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Cambridge University Press 978-0-521-86309-4 - Recorded Music: Performance, Culture and Technology Edited by Amanda Bayley Index More information Index Abbey Road Studios 93 analysis 24, 26–27, 278, 286, 288 acculturation see world music of performance, 7, 9, 149–58, 168–9, 221, 228 acousmatics 111, 274–5, 276–7; see also of popular song 230–45, 257–63, 308–9; Schaeffer, Pierre sound-box model 258–9, 261 Acoustical Society of America (ASA) 90 social 68, 69–71 acoustics 289; see also performance space of texture 258, 309 ‘A Day in the Life’ (John Lennon) of timbre 225–45, 256, 257–9 255, 264 of vibrato 26 Adderley, Cannonball 97 Ancora (II Divo) 54 ‘Adia’ (Sarah McLachlan) 72 Ano! (Brathanki) 54 Adorno, Theodor W. 3, 28, 44, 47, 78, Anonymous 4 (vocal ensemble) 74 81–2, 169 anthropology 211–12, 217 advertising 6, 47, 65n.1, 72, 112, 120, 255–6 application of, 211–12 AEG/Telefunken 92; see also technology Anywhere But Here (film) 71 aesthetics, 37, 45, 100, 289, 307; see also Apple Computer Inc. see computer; technology recording and aesthetics; recording Apple, Fiona 71 as illusion Arctic Monkeys, The 52 of jazz 148–9, 153, 157–60 Arhoolie record label 112 of popular music 307–8 Armstrong, Louis 61 of rock and roll 310, 319 Arom, Simha 98 Afghan music 115–17 Arona (Senegalese drummer) 118 African music 99, 118, 199 Arrieu, Claude 273 African Music (journal) 114 Asch, Moses 112–13 African Music Society 114 Atlantic Studios 93, 94 African Sanctus (David Fanshaw) 99 Attali, Jacques 44, 65 Afrikaa Bambaataa 299 audience feedback 6, 40–1, 45,
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