Before the FEDERAL COMMUNICATIONS COMMISSION Washington, DC 20554

Total Page:16

File Type:pdf, Size:1020Kb

Before the FEDERAL COMMUNICATIONS COMMISSION Washington, DC 20554 Before the FEDERAL COMMUNICATIONS COMMISSION Washington, DC 20554 In the Matter of ) ) Sponsorship Identification Requirements for ) MB Docket No. 20-299 Foreign Government-Provided Programming ) ) REPLY COMMENTS OF MINNESOTA PUBLIC RADIO Minnesota Public Radio (“MPR”), licensee of over 40 full power, non-commercial educational (“NCE”) FM radio stations, hereby submits these reply comments in response to the Notice of Proposed Rulemaking issued by the Federal Communications Commission (“FCC” or “Commission”) in the above-captioned proceeding.1 As is explained further herein, MPR urges the Commission to exempt NCE licensees from any foreign programming disclosure requirement it adopts in this proceeding. I. DISCUSSION. MPR’s stations serve Minneapolis-St. Paul and surrounding communities. MPR’s news stations broadcast popular, highly-relevant, and multi-faceted programs that inform, challenge and occasionally amuse, including programming from the BBC World Service. MPR has selected each of these programs based on its independent judgement as a broadcaster and believes that each provides valuable news, insights, and commentary for American audiences. With respect to BBC World Service programming specifically, MPR believes the news and analysis of the day’s global events provided by the programming is of considerable interest to American viewers and provides 1 In re Sponsorship Identification Requirements for Foreign Government-Provided Programming, Notice of Proposed Rulemaking, FCC 20-146, MB Docket No. 20-299 (rel. Oct. 26, 2020) (“NPRM”). a unique perspective not available elsewhere. Other broadcasters agree—BBC World Service programming is carried on nearly 600 non-commercial educational stations across the country. In total, the BBC World Service reaches a weekly audience of more than 6.2 million people in the United States. In the NPRM, the Commission proposes to amend its sponsorship identification rules to require disclosure “if a foreign governmental entity has paid a radio or television station, directly or indirectly, to air material, or if the programming was provided to the station free of charge by such an entity as an inducement to broadcast the material.”2 No foreign governmental entity pays MPR to air programming, nor does any foreign governmental entity provide programming to MPR free of charge as an inducement to broadcast the material. Indeed, with respect to the BBC World Service, it is MPR, through its division American Public Media (“APM”), that pays the BBC a licensing fee in order to air BBC World Service programming, not the other way around. More specifically, APM, a distributor of non-commercial educational programming in the U.S.,3 enters into an agreement with the BBC whereby APM pays the BBC for the right to distribute BBC World Service programming in the United States. MPR stations (along with any other stations wishing to carry BBC World Service programming) then pay APM a fee for the right to broadcast the programming.4 Without paying this fee, stations would not have access to BBC World Service programming. 2 Id. at para. 3. 3 APM is, in fact, one of the largest producers and distributors of public radio programming in the world. APM distributes programs such as Live from Here, Performance Today, and Marketplace, that reach 20 million listeners on nearly 1,000 radio stations nationwide each week. It is also the largest producer and distributor of classical music programming in the country. 4 See also Comments of REC Networks, MB Docket No. 20-299, at 7 (filed Dec. 24, 2020) (“REC Comments”) (“These relationships, which are in sharp contrast to commercial broadcasters being approached by the Russian and Chinese governments to purchase time, further demonstrate that 2 Given the flow of consideration, the FCC’s proposed rules seemingly would not require stations to broadcast additional disclosures when airing BBC World Service programming.5 Yet, as other commenters have correctly noted, the NPRM “muddies the scope of its proposal by subsequently suggesting a much broader scope for the enhanced disclosure.”6 For example, the NPRM suggests that a standardized disclosure would be required whenever a foreign governmental entity furnishes program material to a station at nominal cost as an inducement to broadcast such material.7 The NPRM does not define “nominal cost.”8 Consequently, the proposed rules could “unintentionally sweep in a much broader swath of programming and advertising” than that which the Commission correctly identifies as being problematic—i.e., … the NCE licensee’s intention [is] to present external broadcasts as a part of the NCE licensee’s educational objectives and not motivated by profit.”). 5 See NPRM at para. 10 (noting that “the rules state that the programming itself (i.e., any ‘film, record, transcription, talent, script, or other material or Service of any kind’) if provided as an inducement for the station to broadcast the programming will trigger the requirement to include the sponsorship identification.”). See also Comments of National Public Radio, Inc., MB Docket No. 20-299, at 9 (filed Dec. 28, 2020) (“NPR Comments”) (“Yet, merely licensing programming from a source traceable to a foreign government is not enough to require sponsor identification based on the underlying statute and the Commission’s current rules. Rather, there must be an inducement to broadcast, even in the case of a ‘political program or any program involving the discussion of a controversial issue,’ which has long drawn heightened regulatory scrutiny. Absent such inducement, the broadcast represents the broadcaster’s editorial decision, not the putative sponsor’s.”). 6 Comments of America’s Public Television Stations and the Public Broadcasting Service, MB Docket No. 20-299, at 2 (filed Dec. 23, 2020) (“APTS Comments”). 7 NPRM at para. 30. 8 MPR would not characterize the fees paid for BBC World Service programming as “nominal.” Nevertheless, the broadening of the proposed rule to include “nominal” payments creates regulatory uncertainty and suggests the rule could be applied broadly to encompass beneficial foreign programming. 3 foreign propaganda that “attempts to sway American opinions on public or political issues or sow discontent.”9 Having to air disclosures at the beginning and end of every BBC World Service program would be burdensome to NCE broadcasters like MPR, and could cause some stations to discontinue carrying the programming. The BBC World Service schedule is such that three to four different programs can air within a single hour. In fact, some BBC World Service programming is only 60- or 90-seconds in length, including programming created specifically for the United States and only aired here. The on-air time required to air disclosures at the beginning and end of each program would add up quickly and constitute a significant burden on stations, particularly when considered in the context of other required disclosures such as station identification announcements and underwriting acknowledgements. Moreover, the disclosure announcements would be disruptive for the listening audience, serving to annoy more than inform. Given this burden and disruption, MPR agrees with REC Networks that NCE broadcasters should be exempt from foreign programming disclosure requirements.10 The Communications Act already prohibits NCE licensees from making their broadcast facilities available to “any person for the broadcasting of any advertisement.”11 “Advertisement” is defined to include “any message or other programming material which is broadcast… in exchange for any remuneration, and which 9 Comments of National Association of Broadcasters, MB Docket No. 20-299, at 2 (filed Dec. 28, 2020) (“NAB Comments”). 10 REC Networks Comments at 7-8 (“[I]t is REC’s clear position that NCE stations (both full- service and LPFM) must be exempt from the requirement to broadcast such disclosures.”). See also APTS Comments at iv (noting that “NCE stations are already prohibited from selling airtime by Section 73.621” and questioning whether “the entire Notice is intended to be moot as concerns [public broadcasters].”). 11 47 U.S.C. § 399B(b)(2). 4 is intended… to express the views of any person with respect to any matter of public importance or interest.”12 Thus, NCE broadcasters are already prohibited from engaging in the conduct that spurred the FCC to propose the foreign programming sponsorship ID rule.13 Any additional disclosure requirements could have the effect of chilling beneficial speech as NCE broadcasters decline to broadcast any foreign programming—including that “in which the foreign governmental entity has no editorial control, the involvement of the foreign governmental entity is minimal and/or there is no attempt whatsoever to influence American politics or policies”14—rather than air intrusive disclosure announcements.15 Moreover, it would make little sense to impose additional requirements on underwriting acknowledgements that NCE stations must air to acknowledge financial contributions from donors that support particular programs.16 Such acknowledgments can be made for identification purposes only17 and cannot promote the views of the donor.18 As NPR explains, “Since the purpose of an NCE station’s underwriting acknowledgment is to identify a program or station sponsor, no 12 Id. at (a)(2). The term “advertisement” also includes programming intended “to support or oppose any candidate for political office.” Id. at (a)(3). 13 See, e.g., NPRM at para. 1 n.4 (citing an article describing the lease of a Washington, D.C.- area station by the Chinese state radio CRI ); id. at para. 13 n.42 (citing an article describing payments made to a broadcaster to air Russian propaganda). 14 NAB Comments at 10. 15 Alternatively, the FCC could explicitly clarify that licensing arrangements such as that described herein do not trigger any foreign programming sponsorship ID announcements. 16 47 C.F.R. § 73.1212(a); see also 47 U.S.C. § 317. 17 Minority Television Project, Inc, Licensee of Noncommercial Educational Television Stations KMTP-TV, San Francisco, California, 17 FCC Rcd 15646, DA 02-1945, ¶ 29 (rel. August 9, 2002).
Recommended publications
  • A Prairie Home Companion”: First Broadcast (July 6, 1974) Added to the National Registry: 2003 Essay by Chuck Howell (Guest Post)*
    “A Prairie Home Companion”: First Broadcast (July 6, 1974) Added to the National Registry: 2003 Essay by Chuck Howell (guest post)* Garrison Keillor “Well, it's been a quiet week in Lake Wobegon, Minnesota, my hometown, out on the edge of the prairie.” On July 6, 1974, before a crowd of maybe a dozen people (certainly less than 20), a live radio variety program went on the air from the campus of Macalester College in St. Paul, MN. It was called “A Prairie Home Companion,” a name which at once evoked a sense of place and a time now past--recalling the “Little House on the Prairie” books, the once popular magazine “The Ladies Home Companion” or “The Prairie Farmer,” the oldest agricultural publication in America (founded 1841). The “Prairie Farmer” later bought WLS radio in Chicago from Sears, Roebuck & Co. and gave its name to the powerful clear channel station, which blanketed the middle third of the country from 1928 until its sale in 1959. The creator and host of the program, Garrison Keillor, later confided that he had no nostalgic intent, but took the name from “The Prairie Home Cemetery” in Moorhead, MN. His explanation is both self-effacing and humorous, much like the program he went on to host, with some sabbaticals and detours, for the next 42 years. Origins Gary Edward “Garrison” Keillor was born in Anoka, MN on August 7, 1942 and raised in nearby Brooklyn Park. His family were not (contrary to popular opinion) Lutherans, instead belonging to a strict fundamentalist religious sect known as the Plymouth Brethren.
    [Show full text]
  • WAMC Staff Utica, NY WAMQ, 105.1 FM, Great Barrington, WAMC Executive Staff LIVE at the LINDA BROADCAST MA Alan Chartock | President and CEO WWES, 88.9 FM, Mt
    JULY 2020 PROGRAM GUIDE from alan Stations Help WAMC Go Green! Monthly column from Alan Chartock. You may elect to stop receiving our paper PAGE 2 WAMC, 90.3 FM, Albany, NY program guide, and view it on wamc.org. WAMC 1400 AM, Albany, NY Call us to be removed from the PROGRAM NOTES WAMK, 90.9 FM, Kingston, NY paper mailing list: 1-800-323-9262 ext. 133 What’s coming up on WAMC. WOSR, 91.7 FM, Middletown, NY PAGE 3 WCEL, 91.9 FM, Plattsburgh, NY PROGRAM SCHEDULE WCAN, 93.3 FM, Canajoharie, NY Our weekly schedule of programming. WANC, 103.9 FM, Ticonderoga, NY PAGE 4 WRUN-FM, 90.3 FM, Remsen- WAMC Staff Utica, NY WAMQ, 105.1 FM, Great Barrington, WAMC Executive Staff LIVE AT THE LINDA BROADCAST MA Alan Chartock | President and CEO WWES, 88.9 FM, Mt. Kisco, NY SCHEDULE Joe Donahue | Roundtable Host/ Senior WANR, 88.5 FM, Brewster, NY Advisor Listen to your favorite shows on air after WANZ, 90.1, Stamford, NY they have been at The Linda. Stacey Rosenberry | Director of Operations PAGE 5 and Engineering Translators Jordan Yoxall | Chief Financial Officer At the linda PAGE 5 W280DJ, 103.9 FM, Beacon, NY Management Staff W247BM, 97.3 FM, Cooperstown, NY Carl Blackwood | General Manager, The program descriptions W292ES, 106.3 FM, Dover Plains, Linda PAGE 6 NY Tina Renick | Programming Director W243BZ, 96.5 FM, Ellenville, NY Melissa Kees | Underwriting Manager Ashleigh Kinsey | Digital Media W271BF, 102.1 FM, Highland, NY our UNDERWRITERS Administrator W246BJ, 97.1 FM, Hudson, NY PAGE 12 Ian Pickus | News Director W204CJ, 88.7 FM, Lake Placid, NY Amber Sickles | Membership Director W292DX, 106.3 FM, Middletown, NY WAMC-FM broadcasts 365 days a year W215BG, 90.9 FM, Milford, PA WAMC to eastern New York and western New W299AG, 107.7 FM, Newburgh, NY Box 66600 England on 90.3 MHz.
    [Show full text]
  • LIVE from HERE with CHRIS THILE to BROADCAST LIVE from the KAUFFMAN CENTER the Live Radio Show Comes to Muriel Kauffman Theatre on January 12
    NEWS RELEASE Contact: FOR IMMEDIATE RELEASE Ellen McDonald, Publicity Consultant Monday, September 10, 2018 Kauffman Center for the Performing Arts (816) 213-4355 | [email protected] LIVE FROM HERE WITH CHRIS THILE TO BROADCAST LIVE FROM THE KAUFFMAN CENTER The live radio show comes to Muriel Kauffman Theatre on January 12 Kansas City, MO – An acclaimed national radio show will broadcast live from the Kauffman Center for the Performing Arts this winter, when Live from Here with Chris Thile brings its variety show format to Muriel Kauffman Theatre. The live radio broadcast will happen on Saturday, Jan. 12, 2019, as part of the 2018-2019 Kauffman Center Presents series. A Saturday night destination for radio audiences everywhere, Live from Here with Chris Thile (formerly A Prairie Home Companion) features a unique blend of musical performances, comedy and audience interaction. Musician and songwriter Chris Thile welcomes a wide range of well-known and up-and-coming talent to the stage for a beautiful listening experience. Special guests for the Kansas City broadcast will be announced closer to the show date. Media support for Live From Here at the Kauffman Center is provided by KCUR 89.3 FM and Kansas Public Radio. Tickets for the event range from $49 to $89 plus applicable fees and go on sale to the public at 10 a.m. Friday, Sept. 21. Tickets will be available through the Kauffman Center Box Office at (816) 994-7222, via the Kauffman Center mobile app, or online at www.kauffmancenter.org. ABOUT LIVE FROM HERE WITH CHRIS THILE Each episode of Live from Here with Chris Thile includes music from Thile and the show band, thoughts from Out In America from comedian correspondent Tom Papa, comedy sketches and much more.
    [Show full text]
  • October 2019 Program Guide
    OCTOBER 2019 PROGRAM GUIDE Stations Help WAMC Go Green! from alan You may elect to stop receiving our paper Monthly column from Alan Chartock. WAMC, 90.3 FM, Albany, NY program guide, and view it on wamc.org. PAGE 2 WAMC 1400 AM, Albany, NY Call us to be removed from the WAMK, 90.9 FM, Kingston, NY paper mailing list: 1-800-323-9262 ext. 133 PROGRAM NOTES WOSR, 91.7 FM, Middletown, NY PAGE 3 WCEL, 91.9 FM, Plattsburgh, NY PROGRAM SCHEDULE WCAN, 93.3 FM, Canajoharie, NY Our weekly schedule of programming. WANC, 103.9 FM, Ticonderoga, NY PAGE 4 WRUN-FM, 90.3 FM, Remsen- WAMC Staff Utica, NY WAMQ, 105.1 FM, Great Barrington, WAMC Executive Staff LIVE AT THE LINDA BROADCAST MA Alan Chartock | President and CEO WWES, 88.9 FM, Mt. Kisco, NY SCHEDULE Joe Donahue | Roundtable Host/ Senior WANR, 88.5 FM, Brewster, NY Advisor Listen to your favorite shows on air after WANZ, 90.1, Stamford, NY they have been at The Linda. Stacey Rosenberry | Director of Operations PAGE 5 and Engineering Translators Jordan Yoxall | Chief Financial Officer At the linda PAGE 5 W280DJ, 103.9 FM, Beacon, NY Management Staff W247BM, 97.3 FM, Cooperstown, NY Carl Blackwood | General Manager, The program descriptions W292ES, 106.3 FM, Dover Plains, Linda PAGE 6 NY Tina Renick | Programming Director W243BZ, 96.5 FM, Ellenville, NY Melissa Kees | Underwriting Manager Ashleigh Kinsey | Digital Media W271BF, 102.1 FM, Highland, NY our UNDERWRITERS Administrator W246BJ, 97.1 FM, Hudson, NY PAGE 10 Ian Pickus | News Director W204CJ, 88.7 FM, Lake Placid, NY Amber Sickles | Membership Director W292DX, 106.3 FM, Middletown, NY WAMC-FM broadcasts 365 days a year W215BG, 90.9 FM, Milford, PA WAMC to eastern New York and western New W299AG, 107.7 FM, Newburgh, NY Box 66600 England on 90.3 MHz.
    [Show full text]
  • KCUR 18073107 Fall Newsletter 2018.Indd
    FALL 2018 THE MEMBER NEWSLETTER OF KCUR 89.3 COUNTDOWN TO THE MIDTERMS MEET THE TEAM DEDICATED TO KEEPING YOUR TRUST THIS ELECTION SEASON ON THE How we’re working COVER Meet the team to earn the trust delivering election coverage you can you’ve placed in us trust as we enter the midterms (left to right): Madeline Fox, t KCUR we are committed Amy Jeff ries, Lisa to fact-based journalism and Agreat storytelling. To better Rodriguez, Brian serve members like you, we’ve Ellison, Samuel King, been working hard to expand Sam Zeff and Maria our audience on regional issues Carter. Photo by and connect with listeners on Brandon Parigo. both sides of the aisle and both sides of the state line. We are See story ............ 6-7 always looking for partners that allow us to incorporate a broad perspective and delve deeper into the most signifi cant issues of WHAT’S our time. This summer, we added Samuel INSIDE King, a reporter dedicated solely We’re incredibly proud of our growth and partnerships, but StoryCorps makes to Missouri politics, to our team. most of all, we’re proud of the another trip to He’ll be working closely with partner stations in St. Louis relationship we have with you. Kansas City to hear and Columbia as we cover the As trust in media continues to tales of life, love and mid-term elections together. In erode across the country, we being a baby ...... 2-3 addition, we are continuing to are constantly hearing how grow the Kansas News Service’s much you value our fact-based Achieving justice ability to cover the state with journalism.
    [Show full text]
  • 2020 Wfyi Media
    MEDIA KIT SPRING 2020 BUILD A POWERFUL MULTI-PLATFORM SPONSORSHIP TELEVISION: 1 1 2 2 3 3 INDIANAPOLIS INDIANAPOLIS INDIANAPOLIS INDIANAPOLISINDIANAPOLIS INDIANAPOLIS 398,000 VIEWERS A WEEK (ADULTS 18+) RADIO: NEWS & TALK 90.1 FM HD1 166,000 LISTENERS PER WEEK *PPM FEBRUARY 2019 90.1 FM HD2 MUSIC & STORYTELLING DIGITAL: WFYI MEMBERS MAGAZINE — 15,000 printed (sent monthly) — 3,500 digital subscriptions (sent monthly) WFYI E-NEWS WFYI.ORG — Over 37,000 subscribers (sent every — 87,019 unique visitors (average per month)* other Thursday) — 54,168 weekly visitors to streaming radio* EVENTS: — WFYI Trivia Night Fundraiser - March 2020 - 600+ attendees — WFYI News & Brews - Quarterly - 100+ attendees — Listen Up Speaker Series - 500 - 2000 attendees each — British Telly Club - Annual Events - 100+ attendees SOURCE: *Google Analytics 1/1/2019 - 4/1/2019 and StreamGuys Data 2019 Increase your visibility before a large and loyal audience. “I budgeted for a break even point at 100 in attendance and we had three times that many. So, it was a very successful event.” (In reference to an event that was promoted on WFYI) — Reba Boyd Wooden Executive Director, Center for Inquiry Indiana 2 WE’VE GOT INDIANA COVERED Radio Coverage TUNE IN ONLINE WFYI.ORG FOR LIVE STREAMING AND PODCASTS Simulcast on: 89.7 WISU, Terre Haute 89.5 WFCI, Franklin 91.3 WNDY, Crawfordsville Television Coverage TUNE IN ONLINE WFYI.ORG FOR LIVE STREAMING Free Over the Air Comcast Cable (Indianapolis) WFYI 1 (SD) - 3 (basic cable) WFYI 1 (HD) - 20.1 WFYI 2 (WFYI’s PBS Kids) - 20.2 WFYI 1 (HD) - 240 & 1020 WFYI 3 (Create) - 20.3 WFYI 2 - 241 WFYI 3 (Create) - 242 AT&T U-Verse (Indianapolis) WFYI 1 (SD) - 20 DirecTV (Indianapolis) WFYI 1 (HD) - 1020 WFYI 1 (SD/HD) - 20 BrightHouse Cable (Indianapolis) Dish Network (Indianapolis) WFYI 1 (SD) - 20 (basic cable) WFYI 1 (SD) - 20/8456 WFYI 1 (HD) - 349 (digital cable) WFYI 2 - 350 (digital cable) WFYI 3 - 351 (digital cable) Listeners favor sponsors because they sponsor NPR.
    [Show full text]
  • The Power of Stories
    SPRING 2018 THE MEMBER NEWSLETTER OF KCUR 89.3 THE POWER OF STORIES How your support is helping us tell some of Kansas City’s most important stories ON THE A LOOK BACK AND A LOOK AHEAD COVER KCUR reporters You are part Kyle Palmer and MEET THE STORYTELLER Lisa Rodriguez have each found of our story NAME: Sam Zeff a unique way of umming up an entire year Metro reporter blending news and TITLE: into just a sentence is a tall STORYTELLING MANTRA: “Reporting used to storytelling at KCUR. See how Sorder, but here’s my best be concerned with just facts and data. While your support is attempt: 2017 was a year of still crucial, it’s just as important to put news in helping us tell great celebration and collaboration. context, whether that’s historical or political. stories in 2018. That’s my job as a storyteller.” We celebrated 60 years on the air, and look forward to another See story ............ 4-5 60 with you, our dedicated listeners, by our sides. WHAT’S Your support also allowed us to join two new public INSIDE radio partnerships: a reporting initiative on race, culture and StoryCorps ethnicity, and another on celebrates the investigative journalism. year in our news gathering, beauty in everyday reporting and programming. conversations ....... 2 You’ll hear more from us in You’ll hear stories that sound both of those areas in the year more like conversations and Volunteers of to come, but we also want to seasoned reporters who sound the Year ................. 3 introduce our theme for 2018: more like friends.
    [Show full text]
  • Media Kit 740 Bismark Road, NE | Atlanta, GA 30324 WHAT the REBRAND NEEDS to ACCOMPLISH
    Media Kit 740 Bismark Road, NE | Atlanta, GA 30324 WHAT THE REBRAND NEEDS TO ACCOMPLISH Award-Winning Programming Source Award-Winning Programming and Public Service NPR produces and distributes more than 140 hours of original NPR is a private, nonprofit corporation that provides news, programming each week—including the award-winning information, cultural programming and membership services to newsmagazines Morning Edition and All Things Considered; over 900 member stations nationwide—in all 50 states, the and a variety of talk and information programs. In addition, District of Columbia, Puerto Rico, and Guam. NPR programming at 90.1 WABE we source programming content from other is listened to by over 27 million people weekly!* suppliers such as Public Radio International, American Public Media, and many others. NPR's mission is to work in partnership with its member stations to create a more informed public: one challenged and invigorated NPR’s original home in Atlanta is WABE, carrying such by exposure to a deeper understanding and appreciation of the programs as: world's events, ideas, and cultures. ● Morning Edition, All Things Considered, Fresh Air, Weekend Edition and other programs like Prairie To accomplish its mission, NPR: Home Companion, Market Place and Wait Wait...Don’t Tell Me Produces, acquires, and distributes programming that meets the highest standards of public service in journalism and cultural ● WABE has its own contributions such as StoryCorps, expression Mara’s Music Mix, Blues Classics, JazzClassics, City Lights, and Closer Look. Represents its members in matters of their mutual interest Provides satellite interconnection for the entire public radio ● 90.1 WABE is a charter member station of National system Public Radio.
    [Show full text]
  • A Prairie Home Companion : Hope Pdf, Epub, Ebook
    A PRAIRIE HOME COMPANION : HOPE PDF, EPUB, EBOOK Garrison Keillor | 1 pages | 12 Sep 2008 | HIGHBRIDGE AUDIO | 9781598876079 | English | Minneapolis, United States A Prairie Home Companion : Hope PDF Book Music Movies. Surviving Death. Tessa M Gauer Craft Service. The final film by the great Robert Altman, A Prairie Home Companion , the big screen adaptation of Garrison Keillor's radio broadcast showcases plenty of the director's strengths: it's got a gigantic cast and plenty of quirky acting and dialogue. Shannon Bart Art Assistant. Radio Show Fan uncredited Leon Hiland Hodgepodge of satirical news commentary, music, and sketch comedy. Edit Storyline A final live variety show broadcast via radio becomes a metaphor for the natural order of life. Coronary malfunction is what kills us, but my blood pressure has been of championship quality so the odds would seem to favor cancer, and when I called a cab to go see the doctor, I put a razor and toothbrush in my briefcase and also my laptop and phone. The fact that the show is live—where anything is possible—is part of what makes it so special. Meryl Streep Yolanda Johnson. Garrison Keillor Writer. Lola Johnson: Who? Laura Downing Key Costumer. I mean, I'm a man of the world like yourself. Smoker uncredited Punnavith Koy Maeve Mannion Production Accountant. Archived from the original on December 20, John Koerner. Weekly radio variety show created and hosted by Garrison Keillor that aired live from to Metacritic Reviews. Dusty: Hey, uh When Keillor formally announced his departure from APHC at the show's airing on July 21, , he indicated that Thile would succeed him as permanent host in Richard Dworsky Song Performer.
    [Show full text]
  • Announces Lineup for Third DIRECT CURRENT, Its Contemporary Culture Immersion (March 8–21)
    Press Release FOR IMMEDIATE RELEASE: November 5, 2019 The John F. Kennedy Center for the Performing Arts Announces Lineup for Third DIRECT CURRENT, Its Contemporary Culture Immersion (March 8–21) Focus on Female Creators – Including Ellen Reid, Patti Smith, and Jeanine Tesori – Honors 100th Anniversary of Women’s Suffrage; Other Artists Include Chris Thile and Washington National Opera Press photos available HERE (WASHINGTON, D.C.)—DIRECT CURRENT, the John F. Kennedy Center for the Performing Arts’s two-week celebration of contemporary culture, returns for a third season. With special emphasis on female creators, on works new to the District of Columbia, and on interdisciplinary creations, the 2020 spring immersion showcases some of the most provocative, original and pioneering voices in the arts today. DIRECT CURRENT takes place on March 8–21 at the Kennedy Center—including the flexible indoor and outdoor spaces of the REACH, its unprecedented new expansion—and beyond. Next year marks the 100th anniversary of the 19th amendment to the U.S. Constitution, which granted women’s suffrage. To honor this milestone centennial, DIRECT CURRENT 2020 not only shines a light on female artists and their work, but also collaborates with the Vital Voices Global Partnership. This D.C.-based, international non-profit provides a support network and platform for women leaders in all disciplines around the world, helping to make their vision for global change a reality through long-term investments to develop their skills, expand their connections, and enhance their visibility. DIRECT CURRENT’s wealth of offerings span the artistic spectrum, from the D.C.
    [Show full text]
  • ON AIR, ONLINE, JANUARY 2019 | MEM ADVERTISEMENTADVERTISEMENT from the President Where to Tune In
    wgbh.org Finding Your Roots | 11 Nova/Einstein’s Quantum Riddle | 13 WCAI Pub Nights | 28 ON AIR, ONLINE, JANUARY 2019 | MEM ADVERTISEMENTADVERTISEMENT From the President Where to Tune in Our Stories TV Through History Happy 2019! We often start a new year with reflections on the past to better Digital broadcast FiOS RCN Cox Charter (Canada) Bell ExpressVu understand the present. This month we are doing just that with a variety of Comcast new programs that bring history to life and illuminate the many dimensions WGBH 2 2.1 2 2 2 2 2 284 of the human condition. WGBH 2 HD 2.1 802 502 602 1002 782 819 We begin with the highly anticipated third season of Victoria (page 14), WGBX 44 44.1 16 44 14 804 21 n/a the historical drama starring the riveting Jenna Coleman as the young and WGBX 44 HD 44.1 801 544 n/a n/a n/a n/a fearless English monarch, premiering Jan. 13 at 9pm. Watch for new cast members featured in the eight episodes, as the royal couple faces turbulent World 2.2 956 473 94 807 181 n/a and uncertain times with political and social upheaval across Europe. Create 44.3 959 474 95 805 182 n/a On this side of the Atlantic, we follow a very different kind of royalty. Join WGBH Kids 44.4 958 472 93 n/a 180 n/a us on Jan. 28 for The King (page 21), a captivating Independent Lens docu- Boston Kids & n/a 22 n/a 3 n/a n/a n/a mentary from filmmakers Eugene Jarecki and Errol Morris that traces the rise Family (Boston only) and fall of Elvis Presley as a metaphor for our country.
    [Show full text]
  • All Ashore a Creative Refuge in Turbulent Times
    DECEMBER 2018 ALL ASHORE A CREATIVE REFUGE IN TURBULENT TIMES STREAMING CONFERENCE EXAMINES ECONOMICS OF LISTENING MID-TERM ELECTION HIGHLIGHTS December 2018 PRESIDENT’S MESSAGE 2 OFFICIAL REPORTS 4 LEGISLATIVE-POLITICAL UPDATE 7 NEW RELEASES 8 NEWS & NOTES 9 ORCHESTRA NEWS 10 HOLIDAY GIFT GUIDE 12 RESOURCES 16 TO YOUR HEALTH 17 Photo: Josh Goleman Josh Photo: UPBEAT 18 TAKE NOTE 20 FEATURE STORY 14 CLASSIFIEDS 21 PUNCH BROTHERS The Local 257 (Nashville, TN) quintet uses bluegrass instrumentation and blends genres to create EN FRANÇAIS 5, 10 a sound all its own. Punch Brothers (L to R) are: Gabe Witcher, Chris Eldridge, Chris Thile, Noam Pikelny, and Paul Kowert. INTERNATIONAL MUSICIAN Official Journal of the American Federation of Musicians of the United States and Canada OFFICERS OF THE FEDERATION EXECUTIVE BOARD Vol. 116, No. 12 | December 2018 © 2018 American Federation of Musicians of the United States and Canada RAYMOND M. HAIR, JR., President JOSEPH PARENTE Publisher: JAY BLUMENTHAL ([email protected]) Cover Story: CHERIE YURCO 121 S. Broad St., Ste. 320; Philadelphia, PA 19107 1501 Broadway, Ste. 600; New York, NY 10036 Managing Editor: CHERIE YURCO ([email protected]) Cover Photo: JOSH GOLEMAN [email protected] [email protected] Advertising Director: KAREN GODGART ([email protected]) Contributing Writers: MEREDITH LAING, THERESA LITZ, TINO GAGLIARDI Graphic Designer: CHUCK SCHIELE CASSIDY VIANESE BRUCE FIFE, International Vice President 322 West 48th St.; New York, NY 10036 Digital Production Editor: JON DUFORT Translation/Traduction: MONIQUE LAGACÉ [email protected] 325 NE 20th Ave.; Portland, OR 97232 [email protected] DAVE POMEROY The International Musician (ISSN No.
    [Show full text]