All My Sons by Arthur Miller Directed by Seth Gordon
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Photographers Women
WOMEN PHOTOGRAPHERS WOMEN BORIS FRIEDEWALD PHOTOGRAPHERS From Julia Margaret Cameron to Cindy Sherman PRESTEL Munich · London · New York In a profession like this it is both an advantage and a dis- advantage to be a woman … From time to time, I have been able to take photos where my male colleagues had failed … Not many women work as photo reporters, a profession that requires absolute health, patience, and curiosity, as well as an open approach, skill, and courage in completely unex - p ec ted situations: all qualities that women possess. Gisèle Freund, 1977 Contents 006 | Introduction 078 | Lady Clementina Hawarden 166 | Sarah Moon 082 | Florence Henri 170 | Inge Morath 086 | Candida Höfer 174 | Zanele Muholi 008 | Berenice Abbott 090 | Evelyn Hofer 178 | Madame d’Ora 012 | Eve Arnold 094 | Graciela Iturbide 182 | Bettina Rheims 016 | Anna Atkins 098 | Lotte Jacobi 186 | Viviane Sassen 020 | Ellen Auerbach 102 | Gertrude Käsebier 190 | Shirana Shahbazi 024 | Jessica Backhaus 108 | Rinko Kawauchi 194 | Cindy Sherman 028 | Tina Barney 112 | Herlinde Koelbl 198 | Dayanita Singh 034 | Lillian Bassman 118 | Germaine Krull 202 | Rosalind Solomon 038 | Sibylle Bergemann 122 | Dorothea Lange 206 | Grete Stern 042 | Margaret Bourke-White 126 | An-My Lê 210 | Ellen von Unwerth 046 | Claude Cahun 130 | Helen Levitt 214 | JoAnn Verburg 050 | Julia Margaret Cameron 134 | Vera Lutter 218 | Carrie Mae Weems 054 | Imogen Cunningham 138 | Vivian Maier 222 | Francesca Woodman 058 | Rineke Dijkstra 142 | Sally Mann 226 | Madame Yevonde 060 | Trude Fleischmann 146 | Hellen van Meene 064 | Martine Franck 150 | Susan Meiselas 068 | Gisèle Freund 154 | Lee Miller 231 | List of Images 070 | Nan Goldin 158 | Lisette Model 237 | Selected Literature 074 | Jitka Hanzlová 162 | Tina Modotti 240 | Imprint Introduction A woman. -
Program from the Production
STC Board of Trustees Board of Trustees Stephen A. Hopkins Emeritus Trustees Michael R. Klein, Chair Lawrence A. Hough R. Robert Linowes*, Robert E. Falb, Vice Chair W. Mike House Founding Chairman John Hill, Treasurer Jerry J. Jasinowski James B. Adler Pauline Schneider, Secretary Norman D. Jemal Heidi L. Berry* Michael Kahn, Artistic Director Scott Kaufmann David A. Brody* Kevin Kolevar Melvin S. Cohen* Trustees Abbe D. Lowell Ralph P. Davidson Nicholas W. Allard Bernard F. McKay James F. Fitzpatrick Ashley M. Allen Eleanor Merrill Dr. Sidney Harman* Stephen E. Allis Melissa A. Moss Lady Manning Anita M. Antenucci Robert S. Osborne Kathleen Matthews Jeffrey D. Bauman Stephen M. Ryan William F. McSweeny Afsaneh Beschloss K. Stuart Shea V. Sue Molina William C. Bodie George P. Stamas Walter Pincus Landon Butler Lady Westmacott Eden Rafshoon Dr. Paul Carter Rob Wilder Emily Malino Scheuer* Chelsea Clinton Suzanne S. Youngkin Lady Sheinwald Dr. Mark Epstein Mrs. Louis Sullivan Andrew C. Florance Ex-Officio Daniel W. Toohey Dr. Natwar Gandhi Chris Jennings, Sarah Valente Miles Gilburne Managing Director Lady Wright Barbara Harman John R. Hauge * Deceased 3 Dear Friend, Table of Contents I am often asked to choose my favorite Shakespeare play, and Henry IV, Parts 1 and 2 Title Page 5 it is very easy for me to answer immediately Henry IV, Parts 1 The Play of History and 2. In my opinion, there is by Drew Lichtenberg 6 no other play in the English Synopsis: Henry IV, Part 1 9 language which so completely captures the complexity and Synopsis: Henry IV, Part 2 10 diversity of an entire world. -
Erich Hartmann " Erich Hartmann, the Poetry of Daily Life " March 21 - May 4Th 2019
Catherine & André Hug present : Carte blanche à CLAIRbyKahnGallery Erich Hartmann " Erich Hartmann, the Poetry of Daily Life " March 21 - May 4th 2019 Galerie Catherine et André Hug 40, rue de Seine / 2, rue de l’Échaudé 75006 Paris www.galeriehug.com Mardi au samedi : 11h à 13h et 14h30 à 19h The Kiss,©ErichHartmann/MagnumPhotos/CLAIRbyKahn The Erich Hartmann, The Poetry of Daily Life exhibition emerged from a chance meeting and an immediate enchantment. The meeting was between Anna-Patricia Kahn, who is the director of CLAIRbyKahn, and Catherine and André Hug, who are the renowned owners of their eponymous gallery in Paris. And the enchantment took place the instant Catherine and André were shown the Erich Hartmann oeuvre. Then and there, they decided to give a "carte blanche" for a Hartmann show to CLAIRbyKahn, the gallery which represents the photographer’s archives. Hartmann (b. 1922 in Munich, d. 1999 in New York) is celebrated for the subtle, mysterious poetry that emanates from his photography, the play of shadow and light that is captivating yet respectful. He embraced places, objects, and people with his camera, never unsettling the moment, always capturing it in a way that allowed it to be rediscovered. The Poetry of Daily Life exhibition features 27 images by Hartmann that magnify the glory of the ordinary and the dignity of the routine. The photographs on display are all vintage prints that have the unique quality of being developed by Hartmann’s own hand. This will be a momentous year for the Erich Hartmann archives as there will also be two major museum exhibitions consecrated to the legendary photographer: in Bale, Switzerland from February to July 2019 as part of a collective exhibition Isrealities; and then in November 2019, his Irish portfolio will be exhibited at the National Gallery of Ireland in Dublin. -
INGE MORATH La Vita. La Fotografia
MILANO - MUSEO DIOCESANO CARLO MARIA MARTINI 19 GIUGNO – 1° NOVEMBRE 2020 INGE MORATH La vita. La fotografia 150 immagini e documenti originali ricostruiscono la vicenda umana e professionale della fotografa austriaca, prima donna a entrare nell’agenzia Magnum Photos. Dal 19 giugno al 1° novembre 2020, il Museo Diocesano Carlo Maria Martini di Milano ospita una retrospettiva dedicata alla fotografa austriaca Inge Morath (Graz, 1923 – New York, 2002), la prima donna a essere accolta nell’agenzia Magnum Photos. L’iniziativa è parte dei palinsesti culturali Aria di Cultura e I talenti delle donne, promossi e coordinati dal Comune di Milano. Attraverso 150 immagini e documenti originali, l’esposizione, curata da Brigitte Blüml – Kaindl, Kurt Kaindl, e Marco Minuz, col supporto del Forum austriaco della cultura, col sostegno di Rinascente, media partner IGP Decaux, ripercorre il cammino umano e professionale di Inge Morath, dagli esordi al fianco di Ernst Haas ed Henri Cartier-Bresson fino alla collaborazione con prestigiose riviste quali Picture Post, LIFE, Paris Match, Saturday Evening Post e Vogue, attraverso i suoi principali reportage di viaggio, che preparava con cura maniacale, studiando la lingua, le tradizioni e la cultura di ogni paese dove si recava, fossero essi l’Italia, la Spagna, l’Iran, la Russia, la Cina, al punto che il marito, il celebre drammaturgo Arthur Miller, ebbe a ricordare che “Non appena vede una valigia, Inge comincia a prepararla”. Il percorso espositivo dà conto di questa sua inclinazione, presentando alcuni dei suoi reportage più famosi, come quello realizzato a Venezia nel 1953, con immagini colte in luoghi meno frequentati e nei quartieri popolari della città lagunare, che sposano la tradizione fotografica dell’agenzia Magnum di ritrarre persone nella loro quotidianità. -
Portrayal of Married Women Arthur Miller's All My Sons and Death of A
IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 20, Issue 9, Ver. III (Sep. 2015), PP 35-38 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org Portrayal of Married Women Arthur Miller’s All My Sons and Death of a Salesman 1P.Ananthan, 2Dr. K.Balachandran, Ph.D...(External)Research scholar,Bharathiyar University. Research Supervisor. 1Assistant Professor Dept. of English Pachaiyappa’s College for Men Kanchipuram Tamilnadu-631501 2Research Supervisor Dept. of English Abstract: Arthur Miller (1915-2005) is an important American playwright where work occupies a significant place in the tradition of American literature. He has rich experience about life of the common man in America which get reflected in his plays. All My Sons (1947) and Death of Salesman (1949) reflected about married women in American society. In his early plays, by depicting major women characters like Kate Keller and Linda Loman as both wives and mothers according to the social condition and dominant cultural value. Miller exposes their bitterness and frustration in the traditional gender would by depicting them both victims and victimizer under the particular society. This paper attempts to study the portrayal of married women in Miller’s contemporary American society. Kate Keller is a busy housewife. She asked her husband “will you do me a favour Joe? Don’t be helpful.” Linda Loman is Willy Loman’s wife who loves him, despite all his difficulties. Thus Miller presents the role of married women in family as well as in society I. Introduction: Arthur Miller first Broadway hit All My Sons (1947) and masterpieces Death of a Salesman (1949) are his early plays of the contemporary American society. -
FINISHING the PICTURE by Arthur Miller
Press Information ! ! ! VIBRANT NEW WRITING | UNIQUE REDISCOVERIES June–August Season 2018 The UK premiere of Arthur Miller’s final play FINISHING THE PICTURE by Arthur Miller. Directed by Phil Willmott. Set Design by Isabella Van Braeckel. Costume Design by Penn O’Gara. Lighting Design by Rachel Sampley. Sound Design by Nicola Chang. Presented by Nastazja Somers for The Phil Willmott Company in association with the Finborough Theatre. Cast: Patrick Bailey. Stephen Billington. Jeremy Drakes. Nicky Goldie. Rachel Handshaw. Oliver Le Sueur. Tony Wredden. "She is frightened and resentful and angry – and we’ve got about half an hour to cure all three.” Following his critically acclaimed, up-close reinvention of Arthur Miller’s Incident at Vichy and sell-out revival of The American Clock, multi-award-winning director Phil Willmott brings the intense focus of the intimate Finborough Theatre to bear on Miller’s final work, Finishing The Picture, opening for a four week limited season on Tuesday, 12 June 2018 (Press Nights: Thursday, 14 June 2018 and Friday, 15 June 2018 at 7.30pm.) As the women of today’s Hollywood campaign for dignity and equality, Finishing the Picture is a razor sharp psychological study of an abused, misunderstood female star and the havoc her unpredictability brings to a film set in 1961. Inspired by the filming of The Misfits, the screenplay Miller wrote for his then wife, Marilyn Monroe, and focused on the bemused and exasperated director, screen writer, producer, acting coaches and crew that closely mirror the real life production team of The Misfits – and whilst leading lady Kitty shares many characteristics with Monroe herself, Finishing the Picture – Arthur Miller’s very final play – is a devastating indictment of how a male-dominated movie industry inadvertently destroyed a vulnerable young woman, even as they transformed her into a screen goddess, and how they were unable to deal with the wreckage they caused. -
Conrad Von Hötzendorf and the “Smoking Gun”: a Biographical Examination of Responsibility and Traditions of Violence Against Civilians in the Habsburg Army 55
1914: Austria-Hungary, the Origins, and the First Year of World War I Günter Bischof, Ferdinand Karlhofer (Eds.) Samuel R. Williamson, Jr. (Guest Editor) CONTEMPORARY AUSTRIAN STUDIES | VOLUME 23 uno press innsbruck university press Copyright © 2014 by University of New Orleans Press, New Orleans, Louisiana, USA All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be reproduced or transmitted in any form, or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without prior permission in writing from the publisher. All inquiries should be addressed to UNO Press, University of New Orleans, LA 138, 2000 Lakeshore Drive. New Orleans, LA, 70119, USA. www.unopress.org. Printed in the United States of America Design by Allison Reu Cover photo: “In enemy position on the Piave levy” (Italy), June 18, 1918 WK1/ALB079/23142, Photo Kriegsvermessung 5, K.u.k. Kriegspressequartier, Lichtbildstelle Vienna Cover photo used with permission from the Austrian National Library – Picture Archives and Graphics Department, Vienna Published in the United States by Published and distributed in Europe University of New Orleans Press by Innsbruck University Press ISBN: 9781608010264 ISBN: 9783902936356 uno press Contemporary Austrian Studies Sponsored by the University of New Orleans and Universität Innsbruck Editors Günter Bischof, CenterAustria, University of New Orleans Ferdinand Karlhofer, Universität Innsbruck Assistant Editor Markus Habermann -
Announcing a VIEW from the BRIDGE
FOR IMMEDIATE RELEASE, PLEASE “One of the most powerful productions of a Miller play I have ever seen. By the end you feel both emotionally drained and unexpectedly elated — the classic hallmark of a great production.” - The Daily Telegraph “To say visionary director Ivo van Hove’s production is the best show in the West End is like saying Stonehenge is the current best rock arrangement in Wiltshire; it almost feels silly to compare this pure, primal, colossal thing with anything else on the West End. A guileless granite pillar of muscle and instinct, Mark Strong’s stupendous Eddie is a force of nature.” - Time Out “Intense and adventurous. One of the great theatrical productions of the decade.” -The London Times DIRECT FROM TWO SOLD-OUT ENGAGEMENTS IN LONDON YOUNG VIC’S OLIVIER AWARD-WINNING PRODUCTION OF ARTHUR MILLER’S “A VIEW FROM THE BRIDGE” Directed by IVO VAN HOVE STARRING MARK STRONG, NICOLA WALKER, PHOEBE FOX, EMUN ELLIOTT, MICHAEL GOULD IS COMING TO BROADWAY THIS FALL PREVIEWS BEGIN WEDNESDAY EVENING, OCTOBER 21 OPENING NIGHT IS THURSDAY, NOVEMBER 12 AT THE LYCEUM THEATRE Direct from two completely sold-out engagements in London, producers Scott Rudin and Lincoln Center Theater will bring the Young Vic’s critically-acclaimed production of Arthur Miller’s A VIEW FROM THE BRIDGE to Broadway this fall. The production, which swept the 2015 Olivier Awards — winning for Best Revival, Best Director, and Best Actor (Mark Strong) —will begin previews Wednesday evening, October 21 and open on Thursday, November 12 at the Lyceum Theatre, 149 West 45 Street. -
The Crucible
Political Issues A Playgoer’s Guide to Several works written by Arthur Miller dealt with political issues. For example, Death of a Salesman dealt with the American ideal of capitalism and power. In the case of The Crucible, to quote Arthur Miller, it was THE CRUCIBLE written with the intent “to use the Salem witch trials as a metaphor for by Arthur Miller McCarthyism.” The definition of McCarthyism is "the practice of publicizing accusations of political disloyalty or subversion with The Author insufficient regard to evidence.” During the 1950s, the United States cracked down on communists, potential communists, or supporters of Arthur Miller was born on October 17, 1915 in New York City. He has Communism. Similar in many ways to the witch trials of 1692, many enriched the Broadway stage for several decades and has made a reputation Americans were accused of being supportive to the communist party. The for dealing with contemporary, political, and moral issues. Miller began “Red Hunt,” as it were, was led by the House Committee on Un-American writing plays while attending the University of Michigan, where several of Activities and by Senator Joseph R. McCarthy. his dramatic efforts were rewarded with prizes. Miller was married three times in his life, first to Mary Grace Slattery, his high school sweetheart, “The ultimate terror of our lives should be faced,” Miller once said, secondly to Marilyn Monroe, and then to Ingeborg Morath. “namely our own sadism, our own ability to obey orders from above, our own fear of standing firm on humane principle against the obscene power Miller wrote 25 plays in the course of his life. -
All My Sons As Precursor in Arthur Miller's Dramatic World
All My Sons as Precursor in Arthur Miller’s Dramatic World Masahiro OIKAWA※ Abstract Since its first production in 1947, Arthur Miller’s All My Sons has been performed and appreciated worldwide. In academic studies on Miller, it secures an important place as a precursor, because it has encompassed such themes as father-son conflict, pursuit of success dream in the form of a traditional tragedy as well as a family and a social play. As for techniques, to begin with, the Ibsenite method of dramatization of the present critical situation and presentation of the past “with sentimentality” are obvious. Secondly, the biblical tale of Cain and Abel from the Old Testament allows the play to disguise itself as a modern morality play on “brotherly love.” Thirdly, Oedipus’s murder of his father in Oedipus Rex is used symbolically to place the play in the Western tradition of drama. Taking all these major themes and techniques into account, the paper argues that the play is dramatizing the universal, and that by looking at the conflict between father and son, we can understand why Miller’s message in All My Sons is significant for Japanese andiences. I. Introducion Most of the reviews appearing in the major newspapers and magazines on All My Sons (1947) were rather favorable, which is quite understandable considering that the play vividly depicts the psychological aspects of the United States during and immediately after the Second World War in a realistic setting. In fact, it is impossible to understand the problems Joe and Chris Keller, the father and the son, get involved in without the background of the war. -
Arthur Miller's Contentious Dialogue with America
Louise Callinan Revered Abroad, Abused at Home: Arthur Miller’s contentious dialogue with America A thesis submitted in fulfilment of the requirement for the degree of Doctor of Philosophy at St Patrick’s College, Dublin City University Supervisor: Auxiliary Supervisor: Dr Brenn a Clarke Dr Noreen Doody Dept of English Dept of English St Patrick’s College St Patrick’s College Drumcondra Drumcondra May 2010 I hereby certify that this material, which I now submit for assessment on the programme of study leading to the award of PhD is entirely my own work and has not been taken from the work of others save and to the extent that such work has-been cited and acknowledged within the text of my work. Signed: Qoli |i/U i/|______________ ID No.: 55103316 Date: May 2010 ACKNOWLEDGEMENTS I am forever indebted to Dr. Brenna Clarke for her ‘3-D’ vision, and all that she has so graciously taught me. A veritable fountain of knowledge, encouragement, and patient support, she- has-been a formative force to me, and will remain a true inspiration. Thank you appears paltry, yet it is deeply meant and intended as an expression of my profound gratitude. A sincere and heartfelt thank you is also extended to Dr. Noreen Doody for her significant contribution and generosity of time and spirit. Thank you also to Dr. Mary Shine Thompson, and the Research Office. A special note to Sharon, for her encyclopaedic knowledge and ‘inside track’ in negotiating the research minefield. This thesis is an acknowledgement of the efforts of my family, and in particular the constant support of my parents. -
STACY KEACH RETURNS to WASHINGTON to STAR in King Lear at SHAKESPEARE THEATRE COMPANY JUNE 16-JULY 19
We’re going green! Over the next few months, STC will be transitioning to electronic distribution for all press releases. We don’t want lose contact with you! Please provide us with your email address so that we can continue to send our press releases to you. For Immediate Release Media Contact: Amy Scott-Douglass May 22, 2009 202.547.3230 ext. 2312 [email protected] STACY KEACH RETURNS TO WASHINGTON TO STAR IN King Lear AT SHAKESPEARE THEATRE COMPANY JUNE 16-JULY 19 Remount of Critically-Acclaimed Production by Tony Award-winning Director Robert Falls WASHINGTON, D.C.— Two theatre greats—actor Stacy Keach and director Robert Falls—have teamed up to bring one of the most powerful dramas in Western literature to the Shakespeare Theatre Company. Keach will star in Falls’ remount of his critically-acclaimed production of King Lear at Sidney Harman Hall (610 F Street NW) from June 16 to July 19, 2009. Tony Award-winning director Falls’ provocative, graphic production captures both the stark violence and the devastating passion of Shakespeare's masterpiece. Seeking to place King Lear in “a very specific time and place,” Falls chose war-torn 1990s Yugoslavia as the setting. “I wanted to challenge myself,” says Falls, “into thinking about theatre and about life in a more immediate, contemporary, daring way.” When the production premiered at Chicago’s Goodman Theatre in 2006, The Chicago Tribune called it “a colossal, eye-popping operatic production,” and The New York Times proclaimed it one of the best productions of 2006. “It’s the production I’m most proud of in my career,” says Falls, “so I’m thrilled to be doing it at the Shakespeare Theatre Company.” Fresh off his Helen Hayes Award-winning performance in Frost-Nixon, Stacy Keach returns to STC to star as the tempestuous patriarch.