 5 and under free. Eagle Spirit Gallery Reclaiming our Roots is a show To Apr 23 The Art of the Brush: 1803 Maritime Mews, Granville about tradition and the contem- A Retrospective Exhibition of Island &604-801-5277 porary development of Indigenous Calligraphy by Yim Tse. Presented &1-888-801-5277 practices as working Indigenous by the Canadian Society for Asian eaglespiritgallery.com women artists with evolving creative Arts with family and disciples of Yim tue-sat 11am-5pm or by appt. practices. The Indigenous Women Tse. Opening Apr 30 Journeying Specializing in Northwest Coast First Artists Collective (IWA) is made up Through Chinatowns. Photogra- Nations and Inuit art. Featuring mu- of 11 Indigenous self-identified seum-quality hand-carved masks, women who have worked out of the panels, bentwood boxes, totem Downtown Eastside of Vancouver poles, argillite carvings, button since before 2013. Participating blankets, glass sculptures, and artists: Allison Burns Joseph, Arlene Inuit stoneworks. Bowman, Chantel Joseph-Bordeau, Coco Agecoutay, Doris Fox, Georgina Elissa Cristall Gallery Wing-K’lem, Haisla Collins, 2239 Granville St &604-730-9611 Jacqueline West, Marilyn Mckee, cristallgallery.com Shevonne Hall, Veronica Iza. tue-fri 11am-6pm; sat 11-5pm. Opening Reception: April 5, 6pm. Apr 4-27 Grace Gordon-Collins: Artist Art Market: May 25, 11am. THE DRESS. She has long sought out the thematic threads that Gallery Jones run through the inner lives of her 1-258 E 1st Ave &604-714-2216 Bragwynne Purcell, This is My Song female subjects, and has explored galleryjones.com Cityscape Community Art Space, universal issues related to gender, tue-fri 11am-6pm; sat 12-5pm and North Vancouver

38 APR - MAY 2019 H OPEN LATE ON FIRST THURSDAYS AAAAAAA CCCCCC AAAAA 1555 FFFFFFFF CCCCCCC HHHH

L A T T I M E R G A L L E R Y 1590 West 2nd Ave. Vancouver, BC 604-732-4556 lattimergallery.com

by appt. Apr 18-May 11 James works by artist couple Bon & Lee pre-conceived notions of race, gen- Nizam: Apparent Motions explores Roberts: sculpture, painting & der, and sexuality to touch on how the movement of celestial objects photography in Vancouver’s Gastown we can become more empathic, through an assemblage of photo- district. May 14-Jun 9 Bon & Lee empowered people despite the graphs, sculptures, drawings, and Roberts: AVIAN by Nature. Mixed hardships that we have endured. sound media. The exhibition con- media group exhibition featuring May 10-Jun 22 Sejin Kim and tinues James’ interest in observing, works by Bon & Lee at the Ferry Inyoung Yeo: dot. dot. dot. mapping, and calculating a complex Building Gallery in West Vancouver; Opening Reception: May 9, 7pm. astronomical system of space and 1414 Argyle Ave, West Vancouver. time through an array of mediums Opening Reception: May 14, 6pm. Heffel Fine Art Auction House and materials that simultaneously Meet the Artists: May 18, 2pm. 2247 Granville St &604-732-6505 mystify and elucidate. Opening SATELLITE: Callister Brewing, 1338 &1-800-528-9608 heffel.com Reception: Apr 18, 5pm. May 16- Franklin St &604-374-5208 mon- mon-fri 9am-5pm; sat 10am-5pm Jun 8 Brendan Tang: Manga thu 2-9pm; fri 2-10pm; sat 1-10pm; Apr 2-25 Online Auction. Pop Art & Ormolu. Through a new body of sun 1-8pm. Large scale oil paintings International Graphics / International ceramics Manga Ormolu enters the and mixed media wall based sculp- Art / Canadian Landscapes: Group dialogue on contemporary culture, tural works by Bon & Lee Roberts. of Seven & Their Contemporaries. technology, and globalization May 2-Jun 1 Online Auction. through a fabricated relationship grunt gallery Fine Canadian Art / Post War & between ceramic tradition (using 116-350 E 2nd Ave Contemporary Art. the form of Chinese Ming dynasty &604-875-9516 grunt.ca vessels) and techno-Pop Art. tue-sat 12-5 pm. To Apr 27 Kali hfa contemporary Opening Reception: May 18, 2pm. Spitzer: An Exploration of 320-1000 Parker St Resilience, is about identity, culture, &604-876-7606 &604-349-7606 Goldmoss strength, vulnerability, and love- hodnettfineart.com goldmoss.com these images are about resilience by appt. A contemporary fine art GASTOWN STUDIO: and resistance. In this series, Spitzer gallery located in the industrial arts 606-55 Water St &604-331-9936 is photographing her community district of east Vancouver showing mon-thu 11am-4pm or by app. Hand of mostly Indigenous and mixed work by a selection of local and made contemporary ornithological heritage people, while challenging international contemporary artists.

preview-art.com PREVIEW 39 GRETA GUZEK Steadfast May 4 - 30, 2019 Opening Reception: Saturday, May 4 from 2 to 4 pm

2342 Granville Street, Vancouver iantangallery 604 738 1077 iantangallery.com 40 APR - MAY 2019 H OPEN LATE ON FIRST THURSDAYS South Granville WWW.SGGA.CA GALLERY ROW SOUTH GRANVILLE GALLERY ASSOCIATION

1 UNO LANGMANN LIMITED 2117 Granville St 604.736.8825 langmann.com 5th AVE 2 KIMOTO GALLERY 1 1525 W 6th Ave 2 604.428.0903 6th AVE kimotogallery.com 3 ELISSA CRISTALL GALLERY 3 2239 Granville St 604.730.9611 4 cristallgallery.com 5 4 PETLEY JONES GALLERY 7th AVE 2245 Granville St 6 604.732.5353 7 petleyjones.com 5 HEFFEL FINE ART 8th AVE AUCTION HOUSE 2247 Granville St 8 604.732.6505 9 heffel.com 6 IAN TAN GALLERY WEST BROADWAY 2342 Granville St 604.738.1077 iantangallery.com 10th AVE 7 DOUGLAS REYNOLDS GALLERY 2335 Granville St 11th AVE 604.731.9292 douglasreynoldsgallery.com

FIR 12th AVE GRANVILLE HEMLOCK 8 MARION SCOTT GALLERY 2423 Granville St 604.685.1934 13th AVE marionscottgallery.com GRETA GUZEK 9 KURBATOFF GALLERY 10 2435 Granville St 604.736.5444 Steadfast 14th AVE kurbatoffgallery.com 11 10 THE ART EMPORIUM 2928 Granville St May 4 - 30, 2019 15th AVE 604.738.3510 theartemporium.ca Opening Reception: 11 BAU-XI GALLERY 3045 Granville St Saturday, May 4 from 2 to 4 pm 604.733.7011 bau-xi.com 2342 Granville Street, Vancouver iantangallery 604 738 1077 iantangallery.com Close-Up: Gulf Island Community Embraces Salt Spring National Art Prize Finalists' Exhibition - Sep 21 - Oct 21 by Michael Turner Now in its third season, the Salt Spring National Art Prize is a biennial competition and exhibition of Canadian visual art. With the competition’s submission deadline of May 31 fast approaching, Preview spoke with artist and SSNAP founding director Ronald T. Crawford. Preview: SSNAP is open to submissions in all artistic media. What percentage is 3-D work, and is this percentage reﬂ ected in the 50 works selected

Photo courtesy of the artist for exhibition? Garry Kaye, Roadside, 2017, acrylic paint on canvas Crawford: About one in four works submitted is three-dimensional. In 2015 we had 15 sculptural works and in 2017 we had 13 in the Finalists’ Exhibition, so the representation is close to 25%. Preview: How has the Salt Spring Island community responded to the SSNAP exhibition and awards? Crawford: The community has really embraced the prize. Over 110 volunteers worked on the events associated with the month-long Finalists’ Exhibition last time. About 50% of our expenses are covered by generous local donors and sponsors. Through the schools our local youth visit the exhibition and participate in workshops. We had over 5,000 participate in the month-long events in 2017, with about 4,000 from an island of 11,000 people – that’s not bad. From Sep- tember 21 to October 19 we run a Creative Panel Event, the Finalist Artist Talks and The Parallel Art Show, which highlights Gulf Island artists. The opening of our Finalists’ Exhibition drew 400 people, with 30 of the 50 fi nalists coming from all over Canada. Preview: What is the biggest thing SSNAP has learned since its inception? Crawford: That it takes a whole community to do something like this. That visual artists across Canada need more support; not just highly curated government support, but equal opportunities to exhibit their talent based on their work and judged by qualifi ed national jurists. After seeing over 2,000 artists’ work from every cor- ner of Canada in the fi rst two seasons, we have some insight into what this country is capable of, and how our own West Coast artists’ work compares and qualifi es with respect to the national conversation. Photo: Andrew Barcham Gala Awards Night Oct 19 Judy Anderson, This one brings me the most pride, saltspringartprize.ca 2017, beadwork mixed media installation

42 APR - MAY 2019 H OPEN LATE ON FIRST THURSDAYS VANCOUVER Ian Tan Gallery 2342 Granville St &604-738-1077 iantangallery.com mon-sat 10am-6pm; sun 12pm- 5pm. Established in 1999, Ian Tan Gallery in British Columbia is a contemporary art gallery that represents important emerging and established artists in contemporary Canadian Art. Apr 6-30 Eric Klemm: Fields of Colour. May 4-30 Greta Guzek: Steadfast. Il Museo, Il Centro Italian Cultural Centre 3075 Slocan St &604-430-3337 italianculturalcentre.ca tue-sat 10am-5pm. Opening Apr 18 Ancient Women in Textile: The Jacquard weaving of Ruth Scheuing. Ancient Greek mythology attributes feminine virtue to textile production, from thus the two become interwoven to form contemporary archetypes in art, and society. In The Odyssey, the figure of Penelope preserves her chastity, while her husband fought in the Tro- jan War, by weaving day and night. The figure Aracne, was turned into a spider for spurning the advances Wild Things, oil on canvas, 48 x 36 inches of the God Apollo. Lastly, the virgin warrior the Goddess Athena oversaw textile production among moral women. Scheuing re-examines E R I C L O U I E these legendary women and brings A P R I L 4 - 2 0 , 2 0 1 9 these heroines to life in a medium intrinsic to their stories: the textile. Presented in partnership with Craft- B A U - X I G A L L E R Y ed Vancouver. 3045 GRANVILLE STREET AT 14TH AVE VANCOUVER BC Opening Reception: Apr 18, 7pm. T. 604 733 7011 EXHIBITIONS ONLINE AT WWW.BAU-XI.COM Inuit Gallery of Vancouver 206 Cambie St &604-688-7323 &1-888-615-8399 inuit.com paintings. Apr 19-May 10 Lattimer Gallery mon-sat 10am-6pm; sun 12-5pm Sculpture by Inuit artist Pudlalik &604-732-4556 Since 1979, the Inuit Gallery has Shaa and original drawings by lattimergallery.com offered a museum-quality collection Qavavau Manumie. VANCOUVER: 1590 W 2nd Ave. of masterwork: Inuit, Northwest 10am-5:30pm; sun 11am-5pm; hol- Coast First Nations and contempo- Kimoto Gallery idays 12pm-5pm. YVR: International rary Canadian art, in the heart of 1525 W 6th Ave &604-428-0903 Terminal. Level 3 Departures. daily Gastown. Continuing a tradition of kimotogallery.com 6am-10pm. MOV: 1100 Chestnut presenting important exhibitions tue-thu 10am-6pm; fri 12-5pm; sat St. sun-wed 10am-5pm; thu-sat of Canadian Indigenous art, featuring 10am-6pm. Apr 5-27 Jim Park: In 10am-8pm. Original works of art by new works by senior artists and ex- Search of Imagination - A Local First Nations artists, including gold ploring the work of the talented next Experience. Opening: Apr 5, 6pm. and sterling silver jewellery, masks, generation of artists. To Apr 12 May 4-25 Veronica Plewman: panels, bentwood boxes, totem Jennifer Walden: Birds, Bears Rhythms of Dissonance - New poles, argillite, sculptures, paintings, and Other Beasts. Vibrant new Paintings of Land and Water. and limited edition prints. Opening: May 4, 1pm. preview-art.com PREVIEW 43 Tales of an Empty Cabin: Somebody Nobody Was… AUDAIN ART MUSEUM, Whistler BC - To May 6 by Michael Turner In 2009, Whitehorse-based artist Joseph Tisiga, of Kaska Dena ancestry, enacted a performance named after a 1936 collection of campﬁ re stories published by Anglo-Canadian conservationist Archibald “Grey Owl” Belaney. Entitled Inside the Empty Cabin, the performance inverted Grey Owl’s interactions with the natural landscape through Tisiga’s own masquer- ade: that of a suit-and-moccasin-clad corporate executive moving through empty o ce spaces. The resultant photographs, along with drawings, paintings, collages and sculptures, provide the basis for an ex-

Photo courtesy of Parisian Laundry and Guy L’Heureux Laundry Photo courtesy of Parisian hibition focused largely on historic settler Joseph Tisiga, A Prop for Reconciliation (Betty), 2017, constructions of “Indianness.” oil on canvas mounted on artifi cial grass and wood panel. A related, if not more complicated work, Courtesy of Tom Gautreau is fashioned from the holdings of English- born Oliver Jackson, who operated a roadside Okanagan museum in the late 1950s. Although believed to be a collection of Indigenous artifacts, the works (mostly beads, masks and moccasins) turned out to be made by Jackson himself. After his passing, Jackson’s family tried to give the collection to the Kelowna Museum, and then the Westbank First Nation, whose elders, according to Audain director and chief curator Curtis Collins, were “interested,” based on Jackson’s assistance in helping band members “reconnect with some of these lost traditions.” Another notable work is That Infi nitesimal Unit (2009), a symbolic oil painting featuring a top-hatted settler, an Indigenous fi gure in furs and a looming dude in a red hoodie. All are seat- ed around a chessboard in the middle of what at fi rst looks like an open road, but might well be the painterly equivalent of a blast from the past. In mathematics, the infi nitesimal is that which is too small to measure. In painting, it is sometimes that which cannot be described, only felt. audainartmuseum.com

VANCOUVER life into death. Participants: Avanto Yin: Whispering Grass. Oil on Architects (Finland), Capsula Mundi canvas. Nature has its own language Libby Leshgold Gallery (Italy), D A Studios (India), James by which it speaks to those who are Emily Carr University of Art + Design Michels (Canada), Northwoods paying attention. 520 East 1st Ave &604-844-3809 Casket Company (USA), Nurn (Po- libby.ecuad.ca land), Pechet Studio (Canada), Studio Marion Scott Gallery/ daily 12-5pm. free admission. Nienke Hoogvliet (Netherlands), Kardosh Projects To Apr 21 Designing Death an Waugh Thistleton Architects (UK) 2423 Granville St &604-685-1934 exhibition of contemporary funerary marionscottgallery.com architecture and objects featuring Lookout Gallery tue-sat 10am-6pm. To Apr 27 Janet architects and designers from Regent College, UBC Nungnik: The Eagle’s Shadow around the world. It explores the 5800 University Blvd brings together 15 colourful textile role of thoughtful and innovative &604-224-3245 lookoutgallery.ca works produced over a 17-year design within the functions and mon-fri 8:30am-5pm; sat 12-4pm. period. Collectively, Janet Nungnik’s rituals related to the passage from free admission. Apr 3-May 9 Haitao delicately embroidered and appli- 44 APR - MAY 2019 H OPEN LATE ON FIRST THURSDAYS quéd images tell her life story and Morris and Helen Belkin Museum of Anthropology that of her people, the Padlermiut, Art Gallery at UBC a small group of inland dwelling University of British Columbia 6393 NW Marine Dr Inuit whose traditional territory was 1825 Main Mall &604-822-2759 &604-822-5087 moa.ubc.ca based to the south of Baker Lake, belkin.ubc.ca tue-sun 10am-5pm; thu 10am-9pm. Nunavut. The exhibition includes the tue-fri 10am-5pm; sat-sun 12-5pm; Admission: adults $18; students title work, a monumentally scaled closed holidays. Free admission. & seniors (65+) $16; family $47; wallhanging based on the artist’s To Apr 7 Hexsa’am: To Be Here children 6 and under free; UBC staff, childhood memory of close family Always. Includes work by artists students & faculty free with ID; thu members. Opening May 11 Tony Marianne Nicolson and Althea 5-9pm: $10. Opening May 16 Anguhalluq: Life on the Land. Thauberger with Siku Allooloo, Scott Shadows, Strings and other Benesiinaabandan, Darryl Dawson, Things: The Enchanting Theatre Mid-Main Art Fair Jaymyn La Vallee, Diane Roberts, of Puppets. Over 200 puppets, Heritage Hall Sara Siestreem, Juliana Speier, old and new, from 15 countries, 3102 Main St Nabidu Taylor, Kamala Todd, William are illuminated in MOA’s dramatic midmainart.com Wasden Jr., Tania Willard and new exhibition. Ongoing Shake Jun 9; 11-6pm free admission 17 Lindsey Willie. May 3-Jun 9 Shores: Up: Preserving What We Value, established Vancouver area artists UBC Master of Fine Arts Graduate explores the convergence of earth- showcasing works for sale in a vari- Exhibition 2019. An exhibition of quake science and technology with ety of styles and mediums including work by the 2019 graduates of the the rich Indigenous knowledge and watercolors, acrylic, oil, photogra- UBC's two-year Master of Fine Arts oral history of the living cultures phy, sculpture, and printmaking. program: Angela Glanzmann, Camer- represented in MOA’s Northwest Featuring Fran Alexander, Mariko on Kerr, Mandana Mansouri, Ramey Coast collection. In a Different Ando, Enda Bardell, Jodie Blaney, Newell and Weronika Stepien. This Light: Reflecting on Northwest Lorn Curry, Caroline Dahlmanns, program is limited each year to a Coast presents more than 110 Jeanette Jarville, James Koll, Sharka small group of artists, who over the historical Indigenous artworks and Leigh, Sonia Mocnik, Edward Peck, two years foster different sensibil- marks the return of many important Phyllis Schwartz, Camille Sleeman, ities developed within an intimate works to BC. Elisabeth Sommerville, Kathy Trae- and discursive working environment. ger, Jeff Wilson and Grazyna Wolski. Opening Reception: May 2, 6pm. Call for Atist Submissions Over $40,000 in prize money Deadline: May 31 2019

The Salt Spring Juried exhibition on Salt Spring Island National Art Prize September 21 - October 21 2019

The 2019/2020 Winners announced at: Gala Awards Night October 19 2019 SSNAP Open to two and three-dimensional work Exhibition Open to all Canadian citizens and permanent residents

Details and entry form on website www.saltspringartprize.ca preview-art.com PREVIEW 45 Jim Breukelman: Altered States Capture Photography Festival WEST VANCOUVER ART MUSEUM, West Vancouver BC - To May 11 by Michael Turner For some, the words “altered states” will always bring to mind the 1981 ﬁ lm by Ken Russell, where a scientist submits himself to sensory deprivation experiments while under the inﬂ u- ence of psychoactive drugs. In Jim Breukelman’s current pho- to exhibition, alteration is expressed not through the altered artist (à la the “action paintings” of Jackson Pollock), but through changes observed within the paradox of the closed external system. Breukelman includes at least three examples: the meso- Jim Breukelman, After Life #23, 2001, digital C-print cosm, the natural landscape and the taxidermy shop. The relationship between the three settings requires some adjustment on the part of the viewer. Initially, the unity of the three worlds lies in Breukelman’s technical brilliance; but for those prone to narrative, the settings align like acts in an opera. Breukelman’s mesocosm is not a tabletop terrarium but a park-sized ark. In consideration of that, we are reminded of our world in its “natural” state, an Eden that includes the interior and exterior realities of its higher living forms (in the case of taxidermy, with those interior parts removed). A fourth element of the exhibition is a conceptual project that began in 1966, when Breu- kelman was an art student in Rhode Island. While printing photographs taken at a local diner, Breukelman had a darkroom revelation: he noticed how factory line workers were present during the earlier part of the day, and their bosses after them. In 1999 Breukelman revisited this work and made from it an artist’s book whose pages are contained within a case that resembles the diner’s Formica counter. westvancouverartmuseum.ca

VANCOUVER Opening Apr 5 There is Truth Here: witnessing the experiences of the Creativity and Resilience in Chil- survivors as conveyed through their Museum of Vancouver H dren’s Art from Indian Residential childhood artworks-for some the Vanier Park and Day Schools, focuses on only surviving material from their 1100 Chestnut St &604-736-4431 rare surviving artworks created by childhoods. Ongoing Haida Now: museumofvancouver.ca children who attended the Inkameep A Visual Feast of Innovation and sun-wed 10am-5pm; thu 10am- Day School (Okanagan), St Michael’s Tradition. An unparalleled collection 8pm; fri 10am-9pm; sat 10am-9pm. Indian Residential School (Alert of Haida art boasting more than 450 Admission: adults $20.50, seniors Bay); the Alberni Indian Residential works. Wild Things: The Power of & students $17.25, youth 12-18 School (Vancouver Island) and Nature in Our Lives. The life stories $13.75, child 5-11 $9.75, family Mackay Indian Residential School of local animals and plants-how they $43, children 4 and under free. (Manitoba). The focus is not on connect with each other, how people Last thu of the month by donation. the schools themselves, but upon connect with nature in the city.

46 APR - MAY 2019 H OPEN LATE ON FIRST THURSDAYS moa.ubc.ca

Experience art from Northwest Coast First Nations and cultures across the world.

Pacific Arts Market meet the artists and have first paintings made with black pastel Second Floor choice of selected artworks. on semi-transparent vellum, draw 1448 W Broadway &778-877-6449 on art history and popular culture pacificartsmarket.ca Parker Projects to create a contemporary vision of tue & wed 12-5:30pm; thu & fri 12- 440 - 1000 Parker St female sexuality, beauty and power. 7pm; sat 11am-7pm; sun 12-6pm &604-254-8743 parkerprojects.ca A year round market showcasing the wed-sat 12-6pm or by appt. To Apr Pendulum Gallery H talented work of dozens of artists, 27 Disappearances. How do we HSBC Building designers, and craftspeople. Our contend with looming threats to 885 W Georgia St &604-250-9682 passion is to promote the amazing, ecological and cultural diversity? pendulumgallery.bc.ca local talent found right here in BC This exhibition presents the notion mon-wed 9am-5pm; thu-fri 9am- by offering inexpensive spaces and of Disappearances as seen through 9pm; sat 9am-5pm. Apr 1-26 News ensuring all money from sales goes the lens of two photo-based artists: Photographers Association of directly to the artisans themselves. David Ellingsen and Yasmeen Canada: Pictures of the Year. Pacific Arts Market is bound to Strang. Part of 2019 Capture Presenting the finalists in the 12th become your favourite place in Van- Photography Festival. Artists Re- annual National Pictures of the couver to buy local art, individually ception: Apr 11, 5pm. May 2-18 Year (NPOY) awards competition, made craft pieces, and gifts for David Robinson and Robert Kelly: celebrating the talent, insight and everyone you know. Form and Focus. There’s a curious creative storytelling produced by resonance in the works of New York Canadian photojournalists in 2018. Parker Art Salon artist Robert Kelly and Canadian In this fascinating and important col- 1000 Parker St parkerartsalon.com sculptor David Robinson. One lection of work, the public will get a May 24-26; 1-5pm A three day Art might not expect Kelly’s pristine, chance to see firsthand the images Salon that happens only once a year. minimalist palimpsests with their that held our attention during the The labyrinth halls of this 105 year- bold block colours to converse well past year, combining the creativity of old warehouse will transform to host with the raw, organic figurative the well-crafted photograph with the a weekend-long, salon style fine art sculpture of Robinson. Yet they socially and historically important exhibition. Come join us under the speak the same language. Opening stories that they tell. These images chandeliers, enjoy the ambiance, May 23 Cathy Daley. Drawings and transcend language and preview-art.com PREVIEW 47 VANCOUVER exhibit, display and operate Chinese Sidney and Gertrude Zack artworks in North America. To Apr 15 Gallery cultural barriers and speak to our Blue Green Landscape: Paintings Jewish Community Centre basic human condition. An annual by Zheng Baizhong. The exhibition 950 W 41st Ave &604-638-7277 exhibition at the Pendulum Gallery, features more than 50 pieces of jccgv.com/art-and-culture/gallery this exhibition is part of Vancouver’s blue-green landscape paintings Please see website for hours. Closed 2019 Capture Photography Festival. by Zheng Baizhong. fri 6pm-sat 6pm. free admission. Apr 11-26 Ian Penn: Vancouver Petley Jones Gallery SFU Galleries View and Review from the Deck. 2245 Granvillle St sfu.ca/galleries This work arose from a process of &604-732-5353 AUDAIN GALLERY: SFU Goldcorp observation and mark making from petleyjones.com Centre for the Arts, 149 W Hastings a small deck, using plein air studies tue-sat 10am-6pm. Art Dealers in St, Vancouver. &778-782-9102 tue, for synthetic painting in the studio, Contemporary and Historical Art. wed, sat 12-5pm; thu-fri 12-8pm. and returning to the same space In addition to sales, purchases, art Check website for current exhibition to draw with more focus. Opening rentals and consignment we offer information. TECK GALLERY: SFU Reception: Apr 11, 7pm. Apr 30- services in conservation framing, Harbour Centre, 515 W Hastings St, May 6 Ten Years Together Poetry restoration, appraisals. Historical Vancouver. &778-782-4266 Check and Art. The Gallery in collaboration and contemporary works are website for hours. To Apr 27 Krista with Pandora’s Collective and the continuously acquired - come see Belle Stewart: Eye Eye. SFU GAL- Jewish Public Library is celebrating what’s new or visit our website for LERY: AQ 3004-8888 University Dr, ten years of collaborative work. We exhibition information. Burnaby. &778-782-4266 tue-thu have brought together 10 artists 12-5pm. To Jun 20 Ann Beam and whose work 20 poets will write to. Poly Culture Art Center Carl Beam: Spaces for Reading. As a fund raiser for the gallery both #100-905 W Pender St Two artists that question the con- the paintings and the printed poems &604-564-5766 struction of history and knowledge will be for sale. polyculture.us through systems of classification Opening Reception: Apr 30, 7pm. tue-sat 10am-5pm. free admission. and representation with post-colo- Poly Culture Art Center is the only nial, feminist and ecological lenses. Skwachàys Lodge Aboriginal platform for Poly Culture Group to Hotel and Gallery 29/31 W Pender St &604-558-3589 gallery.urbanaboriginal.org daily 10am-6pm. free admission. Our new Yaletown location presents Original works of art by Indigenous artists including carvings, paintings, rare antique maps and prints limited edition prints and jewelry. together with my current paintings. Members of the Authentic Indige- nous Arts initiative which provides a Brian Scott effective way to identify and protect Indigenous art. The gallery is located on the Lobby Level of Skwachàys Lodge with the proceeds funding housing for artists.

South Main Gallery 279 E 6th Ave &604-565-5622 southmaingallery.com wed-sun 11am-6pm. free admission. To Apr 21 Claire Sarfeld: Dis- harmony n’ Flow. In this new series of work, Sarfeld immerses in neons and metallics, intertwining wild splashes of paint with marks made with makeshift brushes. The artist engages the viewer by offering small windows into her process while simultaneously obliterating its sight with solid, flat surfaces. Apr 27- 1118 Homer #114 250.337.1941 May 19 Madison Tyrell: Adorn & brianscottfineart.com Dissolve. The pieces explore the current social obsessions about

48 APR - MAY 2019 H OPEN LATE ON FIRST THURSDAYS A cutting-edge navigation of identity and self by artist Joseph Tisiga.

FEBRUARY 16 – MAY 6, 2019 WHISTLER, B.C.

Presenting Sponsor:

Government Generous Partner: Supporter:

Joseph Tisiga, A Prop for Reconciliation (Dilton), 2017 (detail) sexuality, desire, identity and the SUM gallery by Canadian, American, and French way we perceive one another in Pride In Art Society masters of the 20th century, as both physical and metaphysical 425-268 Keefer St well as all members of the Group spaces. In this series, the artist &778-228-1219 of Seven and several of their con- places herself within the narrative of queerartsfestival.com temporaries. Featuring J.P. Riopelle, the natural elements, acting as the tue-sat 12-6pm. Admission by dona- Lawren Harris, Tom Thomson, silent witness to the mass curling tion. Opening May 16 69 Positions: and Emily Carr. cataclysm that is the sexual culture Circa Omnibus. Curated by the of youth. Queer Media Database Canada- The Gallery at The Cultch Opening Reception: Apr 27, 3pm. Québec (aka MEDIAQUEER.CA). 1895 Venables St “There is no room for the state in &604-251-1766 Spirit Wrestler Gallery the bedrooms of the nation,” P.E. thecultch.com/venues/gallery 101-1669 W 3rd Ave Trudeau famously announced with mon-sat 12-4pm. Apr 2-27 Works &604-669-8813 plans to decriminalize homosexual by Kathleen Ainscough and Mary &1-888-669-8813 acts in a sweeping set of legal Lottridge. Opening Reception: Apr 3, spiritwrestler.com changes. The west coast stop of 6pm. Apr 30-May 25 Artworks from tue-sat 10am-5pm; sun 12-5pm; Queer Media Database Canada- the IGNITE! Youth Driven Festival. mon: closed or by appt. A leading Québec Project’s touring exhibition Opening Reception: May 1, 6pm. contemporary fine art gallery repre- series, marking the 50th anniver- May 30-Jun 29 Artworks by August senting Inuit, Northwest Coast and sary of the 1969 Omnibus which Bramhoff and the City Squares proj- Maori artists. The gallery focuses on legalized same-sex sexual activities. ect by Martha Jablonski-Jones, exhibitions that showcase contem- In partnership with VIVO and the John Steil, and Judy Villett. porary directions in aboriginal art, Vancouver Queer Film Festival. Opening Reception: May 29, 6pm. including cross-cultural communication, the use of new materials (such The Art Emporium Toni Onley Estate as glass and metal), and modern 2928 Granville St &604-263-8980 interpretations of shamanism, &604-738-3510 tonionley.com environmental concerns, and theartemporium.ca Representing the Estate: in Victoria, other issues pertaining to the mon-sat 10am-6pm or by appt Winchester Galleries; in Calgary, changing world. Exceptional inventory of paintings Wallace Galleries. preview-art.com PREVIEW 49 VANCOUVER Artworks by C.F. Sorensen, Abra- Displacement. Contemporary works ham Hulk and Vilhelm Arnesen. from the Gallery’s collection that Ukama Gallery May 1-31 Representing Rural evoke displacement as a tool to 1802 Maritime Mews, Granville Life. Portrayal of the working class elicit viewer reactions. Island &778-379-0666 ukama.ca sought to represent the beauty of daily 11am-5pm. Specializing daily tasks. Paintings by Bernard de Vancouver in original stone sculpture and Hoog, Michael Therkildsen, Her- Maritime Museum H representing over 200 highly skilled mann Kern, John Puller, Frederik Vanier Park emerging and world-renowned Rohde. Ongoing A rotating selection 1905 Ogden Ave &604-257-8300 artists from Zimbabwe. The of museum quality paintings, objet vanmaritime.com combination of expressive canvases d’art, and antiques from Europe and daily 10am-5pm; thu 10am-8pm. and imaginative mixed media from North America. Admission (+GST): $11 adults, $8.50 outstanding Canadian artists, adds students, seniors, youth, $30 family, colour and texture to the very tactile Vancouver Art Gallery 5 and under free. To Jun 16 The impression of the sculpture. Side 750 Hornby St &604-662-4719 Girls Are Coming!: A visual voyage by side, these distinctly different art vanartgallery.bc.ca of Bride Ship Tynemouth. In 1862, forms have something to say about daily 10am-5pm; tue 10am-9pm. the screw steamer Tynemouth set the essence of the human artistic Admission: adults $24; seniors (65+) sail from Dartmouth, England to instinct. May 1-16 Cultural $20; students (with valid ID) $18; Victoria, BC carrying 292 passengers Connections brings together two children 6 to 12 $6.50; children 5 including 60 young women. These eminent sculptors from Zimbabwe, and under and members free. Ref- “girls”, some as young as 12 years Tafadzwa Tigere Tandi and erence Library: mon-thu 11am-5pm old, came to BC to marry settlers Arthur Manyengedzo. or by appt. Opening Apr 19 Moving and American prospectors. As they Still: Performative Photography in once did off Vancouver Island a Unitarian Church of Vancouver India major exhibition of works by century and a half ago, sails ap- 949 W 49th Ave &604-261-7204 thirteen artists based in India whose peared in Tracy McMenemy’s vision vancouverunitarians.ca photographic practices focus on of an exhibition. sun 10am-1:30pm or phone for constructing and reconstructing re- hours To Apr 28 Catherine M. Stew- alities. Views of the Collection: The VISUALSPACE Gallery art: Venus Takes Flight. A suite Street. Paintings, photographs and 3352 Dunbar St &604-559-0576 of colourful inkjet prints Stewart prints focus on the street as subject visualspace.ca highlights the parallels in animal and matter in widely divergent ways. Apr 11-14: daily 10-7am; Apr 17- human mating behaviour by inte- To May 20 French Moderns: Monet May 2: daily 12-5pm (closed sun); grating scans of bird plumage with to Matisse, 1850–1950 looks at May 4-8; daily 12-6pm; May 13-16: those of sensuous fabrics to create France as a centre of modernism daily 11am-8pm; May 19-21: daily ‘hybrid’ abstract compositions. with works from Brooklyn Museum 12-5pm. Apr 11-14 Jim Friesen: collection. Affinities: Canadian The Poetics of Place: Landscape Uno Langmann Limited Artists and France looks at the Photography. Landscape pho- 2117 Granville St &604-736-8825 significance that French art and tography by a local photographer. &1-800-730-8825 langmann.com culture has held for Canadian artists Victor Kolstee: Walls. Photography tue-sat 10am-5pm; or by appt. Apr over the past 120 years. To Jun 9 exhibition by acclaimed Vancouver 1-30 Serene Sea. With the rise in Mowry Baden. Internationally ac- guitarist Victor Kolstee. Opening Re- popularity of landscape art, marine claimed Victoria- based artist’s work ceptions: Apr 11, 7pm. Apr 17-May 2 painting became a recognized style. from the late 1960s to the present. Mariko Ando: Mind the Rambling JIM BREUKELMAN Altered States MARCH 20–MAY 11

680 17th Street, West Vancouver westvancouverartmuseum.ca

MESOCOSM #24, 2003. COURTESY OF THE ARTIST AND REPUBLIC GALLERY.

50 APR - MAY 2019 H OPEN LATE ON FIRST THURSDAYS Close-Up: Mark Loria, New Gallery Director / Owner ALCHERINGA GALLERY | CONTEMPORARY INDIGENOUS ART, 621 Fort St, Victoria BC by Christine Clark After years of collecting and promoting Indigenous art, Elaine Monds, winner of the YWCA Wom- en of Distinction Award (2001) and recipient of the Queen’s Diamond Jubilee Medal (2012), has passed over control of the Alcheringa Gallery to new owners, Mark and Mary Loria. Preview caught up with Mark Loria to ask about his past experience and future plans. Preview: Will Elaine Monds contin-

Photo: Mark Loria ue to participate in Alcheringa? Alcheringa Gallery – recent work Loria: She will continue to ad- vise us on the gallery moving forward. We are indebted and extremely grateful for Elaine’s founding and direction of the gallery over 30 years. She is an instrumental fi gure in supporting Canadian and international Indigenous artists. Preview: How long have you and your wife, Mary Loria, been involved in the arts? Loria: My wife, Mary, and I have lived a life in the arts. We actually met at the University of Calgary in the early ’90s in a Bill Laing silkscreen class. I have a BFA in printmaking and Mary has a BA in art history. Preview: When did you fi rst become aware of Indigenous art and artists? Loria: My fi rst experience with Indigenous art was as an elementary student at the Glenbow Museum in Calgary. I was fascinated and intrigued. I think I have followed the latest trajectory of contemporary Indigenous practice for many years now. As a printmaker, I have always been drawn to the printmaking of Northwest Coast art, specifi cally Coast Salish art given its subtlety of form and symbols, and use of line and colour. Preview: Can sharing, exhibiting and selling Indigenous art open doors to reconciliation in Canada? Loria: I have always believed in the power of art and culture as the number one way to make

strong appreciation for the sacredness of the other’s artmaking and sharing of cultures. There are many Indigenous artists in Canada who have been at the forefront of the “truth” part of truth and reconciliation for decades. There has been a lot of discussion lately about how reconciliation is mentioned instead of, or before, the “truth” in truth and reconciliation – I would agree. These artists are sharing extremely personal histories and emotions of generational wrongs, and their works are some of the most powerful symbols of where we have been, and where we need to go in Canada… We all have a lot to learn, but I do believe we have the most to learn from the teachings of our First Peoples. alcheringa-gallery.com preview-art.com PREVIEW 51 VANCOUVER From Point Grey to Main Street, and oped a practice based around using from Granville Island to 41st Avenue - western materiality, mainly oil paint, Hares. Vancouver based Japanese explore and engage with artists in to evolve traditional eastern aes- artist whose technique is mainly their individual studios over one thetics. Some of Connie’s influences Intaglio (Etching) Printmaking. Open- weekend. Also be sure to visit Kits include traditional ink painting and ing Reception: Apr 20, 3pm. May Neighbourhood House, where you’ll calligraphy. She translates this into 4-8 From the Studios: Connection. find more of our artists’ works along loose confident gestures, fluid brush Artists: Eszter Burghardit, Bridget with art demonstrations and more. marks and interest with black and Catchpole, Michael Du Vernet, Yorke May 9; 10am-9pm One day gallery white focused colour schemes. The Graham, Kari Kristensen, Renée preview and sale at the Roundhouse. newest works in her solo show in- Macdonald, Louise Perrone. Opening Opening Reception: May 9 at the corporate materials such as pastels, Reception: May 4, 3pm. May 13-16 Roundhouse with artists 7-9pm. spray paint and cutouts, continuing Monika Sanft: Everything Italian See website for details. to push forward the realm of her and then some… Rural and urban painting and forcing unexpected photographic works, inkjet printed Z Gallery Arts moments to occur in the works. on archival paper and mounted on 102-1688 W 1st Ave aluminum, and a variety of mixed &604-742-2001 zgalleryarts.com VERNON media pieces. May 19-21 David fri-sat 11am-5pm and by appt. Dumbrell: The Mechanics of To May 11 Kangi, Connie Wang: Vernon Public Art Gallery Motion. New works by Vancouver Floating in the Flows. The artist's 3228 31st Ave &250-545-3173 automaton artist in association with practice includes the use of synes- vernonpublicartgallery.com Crafted Vancouver. Opening Recep- thesia, a sound to colour experience mon-fri 10am-5pm; sat 11am-4pm tion: May 18, 5pm. May 24 -26 Ian that is a translation of another To Apr 10 Art from the Heart is the Carter: New Paintings. dimension. It acts as a tool towards annual exhibition by elementary stu- an intuitive process building itself dents from School District #22. Their West of Main Art Walk out of additive gestures. Born in artwork delights viewers with their various locations China and raised within an eastern creations, under the guidance of artistsinourmidst.com environment for 19 years, the artist their art teachers. To May 11 Keith May 11-12; 11am-5pm free moved to Canada where she devel- Harder: Children of Icarus brings

r i d g e 1

S Legacy Maltwood t 17 arc.hive Gallery University of Victoria Bay Xchanges Gallery and Studios St

a t k

S l

d o

t u R

n C o t

e e t F r

S i

S m

n d

s s r r

t p

e a l S t

v m h g S c

o a a u rt r n H

o o

G OAK BAY d t F a

l S

D a ie B b u g fortune gallery Be DOWNTOWN Q Winchester Pandora Legacy Downtown Ave Gage Gallery Arts Galleries Oa y Ave Deluge John k Ba son St Madrona Gallery Y Gallery in the Oak Bay Village Open Space ates St Vie Alcheringa w St Flux Media Gallery Fort St FERRY TO F airf PORT ANGELES ield Rd Be lleville St VICTORIA Art Gallery of Greater Victoria ckland Av e Ro t

o d

M R

ent Rd sc re BEACON HILL C PARK

Dallas Rd

52 APR - MAY 2019 H OPEN LATE ON FIRST THURSDAYS HISTORIC AND POST-WAR CANADIAN ART APRIL 13 - 26 Takao Tanabe The Land Banff 15/73 - 42 x 84 inches - Acrylic Land Banff 15/73 - 42 x 84 inches Canvas The on Tanabe Takao

606 View St. Victoria • www.madronagallery.com • 250 380 4660 together two distinct bodies of Desiree DeRuiter, Markus Drassl, Deluge Contemporary Art paintings, both of which directly and Susan Feilders, Sheryl Fisher, Amber 636 Yates St &250-385-3327 indirectly reference aviation and the Morrison & Cornelia van Voorst deluge.ws human condition. Apr 18-May 14 Art navigate the Interworld to produce wed-sat 12-5pm. To Apr 5 Ko Kirk and Soul-Identity. Artwork created works exploring time, transforma- Yamahira. For this Seattle-based by secondary students from School tion, the uncanny, and the secretive artist the finished painting is a District #22, displays a maturity of and silenced worlds of trauma and beginning rather than an end. Pains- handling various mediums and more mental health. Opening Reception: takingly removing individual threads importantly, demonstrates a strong May 3, 7pm. May 17-26 Forged. from the weave of the canvas, conceptual approach. Artists Heather Barr, Lisa Jackson, Yamahira deconstructs his paintings, Kim Leslie, Esther Parker, Shannon turning surface into form. Yamahira VICTORIA Peck, Marylou Wakefield & Richard unveils 10 new works for Deluge. Young explore diverse interpreta- Apr 12-May 11 Kinesthesia. Artists: Alcheringa Gallery tions of the theme Forged and push Shon Kim | Kristin Reeves | Kelly 621 Fort St &250-383-8224 boundaries of material process to Sears | Wenhua Shi. Video works alcheringa-gallery.com question the ways we perceive var- exploring ritualized movement mon-sat 10am-6pm; sun & holidays ious signatures of personal, social and idealized/abstracted bodies 1-5pm Specialists in Indigenous art and environmental identities. through experimental animation from the Canadian Northwest Coast, Opening Reception: May 17, 7pm. and appropriation. Australia, and Papua New Guinea. Alcheringa Gallery is delighted to Art Gallery of Greater Victoria Flux Media Gallery announce a contemporary painting 1040 Moss St &250-384-4171 821 Fort St &250-381-4428 show opening May 4 SXEL,ES' aggv.ca medianetvictoria.org | New Paintings with works by tue-sat 10am-5pm; thu 10am-9pm; tue-sat noon-5pm. Apr 12-May 3 Susan Point, lessLIE, Dylan Thomas, sun 12-5pm. Admission: adult $13; Penny McCann : Landlines (of Maynard Johnny Jr, KC Hall, Andrew senior (65+), student (with ID) $11; time and place) in no particular Dexel and Angela Marston. youth (6-17) $2.50; child (5 and un- order. A new video installation that Opening Reception: May 4, 4pm. der) and members free. To May 20 creates a meditative space where Quiet Nature: The Woodblock moments in time flicker, joining with arc.hive gallery Prints of Walter J. Phillips. The images manipulated by chemical 2516 Bridge St &250-480-8197 exhibition considers the influence processes and the human hand to arc-hive.weebly.com of Urushibara and other Japanese create a psychic landscape and time sat & sun 12-5 pm. Apr 6-21 printmakers on Phillips’ work and and place. May 17-Jun 7 A new vid- Kaitlyn Jenna Dunsmore: Möbius his important role in popularizing eo installation by members of Victo- Strip. An experiential installation the Japanese woodcut tradition in ria’s Wax Collective. Influenced by embracing the fluidity of space Canada. To May 27 Landscapes of surrealism and Film Noir, the artists which exists as physical, virtual Edo: Ukiyo-e Prints from the AGGV create a mesmeric dreamscape, and mental planes collide. Opening Collection showcases key works leading participants through a maze Reception: Apr 5, 7pm. May 3-12 from the AGGV’s extensive collection of film and video projections to Interworld. Artists Shae Anthony, of Japanese prints. discover hidden stories. preview-art.com PREVIEW 53 Landscapes of Edo: Ukiyo-e Prints from the AGGV Collection ART GALLERY OF GREATER VICTORIA, Victoria BC - To May 27 by Christine Clark Ukiyo-e was a Japanese art form popular between the 17th and 19th centuries, com- prised of paintings and woodblock prints. The Art Gallery of Greater Victoria (AGGV) houses an Asian collection of over 6,000 prints that includes works by highly infl uential artists such as Hokusai, whose painting Great Wave o Kanagawa is not only beautiful, but also world-famous. Research assistant Su Yen Chong and AGGV curator Haema Sivanesan, a recent recipient of two major research grants for her work studying Buddhism and contemporary art, curated this show from the gallery’s remarkable collection of master ukiyo-e artists. On display are works by Hokusai as well as Hiroshige and his pro- tege Hiroshige II. The AGGV is one of the only museums in the world to own a com- plete set of Hiroshige II’s series Forty-eight Utagawa (Shigenobu) Hiroshige II (1826-1869, Japan) Famous Views of Edo (the former name Publisher: Tsutaya Kichizô of Tokyo). Moonlit Night at Suruga-dai. From the series Forty-eight The ukiyo-e genre traditionally depicted Famous Views of Edo, 1860-1861, woodblock print: ink courtesans and kabuki actors, but the art- and colour on paper ists in this exhibition reinvented the genre through works celebrating the landscape of Edo and beyond, including the ocean, Mount Fuji and popular tourist destinations. These innovative images also introduced depictions of socially diverse people engaged in normal everyday routines. Ukiyo-e had a far-reaching impact. Edgar Degas, Claude Monet and Vincent van Gogh (who made copies in oils of Hiroshige prints), among others, were deeply infl uenced by these artists. As Sivanesan explains, “Japanese printmakers had a huge infl uence on artists in the West, up until the mid-20th century. It is important to pay attention to these interactions and exchanges, because it gives us a much richer picture of history.” aggv.ca

VICTORIA versations between 5 artists talking develop freshness in the work and to about the seasons and how artists provide a cohesive exhibition. From fortune gallery too have new seasons within their images of Chinatown history, to 537 Fisgard St &250-383-1552 art practice. Although these artists cityscapes, nature, portraits and ab- fortunegallery.ca Apr 17-28 FRESH. follow different paths to produce straction, each artist has interpreted Artists Janis Blyth, Marilyn Chap- their work, by meeting and sharing the FRESH theme in their unique man, Linda Darby, Nancy Dolan and they inspired each other to try new way, yet with a dynamic connection Liz Wells exhibit a collection of new directions and novel colour palettes. that weaves through all the artwork. work. FRESH emerged from con- The intention and process was to Opening Reception: Apr 18, 7pm.

54 APR - MAY 2019 H OPEN LATE ON FIRST THURSDAYS Gage Gallery Arts Collective 2031 Oak Bay Ave &250-592-2760 Landscapes of Edo: gagegallery.ca ŚXEL,ES tue-sat 11am-5pm. Apr 2-20 June Ukiyo-e Prints from the AGGV Collection Haynes & Mike Lathrop: Spec- New Paintings ART GALLERY OF GREATER VICTORIA, Victoria BC - To May 27 trum. Two diverse painters, working with colour. May 14-Jun 1 Frances OPENING MAY 4 by Christine Clark Harber: The Big Blue Cat…and Susan Point so on builds on the aesthetics Lawrence Paul Ukiyo-e was a Japanese art form popular of mid-century design, using a between the 17th and 19th centuries, com- Yuxweluptun minimalist approach to composition, lessLIE prised of paintings and woodblock prints. shapes, and their relationship to Maynard Johnny Jr The Art Gallery of Greater Victoria (AGGV) each other and the space around Dylan Thomas houses an Asian collection of over 6,000 them and beyond. Humour and & More prints that includes works by highly influen- surprise both in subject matter and design are added elements tial artists such as Hokusai, whose painting expressed through both geometric Great Wave o Kanagawa is not only beau- and organic forms. tiful, but also world-famous. Opening Reception: May 19, 2pm. 621 Fort St, Victoria | 250-383-8224 | alcheringa-gallery.com Research assistant Su Yen Chong and Gallery in the Oak Bay Village AGGV curator Haema Sivanesan, a recent 2223A Oak Bay Ave annual installation in the stairwell The Woodblock prints of Walter J. recipient of two major research grants &250-598-9890 to the gallery. Jesse is a Métis/Cree Phillips at The Art Gallery of Greater for her work studying Buddhism and con- theoakbaygallery.com mural artist based in Victoria who Victoria (AGGV). temporary art, curated this show from the mon-fri 10am-5pm; sat 10am-3pm. has been involved in Open Space for Featuring original artwork by leading many years. For current exhibition Xchanges Gallery and Studios gallery’s remarkable collection of master local artists Kathryn Amisson, Sid information please visit website. 6E-2333 Government St ukiyo-e artists. On display are works by Barron, Andres Bohaker, Jeffery &250-382-0442 Hokusai as well as Hiroshige and his pro- Boron, Janice Bridgman, Robert UVic Legacy Art Galleries xchangesgallery.org tege Hiroshige II. The AGGV is one of the Genn, Caren Heine, Harry Heine, &250-721-6562 legacy.uvic.ca sat & sun 12-4pm. free admission. only museums in the world to own a com- Jennifer Heine, Mark Heine, Keith DOWNTOWN: 630 Yates St. wed-sat Apr 6-21 Esther Parker: Mass Hiscock, Evguenia Ioganov, Shawn 10am-4pm. To Apr 6 Translations: Movement. In this exhibition of plete set of Hiroshige II’s series Forty-eight The Art & Life of Elizabeth Yeend drawings, the mystery and drama Famous Views of Edo (the former name A. Jackson, Brian R. Johnson, David Utagawa (Shigenobu) Hiroshige II (1826-1869, Japan) Ladmore, Ernest Marza, Joane Mo- Duer-Gyokusho 玉蕉. Translations of the earth beneath our feet is Publisher: Tsutaya Kichizô of Tokyo). ran, Allan Myndzak, Paul Paquette, showcases the movement of ideas, considered. From mountains to peb- aesthetics, politics, and people be- Moonlit Night at Suruga-dai. From the series Forty-eight The ukiyo-e genre traditionally depicted Nicholas Pearce, Natasha Perk, Kim bles, the awe-inspiring processes Famous Views of Edo, 1860-1861, woodblock print: ink Pollard, Deirdre Roberts, Sandu tween England, Japan, and Canada, of geology and rock formations are courtesans and kabuki actors, but the art- by looking at the life and work of An- and colour on paper Singh, and Linny D. Vine. revealed. Opening Reception: Apr 5, ists in this exhibition reinvented the genre glo-Japanese artist Elizabeth Yeend 7pm. May 4-19 Laurie Mackie: through works celebrating the landscape of Edo and beyond, including the ocean, Mount Fuji Madrona Gallery Duer (1889-1951). MALWOOD: Sewing Lessons. This exhibition of and popular tourist destinations. These innovative images also introduced depictions of socially 606 View St &250-380-4660 Mearns Centre. McPherson Library hybrid prints, painting, and diverse people engaged in normal everyday routines. madronagallery.com Hours. Ongoing Landmarks: The sculpture, fuse an old narrative to tue-sat 10am-5:30pm sun & mon Art of The Malahat Review. The the new world. Materials and Ukiyo-e had a far-reaching impact. Edgar Degas, Claude Monet and Vincent van Gogh (who 11am-5pm. Apr 13-27 Historic & Malahat Review is one of Canada’s images contrast the natural and made copies in oils of Hiroshige prints), among others, were deeply influenced by these artists. Post-War Canadian Art. Opening most iconic and long-standing built environments, and are a As Sivanesan explains, “Japanese printmakers had a huge influence on artists in the West, up Reception: April 13, 1pm. Apr 27- literary journals. In its 50-year run, complex call to consider the until the mid-20th century. It is important to pay attention to these interactions and exchanges, May 10 Harry Stanbridge R.C.A. its pages have featured the work of material world. established writers, emerging talent Opening Reception: May 3, 7pm. because it gives us a much richer picture of history.” Opening Reception: Apr 27, 1pm. May 11-25 Clayton Anderson and critical essays on both literature aggv.ca Opening Reception: May 11, 1pm. and the visual arts. WEST VANCOUVER Open Space Arts Society Winchester Galleries Buckland Southerst Gallery 510 Fort St &250-383-8833 2260 Oak Bay Ave &250-595-2777 2460 Marine Dr &604-922-1915 openspace.ca winchestergalleriesltd.com bucklandsoutherst.com tue-sat 12-5pm free/by donation. tue-fri 10am-4pm; sat 11am-5pm tue-sat 10am-5pm. Representing Open Space supports experimental Apr 2-27 Unstoppable: The Wom- the work of Rick Cepella, artistic practices in all contempo- en’s Exhibition. Opening Reception: Marie Josenhans, Shirley Williams, rary arts disciplines, acting as a Apr 6, 2pm. To May 20 Walter J. Dominique Walker, Darcy Mann, laboratory for engaging art, artists, PHILLIPS: Master Printmaker. Pip Adams, Sue Daniel, and Bi and communities. Ongoing Jesse This exhibition coincides with the Cheng. Also featuring interiors by Campbell: Blanketing. The second public exhibition Quiet Nature: Andrea Padovani, street scenes

preview-art.com PREVIEW 55 WEST VANCOUVER Secondary students David Chen daily 11am-5pm. Established in & Amy Yuan explore communities 1993, the warm and friendly Adele by Brian Eby, world scenes by in Tanzania & West Vancouver Campbell Gallery is one of Whistler’s Henry Huai Xu, abstracts by Sharon through bold & photography. May original fine art galleries offering the Habib and Patricia Moore, and 7-26 Frozen Moment. Members of best quality, service and selection of still lifes by Hazel Breitkretz and The Art Studios, a not-for-profit art classic and contemporary painting Deborah Worsfold. therapy & recovery society, present and sculpture by Canada’s most stunning landscapes paintings. May recognized artists and emerging Ferry Building Gallery 28-Jun 16 Ocean Inspired. Aquatic talents. Browser’s Welcome. West Vancouver Cultural Services works by jeweller Colleen Gould, To May 31 Samantha Williams- 1414 Argyle Ave &604-925-7290 painter Tammy Flynn Seybold & Chapelsky. Artist and visual art ferrybuildinggallery.com mixed-media artist Fanny Tang. instructor, Samantha will painting tue-sun 11am-5pm. free admission. live at the Gallery along with a Apr 2-21 Elspeth Bradbury: Wild West Vancouver Art Museum showcase of her work. As an acrylic Life. Mixed media and poetry. In 680 17th St artist for the past 10 years, she has her paintings Elspeth portrays local &604-925-7295 experimented on unique supports, wildlife. The animals respond by westvancouverartmuseum.ca on various substrates, incorporated expressing, in poetry, their feelings tue-sat 11am-5pm. Admission by various materials into her work. As a about life in West Vancouver. Open- donation. To May 11 Jim Breu- medium, she believes acrylic can do ing Reception: Apr 2, 6pm. Meet the kelman: Altered States. In this amazing things! Artist: Apr 6, 2pm. Apr 23-May 2 exhibition, the artist revisits a series IDEA Interprets: Poster Show. of photographs from 1966, Sanson’s Audain Art Museum Work by second-year Capilano Diner, which is installed with more 4350 Blackcomb Way University illustration and design recent series of photographs of &604-962-0413 students exploring the theme a taxidermy shop (After Life), a audainartmuseum.com Growth. Opening Reception: Apr 23, biosphere (Mesocosm) and altered daily 10am-5pm; fri 10am-9pm. Ad- 6pm. May 14-Jun 9 Bon & Lee landscapes (Planted Life). In 1967, mission: adults & seniors $18, youth Roberts: AVIAN by Nature. Mixed Breukelman founded the fine art 18 and under and members free. media group exhibition featuring photography program at Emily Carr To May 6 Joseph Tisiga (Kaska works by Bon & Lee Roberts. University of Art + Design, one of the Dena Nation): Tales of an Empty Opening Reception: May 14, 6pm. first multi-disciplinary programs in Cabin: Somebody Nobody Was… Meet the Artists: May 18, 2pm. Canada. Through his practice and A combination of photographs, teaching, Breukelman influenced the watercolours, AstroTurf collages and Silk Purse Arts Centre development of photographic art and a site-specific installation. The first 1570 Argyle Ave &604-925-7292 artists in Vancouver. This exhibition major solo museum exhibition and westvanartscouncil.ca is part of the Capture Photography largest survey of Joseph Tisiga’s tue-sun 12-5pm. free admission. Festival. Artist Talk: Apr 27, 2:00 pm. work ever presented. It features To Apr 14 Cherry Blossoms: A Tex- paintings, photographs, assem- tile Translation. Annual exhibit of WHISTLER blages and an installation that span various textile art forms inspired by the central arc of this young artist’s the cherry blossom, in association Adele Campbell Gallery career from 2009 to the present. with the Vancouver Guild of Fibre 109-4090 Whistler Way Arts & fibreEssence, in conjunction &604-938-0887 Mountain Galleries at the with the Vancouver Cherry Blossom &1-888-938-0887 Fairmont Chateau Whistler Fest. Apr 16-May 5 Through a Lens. adelecampbell.com 4599 Chateau Blvd &604-935-1862 mountaingalleries.com open daily Celebrating 27 years in Canadian Fine art, Mountain Galler- ies has grown to become Western Canada’s largest commercial art gallery with locations in Whistler, Jasper and Banff. The exhibitions range from abstract expressionism to magic realism, contemporary clay, glass, bronze and stone sculptures. Worldwide Shipping. Located in the Fairmont Chateau Whistler, across from Portobello Restaurant. Painting Iceberg from Canoe. Trépanier captures an iceberg on canvas while floating in a portable canoe near Qikiqtarjuaq, Baffin Island, Nunavut, Canada. Photo by Cory Trépanier. Northwest Museum of Arts & Culture, Spokane

56 APR - MAY 2019 H OPEN LATE ON FIRST THURSDAYS WASHINGTON by Matthew Kangas Vignettes

JEFFREY GIBSON: LIKE A HAMMER Seattle Art Museum, Seattle. To May 12 Only 47, Je rey Gibson has been hailed among the few Native American artists who have not only drawn upon Indigenous traditions, but also totally assimilated postwar abstract American art. He blends these inﬂ uences with pop music lyrics and queer disco culture into a hybrid of tribal sculpture, political text-titles, video and dance. Gibson was educated at the Royal College of Art, and Like a Hammer is his nationally COURTESY OF JEFFREY GIBSON STUDIO AND OF JEFFREY GIBSON STUDIO COURTESY ANGELES, CA LOS PROJECTS, ROBERTS PETER MAUNEY PHOTO: touring show of work created since 2011. JEFFREY GIBSON, ALL THINGS BIG AND SMALL, 2016 MISSISSIPPI BAND OF CHOCTAW INDIANS/CHEROKEE, B. 1972. COLLECTION OF LISA AND STUART GINSBERG

DEBRA BAXTER: WHAT YOU MEAN TO ME Roq La Rue Gallery, Seattle. Apr 4 - 27 Debra Baxter studied in Florence as well as at Bard College. Her latest Seattle show continues her exploration of punk and S/M jewelry: chunks of crystal and alabaster “protective ornament” doubling as sculpture is her signature style, combining pre- cious stones, gems and metals. Her creations have been widely commented upon DEBRA BAXTER, CRYSTAL BRASS and seen in Vancouver, New York, Miami and New Haven, Connecticut. KNUCKLES CHAKRA BLOW, 2019 COURTESY OF DEBRA BAXTER AND ROQ LA RUE GALLERY

DARREN WATERSTON: VISTAS Greg Kucera Gallery, Seattle. Apr 4 - Jun 1 Former BC resident and longtime Equinox Gallery artist Darren Waterston has had subsequent sensational success through a mixture of promise, shrewd talent and good timing. Filthy Lucre (2015), his idea to alter James McNeill Whistler’s Peacock Room at the Smithsonian’s Freer Sackler Gallery caught international attention for its audacity in “violating” an American icon’s Gilded Age commission and its use as a backdrop/decor for an elaborate government party. The new Vista paintings are his DARREN WATERSTON, THE RIDGE, 2017 take on 16th-century Dutch landscapes. COURTESY OF GREG KUCERA GALLERY

JANE ROSEN: WRITTEN IN STONE Traver Gallery, Seattle. May 2 - Jun 29 Jane Rosen’s work, chieﬂ y stone and glass sculptures of birds, has attained considerable recognition over her 45-year career. Originally a resident of New York, where she exhibited extensively in SoHo, Rosen moved to northern California after becoming enchanted by the “accessibility of nature” there. She has been twice honored by the American Academy of Arts and Letters and selected by the US Department of

State’s Art in Embassies o ce for showings in Iraq, Tunisia and China. JANE ROSEN, RAVEN, 2018

ELYSE PIGNOLET Prographica / KDR, Seattle. May 16 - Jun 20 Los Angeles–based ceramist Elyse Pignolet’s new work juxtaposes seemingly inof- fensive blue-and-white porcelain wares with in-your-face misogynist slurs. Each plate or vase is slyly covered with winding ﬂ oral borders that conceal slanderous words and phrases for promiscuous women. Pignolet subverts the decorative-arts heritage of porcelain to make points about society, ceramic cultures, and contemporary atti- tudes toward women. Having traveled widely in Europe and Asia, she has also exhib- ELYSE PIGNOLET, 83 WOMEN HARVEY ited outside California in New Jersey, Texas and Bulgaria. WEINSTEIN, 2018. COURTESY OF THE ARTIST AND KOPLIN DEL RIO GALLERY preview-art.com PREVIEW 57 WHITE ROCK scale acrylics that celebrate small Diane Jacobs, Daniel Smith, and town life in SW Saskatchewan. Into Carletta Carrington Wilson. Earnest White Rock Gallery the Forest a group show curated by D. Thomas: Identities. Thomas 1247 Johnston Rd Beth Holden. Visitors will be tanta- reflects stories through his abstract &604-538-4452 lized by their senses by the creation lens. This Seattle artist is inspired by &1-877-974-4278 of a Cariboo forest. lifelong pursuits in art, architecture, whiterockgallery.com industrial design, and collecting tue-sat 10am-5:30pm, closed long ethnic art. Patty Grazini: Forms of weekends. Ongoing Rotating exhi- Devotion. This solo exhibition will bitions of gallery artists, including WASHINGTON feature over twenty works, including Nicholas Bott, Phil Buytendorp, Rod pieces from private collections and Charlesworth, Marina Dieul, Robert BAINBRIDGE ISLAND recent works. Marceil DeLacy: Genn, Laura Harris, David Langevin, Encore. DeLacy carves beautiful Min Ma, Renato Muccillo, Michael Bainbridge Island and often humorous sculptures, O’Toole, Mike Svob, Christopher Museum of Art sometimes transforming would-be Walker, Ray Ward, Alan Wylie, 550 Winslow Way E rifle stocks into exquisite artwork. and Donna Zhang. &206-451-4013 &1-855-613-1342 BELLEVUE WILLIAMS LAKE biartmuseum.org daily 10am-6pm. free admission. Bellevue Arts Museum Station House Gallery H To May 19 Kait Rhoads: Bloom. 510 Bellevue Way NE #1 North Mackenzie Ave Glass artist and sculptor Kait Rhoads &425-519-0770 &250-392-6113 creates a unique murine-glass bellevuearts.org stationhousegallery.com beaded sculpture-Bloom-designed wed-sun 11am-5pm; free first mon-sat 10am-5pm. Free admis- for the Beacon Gallery. To Jun 9 fri 11am-8pm. Admission: adults sion. Apr 5-27 Cariboo Potters Open Sesame! The Magic of $15; students/seniors/military (ID Guild: Playful Nature: Clay Explo- Artist’s Books Revealed is a required) $12; teens (with Teen Tix) rations and Keith Prestone: Birds major look into the special world of $5; children under 6 and members of Prey. May 3-25 Jeff Wilson: Artist’s Books. It includes special free. Opening Apr 12 School: The Wolf Willow. A collection of large installations by artists including Joseph Rossano Salmon Project

p 4 –

p 12

MAY 9 – SAT SHARRON ANTHOLT: NOTHING TO LOOK AT LOOK TO NOTHING image: The Invisible is Real - by Sharron Antholt p – 4 a 10

+ APRIL 3 APRIL M-F FACULTY BIENNIAL WesternGallery.wwu.edu

58 APR - MAY 2019 H OPEN LATE ON FIRST THURSDAYS the unique culture of Bellingham

RARE Recycled Arts Expo 4/5–4/6/2019 Whatcom Cultural Arts Festival 6/28–6/29/19 Holiday Festival of the Arts 11/22–12/24/19 Information at alliedarts.org

866-650-9317

TOURISM COMMISSION

An installation featuring a life-size workshops, speakers, panel discus- Whatcom Museum school of several hundred mirrored sions, exhibits and booths. Attendees &360-778-8930 salmon, sculpted from molten are inspired to take home innovative whatcommuseum.org glass by concerned glassmakers ideas that recognize the value of Lightcatcher: wed-sun 12-5pm. from around the world. Simon using resources creatively. May 15, Old City Hall: wed-sun 12-5pm. Hanselmann: Bad Gateway The 6-9pm 19th Annual Children’s Admission: adults $10; youth, first museum exhibition for Simon Art Walk. We welcome all to stroll students, military, seniors $8; Hanselmann brings characters from through downtown Bellingham and children (ages 2-5) $5; kids under 2 his bestselling Megg, Mogg & Owl delight in the works of the younger free. LIGHTCATCHER BUILDING, 250 graphic novel series to life through art community! Whatcom County Flora St wed-sun 12-5pmTo May 19 hand-crafted installations, zines, and students will proudly display their Bellingham National 2019 Juried original artwork. Opening May 10 works of art in over 60 downtown Art Exhibition and Awards. Juried Ron Ho: A Jeweler’s Tale An exhi- businesses in addition to activities by Bruce Guenther. Selected art- bition celebrating the life of North- for kids and adults, music, and more works span a broad range of media west jeweler Ron Ho, presenting to celebrate the arts in schools. and styles that reflect the artists’ works from throughout his career myriad responses to both natural or alongside writings, letters, images, Western Gallery man-made landscape forms. Visitors paintings, and objects he left behind. & Sculpture Collection H can vote for their favorite artwork Oscar Tuazon: Collaborator The Western Washington University for the People’s Choice Award. first solo museum exhibition in the 516 High St, FI 116 OLD CITY HALL, 121 Prospect Pacific Northwest for Oscar Tuazon, &360-650-3963 St wed-sun 12-5pm. To Apr 14 featuring sculptures and installations westerngallery.wwu.edu Washington Remembers WWII: that respond to the light-filled nature mon-fri 10-4pm; sat 12-4pm Their Sacrifice. This exhibit, created of BAM’s third floor galleries. Apr 3-May 9 Faculty Biennial and through the Office of the Secretary Sharron Antholt: Nothing to Look of State, is full of emotion-packed BELLINGHAM at. The biennial faculty exhibition is stories documenting the personal an opportunity to see what West- experiences of men and women who Allied Arts of Whatcom County ern’s mentors of upcoming artists fought for freedom on the battlefield 1418 Cornwall Ave have been pursuing in their own and on the home-front during World &360-676-8548 studios over the previous couple of War II. The exhibit also highlights a alliedarts.org years. A concurrent exhibition pres- variety of WWII artifacts, documents, mon-fri 10am-5pm; sat 12-5pm. ents recent work by Sharron Antholt, and historic photographs from the Apr 5-6 RARE: Recycled Arts Re- where she transforms the sun’s Museum’s collection. source Expo. A two-day event that photonic energy into a drawing tool. provides a platform for eco-friendly She uses a magnifying glass to bend ELLENSBURG artists to showcase their art and focus electromagnetic radiation, created from recycle materials. This aiming the sun’s invisible rays to Clymer Museum and Gallery year’s RARE event will provide an burn small holes through specifically 416 N Pearl St &509-962-6416 entertaining array of events, as well treated Nepalese paper. clymermuseum.org as a strong program of educational Hours: mon-fri 10:30am-5pm; preview-art.com PREVIEW 59 Close-Up: Gaylen Hansen, 97, Persists at Painting Nature’s Perils LINDA HODGES GALLERY, Seattle WA - April 4 - 27 by Matthew Kangas After years spent in the rolling hills and vineyards of southeast Washington, part of a region called the Palouse, painter Gaylen Hansen and his artist wife, Heidi Oberheide, moved ﬁ ve years ago to Freeland, Washington, a forested community on Whidbey Island, in Puget Sound. Not only has the new environment engendered in

Photo: Dale Cotton. Courtesy of Linda Hodges Gallery Hansen’s art a fascinating shift to Gaylen Hansen spooky, darkened forests with un- suspecting hikers and cowboys, but it has driven a push toward noticeably thicker brushwork, deeper space, and a perhaps previously underappreciated emotional power. “I wanted to do something with the space here, its complexity and the light. It could be im- possible, but I wanted to try to not be too literal about it. Yes, there are darker moods, some unusual ones, and I’m not sure about this myself,” Hansen said from his isolated home and studio on Whidbey. “Could I get a rich, complex painting that still read simply – not repeating the 19th century?” “My New York shows at Monique Knowlton [Gallery] in the ’80s were di erent from when I lived there in 1945,” he recalled. “It was a brief period when ﬁ gurative expressionism was big and my work was popular for a while,” culminating in a three-person show at the New Museum, NYC, followed by exhibitions in Berlin, New York, Washington, DC, and in Calgary, Alberta. When quizzed about the eco-prophetic aspect of all his work, anticipating visions of current- day endangered natural habitats and species, for example, Hansen admitted: “Regular nature is nasty, with predators preying on the weak to make the system go. You have the entire process of nature at work in the forest. The woods can be frightening but they can be wonderful and awesome. After all that, though, a painting is a painting, it’s not nature!” lindahodgesgallery.com Photo: Dale Cotton. Courtesy of Linda Hodges Gallery Gaylen Hansen, Kernal and Red Grasshopper, 2018, oil on canvas

60 APR - MAY 2019 H OPEN LATE ON FIRST THURSDAYS ELLENSBURG sat 10am-3pm. The Clymer Museum and Gallery hosts exhibits of established Artists concerning issues and stories encompassing the West, STEM+Art+Design: along with seasonal exhibits of the Northwest Designer John Ford Clymer collection. He is a much loved creator of Saturday Craftsmen Create Evening Post covers, wildlife imagery, and historical depictions of the settling of the American West. EVERETT Schack Art Center 2921 Hoyt Ave &425-259-5050 schack.org mon-fri 10am-6pm; sat 10am-5pm; sun 12-5pm. Free admission. To Apr 13 Janie Olsen: Animal Kingdom featuring acrylic paintings by 2019 Schack Artist of the Year Janie Olsen, known for her Magic Realism style. Pets on Parade. This exhibit is a playful tribute to pets through the eyes of the artists who love them. Apr 25-Jun 8 STEM+ART+DESIGN features work by the Northwest Designer Craftsmen that demonstrates how April 25-June 8, 2019 artists design and create works of art integrating STEM principles. Opening Reception: Apr 25, 5pm.

FRIDAY HARBOR 2921 Hoyt Ave. in downtown Everett, WA 425-259-5050, schack.org WaterWorks Gallery Open M-F 10-6, Sa 10-5, Su 12-5 315 Argyle Ave &360-378-3060 Free admission waterworksgallery.com Made possible in part by: Apr: thu-fri & sat 10am-5pm. May: City of Everett Cultural Arts Commission and Hotel/Motel Tax Fund wed-sat 10am-5pm. Starting its Moonlight Flight, Danielle Bodine 34th year, it is a contemporary light Cast mulberry and recycled papers, paint, prints, natural and found filled gallery space that continues objects, coiled waxed linen, wires, lapel pins. Photo: Michael Stadler to evolve as a gallery dedicated to showing artists from the Islands, artists, Jamie Ellsworth and Barbara collects and exhibits contemporary Washington, Oregon and British Duzan, both bring animals to life art from across the Northwest, Columbia. The represented artists, with style and whimsy thorough including Alaska, British Columbia, painters, sculptors and jewelers their mediums of oil and bronze. California, Idaho, Montana, Oregon reflect the areas beauty, both con- Artist Reception: May 17, 4pm. and Washington. Check website for ventional and unusual. That is the current exhibition information. flavor of the Northwest, making the Gallery the unique place it is. ART LA CONNER OROVILLE AiSLE-Monthly Concept showcase. Museum of Northwest Art Women Painters-From Her View. 121 First St &360-466-4446 Art on the Line Gallery Each artist presents their most monamuseum.org 1412 Main St 49northartists.com unusual/beloved/edgy/unique work. sun-mon 12-5pm; tue-sat 10am- tue-sun 10am-4pm Apr 1-May 31 Apr 18-May 2 Debbie Daniels. 5pm. free admission. The Museum Crossing The Line - exhibiting the May 9-30 Elizabeth Bruno. May 17- of Northwest Art connects people works of fine artists from OkanAgan, Jun 8 Jaime Ellsworth & Barbara with the art, diverse cultures and en- BC and OkanOgan, WA, sharing a Duzan: Life Untamed. Regional vironments of the Northwest. MoNA landscape, history and culture along preview-art.com PREVIEW 61 OROVILLE Women of the Belle Epoque. free admission. To Apr 28 Tscha- Opening Reception: May 2, 6pm. balala Self. Brings together figu- the international border at 49º North. rative works in painting, drawing, Imagination Squared: Ten by Ten, Daybreak Star sculpture, and video, populating the featuring local OkanOgan artists Indian Cultural Center gallery with characters from across in various media and style using 5011 Bernie Whitebear Way Self’s budding career. Ramin Haer- prescribed dimensions to emphasize &206 285 4425 unitedindians.org izadeh, Rokni Haerizadeh, Hesam the broad spectrum of what art can mon-fri 9am-5pm; weekends by Rahmanian: The Rain Doesn’t be. Visit 49northartists.com for appt. Sacred Circle Gallery holds Know Friends From Foes. The 3 more information. Daybreak Stars curated exhibits artists work collectively to create of Native American art, featuring installations and stop-motion anima- PORT ANGELES contemporary and traditional Native tions that build on their perception of American Art by a wide range of life as theater. Cherdonna Shinatra: Port Angeles Fine Arts Center internationally recognized, and local DITCH. Combining contempo- 1203 E Lauridsen Blvd artists. New second location now rary dance, drag, and clowning, &360-457-3532 pafac.org open at Sea-Tac Airport. Located off Seattle-based artist Jody Kuehner Gallery: thu-sun 11am-4pm. the main terminal near the A-gates, defies categorization through her Webster’s Woods Art Park: daily from the SeaTac gift shop sells authentic, persona Cherdonna Shinatra. sunrise to sunset. To Apr 21 Jessica Native-designed items including To Jun 2 Gretchen Frances Holleque: Mothers and Makers. A jewelry, clothing, and gifts. Open Bennett: Air, the free or uncon- new black and white series where daily 7am-7pm. Stay connected fined space above the surface of the photographer set out to “high- with Sacred Circle on Facebook and the earth creates atmospheric color light and honor the stories of women Instagram @sacredcirclegallery. pencil drawings that explore visual living out the dual experience of perception at the intersection of being an artist and a mother,” a Foster/White Gallery H personal and historical memory. meandering journey that brought her 220 3rd Ave S, #100 into art studios and homes across &206-622-2833 fosterwhite.com G. Gibson Gallery H the United States. tue-sat 10am-6pm. Apr 4-27 Sheri 104 W Roy St &206-587-4033 Bakes: LANDSCAPES. Bakes ggibsongallery.com SEATTLE depicts places that exist between wed-fri 11am-5:30pm, sat reality and the imagined; clouds of 11:30am-4pm; tue by appt. Davidson Galleries constellations hover in front of trees, To Apr 13 Saya Moriyasu: Quiet 313 Occidental Ave S landscapes appear and disappear, and Amanda Knowles: Views and &206-624-7684 amorphous silhouettes blend the Spatial Extensions. New ceramics davidsongalleries.com spaces within each canvas until and works on paper by Saya Mori- tue-sat 10am-5:30pm Apr 5-27 foreground and background are yasu and new print-based works by Wendy Orville: above & below | one in the same. What emerges Amanda Knowles. Apr 19-May 25 recent monotypes. “Orville makes is a symphonic expression, with Linda Davidson: You Are Here, exquisitely detailed, photo-like colors and forms moving in and new paintings. monotypes of Pacific Northwest out of focus with beautiful ease. Artist Reception: Apr 27, 2pm. landscapes, with wide skies, wind- May 2-25 Andre Petterson: blown trees, and morphing masses RANDOM BY DESIGN. In a society Gallery 110 H of clouds. They convey a sense of saturated by an excess of objects, 110 3rd Ave S space, movement, and the interplay it is hard to escape the constant &206-624-9336 of ephemeral moments and geolog- presence of the discarded. Below gallery110.com ical time”. -The Stranger. Opening the surface of what appears to be thu-sat 12-5pm. Apr 4-27 Dorothy Reception: Apr 4, 6pm. May 3-Jun 1 ordered exists a mess of cast-offs. Wasserman: Beneath the Surface Albert de Belleroche (1864-1944): These remnants are something investigates the notion of hidden we barely notice, their existence realities lying beneath the surface of ordinary. However, it is in these or- ordinary awareness. Works in clay/ dinary moments, in these unplanned mixed media, digital prints of analog structures of cast-off materials, photographs and archival inkjet that artist Andre Petterson has prints of original photo collage, with found inspiration for his newest all photos taken by Wasserman and body of work. assembled by hand. Ray Schutte: INTRUSION explores the Intrusion Frye Art Museum H of form into the surrounding archi- 704 Terry Ave tectural space and the interaction &206-622-9250 asks you to consider the objects fryemuseum.org which are placed in context Christopher Rauschenberg, Angkor I, 2018 tue-sun 11am-5pm; thu 11am-7pm. with the structure. Elizabeth Leach Gallery, Portland 62 APR - MAY 2019 H OPEN LATE ON FIRST THURSDAYS

Q 2 u e n N d e e

v A

n A v Lake Union w Henry Art Gallery A

e Schack Art Center ie n v W 99 r

n i a e Daybreak Star Indian F A Cultural Center v e MOHAI

Bellevue Arts N Museum

G. Gibson Roy St Mercer St

t s

e x

A t

e v

r e

W v e

John St

Denny Way

SEATTLE

e s Olympic Sculpture s Park Roq La Rue Gallery

2n d t A ia S v in t e g r ir a V w te S

5 Harris Harvey Gallery

t S ke Pi

1 t s S t n t A io n S T v U ng e e ri r PIKE PLACE p r W S y e A Bainbridge Island MARKET st v e Traver Gallery t e r S Museum of Art n n A iso v ad e Seattle Art Museum 5 M th St A y t 4 v Frye Art Museum it S t e rs a h ive ec A n en v U S e St n t rio S 2 a y M rr A n he l d St C a A a 9 s bi t k v m h a e lu A n Co v W e a y Foss Waterway Seaport, Museum of Glass, Tacoma Art Museum

PIONEER SQUARE SEA-TAC AIRPORT

Yesler Way I 99 -5 Elliott Bay O E c x c Gallery 110 p i r d e

e n s S Washington St Shift Gallery s t a

l Greg Kucera Gallery

Linda Hodges Gallery S Main St Foster/White 3

2 r n Prographica/KDR d

S Jackson St A

Davidson Galleries v e v

1 e

s S S t

v e King St

KING S STREET STATION

CENTURY LINK FIELD 99 preview-art.com PREVIEW 63 SEATTLE representation of the landscape. the artist’s career-long commitment Her vivid paintings interpret the to exploring discarded and displaced May 2-Jun 1 Sally Ketchum: topography of the Pacific Northwest materials, peoples, and landscapes. Pieced Together: Angst and Awe and beyond. Through use of bold Opening May 25 2019 University at Waters Edge. Found objects from color and pattern she translates her of Washington MFA + MDes local waterways and city streets scenes. Opening Reception: Apr 4, Thesis Exhibition. To Jun 2 Edgar populate new paintings and collages 6pm. May 2-Jun 1 Terry Furchgott: Arceneaux: Library of Black Lies. by Sally Ketcham. MR McDonald: Intimate Interiors. Figurative artist, The unpacking and reconstruction of Big and Small. Two 84 x 48 inch Terry Furchgott, creates narrative history is a central concern in Edgar radically non-representational paint- works setting up tableaux with live Arceneaux’s installations, sculptures, ings with no narrative, no messages subjects in the home environment, and drawings. or ‘content;’ and, no expression. Just incorporating objects and everyday forms-line, mass, color, and their domestic scenes. The vibrant hues Linda Hodges Gallery H dynamic interplay. Included with ten and decorative borders speak 316 1st Ave S smaller works. to the artist’s influence from &206-624-3034 both the Fauves and Persian lindahodgesgallery.com Greg Kucera Gallery H miniature paintings. tue-sat 10:30am-5pm and by appt. 212 3rd Ave S Opening Reception: May 2, 6pm. The gallery principally represents &206-624-0770 prominent West Coast and nation- gregkucera.com Henry Art Gallery H ally established artists, with an tue-sat 10:30am-5:30pm University of Washington emphasis on painting, sculpture, Apr 4-Jun 1 Darren Waterston: 15th Ave NE and NE 41st St and photography. Linda Hodges has Vistas.The shows title refers to &206-543-2280 over 30 years of experience advising the panoramic views offered by his henryart.org corporate and private clients in the sixteen meticulously painted oils wed, fri, sat & sun 11am-4pm; thu acquisition of fine art. Apr Gaylen on panel and fourteen watercolors 11am-9pm. Admission: general $10; Hansen, acrylic paintings. May Kurt on paper. seniors (62+) $6; Members, UW Solmssen, oil on linen. Opening Reception: Apr 4, 6pm. faculty/staff, students, and children free. To Apr 28 Between Bodies. Museum of History Harris Harvey Gallery H This group exhibition includes & Industry H 1915 First Ave sculpture, augmented reality, 860 Terry Ave N &206-443-3315 video, and sound-based works that &206-324-1126 harrisharveygallery.com delve into intimate exchanges and mohai.org tue-sat 11am-6pm, mon by appt. entwined relations between human daily 10am-5pm; first thu 10am- Apr 4-27 Christine Sharp: Wander. and more-than-human bodies within 8pm. Admission: adult $19.95; In Wander, Seattle-area artist contexts of ongoing ecological senior (65+) $16.95; students and Christine Sharp shows recent oil change. Opening Apr 27 Cecilia Military (with ID) $15.95; youth (un- paintings that meld abstraction with Vicuña: About to Happen traces der 14) free. Opening May 4 Seattle Style: Fashion/Function. Prographica / KDR H 313 Occidental Ave S &206-999-0849 prographicagallery.com tue-sat 11am-5:30pm. Apr 4-May 11 Michael Howard: Remains To Be Seen and Jim Holl: Particle Point Collisions. Prographica/ KDR is pleased to announce these two joint solo exhibitions, marking the first solo exhibitions for both artists at Prographica/KDR. Opening Reception: Apr 4, 6pm. Artist Talk Moderated by Norman Lundin: Apr 6. Opening May 16 Elyse Pignolet: New Works. Koplin Del Rio Gallery is pleased to announce a solo exhibition by Los Angeles artist Elyse Pignolet. This is the artist’s first solo exhibition with the gallery. Wendy Orville, Sitka #3 Opening Reception: Jun 8, 6pm. Davidson Galleries, Seattle

64 APR - MAY 2019 H OPEN LATE ON FIRST THURSDAYS Seattle Style: Fashion / Function MUSEUM OF HISTORY & INDUSTRY, Seattle WA - May 4 - Oct 14 by Matthew Kangas The fi rst survey of Seattle men’s and women’s fashion has been organized by Museum of History & Industry curator Clara Berg and her sta , including conservator Ilana Lopez Salado, whose work was substantial. Debuting nearly 50 gifts and loans to the museum with a schol- arly publication, MOHAI has been assisted in underwriting by the local garment industry, which moved much of its manufacturing over- seas in the 1980s, but is now reviving with computer-knit sportswear, for example, and other locally based manufacturing. Beautifully designed within MOHAI’s Art Deco masterpiece (the former Naval Supply Depot building renovated a decade ago), Seattle Style suggests that, long before stretch skiwear (invented here), clothing by European designers no less than Elsa Schiaparelli, Mariano Fortuny Heavy canvas poncho, c. 1910, and Emilio Pucci was acquired and worn. Count Dr. Belle A. Stevens, owner. Pucci was the toast of a Seattle Symphony Gift of Miss Della J. Patch. © MOHAI Collection charity ball in 1962, when the central entertain- ment was the display of his fashions. The stereotype of Seattle fashion is tied to sportswear innovations such as machined tie-dye, waxed cotton raincoats, and sturdy mountain and construction boots. Berg and her stylists go beyond to dust o emerald- green suits, golden brocade ball gowns and striped silk hostess dresses, paying tribute to Cold War couture labels such as Richmond of Seattle, John Doyle Bishop, Helen Igoe and the “better dress shops” at top retailers Frederick & Nelson, The Bon Marché and MacDougall & Southwick. The grunge look of the 1980s was a reaction to this estab- lishment elegance. It John Doyle Bishop, 1967. Photo: Cary W. Tolman, became la moda pove- Seattle Post-Intelligencer. © MOHAI Collection ra, “poor” fashion. Over time sportswear became more profi table, and examples are on view from the venerable Filson Co., Eddie Bauer and others, climaxing in the 2000 invention of the Utilikilt, a construction-worker-weight skirt that is now a global seller. Photo: Joe DeBlake Joe Photo: mohai.org “Krash” Villegas: Workman Kilt, 2006 preview-art.com PREVIEW 65 SEATTLE media drawings, Mask rediscovers decade in the making, this exhibition Oberlin Village, founded by freed presents the most ambitious body Roq La Rue Gallery Blacks post-Civil War-1950s. of artwork ever created from the Translations: An Exploration of Glass 705 E Pike St roqlarue.com Opening Reception: Apr 4, 5pm. Canadian Arctic, a wilderness so wed-sun 12-6pm Apr 4-27 Debra May 2-Jun 1 Anna Macrae and remote and untouched, that many by Northwest Native Carvers and Weavers Baxter: What You Mean to Me. David Traylor: Garden For Daisy. of its landscapes have never been MUSEUM OF GLASS, Tacoma WA - To Nov 10 Exploring a rich history of stories, documented before. To Jun 23 Seattle Art Museum H embodying complexity, disorder, Luminous: Dale Chihuly and by Matthew Kangas 1300 First Ave &206-654-3100 serenity, romanticism. the Studio Glass Movement. In seattleartmuseum.org Opening Reception: May 2, 5pm. partnership with the Museum of With the examples of glass artist and for- wed 10am-5pm; thu 10am-9pm; Glass in Tacoma, the MAC presents mer Chihuly team member Preston Single- fri-sun 10am-5pm. Suggested Traver Gallery H an exhibition featuring works by tary (Tlingit) and printmaker Joe Feddersen admission: adults $24.95; seniors 110 Union St #200 &206-587-6501 eighteen internationally renowned (Colville), other Native American artists (62 and over) and military (with ID) travergallery.com studio glass artists including Dale in the Puget Sound area have explored $22.95; students (with ID) and teens tue-fri 10am-6pm; sat 10am-5pm Chihuly, Preston Singletary, (13-19) $14.95; children 12 & under and by appt. May 2-Jun 29 Jane and Lino Tagliapietra. glass as a medium of cultural expression. free; SAM members free. Olympic Rosen: Written in Stone. In Translations, Tacoma’s Museum of Glass Sculpture Park (2901 Western Ave) TACOMA illustrates its capacity to enable creators to hours: open daily, opens 30 minutes SPOKANE make the art right there in its Hot Shop stu- prior to sunrise, closes 30 minutes Foss Waterway Seaport dio and show it in the best settings. after sunset. Free Admission. To May Northwest Museum 705 Dock St &253-272-2750 12Jeffrey Gibson: Like a Hammer. of Arts & Culture fosswaterwayseaport.org Organized in a unique partnership with Over 65 works by the acclaimed 2316 W First Ave &509-456-3931 wed-sat 10am-4pm; sun 12-4pm. the Longhouse Education and Cultural Cen- northwestmuseum.org contemporary artist, including Admission: adults $10; seniors/ Photo: Duncan Price ter at Evergreen State College in Olympia, abstract geometric paintings, tue-sun 10am-5pm; wed 10am- students/children $8; family pass HoWanUt Haila Old Peter (Skokomish / Chehalis, Translations spotlights fi ve artists who col- beaded punching bags, sculptures, 8pm. Admission: adults $10; seniors $25. Third thu free. Ongoing The wall hangings, and video. OLYMPIC (60+) $7.50; students (with ID) Puyallup People: First on the born 1986), Step Pattern Basket, 2015, blown glass. laborated on a body of work alluding to SCULPTURE PARK Opening May 11 $5; kids 5 and under and MAC Waterways. Celebrates the First Collection of the artist bentwood boxes, woven cedar bark bas- Regina Silveira: Octopus Wrap. members free. To May 12 The Inuit Peoples of the South Sound and kets and carved fi gures. Mary Ellen Hillaire Art of Povungnituk. Distinctive their intimate connect to the (Lummi), Gerald Miller (Skokomish) and Hazel Pete (Chehalis) were guided by glass artists Dan Shift Gallery H prints and sculptures expressing an Puyallup River and the Salish Sea. and Raya Friday (Lummi). Their works were inspired by original pieces in the families’ personal Inuit point of view. Characterized 312 S Washington St The Seaport museum is located collections, some of which are part of the exhibition, as well as the archival collections of the &607-379-9523 shiftgallery.org by crisp images of native animals with their traditional territory and fri & sat 12-5pm or by appt. and human figures set against stark the exhibit has been developed in Washington State Historical Society. Apr 4-27 Patrice Donohue: backgrounds, many of the artworks partnership with local members of Bidanakwadokwe (Tina Kuckkahn-Miller), guest curator and vice-president of Indigenous Reappearance. Donohue revisits reveal the rituals that have allowed the Puyallup Tribe. Includes canoe Arts and Education at Evergreen noted, “Master weaver Hazel Pete (Chehalis) once said that past styles and work utilizing new the Inuit people to survive. Cory building and fishing techniques, mediums. Opening Reception: Apr 4, Trépanier: Into the Arctic. Paintings resource utilization, diet, recreation, ‘Native people have always used what is available – and today we have the world.’ As we 5pm. Artist Talk: Apr 13, 2pm. Susan and films from the furthest reaches world view, and contact with other consider what it means to be an Indigenous artist in today’s world, we must broaden the space Mask: Reclamation. Through mixed of the Canadian North. Over a tribes and later explorers. to encompass all forms of creative expression. The carvers and weavers represented in this exhibition create from a cultural foundation of heritage and identity that is expressed in their art forms.” FOSS WATERWAY museumofglass.org SEAPORT Maritime Museum

Celebrating Tacoma & South Puget Sound maritime heritage - past, present and future 705 Dock Street. Tacoma, WA 98402 253.272.2750 fosswaterwayseaport.org

66 APR - MAY 2019 H OPEN LATE ON FIRST THURSDAYS Translations: An Exploration of Glass by Northwest Native Carvers and Weavers MUSEUM OF GLASS, Tacoma WA - To Nov 10 by Matthew Kangas With the examples of glass artist and former Chihuly team member Preston Single- tary (Tlingit) and printmaker Joe Feddersen (Colville), other Native American artists in the Puget Sound area have explored glass as a medium of cultural expression. In Translations, Tacoma’s Museum of Glass illustrates its capacity to enable creators to make the art right there in its Hot Shop studio and show it in the best settings. Organized in a unique partnership with the Longhouse Education and Cultural Cen-

Photo: Duncan Price ter at Evergreen State College in Olympia, HoWanUt Haila Old Peter (Skokomish / Chehalis, Translations spotlights artists who collabo- born 1986), Step Pattern Basket, 2015, blown glass. rated on a body of work alluding to bent- Collection of the artist wood boxes, woven cedar bark baskets and carved ﬁ gures. They are family members of Mary Ellen Hillaire (Lummi), Gerald Miller (Skokomish) & Hazel Pete (Chehalis), and were guided by glass artists Dan and Raya Friday (Lummi). Their works were inspired by original pieces in the families’ personal collections, some of which are part of the exhibition, as well as the archival collections of the Washington State Historical Society. Bidanakwadokwe (Tina Kuckkahn-Miller), guest curator and vice-president of Indigenous Arts and Education at Evergreen noted, “Master weaver Hazel Pete (Chehalis) once said that ‘Native people have always used what is available – and today we have the world.’ As we consider what it means to be an Indigenous artist in today’s world, we must broaden the space to encompass all forms of creative expression. The carvers and weavers represented in this exhibition create from a cultural foundation of heritage and identity that is expressed in their art forms.” museumofglass.org

Museum of Glass Washington State Historical Society Tacoma Art Museum H 1801 Dock St &253-284-4750 and under the leadership of glass 1701 Pacific Ave &253-272-4258 museumofglass.org experts Dan and Raya Friday, artists tacomaartmuseum.org wed-sat 10am-5pm; sun 12-5pm; who are family members of Mary tue-sun 10am-5pm; thu 10am-8pm. 3rd thu 10am-8pm. Admission: Ellen Hillaire (Lummi), Gerald (Bruce) Admission: adults $15; students/ members and children under 6 are Miller (Skokomish) and Hazel Pete seniors (65+) $13; family (2 adults free; adults $17; seniors (62+), mili- (Chehalis) produced innovative new + up to 4 children under 18); tary and students (13+) $14; groups work based on historical baskets, members/military/children under 5 of 20+ $12; groups of 50+ $10; bentwood boxes, and sculptural free; sat youth under 18 free; thu children 6-12 $5. Ongoing Trans- figures. HOT SHOP To Apr 6 Matteo 5-8pm free. Ongoing The Rebecca lations: An Exploration of Glass Seguso; Apr 10-11 Laura de San- and Jack Benaroya Wing. Casts a by Northwest Native Carvers and tillana; Apr 24-27 Benjamin Cobb; spotlight on the unique half-century Weavers. In partnership with The May 1-4 Jeff Martin; May 8-11 story of the Pilchuck Glass School, Evergreen State College Longhouse. Priscilla Cowie; May 15-18 Ben its influence and innovation central Inspired by carvings and weavings Beres; May 27-28 Elias Hansen. to developments in the recent held in the archival collections of the preview-art.com PREVIEW 67 TACOMA weaves complex mazes of texture Northwest By Northwest and color within each composition. Gallery history of Northwest art. Jaune With a strong background in craft 232 N Spruce, across from the City Quick-to-See Smith: In the Foot- as a jeweler, scale and precision are Park & info center &503-436-0741 steps of My Ancestors. Experience always at the forefront of her work &1-800-494-0741 captivating art from one of the today. Her fine art prints are the nwbynwgallery.com U.S.’s finest Indigenous talents. culmination of a passion for growing daily 11am-6pm and by appt. Apr Dale Chihuly at TAM. Celebrating plants, collecting insects, and Ethan Stern: Vessels of Light, world-renowned glass artist and choreographing the still life image. glass from Pilchuck School. Georgia Tacoma-native Dale Chihuly, we Opening Reception: Apr 13, 5pm. Gerber, the leading public sculptor have given our permanent collection in the country and the first woman of Chihuly glass a gallery of its own. CANNON BEACH in America with her own bronze Immigrant Artists and the Amer- foundry. Her latest public installation ican West. How art relates and Cannon Beach Gallery Group is Standing Otter in Bothell, WA. responds to personal and political various locations She is also known for Rachel the issues around immigration. cbgallerygroup.com Pike Place Market Pig in Seattle and see website for full schedule and for the 26 sculptures depicting Or- hours. May 3-5 Spring Unveiling egon Wildlife in Pioneer Courthouse Art Festival. The galleries of Cannon Square. Contemporary paintings Beach start the new season with of birds by Taryn Wise. May 3-5 OREGON this annual fine art festival, now in Spring Unveiling. Featuring oil its 19th year; Spring Unveiling is painter Hazel Schlesinger, member ASTORIA an unparalleled event for the art of Oil Painters of America & Impres- lover. Featuring new exhibitions and sionist Society. Plein Air Painting Imogen Gallery artworks throughout town, as well Class: Jun 21 & 22. Sign up through 240 11th St &503-468-0620 as fresh new pieces created by res- gallery. Figurative/narrative bronze imogengallery.com ident local artists, public unveilings sculptor Ann Fleming, whose work mon-sat 11am-5pm; sun 11am- happen all weekend long in dozens includes Midori & Mama Bear based 4pm; wed by appt. Apr 13-Jun 4 of galleries. Meet the artists during on environmental action. Master of Deb Stoner: Garden Studies. Get presentations, demonstrations, Fine Art Photography and a featured ready for Spring and the gardening gallery receptions and other creative artist on PBS Weekend NewsHour season with the lush and spectacu- gatherings. The flagship Saturday Christopher Burkett. Leading Con- lar photographs of Deb Stoner. Ston- evening art-walk is an excellent temporary Sculptor Ivan McLean, er from Portland, OR, combines her opportunity to celebrate and social- known for his signature stainless skills as photographer, researcher ize with favorite artists, while experi- sculptures Spheres and Re-Inven- and gardener along with meticulous encing the town’s vibrant art scene. tion. Look for his work in the gallery sense of detail to create dramatic Full schedule of festival events can garden. NW By NW GALLERY is rated still life imagery. Reminiscent of be found on website. the #1 gallery to visit in Cannon the work of Dutch masters she Beach by Google Travel Guide.

68 APR - MAY 2019 H OPEN LATE ON FIRST THURSDAYS OREGON by Joseph Gallivan Vignettes

DIANA PALERMO: SUBLIMATION Fuller Rosen Gallery, Portland. To May 17 This solo show by Diana Palermo is grounded in the way people repress their dark- side instincts to appear civilized. Growing up queer in a Catholic household, Palermo has plenty of material to tease out the subject, whose technical name is sublimation, not repression. The artist’s photo collages of ambiguous body parts, often arranged

in angular spirals or mechanical patterns, ﬂ ood the amygdala and torque the optic DIANA PALERMO, nerve, but the overall e ect is one of trance-like release. RUN IT THROUGH MY FILTER, 2016

BLACKFISH ARTISTS: 40TH YEAR CELEBRATION Blackﬁ sh Gallery, Portland. Apr 2 - 27 The venerable Portland artist cooperative gallery is rolling back the years with a group show of dozens of past and current members. Blackﬁ sh was a force for passionate independent artists in Portland’s Pearl District when it was train tracks and warehouses. In April they will also celebrate the Wong family, their landlords who give them a good deal on rent. Keep an ear out for the specially commissioned folk-blues oratorio, with a libretto based on 40 years of gallery logbook entries. Performed free to the public on April 13 (7 pm) and April 14 (3 pm). BLACKFISH GALLERY FRONT

WILLIAM PARK, RUTH ROSS AND POCA KIM: BEAUTY Gallery 114, Portland. Apr 4 - 27 Three artists focus on a slippery concept in art: beauty, the “invisible dragon” of art critic Dave Hickey’s essay with the same title. Mixed-media artist Ruth Ross prints on aprons a symbol of domestic godlessness. Painter William Park zooms in on everyday objects. Poca Kim hauls gender identity over the coals with her paintings of androg-

ynous ﬁ gures. Note the panel discussion, Beauty in Contemporary Art, on April 13. WILLIAM PARK, BIALETY NEST

NOAH ADDIS: FUTURE CITIES Blue Sky Gallery, Portland. Apr 4 - 28 April is Portland Photo Month, with multiple galleries going lens-shaped for the oc- casion. There’s also the Photolucida Portfolio Reviews event April 25-28. Don’t miss Noah Addis’ exploration of the slums of the world: the desperate conditions of people crammed together in makeshift homes of tin, wood, cloth and plastic, and the giant vistas they occupy. He also focuses on strange new developments, odd boxes in the © NOAH ADDIS, 'FUTURE CITIES', desert and cubes in the hills. But it’s the shantytowns that are astonishing. DHARAVI #2; MUMBAI, 2011

DEB STONER: GARDEN STUDIES Imogen Gallery, Astoria. Apr 13 - Jun 4 A photographer who is also a researcher and gardener, Deb Stoner uses texture and highlight in a way that recalls the masters of Dutch still life painting. Usually we see ﬂ owers growing in earth or cut and arranged in bouquets, so seeing them casually laid out like samples is refreshing. She also works as a jeweler, which shows in her attention to layout and the intersection of stems and petals. DEB STONER, ROSE, PEONIES AND CLEMATIS, 2018 preview-art.com PREVIEW 69 CANNON BEACH 5pm. Admission: adults $5; seniors PORTLAND (62+) $3; members, youth (18 and White Bird Gallery under), students, and UO faculty and Blackfish Gallery 251 N Hemlock St &503-436-2681 staff free. To Apr 28 NewArt North- 420 NW 9th Ave &503-224-2634 whitebirdgallery.com west Kids: Protecting the North- blackfish.com thu-mon 11am-5pm; tue & wed west’s Natural Beauty. This annual tue-sat 11am-5pm. Apr 2-27 by appt. To Apr 30 Spring Group exhibition returns to the JSMA for Former Members Group Show in Show. Featuring Robert Schlegel its twelfth year. This year’s theme, Celebration of Blackfish Gallery’s (acrylic paintings and mixed media Protecting the Northwest’s Natural 40th Anniversary. A variety of artwork) and Robin and John Gumae- Beauty, examines the roles people work. Apr 30-Jun 1 Lauren Carrera: lius (ceramic & mixed media kinetic have in caring for the environment Museo du Profundo presents sculpture). May 3-5 Spring Unveil- and recognizing the collective Ascent of Man. Carrera’s first solo ing Festival Weekend. Featured responsibility to preserve the quality show is an art installation that blurs artist-Alexandra Boyden: pastels and safekeeping of the land, air, the boundaries of art, natural history, on paper. Reception: May 4, 5pm. water, plants, and animals. To May and ecology, exploring themes as May 4-Jun 30 Contemporary Glass 12 Visual Magic: An Oregon Invi- diverse as environmental consumer Showcase: gallery focus on glass as tational. This collaboration between culture, and the nuclear family. A a sculptural and functional medium. the JSMA and the George D. Green multi-media installation. Joshua Rodine (glass vessels and Art Institute celebrates recent work sculpture), Jeremy Newman & by over forty artists who began their Blue Sky Gallery H Allison Ciancibelli (glass sculpture), creative careers in Oregon during 122 NW 8th Ave &503-225-0210 Mary-Melinda Wellsandt (glass the 1960s and ’70s. Ongoing Grace- blueskygallery.org vessels) and Lisa Zerkowitz (glass ful Fortitude: The Spirit of Korean tue-sun 12-5pm; first thu 6-9pm. sculpture). Alexandra Boyden: Women. Art created by, for, and/or April 4-28 Noah Addis: Future Pastels on Paper. Boyden uses about Korean women and features Cities (2018 Critical Mass solo landscapes, both real and imagined, paintings, prints, photographs, show award). as frameworks for an ongoing sculpture, ceramics, textiles, lacquer, exploration toward abstraction. furniture, and personal adornments Elizabeth Leach Gallery H Boyden Intuitively experiments with dating from the 12th through the 417 NW 9th Ave &503-224-0521 color, form, gesture, and juxtaposi- 21st centuries. elizabethleach.com tion. In the end, Images are equally tue-sat 10:30am-5:30pm and compelling to their origins, but with MANZANITA by appt. Apr 4-27 Christopher a newfound personality. Rauschenberg: Angkor. In his Polaris Gallery new series of pictures in the lush EUGENE 457 Laneda Avenue jungle landscape of Cambodia, &503-703-4828 Rauschenberg finds beauty in both Jordan Schnitzer polarisgallery.com the majestic and the mundane Museum of Art fri-mon 11-4; tue-thu by appt. details. The images are expansive 1430 Johnson Lane Polaris Gallery in Manzanita, Oregon and invite the viewer to visually &541-346-3027 jsma.uoregon.edu showcases the paintings of artist/ wander around inside the picture wed 11am-5pm; thu-sun 11am- owner J. Scott Wilson. plane to explore the light, textures and shapes of massive stones and overgrown, twisting vines. Willy Heeks: New Works. Heeks’ new series of colorfully improvisational paintings vibrate with raw, gestural energy that balance intention with the subconscious impulse. Heeks creates a dazzling cacophony of images that reflect his interest in the constancy of modern day messaging and information. Opening Reception: Apr 3, 6pm. May 1-Jun 1 Barbara Sternberger: Breath, new paintings and Ben Dallas: Structural Paint- ings, new work. Fuller Rosen Gallery 2505 SE 11th Ave #106 &503-806-5055 fullerrosen.com

70 APR - MAY 2019 H OPEN LATE ON FIRST THURSDAYS Sun, Shadows, Stone: The Photography of Terry Toedtemeier PORTLAND ART MUSEUM, Portland OR - To Aug 4 by Allyn Cantor Infl uential photographer Terry Toedtemeier (1947-2008) is known for his explorations of natural rock formations in the Northwest landscape as well as for his roles in the Northwest art world. As a born and raised Oregonian, Toedtemeier created artwork deeply infused with the spirit of his homeland and the awe-inspiring beauty that defi nes much of the state’s varied geography. He traveled to some of Oregon’s most remote Photo: Richard Nicol regions to capture grand places Terry Toedtemeier, Pyramidal Rock with Bird Lime – North of Oceanside, such as the Steen Mountains Oregon, 2001, toned gelatin silver print and Owyhee River – these bold Tacoma Art Museum, Gift of the artist. © Tacoma Art Museum yet poetic photographs evoke both loneliness and grandeur. Toedtemeier studied geology as a college student, and his fascination with the ongoing forces that shape the region continued throughout his career. The self-taught photographer co-founded Portland’s Blue Sky Gallery in 1975 and was the fi rst curator of photography at the Portland Art Museum. Sun, Shadows, Stone, the fi rst exhibition to focus on the photographer and teacher’s entire career, was curated by Rock Hushka of the Tacoma Art Museum. Early works focus on friends and family as subjects. Toedtemeier’s renowned landscape aesthetic gained critical acclaim during the 1980s, informed by his pronounced understanding of early photography of the American West. Toedtemeier’s later work in digital and color photography shows an artistic spirit of experimentation with his medium of the camera lens. The artist’s defi ning pieces have a formal respect for the landscape of his native state. Toedtemeier was committed to Oregon’s history on many levels. Shortly before his passing, his photo book and exhibition Wild Beauty documented the Columbia River Gorge from 1867 to 1957. portlandartmuseum.org thu-sun 10am-5pm or by appt. Beauty Untethered. A juried show and challenging. Opening Reception: To May 17 Diana Palermo: featuring artists: William Park, Poca Apr 4, 6pm. Panel Discussion: Apr Sublimation. Kim, and Ruth Ross. The contem- 13, 6:10pm. May 2-Jun 1 Painters porary art world has dubbed beauty Reflect on Human Connections to Gallery 114 H a dirty word. What does it mean the Natural World. Painters Mary 1100 NW Glisan St for a work of art to be beautiful in Jo Mann: Reflections and Heather &503-243-3356 2019? Three artists were selected to McGeachy: Shapeshifters examine gallery114pdx.com answer that question, whose works the intersection of human experi- thu-sun 12-6pm Apr 4-27 reflect notions of beauty both astute ence with the natural world. preview-art.com PREVIEW 71 PORTLAND $8; Students/Seniors (62+) $5; To Apr 28 Modern American Child (12 and under) free; free on Realism: Highlights from the Mann offers abstract paintings, First Thursday of the month 5-8pm. Smithsonian’s Sara Roby Foun- primarily ink on canvas and To May 26 Mel Bochner: Enough dation Collection captures both the McGeachy presents mixed media Said. Mel Bochner consistently optimism and the apprehension of works that reflect those moments probes the conventions of painting the years following World War II. when we strive to be part of the and language. Bochner’s text-based To May 5 The map is not the natural order and less separate from works will be on view. From the territory is part of a triennial series our environments and our animal Collections of Jordan D. Schnitzer featuring regional artists exploring brethren. Opening Reception: May and His Family Foundation. place and boundaries. This inaugural 2, 6pm. Artists’ Talk: May 4, 2pm. exhibition focuses along the eastern Poetry reading: May 19, 4pm. Portland Art Museum H edge of the Pacific Ocean stretching 1219 SW Park Ave from Oregon through Washington Oregon Jewish Museum &503-226-2811 and Vancouver, B.C., up to Alaska. and Center for Holocaust portlandartmuseum.org The artists in this exhibition seek Education H tue, wed, sat, sun 10am-5pm; thu & to reconceive and reimagine the 724 NW Davis St &503-226-3600 fri 10am-8pm. Admission: members Northwest. Ongoing Terry ojmche.org free; adults $19.99: seniors (62+) Toedtemeier: Sun, Shadows, tue-thu 11am-5pm; fri 11am-4pm; and students (18+ with ID) $16.99; Stone. Lifelong Oregonian Terry sat & sun 12-5pm. Admission: Adults children (17 and under) free. Toedtemeier (1947-2008) was a

ge id Br ay PORTLAND INTERNATIONAL AIRPORT TO ASTORIA AND CANNON BEACH w ad ro B W N NW Kearney St PORTLAND Russo Lee

NW Johnson St y

A e

A g

h d

t t

o i t

s r h

PEARL DISTRICT r

0 0

t B 8

1 l

2 1

9 e

W S

W W

N N N NW Gilsan St Gallery 114 Blackfish Elizabeth Leach 405 NW Flanders St NW Everett St

NW Davis St Oregon Jewish Museum NW Couch St Blue Sky Gallery Burnside Bridge

y 5 a

w e e r F DOWNTOWN Willamette m e u v i S River W A d S a t al h mo t S n 6 St y SE a e W M S v o W w r S ri M d A W s a on in a t B S s y r t o id r 1 w ge

B H

W c i W S f i S c Portland Art Museum a

P e t

a S t e S W W M s r v Jef ad A fe is e o t rso n k n St n r S I t a

P - I

W S S W C lay Portland State St SW TOM MCCALL Ma University rke t St WATERFRONT PARK

r D Fuller Rosen Gallery

r o b r a H

W S TO SALEM & SISTERS

72 APR - MAY 2019 H OPEN LATE ON FIRST THURSDAYS Mel Bochner: Enough Said OREGON JEWISH MUSEUM AND CENTER FOR HOLOCAUST EDUCATION, Portland OR - To May 26 by Allyn Cantor Considered a pioneer of the Conceptual Art movement, Mel Bochner came of age during the second half of the 1960s, when young artists were breaking away from tradition and from the dominance of Abstract Expres- sionism. Bochner is a graduate of Carnegie Mellon Uni- versity in Pittsburgh. In 1964 he moved to New York City, where his work inﬂ uenced the development of conceptual and installation art in the 1960s and 1970s. A fore- most Jewish American artist, he is versed in a variety of media. A fascination with language and color has been a distinguishing characteristic throughout his career. Enough Said focuses on Bochner’s engagement with complex printmaking techniques over the past decade. His text-based compositions challenge the structure of common everyday language. Employing both English and Yiddish phrases, he creates bold and busy artworks that recall a Pop Art aesthetic while emulating our current cultural climate of information overload. His unapologetic prints certainly probe us to think; Bochner’s word combinations are infused with wit, sarcasm and obscured meaning. With simultaneous expressions hitting the viewer all at once, in a graphic and somewhat nonlinear manner, Bochner’s pieces eloquently reﬂ ect on society’s excessive dependence on a constant stream of digital information. This thought-provoking show was curated by Bruce Guenther, its works drawn from the Collections of Jordan D. Schnitzer and His Family Foundation. For artwork that is formal and conceptual at its core, Bochner’s paintings and prints are wholeheartedly engaging. The artist retains a tactile and vibrant approach to artmaking, as he explores themes laden with familiarity in order to push the cusp of understanding amidst confusion. Mel Bochner, Squawk, 2017, monoprint with collage, engraving and embossment. ojmche.org Collection of Jordan D. Schnitzer dedicated photographer, photog- Portland State University: by manuel arturo abreu featuring raphy teacher, and the PAM’s first School of Art + Design sculpture, prints on canvas, and vid- curator of photography. His many Galleries eo work exploring the musicality of notable professional activities-from AB Gallery abstraction and the veil of language. cofounding Portland’s Blue Sky 1620 SW Park Ave, Lincoln Hall. This event is sponsored in part by Gallery to rapidly growing the muse- pdx.edu/art-design/exhibitions the James DePreist Fellowship um’s photography collection-never mon-thu 7:30am-8pm; fri 7:30am- provided by the Harold & Arlene took away fromhis deep passion for 5pm. May 6-24 manuel arturo Schnitzer CARE Foundation and making his own photographs. abreu: Beneath the music from a the PSU Artists of Color Collective. farther room. A new solo exhibition Opening Reception: May 10, 5pm. preview-art.com PREVIEW 73 PORTLAND Russo Lee Gallery H 805 NW 21st Ave &503-226-2754 russoleegallery.com tue-fri 11am-5:30pm sat 11am- 5pm. To Apr 27 Subarna Talukder Bose. Bose’s paintings contemplate the microcosm in the macro- cosm-human circumstances within the cosmic cycle. While the cosmos embraces diversity, we humans react to diversity with discrimination. Apr 4-27 Tom Fawkes and Kim Osgood. May 2-Jun 1 Chris Russell and Jo Hamilton. SALEM Hallie Ford Museum of Art Willamette University 700 State St &503-370-6855 willamette.edu/arts/hfma/ tue-sat 10am-5pm; sun 1-5pm. Admission: adults $6; seniors (+55) $4; students (18+ with ID); children (0-17) and members free. To Apr 28 Kypriaka Chronika: Tales of Terresa White, All my Relatives Ancient Cypriote Ceramics in Raven Makes Gallery, Sisters West Coast Collections chronicles the history of Cypriote ceramics American & First Nations artwork Sisters Arts Association and the stories of how they turned and jewelry. First market works various locations up in West Coast collections. Ian J. from Southwest tribes, Northwest &541-719-8581 Cohn: The Faces of Phlamoudhi Coast Peoples, and the Far North. sistersartsassociation.org documents daily life in a remote Emerging artists to renowned Apr 26, 4-7pm and May 24, 4-7pm village on the north coast before masters. April to July we offer 4th Friday Art Stroll. There are 20 the Turkish invasion in 1974 led the monthly, in person artist shows. fine art galleries in less than one village being abandoned by its Greek Explore complex and dynamic mile to welcome you to the arts in Cypriote population and its villagers contemporary works built on Sisters. We are nestled in a cradle being scattered near and far. Apr 20- traditional foundations. Apr 27-28 of scenic ten-thousand-foot tall May 19 Senior Art Majors features Alaska Native Masterworks Fine mountains in the Oregon Cascades. the work of senior art studio majors Art Show. Directly curated and Our galleries, and the locally and at Willamette University. Alexandra commissioned Native American nationally recognized artists they Opie: Wonder Box includes recent Fine Art and Jewelry. Raven Makes represent, offer a wide range of art work by the artist, who teaches Gallery is honored and excited from paintings, etchings, photog- photography and electronic media to be hosting some of the finest raphy, sculpture, jewelry, ceramics, at Willamette University. May 11- contemporary Native American, First metal and wood works, creations in Aug 11 John Stahl: Oregon Artist Nations and Alaska Native artists crystal and glass, performance and features paintings, assemblag- and jewelers of this generation and theater arts, fiber arts and much es, and works on paper by this offer a unique opportunity to meet more. Every month features new multi-talented Oregon Coast artist. the artists, see new works and share work in all our galleries. in meaningful conversation about SISTERS evolving perspectives in Indigenous art. With baleen basket maker Don Raven Makes Gallery Johnston, Aleut; wood and walrus 182 E Hood Ave ivory sculptor artist Mark Tetpon, &541-719-1182 Inupiaq and bronze and ceramic ravenmakesgallery.com sculptor Terresa White, Yup’ik. mon-sat 10am-5pm Offering Native Opening Reception: Apr 26, 5pm.

74 APR - MAY 2019 H OPEN LATE ON FIRST THURSDAYS Exhibition Catalogues of Interest NOV 2018APR MAYJAN 2019

JIM BREUKELMAN JIM BREUKELMAN: ALTERED STATES is the slender catalogue to the West Vancouver Altered States Art Museum exhibition (to May 11). Both examine four series of photographs by this accomplished artist, ranging from black-and-white images shot in an old-fashioned diner in Pawtucket, Rhode Island in the 1960s to colour prints of thriving plant life taken in local gardens, conservatories and arboreta in the 2000s. Accompanied by Breukelman’s statements, they all reveal his keen eye and philosophical mind.

i Softcover, 32 pp., C$10. Available at the West Vancouver Art Museum, 604-925-7295.

A HANDFUL OF DUST is the two-volume publication that accompanies the internationally touring show at The Polygon Gallery (to April 28). Independent writer and curator David Campany has produced a smart and engaging companion piece to his exhibition of historic and contemporary photographs. All were chosen in response to Man Ray’s 1920 photo of Marcel Duchamp’s dust-covered work-in- progress, The Large Glass, and all pose the idea of dust as a deﬁ ning metaphor of the modern age.

Softcover, 232 pp., C$50. Available at The Polygon Gallery, 604-986-1351.

FRENCH MODERNS: MONET TO MATISSE, 1850 1950 is the handsome catalogue to the eponymous exhibition at the Vancouver Art Gallery (to May 20). Touring show and catalogue originate with the Brooklyn Museum and survey the development of the avant-garde in France at a time when Paris was the centre of art innovation and production in the West. Featured artists range from Corot to Léger and from Cézanne to Tanguy. With illuminating text by curators Richard Aste and Jai Imbrey.

Hardcover, 144 pp., C$74. Available at the Vancouver Art Gallery Store, 604-662-4706.

EIRIK JOHNSON: PINE is an artist’s book. In the last few years the Washington photographer has scouted trees of all environs, looking for human traces, and musing on the often adolescent emotions that lead to poignant sentiments re- corded within a living surface. He envisioned and realized a sonic set of reﬂ ec- tions to accompany his photographs. Revisiting his own history as a musician, Johnson brought in a varied group of collaborators who responded to the photographs with their recordings. The book has a companion vinyl record.

Hardcover with 12-inch vinyl, 80 pp., US$50. Available at G. Gibson Gallery, 206-587-4033.

JEFFREY GIBSON: LIKE A HAMMER was published by the Denver Art Museum for the traveling exhibit currently at Seattle Art Museum (to May 12). With over 100 color illustrations, the catalog presents several writings on Gibson’s innovative work. His themes converge Native American heritage with contemporary elements such as geometric abstraction and alternative subcultures in mixed media artworks that cross genres. An essay by curator John P. Lukavic and an interview with the artist by Jen Mergel round out this comprehensive publication.

Hardcover, 144 pp., US$39.95. Available at Seattle Art Museum Shop, 206-654-3120.

Prices may be subject to additional charges for postage, handling and taxes. preview-art.com PREVIEW 75 ART SERVICES

Artistic Statement Fine Art Appraisals & Gallery Edmonton (Sherwood Park), AB Fine art & personal property valuations • Insurance • Estate • Donation • Probate • Divorce

Original art for sale on our online gallery

Joan Hill BFA CPPA 780-918-2640 [email protected] artisticstatementﬁ neart appraisalsandgallery.com

Conserv-Arte Conservation Services Condition Assessments, Maintenance Care, Stabilzation and Repair • Paintings & Murals • Mixed Media & Unique Projects • Public Art & Sculpture • Heritage & Architectural Projects • Collection Surveys & Project Management

Cheryle Harrison [email protected] 604-734-0115

conserv-arte.ca

Denbigh Fine Art Services Specializing in ﬁ ne art services: • Local and long distance transport • Custom case construction • Worldwide shipping and documentation • Climate Controlled Storage • Insurance • Home and corporate installations • Custom framing • Art Collection Management

155 West 7th Ave, Vancouver, BC 604-876-3303 [email protected]

Mariko Ando, The Silent Spectators, detail, 2015. Courtesy of the artist denbighfas.com VISUALSPACE Gallery, Vancouver 276 PREVIEW APR - MAY I 2019 EP- 201 H★ OPEN LATE ON FIRST THURSDAYS ART SERVICES

Framagraphic Picture Mido Gallery Petley Jones Gallery

Framing Highest quality custom picture Conservation framing: In-house Since 1976 Framagraphic has been framing using National Gallery experienced framer, 100% acid- Vancouver’s framer of choice for conservation standards: free museum-quality materials, quality, custom art framing. Using • All work done on premises huge selection of mouldings and fully archival materials and tech- • 40 years of experience in the glass– we have the perfect frame niques, we design and frame your framing industry for your ﬁ ne art! art to make it look its best. We also • Archival matting and mounting do corporate and gallery work. • Ultraviolet ﬁ ltering glazing Restoration: We restore anything from oils and works on paper to • Large selection of wood and 8-1128 West Broadway aluminum frames antique frames. Vancouver, BC – 2 doors west • Conservation, restoration and Appraisals: We offer professional of our original shop installation service available appraisal services, including free 604-738-0017 2931 W 4th Ave verbal estimates. Hours: mon-fri 9:30am-6pm Vancouver BC V6K 1R3 sat 10am-5pm 604-736-1321 604-732-5353 Hours: tue-sat 10am-5pm [email protected] framagraphic.com [email protected] petleyjones.com

Image this photo inc. Northwest Artists’ Canvas Thiessen Art Services The imaging source for artists. Manufacturer & Wholesaler of Custom ﬁ ne art solutions for: • Consultation, estimates welcome Professional Pre-stretched Artist with advice freely given. Canvases • Art Installation • Excellence in lighting. • Cotton • Framing • Transport • True colour digital capture as • Linen • Easels • Custom Crating well as 8x10 transparencies. • Synthetic • Stretcher Bars • Storage • True to original slide scanning. • Archival Reproductions • Exhibition/Collection Logistics • Weather-protected loading bay. • International Packaging and • Artwork too big to move – ask Shipping Services Experienced, Efﬁ cient, about our onsite services. Professional & Reliable Let us help bring out the best 109-5910 No. 6 Rd in your art. [email protected] Richmond, BC Canada V6V 1Z1 604-999-9114 201-1610 Clark Dr 604-270-4644 Vancouver, BC V5L 4Y2 Fax: 604-270-9657 604-875-0620 Ted Clarke [email protected] [email protected] imagethisphoto.ca northwestartistscanvas.ca thiessenartservices.com

Kathleen Laverty Fine Art Opus Art Supplies Vevex Appraisal Services Resources for the Creative Crates for demanding cargos Whenever there’s a question about Individual the value of your personal property, • Fine Art Materials Vevex produces custom export- certiﬁ ed crates for worldwide there’s also a risk involved. Make • Custom Surfaces Service sure your values are based on shipment of ﬁ ne art. Customers • Digital Printing & Mounting include museums, commercial prescribed methods of evaluation. Service galleries and individual artists. • Readymade & DIY Custom Phone or email for a free Frames • Insurance • Donation consultation and detailed price • Divorce • Estate Granville Island: 604-736-7028 quotation. • Probate • Resale Downtown Vancouver: 604-678-5889 North Vancouver: 604-904-0447 1-866-998-3839 Kathleen Laverty B.Ed. ISA Coquitlam: 604-545-0410 Langley: 604-533-0601 604-254-1002 (Vancouver) International Society of Appraisers [email protected] 604-646-4857 Victoria: 250-386-8133 [email protected] Kelowna: 250-763-3616 Mail Order: 1-800-663-6953 opusartsupplies.com vevex.com preview-art.com PREVIEWPREVIEW 77 3 Alphabetical listing of galleries and museums in this issue

Adele Campbell Gallery 56 Cannon Beach Gallery Group 68 Frye Art Museum 62 Alberta Branded 13 Capture Photography Festival 34 Fuller Rosen Gallery 70 Alberta Craft Gallery - Calgary 8 Caroun Art Gallery 24 Gabor Gasztonyi Alberta Craft Gallery - Edmonton 13 Catriona Jeffries 34 Studio & Gallery 22 Alcheringa Gallery 53 Central Island Studio Tour 19 Gage Gallery Arts Collective 55 Allied Arts Centre A 34 Gallery 2 – Grand Forks Art Gallery 19 of Whatcom County 59 Chali-Rosso Art Gallery 34 Gallery 110 62 Amelia Douglas Gallery 22 Chinese Cultural Arbutus Gallery at Centre Museum 34 Gallery 114 71 Coast Capital Savings Library 30 Choboter Fine Art 34 Gallery Gachet 38 arc.hive gallery 53 Circle Craft Gallery 34 Gallery in the Oak Bay Village 55 Arnold Mikelson CityScape Community Gallery Jones 38 Mind & Matter Art Gallery 30 Art Space 24 Geert Maas Sculpture Art Beatus (Vancouver) Clymer Museum and Gallery 59 Gardens and Gallery 20 Consultancy Ltd. 32 Coastal Peoples G. Gibson Gallery 62 Art Gallery Fine Arts Gallery 35 Glenbow 9 at Evergreen Cultural Centre 19 Contemporary Art Gallery 35 Goldmoss 39 Art Gallery of Alberta 14 Contemporary Calgary 8 Greg Kucera Gallery 64 Art Gallery of Greater Victoria 53 Craft Council of BC Gallery 35 Griffin Art Projects 24 Art Gallery of St. Albert 17 Crafted Vancouver 35 grunt gallery 39 Art on the Line Gallery 61 DaVic Gallery Haida Gwaii Museum Arts Off Main Gallery 33 of Native Canadian Arts 19 at Kay Llnagaay 30 ArtStarts Gallery 33 Davidson Galleries 62 Hallie Ford Museum of Art 74 Art Vancouver 33 Daybreak Star Harris Harvey Gallery 64 Art Works Gallery 33 Indian Cultural Center 62 Heffel Fine Art Auction House 39 Audain Art Museum 56 Deer Lake Art Gallery 18 Henry Art Gallery 64 Bainbridge Island Deluge Contemporary Art 53 Herringer Kiss Gallery 9 Museum of Art 58 Douglas Reynolds Gallery 38 hfa contemporary 39 Barbara Boldt DRAW Gallery 25 Original Art Studio 19 Ian Tan Gallery 43 Dr. Sun Yat-Sen Illingworth Kerr Gallery 11 Bau-Xi Gallery 33 Classical Chinese Garden 38 Il Museo, Il Centro 43 Bearclaw Gallery 14 Dundarave Beaty Biodiversity Museum 33 Print Workshop + Gallery 38 Imogen Gallery 68 Bellevue Arts Museum 58 Eagle Spirit Gallery 38 Inuit Gallery of Vancouver 43 Bill Reid Gallery Elissa Cristall Gallery 38 John Harris Gallery 21 of Northwest Coast Art 33 Elizabeth Leach Gallery 70 Jordan Schnitzer Museum of Art 70 Blackfish Gallery 70 Esker Foundation 8 Kamloops Art Gallery 19 Bluerock Gallery 8 Esplanade Art Gallery 17 Blue Sky Gallery 70 Kariton Art Gallery Experiential 30 & Boutique 17 Brian Scott Fine Arts Gallery Federation Gallery 38 Black Creek 18 Kelowna Art Gallery 21 Ferry Building Gallery 56 Brian Scott Fine Arts Gallery Kimoto Gallery 43 Vancouver 34 Flux Media Gallery 53 Kootenay Gallery of Art 18 Buckland Southerst Gallery 55 fortune gallery 54 Lake Country Art Gallery 21 Bugera Matheson Gallery 15 Foss Waterway Seaport 66 Lattimer Gallery 43 Burnaby Art Gallery 18 Foster/White Gallery 62 Leigh Square Community Canmore Art Guild Gallery 12 Founders’ Gallery 9 Arts Village 28

78 APR - MAY 2019 H OPEN LATE ON FIRST THURSDAYS Alphabetical listing of galleries and museums in this issue

Leighton Art Centre 16 Petley Jones Gallery 48 The Polygon Gallery 25 Libby Leshgold Gallery 44 Plaskett Gallery 23 The Reach 18 Linda Hodges Gallery 64 Polaris Gallery 70 Toni Onley Estate 49 Lipont Place 29 Poly Culture Art Center 48 Touchstones Nelson Lookout Gallery 44 Port Angeles Fine Arts Center 62 Museum of Art and History 22 Madrona Gallery 55 Portland Art Museum 72 Traver Gallery 66 Marion Scott Gallery/ Portland State University: TRUCK Contemporary Art 12 Kardosh Projects 44 School of Art + Design Galleries 73 Two Rivers Gallery 29 Mid-Main Art Fair 45 Port Moody Arts Centre 28 Udell Xhibitions Morris and Helen Belkin Prographica / KDR 64 Fine Art Gallery 16 Art Gallery 45 Raven Makes Gallery 74 Ukama Gallery 50 Mountain Galleries at the Richmond Art Gallery 30 Unitarian Church Fairmont Chateau Whistler 56 of Vancouver 50 Roq La Rue Gallery 66 Musée Héritage Museum 17 Uno Langmann Limited 50 Royal Alberta Museum 16 Museum of Anthropology UVic Legacy Art Galleries 55 Russo Lee Gallery 74 at UBC 45 Vancouver Art Gallery 50 Salmon Arm Arts Centre 30 Museum of Glass 67 Vancouver Museum of History Schack Art Center 61 Maritime Museum 50 & Industry 64 Scott Gallery 16 Vernon Public Art Gallery 52 Museum of Northern BC 29 Seattle Art Museum 66 VISUALSPACE Gallery 50 Museum of Northwest Art 61 S’eliyemetaxwtexw WaterWorks Gallery 61 Art Gallery 17 Museum of Vancouver 46 Western Gallery Nanaimo Art Gallery 22 Seymour Art Gallery 24 & Sculpture Collection 59 Nanaimo Museum 22 SFU Galleries 48 West of Main Art Walk 52 New Media Gallery 23 Shift Gallery 66 West Vancouver Art Museum 56 New West Artists Gallery 23 Sidney and Gertrude Zack Gallery 48 Whatcom Museum 59 Newzones 11 Silk Purse Arts Centre 56 White Bird Gallery 70 Nickle Galleries 12 Sisters Arts Association 74 White Rock Gallery 58 Nisga’a Museum 21 Skwachàys Lodge Aboriginal Hotel Whyte Museum and Gallery 48 Northwest By Northwest of the Canadian Rockies 8 Gallery 68 Southern Alberta Art Gallery 16 Winchester Galleries 55 Northwest Museum South Main Gallery 48 Xchanges Gallery of Arts & Culture 66 Spirit Wrestler Gallery 49 and Studios 55 O’Connor Group Art Gallery 18 Station House Gallery 58 Z Gallery Arts 52 Okanagan Art Gallery 25 SUM gallery 49 Open Space Arts Society 55 Surrey Art Gallery 30 Oregon Jewish Museum Tacoma Art Museum 67 and Center for Holocaust Education 72 The ACT Art Gallery 21 Oxygen Art Centre 22 The Art Emporium 49 Pacific Arts Market 47 The Collectors’ Gallery of Art 12 Parker Art Salon 47 The Front Gallery 16 Parker Projects 47 The Gallery at Queen’s Park 24 Pendulum Gallery 47 The Gallery at The Cultch 49 Penticton Art Gallery 25 The New Gallery (TNG) 12 Peter Robertson Gallery 15 The Old School House Arts Centre 29 preview-art.com PREVIEW 79 S T E V E N N E D E R V E E N

M A Y 4 - 1 8, 2 0 1 9

B A U - X I G A L L E R Y

3045 GRANVILLE STREET VANCOUVER BC V6H 3J9 TEL: 604 733 7011 EXHIBITION ONLINE AT WWW.BAU-XI.COM Crescendo, mixed media on panel, 36 x 36 inches

80 APR - MAY 2019 H OPEN LATE ON FIRST THURSDAYS