Hong Kong Studies Blueprint Cor1 6Dec2018
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Hong Kong Studies, Vol. 1, No. 1 (Spring 2018), 41–50 !ҽيЎϯޑᙌ ˇˇፕΐΎࡕ३ෝ၃тύޑЎϯᙌ! Copyrighted Material of The Chinese University PressֺηԢ | All Rights! Reserved ᄔा! ࡋٰᔠᡍ၃فޑ၃ᄺᙌբࠔǴவЎϯᙌޑҁЎӣ៝ΐΎӣᘜࡕ३ෝ၃т ޑߥЎϯ܄όёޑᜢ߯ǶЎϯᙌၸำύޑҽϐ໔يᙌჴ፬ᆶЎϯޑт ЎϯᙌٰևӚᅿЎϯ፦ǴԶԖཀӦЬ൨ޣӸࢲǶҁЎࡰр३ෝ ፦ޑόࢂӧӦӧȐࡕȑ҇၉ᇟύஒѬॺၳॐрٰǶ೭٤३ෝЎϯ يЎϯޑԖȨύ໔ȩǵȨၸȩǵȨၠຫȩᗺǴѬॺӅӕᄬԋΑᅿᙌ ҽǶ! !ЎϯౣᇥଆޑǺவᔈჹȨӣᘜȩขቾقЇ ӧȨ३ෝӣᘜȩΒΜຼԃϐሞǴ३ෝൔтӚᅿȨӣᘜȩᚒҌᔲǶӧ ҽϐيᙌᆶЎϯޑԜᇟნύቪጇፕЎǴȨӣᘜȩࡕ३ෝ၃тύ ཀགྷǶޑЎϯೀნךᜐጔٰ࣪ᢀԾޑᜢ߯Ǵ҂խԖவ၉ᇟᜐጔύޑ໔ ယ፵Ȑচکȑ໋ޚԜǴό֫Ӄᙁाӣ៝३ෝЎϯΓΨථȐচӜఉ ३ෝЎϯဦٰᢀྣȨӣᘜȩܭӜယቺ፵ȑӵՖࣁȠϞϺȡᚇᇞጓᒠᜢ ࡕޑขቾǶΜԃǴယ፵ࣁȠϞϺȡᚇᇞጓᒠȨ३ෝΜԃဦȩǴନ ȨӣᘜȩᚒѦǴᗋࡰрፋፕԜ٣ޑຑਔӕኬҌᔲץύقΑӧဦ ϿόΑӧᇟ༼ቫय़พࡘໆǺȨᒧόӕޑᇟ༼܈Ӝᆀόࢂ ҽǵيୢᚒǴΨόࢂཀᄊୢᚒǴεཷΨόёᗉխӦੋϷЎϯقᇟ ޑۓȥ। 1ȑǶယ፵ࣁᒠᔕقׇӈୢᚒȩȐယǴȤکѐӛޑғࢲᄊࡋ ǻдௗګ၉ᇟޑᑽȨӣᘜȩלᚒҞ٠ؒԖȨӣᘜȩΒӷǴՖόࢂᅿ ȨчགྷႽȩǴᇡࣁѬ٬३ෝ़ғΑȨᅿؒݤޑᚎᏳΐΎࡕΜԃ໔ ขቾȩޑ܌ޕሽॶྗǵฅόޑךǵΨؒݤ൨ӣԾךԾޑВܯ൨ӣ ҽǴΞيЎϯޑВܯ܈ȩǴךԾޑВܯȥ। 3ȑǶٗሶȨقȐယǴȤ ॺӆॹךҽǻᡣيЎϯޑፕॊ३ෝٰقᇥǴӵՖ೯ၸᇟޣ܈ǻګࢂϙሶ ӣΒΜΒԃޑȨӣᘜȩδǴύ୯εഌޑȨӣᘜȩፕॊటஒ३ෝЎϯ યΕԋࣁύ୯ЎϯޑϩǴੇѦЎϯຑፕৎΨᑃΘᓅᓅྗഢӛ୯ሞޗ ၉ᇟޑШࣚȩܫȨکύ୯ȩܫፕॊҭӧȨޑᖱॊ३ෝǶ३ෝҁӦ ز३ෝЎϯࣴܭᇟნΠǴΨථቪрΑጇჹޑϐ໔ЌǶӧԜϣኁѦ ࡺ٣Ǻࣁϙሶ೭ሶᜤᇥǻȥǴύ൩ፋޑፕЎǴȤ३ෝޑΜϩख़ाقԶ ܌ᖂॣکдᢀᗺځᇥݤࢂӭሶܰکགྷݤޑॺךΑ೭ቫขቾǺȨډ ߟտȩȐΨථǴȤࡺ٣ȥ। 29ȑǶ ӕԃΨථࣁȠϞϺȡᚇᇞጓᒠΑȨ३ෝЎϯᒠȩǴவЎᏢўǵЎ ୢᚒǶޑҽيϯፕǵႝቹǵቶǵࢬՉЎϯӭБय़ٰ३ෝЎϯ ࡰрǴȨ٠܌३ෝᒠਔঁٿȠϞϺȡᚇᇞزԜύขቾǴ҅ӵഋඵቺࣴ ޑᡏຝ [ǾǾ] ೭όࢂঁձΓܭᓸǴԶࢂԖག܈ബڙޑΓঁܭόྍ 42 宋子江 ЎϯขቾȩȐഋǴȤขቾȥ। 76ȑǶ1 Ψථ٠όޑᡏܭขቾǴԶᔈឦ ୢᚒǴޑБݤፕωࢂനॐϪޑፕǴϸԶᇡࣁ३ෝፕॊۓ܈ကۓΠҺՖܭ࡚ ǵޑӭϡפှᆶϸ࣪ǴаϷ൨ޑӧाගрᅿȨჹ۶ԜȬόӕȭۺ ҥӦᖱ३ෝЎϯǴԶࢂགྷ೯ၸ३ې[ኳԄ [ǾǾ] ό[ӆޑ೭٤ှܭԖշ ፦ǵϸ࣪ୢᚒȩȐΨථǴ܄ۓӕ౦ǴѐϟޑᅿᅿፄᚇޑдӦБЎϯځෝᆶ Copyrighted Material of The Chinese ࡺ٣Ǻࣁϙሶ೭ሶᜤޑᔈΑдӧȤ३ෝڥȥ। Rights Reserved71ȑǶ೭ᅿፕፓقUniversity Press | AllȤЇ ԛნǺȨ֚ޑඔॊǴ३ෝፕॊѸฅഐΕᅿᕉ۳ൺޑᇥǻȥύᆒ៘ ࡺޑӦБޑԛᇥձࡺ٣ǹޑӦБޑձܭࡺ٣Ǵ่݀ᕴᡂԋᜢޑᇥ३ෝ ࡺ٣ȩȐΨථǴȤࡺ٣ȥ। 11ȑǶ३ෝЎϯΓѝޑ٣Ǵ่݀Ξᡂԋ३ෝ хܫҽǴа໒يЎϯޑךዲǴωԖёૈᒣԾکௗޣԖ೯ၸᆶд Ўϯৡ౦Ƕ೭ࢂᅿ࣬ௗ߈Ўϯᙌޑᄊࡋٰ࣮ࡑԜၸำсᡉрٰޑ БݤፕǶޑȐcultural translationȑ ংԯЃЃȐHomi BhabhaȑᇡࣁǺȨᙌࢂЎϯҬሞޑॊՉҁ፦ȩ ϐ໔قȐBhabha, Location 228ȑǶᙌӧԜཀက٠ߚЎҁӧόӕᇟ ዲࢂѬॺکǶӧдٰ࣮ǴЎϯௗيၸำҁޑᙯඤǴԶࢂЎϯՉࣁޑ ⫪ᚇޑၸำȐhybridizationȑǴܭࢂ⫪ᚇȐhybridityȑߡԋࣁᅿಃΟ ޜ໔ȐThe Third SpaceȑǶ೭ঁᗦേޑޜ໔ᡣ⫪ᚇύޑЎϯ౽Ӛ לࡹݯЬᏤΚໆǴ٬ࡹݯکΚࢎᄬޑ໔ϣཥޜᐕўǴӧ೭ঁޑԾ ϯǴཱུٿॺёаᗉ໒ࡹݯך໔ǴޜᑽԋࣁёૈǴӢԜȨ೯ၸಃΟ ໔ਔǴፋޜȩȐBhabha, Location 39ȑǶ2 дှញಃΟޣдޑךࣁԾي ൞ϟǴ೯ၸᇡӕ࠼ᡏޑᇡӕຝǺЬᡏբࣁ೭ঁၸำޑΑЎϯ⫪ᚇύډ ёȐBhabha, “Space” 211ȑǶԜѦǴߠԯЃЃٿ⋃ǴԶᡂளኳ܄ޣдޑ ᗋճҔдനख़ाޑፕၗྍǴҁܴȐWalter BenjaminȑޑȤޣϐᙍȥ ቫय़ǶޑЎϯӸࢲډȐ“The Task of the Translator”ȑǴஒЎϯᙌගϲ ᑽϡનǴΨࢂᙌόёלޑЎϯৡ౦Ǵӧҁٰܴ࣮Ǵ൩ࢂᙌၸำύ ȐuntranslatibilityȑǶฅԶǴ೭ᅿό܄όёޑ⸣ज़ǴҭջЎϯޑ،ှ ϐǴЎϯाӧᜐࣚقӸࢲȐsurvivalȑǶ3 ඤޑࠅૈߥЎϯ܄ё ၸำύޑǴӧ⫪ᚇ܄όёޑךӸࢲΠѐǴёа೯ၸЎϯᙌٰჴԾ ҽȐtrans-cultural identityȑǶيၠЎϯޑךсᡉԾ ೯ၸӣ៝೭ϩЎϯᙌፕǴ൩όᜤܴқӣᘜδவ३ෝЎᏢΏ ЎϯౣǶޑڗᡏขቾǴаϷΨථࣁᔈჹԜขቾԶ௦ޑԿ३ෝЎϯੌ ΐΎࡕ३ෝ၃тύޑ၃ᄺᙌǴբࣁᅿЎϯຝǴεᡏёаӧ೭ᅿ ֎ȡȐ1996–2001ȑǵڥ၃тхࡴȠޑኳԄΠှǶҁЎӣ៝ޑЎϯᙌ ޑЎϯขቾȩբрΑ၁ᅰᆒ៘ޑȨȬӣᘜȭޑ३ෝᒠࢬ៛рٰঁٿഋඵቺჹ೭ 1 ЎϯޑڗΠЎᒣΨථ௦ܭࡋفޑவЎϯፕӧԜ୷ᘵӆޣϩǴ ౣǶ ӧҁЎύЬޣBhabha, The Location of Culture 31–39Ƕ ـᚇ⫪ፕǴ၁ޑЃЃ 2 วචǴޑឍॊѬӧЎϯᙌፕኳԄǴޑຎࣁᅿှЎϯॊՉځाࢂஒ ࡕ҇ೀნǶޑҔϩ३ෝځ٠คཀஒ मЎᙌࢂ afterlifeǴၸቺٚၲޑـҁܴቺЎচЎࣁ ÜberlebenǴа۳Кၨத 3 ـឍញࡕǴमЎӭ௦Ҕ survival ٰᙌԜፕຒ༼ǴޑȐJacques Derridaȑ ᙌ survival ჴࣁԖޑBenjamin, One-way Street 31ǶߠԯЃЃݮҔቺٚၲቹៜΠ Bhabha, Location 226–27Ƕ ـҠǴܫޑ 翻譯的文化身份──論九七後香港詩刊中的文化翻譯 43 Ƞ၃ዊȡȐ2001–2003ȑǵȠ၃ᆛ๎ȡȐ2002–2006ȑǵȠࣿᑻȡൺࢲ тȐ2003–2010ȑǵȠᖂᜩ၃тȡȐ2011–ȑǴ4 ନΑᙁाፕॊ၃тޑރ ࡋٰᔠᡍ၃тفޑ၃ᄺᙌϐѦǴᗋவЎϯᙌޑݩаϷᛥӈѬॺтฦ ᜢ߯Ƕޑҽϐ໔يᙌჴ፬ᆶЎϯޑ Copyrighted Material of The Chinese University Pressӣ |៝ΐΎࡕ३ෝ၃тύޑ၃ᄺᙌ All Rights Reserved ! ǵኵ๓ک֎ȡȐ1996–2001ȑ၃тࢂҗഋඵቺȐӜഋྐȑǵЦؼڥȠ ԿޔයǴٿԿހԃрԃബᒤǴ 1996 ܭǵቅԋΜѤՏ၃Γ ֎ȡҥȨᙌ၃।ȩឯҞǴڥΑΎයǶȠހԃಖтǴӅр 2001 ਥᏵঁޣᜪǺȐȑٿය୲тฦ၃ᄺᙌǶ೭ϩᙌёаϩࣁ मऍ၃Γ Frank O’HaraǵMarkޑӵᔾฅᙌٯբࠔǴޑΓ഻ӳԶᙌ ӵٯλᒠǴޑStrandǵPhilip Larkin ǹȐΒȑ၃ᄺࢲԶጓԋ ֎ȡ1997 ԃಃ 3 යтฦΑϩᆶڥ३ෝ୯ሞ၃ᄺϐࡕǴȠޑԃ 1997 Kofi ک բࠔǴхࡴ Remco Campert ǵ Breyten Breytenbethޑ၃Γ AwoonorǴЬाޑޣϝࢂᔾฅǶ5 2001 ԃ 1 ДǴȠ၃ዊȡബтǶȠ၃ዊȡӧ 2001 ԃрހΑΖයǴጓ ہΑΜΒයǴጓᒠހᄃǹӧ 2002 ԃрکᒠࣁஜࠄǵယ፵ǵഋྐ Ԗಒ༾ׯǴᄃᡂԋᜢფࠄǶȠ၃ዊȡࣁϟШࣚ၃ᄺԶΠ ϟᆒઓȩޑԾΐϖɄԃжаٰނΑ३ෝЎᏢт܍Ȩ᜔ȩឯҞǴȨᝩ ३ޕȨ๊εϩࢂ३ෝ၃ΓǴዕޣ௴ࡕȥ। 115ȑǴ೭ဂ܍ȐֺǴȤ բҔǶӕਔǴޑ௴ࡕ܍ډᙌჴ፬ଆޑวે๎ǴӢԜдॺޑෝ၃ᄺ дॺҭаࣁ᜔Ǵ࣪ᢀೀნȩȐ115ȑǶȠ၃ዊȡȨ᜔ȩឯҞύޑᙌ ӵယ፵ჄٯϟǴޑձ၃ΓঁޑёаϩԋΟᜪǺȐȑҗጓᒠჄ ϟޑ Miroslav HolubǵCecilia VicuñaǵMichael Ondaatje ǶȐΒȑ୯ ৎ܈Ӧ၃ᒧᒠǺ߮ᛥථߙԃ၃Γǵऍ୯ࠥޑжᒠǵуੀᛥѭ ǶȐΟȑכ٥ж၃ᒧǵݢӭᎿӚ၃ᒧǵѭуҐ၃ᒧǵжቺᇟ၃ ޣԾวޑঁձϟǴхࡴᔾฅᙌޑ Yehuda AmichaiǵJuan Ramón JiménezǵFernando PessoaǵC. P. Cavafy Ƕ Ƞ၃ᚈДтȡ೭ঁે๎کȠ၃ᆛ๎ȡȐ2002–2006ȑࢂவȠ၃॥ȡ ጓᒠۭԖ୯ரǵᡟሲǵځԃ 2 ДǴ 2002 ܭᚈД၃тǴബтޑΠፍғ ӭԖख़᠄Ƕᅽ୷ӧബтᜏύࡰрيᅽ୷ǵचᐪߙǵЦܴǴᆶ ३ෝΏԿύ୯ཥ၃ޑୢᚒǶдᇡࣁȨεऊѝԖԭԃȩޑжཥ၃ ࢂύ୯၃ᄺВࡕวۓཥᡏǴόޑȨЬाаՋБ၃ᄺԄࣁᙔҁԶബբ ၃ΓѸȨറ೯ђϞύѦ [ǾǾ] ࣁޑᐱېԄȩǴՠࢂΞගрޑ ύЎ၃ബрཥၡȩȐǴȤബтᜏȥ। 4ȑǶᗨฅബтᜏޑӷ္Չ໔ჹ ᄊࡋǴ၀тϝฅҥȨੇ༾ȩឯҞǴόޑҟ࣯کՋБ၃ᄺࢬ៛ᔜࢁ Βޑᐶᙌ៝ޣԖϣӦޑـᙌǶឯҞύၨதޑයтฦѦ୯၃ᄺۓ ၃ᄺᙌཱུϿǶޑॺ၃тȡȐ1996–2000ȑόӧፕϐӈǴӢࣁѬтฦךȠ 4 ǵǵMiroslav໋ޚ၃ΓᗋԖчǵኻԢݞǵఉޑԃୖу၀ԛ୯ሞ၃ᄺ 5 –HolubǵHans Magnus EnzensbergerǵHomero Aridjis ȐǴȤୁȥ। 72 75ȑǶ 44 宋子江 ΜШइ߃߮୯၃ᄺǴаϷࡘ݀ᙌޑΜΐШइम୯၃ᄺǹϟӜൂύΞ όЮжमᇟ୯ৎޑ၃Γӵ Anne CarsonǵLes MurrayǵPhilip Larkin ݤޑယᆢ༹ᙌک ဟУ၃Γ Fernando PessoaޑǴᗋԖᎄࡹࡡᙌ ጓᒠࡘၡ٠όܴᡉǴകݤКၨޑ೭ঁឯҞـ୯၃Γ Henri MichauxǶё ഁЈǶޑ៛షǴᡉฅคݤჴȤബтᜏȥ Copyrighted Material of The Chinese ᐕўે๎ǺȨȠࣿᑻȡচࢂϤΜ ReservedޑाӦඔॊΑȠࣿᑻȡףUniversity Press | All Rightsഋඵቺම ࢲଶႥࡕǴᜢფࠄᆶৎܹޗǴЎނӕΓтޑȭޗȬࣿᑻЎ׀ԃж ബтဦǴಃΜހݨӑԄрכബᒤȠࣿᑻȡ၃тǴΐΎ႟ԃΎДаЋ ΒයଆׯࣁႉӑǴ٠ԖଭऩǵьߐȐջߓᙔȑуΕጓ୍ǴԿΎΒԃр ಃΜΎයࡕଶтǶϤԃࡕǴȠࣿᑻȡӧΎΖԃаੇൔԄൺтǴаฝހ යϟಏՏ᛬ೌǴހឪቹᆶ၃٠ӈтрǴΖϖԃӆаܴߞТԄр܈ மǵϘົȩȐഋǴȤᒧϟȥȑǶ2003דբࠔǴхࡴഝᡉඦǵଯޑৎ ΠӆࡋൺтǶ೭ҁЋπ᛬ޑယ፵کԃǴȠࣿᑻȡӧՉጓᒠᜢფࠄ Α 84 යǴހԃಖтǴӅр 2010 ډޔයǴހДрԾၗ၃тǴޑԄ ȨΎԃᕴ၃ໆၲၻ 3,000 ӭ२Ǵ၃բޣၻ 500 ΓǴќуຑፕᆶᙌӝӅ ၻԭጇȩȐᜢǴȤӣ៝ȥȑǶȠࣿᑻȡൺࢲтޑ၃ᄺᙌᆫขܭঁձ၃ ᔾฅکЬाࢂယ፵ޣӦբࣁൂՏՉϟǴ܈ΓǴ٠ؒԖа୯ৎ ΒΓǴޣᙌΑ Russell EdsonǵAdonisǵGünter Grass ၃ΓޑբࠔǴ ࡕޣ߾ᙌ Cesar VallejoǵAleksandar RistovicǵUmberto Saba ޑ၃ բǶ 2011 ԃǴԖགܭȠࣿᑻȡൺࢲтಖ่Ǵഋᑉ܃ǵՖԾளǵᎿᅇണǵ ଭШᇬΓԾၗബᒤȠᖂᜩ၃тȡǴࡕٰᄃࡌύȐӜՋȑуΕი໗Ƕ ހДрঁٿ३ෝ᛬ೌวֽၗշǴڙௗۈȠᖂᜩ၃тȡவಃ 17 ය໒ բࠔǴӕਔΨᑈཱུ၂ϟѦ୯၃ޑаҁӦ၃Γ܈යтฦ 35 ՏයǴ Ԅௗ҅ۈᄺǶӵԜவಃ 1 Կ 23 යҗᎿᅇണҺЬጓǴֺηԢவಃ 25 ය໒ ՅǶಃ໘ࢤКၨޑ၃ᄺᙌևΑᄒฅόӕޑ໘ࢤঁٿҺǶ၀т ޑӦբࣁൂՏՉϟ܈قբࠔǴа୯ৎǵᇟޑϟಏঁձ၃Γܭύ ᒠၨϿǶϟޑѦ୯၃ΓԖ Mark TredinnickǵVasko PopaǵMarin Sorescu ǹᒠ߾Ԗ Sayed Gouda ጓᒠޑȨжߓդ၃ᒧȩаϷ ቺᇟู၃ȡᒧǶಃΒ໘ࢤǴЬጓֺηԢ߾КޑǺѤԭԃٰനऍڣȠ៥ ԄٰϟѦ୯၃ᄺǴᒠΨԖΟᅿᜪࠠǺȐȑ୯ޑၨԾӦаᒠ ˇˇݢើཥੁዊ၃ᄺᒠȩǵקᒠǺȨࡹݯӵՖޑقᇟ܈ৎǵӦ Ȩ҇॥ۘˇˇжߚဴऍ୯၃ᄺᒠȩǵȨжВҁ၃ᄺεᒠȩǵ ໒ޑᅧˇˇжуੀໜѭ٥၃ᄺᒠȩǵȨਓދਜᆶޑΠ܀ȨқՅ৮ ᒠǴӵу৾ޑႥ၃ᄺᒠȩǶȐΒȑঁձѦ୯၃Γځжଭˇˇۈ εʏථٚើь၃Γ Michael OndaatjeǶȐΟȑਔҁӦ୯ሞ၃ᄺࢲԶ እޑ2015ȩǵȨђԴ ڹᒠǺȨ၃ᄺᆶፂँˇˇ३ෝ୯ሞ၃ᄺϐޑಔԋ 2017ȩǶԜѦǴȠᖂᜩ၃тȡӧಃΒ໘ࢤᗋ ڹཀˇˇ३ෝ୯ሞ၃ᄺϐ ҥΑȨϟϺӦȩឯҞǴჹঁձжѦ୯၃ΓՉεጇ൯ޑϟǴЬ !ЬጓҁΓǶکࢂഋ҉ǵቅӼ༹ޣޑा ! 翻譯的文化身份──論九七後香港詩刊中的文化翻譯 45 ၃тύޑᙌᆶύ໔ރᄊޑขቾ! ӧ೭ࠤډዴགޑॺך֎ȡวтຒύቪၰǺȨڥԃ 4 ДǴኵ๓ӧȠ 1996 ाЬ໒៘ТډࢂགྷܭΓԖᗺόၸٰǶޑѱ္Ǵ഻᠐၃ǵቪ၃ Ǵᡣ၃Γόၸـ໔ȩȐኵǴȤวтຒȥ। 1ȑǶӷ္Չ໔όᜤзΓགྷޜ ္ of The ChineseޗǴόࢂύЎཥ၃ԾΐϖɄԃжаٰӧ३ෝ೭ঁޑCopyrighted Materialٰ ݗǶӵ | All Rights ReservedޗޑᐕўნݩǴᗋԖΐΎδз३ෝΓඌඌόӼޑUniversity PressᖑᜤЌ ኩਔޣ᠐کᡣ၃Γܭ໔ϩচཀӧޜޑ֎ȡ၂კ໒៘ڥԜٰ࣮ǴȠ ֎ȩӧᗦേቫय़วචǺ҅ӵѱሡाᐋЕڥ൩ȨขቾགǶኵ๓ ғکǴ၃ΓӧȨπբޜၡᜐლষၸᘠԋమཥעӧȨන॥ߘȩ္ ӢηȩȐኵǴޑཥᡏϣഋᙑሼϯ׳ਔংȩሡा၃ٰȨޑΑനੲಕډࢲ ֎ȩᗦڥ၃ᄺᙌҭᒿϐԋࣁ҆тȨޑȤวтຒȥ। 1ȑǶȨᙌ၃।ȩ ၃ᄺ၉ᇟǶȨන॥ߘȩޑਔѐᙑ߆ཥۓϩǴԋࣁᅿӧන҂ޑേ ǶـᏼኁǴ೭ᅿཀຝӧ३ෝ၃ᄺύ٠όϿډག܄ۓόዴޑསҢΑჹ҂ٰ ȩѤӷǴคፕࢂаቪඳࣁЬۓ၃բቪၸȨන҂ޑ൩ӧӭόӕ໋ޚఉ ޑȠႜᖂᆶᙜሳȡȐ1978ȑǴᗋࢂԾЎϯޑȠܿՋȡȐ2000ȑǴ ΓȥঁޑขቾȐΨථǴȤᐕўޑȩх֖ΑᅿȨчఈઓԀȩۓȨන҂ ȩᆶȨ֎ȩϐ໔ǴڥՏӧȨޑύǴ၃ᄺڋᗦേᐒޑ֎ڥ। 15ȑǶӧ೭ঁ ೀܭঁၸਔ໔္य़ޑύ໔ރᄊǶЃЃᇡࣁǴҁܴԄޑਔ໔܄ёа ԜܭਜቪޑǴᐕўᙯᡂۓज़څᓉЗஒԜޑ܁ڻඔᛤ೭ᅿၸਔ໔ǺԖᅿ ȐBhabha, Location 224ȑǶᗨฅЃЃࢂӧᇥᗦേـӦᡂளమධё܁ђڅ ၃բǵޑਜቪǴхࡴѬтฦޑȩڅ֎ȡӧȨԜڥȨਜቪȩǴՠࢂȠޑቫय़ ޑ٣௶໔ჹֻεᐕўޜၸޑЎϯჴ፬ǴΞՖόࢂᅿӧᗦേکᙌ ޑЎϯکࡹݯǵᐕўޑȩ၂څᑽǻΞՖόࢂ၃ΓӧȨԜל ᡏขቾǻ Бय़ՉຑॊǺȐȑٿϟӈ߄ϩԋޑΠЎஒ೯ၸஒаᑲᑲ ᒧᙌჴ፬ǹȐΒȑঁΓᙌჴ፬Ƕ բقᇟ܈Ƞᖂᜩ၃тȡтฦΑཅΓݙҞа୯ৎǵӦکȠ၃ዊȡ ᙌᒧǶԾவЎᏢޑᙌᒠǶ೭٤ᒠࢂλࠠޑࣁൂՏՉϟ ԵჸޑᙌፕৎୌѷᅟȐAndré LefevereȑஒᒧયΕдׯቪፕک ᜢۈᏢࣚ൩ς໒زጄൎȐLefevere, Manipulation 93–102ȑǴᙌࣴ εᖌᗺǴᙌᒧբࣁᅿ׳ॺёаךޣ܈ݙᒧӵՖׯቪচЎҁǶ ǻྶᎹ٥ȐTeresaګբҔޑ࡛ኬډЎϯύΞଆڙЎϯᙌǴѬӧௗ ၸำȩޑҽԋيጓᝪύхࡴΑȨЎϯޑSeruyaȑΓࡰрǴᒧ ᡍޑᅤӣ៝ԾρጓᝪᙌᒧٵȐSeruya et al., Anthologies 1ȑǶ ж߄ǵፓǵڗԵቾԶ௦ޑၠЎϯှܭਔǴᕴ่ΑԾρӧጓᝪၸำύр ᅤஒ೭ጇٵϟΕΟᅿౣȐCheung, “Representation” 5ȑǶଷӵ ፓޑБӛ൩ࢂΟᅿౣޑፕϯـวǴόᜤགྷፕЎޑԃ 2003 يЎϯޑ೭ᅿှӵՖ߄ΕБܭӵՖϸၸٰቹៜၠЎϯှǴаठ Ѧ୯၃ᄺᙌᒠᡏΑޑȠᖂᜩ၃тȡکᇡࣁǴȠ၃ዊȡޣҽΑǶ ᅿЎϯӦጔᇡӕȐcultural geopolitical identificationȑǴӕਔѬΨࢂ БԄǶޑҽيΕБ߄Ўϯ Chinese 46 Reserved The 宋子江 of RightsȠ၃ዊȡϟޑ߮ᛥථߙԃ၃ΓᒠύޑѤՏ၃Γឦܭᖄ All | ၃ᄺၮǴӜࣁԶჴЬကȐMetarealismȑǶ6 ᖄှޑMaterial ᚻВΦ Ƕယ፵ӧጇࡕፋύހᙌǴӧमᇟШࣚрډբࠔωளޑ၃ΓץᡏࡕǴ೭ Press ޑεৣٗኬቪεޑ၃ΓǴ٠Ъख़ࡰрǺȨόӆႽ߮ץϟಏၸ೭ ኗቪކX ӀТǵ࠸ูǵԴΓᆶ ޑࣁጂǵᓐମق၃ጇǴࠅаВதᇟޑଯ Copyrighted ၃ᆶεᐕўᕴࢂԋঁፄѡǴεཷሡाவޑᇹᄺǶ[ǾǾ] дॺ܈University Ⴈ၃ ᆄইȩޑϕЎᜢ߯ǴаϷύȬϸ၃ཀȭޑޣٿࡋຎჸǴω࣮рفޑᐕў Ȩуੀᛥѭ٥ж၃ᒧȩޑȐယǴȤጇࡕፋȥ। 40ȑǶநϻࣁԾρᙌ ޑԾݯӦޑǴдӧЎύၰǺȨ೭ঁᒠԑӧܴঁ୯ৎقኗቪΑ ३ෝ࣬՟ளکೀნޑ୯ሞຎഁǶуੀᛥѭ٥၃ᄺࣚޑഢԋዕڀЎᏢΨё ԾᇬǴԶόډ၃ၮགޑёॷࣁୖྣǴ٠Ъჹ೭ঁ܈а३ෝΓ܌ࡐǴ எᏂॺǶȩȐநϻǴޑࡺર୴ύྣ๋ӀᐩکҔВόߏǵၧӧђΓ :Ȥуੀᛥѭ٥ȥ। 65ȑǶЦϘϟಏݢӭᎿӚ၃ᒧ Inventing a Word An Anthology of Twentieth-Century Puerto Rican Poetry ਔ߾ᙁाӦӣ ҽᇡيکقᐕўวǴ٠Ъࡰр၃ᄺᇟޑࡕ҇ډΑݢӭᎿӚவ҇៝ کᜢ߯Ƕдӧ೭ጇอЎύǴձᜢݙݢӭᎿӚ၃ᄺӧՋУЎޑӕϐ໔ ऍ୯ϯϐ໔᠓ឆȐЦǴȤݢӭᎿӚȥ।کमЎϐ໔ᘍᑲǴӧՋУ ၃ޑࡹΠقЎΟᇟᇟٿࢂ३ෝΐΎࡕ҅ޑᔈڥ܌ᄊރ69ȑǶ೭ᅿύ໔ ݩރޑॏ׳ख़ፋፕ၀୯ࡹ׳ᄺǶЦϘϟಏѭуҐ၃ᒧਔǴࠅ Ўകύ᠐рယ፵ǵநޑॺ٠όᜤவдॺךȐЦǴȤѭуҐȥ। 59ȑǶ ᇡӕȐidentificationȑǶޑӦ܈ჹ೭٤୯ৎǵ҇ޣϻǵЦϘ ЎڙࡹݯᙯᡂȐ߮ᛥථǵѭуҐȑǴ൩ࢂႫޑ܄ѬॺόࢂวғΑᐕў ҽୢᚒ֚ᘋȐуੀᛥѭ٥ǵݢӭᎿӚȑǶᒧѬॺբࣁϟჹຝǴيϯ ॺࣗԿёаӧך߮ᛥථǴޑᇡӕᔈࢂЬӢǶӵ݀όᆉᖄှᡏࡕե࿖ϯ ԖᅿӦጔЎϯᇡӕǶޣჴ፬ύ࣮р३ෝᆶќѦΟঁдޑޣ೭٤३ෝ Ƕ၀тȨࡹݯӵ܍Αᝩډ೭ᅿЎϯӦጔᇡӕຝӧȠᖂᜩ၃тȡள ཥੁዊၮǴচࢂҗݢޑᇥ܌ˇˇݢើཥੁዊ၃ᄺᒠȩύקՖ ϷЎϯ᛬ೌӚࣚǶ೭ၮѫۯࡹݯၮǴόΦޑԃวଆ 1968 ܭើᏢғ ػΑ Adam ZagajewskiǵStanisÏaw BaraÑczakǵJulian Kornhauser ٦ ᜢ߯Ǵ֎ЇȠᖂᜩ၃тȡЬጓֺޑ၃ΓǶݢើ၃ᄺᆶࡹݯϐ໔ޑ୯ሞ៉ ݢើԖޑԃ 1968 ک३ෝޑഖ 2014 ԃزᜢݙǴдӧЎύගрǺȨޑηԢ ഖࡰزǻ 1968 ԃݢើวғΑϙሶ٣ǻȬཥੁዊЎᏢၮȭګՖ࣬՟ϐೀ ॺவύૈցךȭǻקȬࡹݯȭӵՖȬޑȬཥੁዊȭ၃Γޑϙሶǻݢើ Ȩ҇ޑ၀тډុۯჴ፬ޑวǻȩȐֺǴȤݢើȥ। 47ȑǶ࣬՟௴ډள ޑ॥ۘˇˇжߚဴऍ୯၃ᄺᒠȩǴ၀ᒠᙌΑΜՏߚဴऍ୯၃Γ ၃ΓǴΨԏޑբࠔǴࡽхࡴႽ Amiri Baraka ٗኬӧ҇ၮύКၨࢲ៌ Ԗӵ Natasha׳၃ΓǴޑ೭ၮߥຯᚆکᒵႽ Robert Hayden ٗኬ ၃ΓǴԑӧȨϭฝࠖ݅ޑTrethewey ԃᇸ፸٠όΜϩ૱ࡹݯਜቪ ፺ᄂȩȐֺǴȤߚဴȥ। 169ȑǶ၀ޑЎ᛬ൺᑫϐࡕߚဴऍ୯၃ᄺว ᅧˇˇжуੀໜѭ٥၃ᄺᒠȩǴӵЬጓދਜᆶޑΠ܀ȨқՅ৮ޑт –Epstein, “Metarealism” 105 ـǴ၁ۺޑԶჴЬကȐMetarealismȑܭᜢ 6 12Ƕ Chinese Reserved 47 翻譯的文化身份──論九七後香港詩刊中的文化翻譯The of ୷ᘵǴӆᒧΕRightsޑȩǴӧநϻϟጄൎޑΑȠ၃ዊȡ܍ǴȨᝩق܌ All | ӄय़ӦѬ׳ᡏે๎ǴޑMaterialኧՏж၃ΓǴȨ׆ఈжуੀ၃ᄺ य़ᇮȩȐֺǴȤуੀȥ। 191ȑǶޑ Press ЎᏢޑуఄᔴ٤Ƕ३ෝ׳ݩޑΓᙌჴ፬Кᒧᙌჴ፬ঁ ޑ۳۳ѝЎᇥ၉Ǵ٠όᇸܰኗቪЎകٰ߄៛ᙌჴ፬ᆶЎϯᇡӕޣ Copyrighted ᙌჴ፬Ƕޑय़ٰᢀྣдॺୁޑΠЎ೯ၸόӕܭޣUniversity ᜢ߯ǴӢԜ வЎЇॊယ፵ຑॊ߮ᛥථߙԃ၃ΓޑЎӷύёа࣮рǴдుܴ၃ ک໔όхࡴȠ၃ዊȡޜᙌჴ፬ޑᜢ߯ǶдޑᄺᙌᆶЎϯᇡӕϐ໔ ȠࣿᑻȡൺࢲтǴᗋԖȠࢃВൔȡȨ၃ϐ।ȩǵȠࢃఁൔȡȨࢃ ຝȩǵȠܴൔȡȨШइȩǵȠӷȡǶдନΑϟШࣚ၃ᄺǴჹᙌ ࡘԵǶ7 வୁय़ٰ࣮Ǵձࢂд 2007 ԃࣁȠϞϺȡޑΨբрӚᅿӚኬيҁ ϐȨᅿق܌ᙌჴ፬۳۳ԖдޑȨ३ෝΜԃᒠȩǴдޑᚇᇞጓᒠ ขޑ܌ޕሽॶྗǵฅόޑךǵΨؒݤ൨ӣԾךԾޑВܯݤ൨ӣؒ ᘜયǴ೭ঁᒠȨ׆ఈޑȥ। 3ȑǶ҅ӵഋඵቺᆒ៘قቾȩȐယǴȤ ΑှௗޑѦࣚǴόރޑඳךӣᘜೀნǴགྷమԾޑय़ჹፄᚇІ။ ॺஒယ፵ךϣӧϐӼႥǵݯᕍȩȐഋǴȤขቾȥ। 87ȑǶӵ݀યǴԶ ࡹݯȩȐpolitics ofޑѨပག࣮ԋߓЃථԄȨѨޑඔॊ܌ ቻǴۘ҂วғࠅςѨѐϐགȐdéjà disparu ȑੰޑdisappearanceȑ ޑȐAbbas, Disappearance 73–76ȑǴٗሶ೭ᅿȨѨȩӧယ፵ჹᙌ Ӝѡ “Poetry is whatޑΑᡏᇡǺдஒѷࢶථȐRobert Frostȑډှύள gets lost in translation.”