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Scotland's TANNAHILL WEAVERS “...an especially eloquent mixture of the old and the new...” NEW YORK TIMES Now in their 51st year, the Tannahill Weavers are one of Scotland's premier traditional bands. Their diverse repertoire spans the centuries with fire-driven instrumentals, topical songs, and original ballads and lullabies. Their music demonstrates to old and young alike the rich and varied musical heritage of the Celtic people. These versatile musicians have received worldwide accolades consistently over the years for their exuberant and humorous performances and outstanding recording efforts that seemingly can't get better...yet continue to do just that. ROY GULLANE PHIL SMILLE MALCOLM BUSHBY MIKE KATZ lead vocals, guitar flute, whistles, bodhran, vocals fiddle, vocals, bouzouki highland bagpipes, scottish small pipes, whistles SCOTLAND’S PREMIER TRADITIONAL BAND www.tannahillweavers.com [email protected] Scotland's TANNAHILL WEAVERS Listen: Òrach (listen on Spotify) The Geese in the Bog/The Jig of Slurs (download) Watch: Gordon Duncan Set Johnnie Cope Photos: (click for downloads) SCOTLAND’S PREMIER TRADITIONAL BAND www.tannahillweavers.com [email protected] Scotland's TANNAHILL WEAVERS Press Quotes "…the group has found an especially eloquent mixture of the old and the new. - Stephen Holden, New York Times “The music may be pure old time Celtic, but the drive and enthusiasm are akin to straight ahead rock and roll.” - Winnipeg Free Press “Formed from a Paisley pub session in 1968, seminal trailblazers the Tannahill Weavers now also rank as national treasures.” - Glasgow Celtic Connections 2018 “…the Tannies are the best that Scotland can aspire to (and believe me, that is THE BEST).” - The Living Tradition “Scotland’s Tannahill Weavers play acoustic instruments, but the atmosphere at their shows is electric. -
View Or Download Full Colour Catalogue May 2021
VIEW OR DOWNLOAD FULL COLOUR CATALOGUE 1986 — 2021 CELEBRATING 35 YEARS Ian Green - Elaine Sunter Managing Director Accounts, Royalties & Promotion & Promotion. ([email protected]) ([email protected]) Orders & General Enquiries To:- Tel (0)1875 814155 email - [email protected] • Website – www.greentrax.com GREENTRAX RECORDINGS LIMITED Cockenzie Business Centre Edinburgh Road, Cockenzie, East Lothian Scotland EH32 0XL tel : 01875 814155 / fax : 01875 813545 THIS IS OUR DOWNLOAD AND VIEW FULL COLOUR CATALOGUE FOR DETAILS OF AVAILABILITY AND ON WHICH FORMATS (CD AND OR DOWNLOAD/STREAMING) SEE OUR DOWNLOAD TEXT (NUMERICAL LIST) CATALOGUE (BELOW). AWARDS AND HONOURS BESTOWED ON GREENTRAX RECORDINGS AND Dr IAN GREEN Honorary Degree of Doctorate of Music from the Royal Conservatoire, Glasgow (Ian Green) Scots Trad Awards – The Hamish Henderson Award for Services to Traditional Music (Ian Green) Scots Trad Awards – Hall of Fame (Ian Green) East Lothian Business Annual Achievement Award For Good Business Practises (Greentrax Recordings) Midlothian and East Lothian Chamber of Commerce – Local Business Hero Award (Ian Green and Greentrax Recordings) Hands Up For Trad – Landmark Award (Greentrax Recordings) Featured on Scottish Television’s ‘Artery’ Series (Ian Green and Greentrax Recordings) Honorary Member of The Traditional Music and Song Association of Scotland and Haddington Pipe Band (Ian Green) ‘Fuzz to Folk – Trax of My Life’ – Biography of Ian Green Published by Luath Press. Music Type Groups : Traditional & Contemporary, Instrumental -
March CALENDAR of EVENTS
March CALENDAR 2014 of EVENTS 2020 Addison Street • Berkeley, California • (510) 644-2020 • www.freightandsalvage.org SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY Remember the Children Winter II Classes start the week of March 10 family show & sing-along see back page for details w/ linda tillery & friends 1pm show $11/$13 Mar 1 Banjo • ‘Ukulele • Guitar • Dulcimer • String Band • Voice House Songwriting • Music Theory • Folk Repertoire • Bluegrass Jamming Jacks “the rock band Singing Circle • Mandolin • Fiddle • Bass • Music Theory • Blues • Swing without instruments” $25/$27 Mar 1 Freight an evening with Rita Hosking Willy Just Like Kapala Tom Open Trio, Hawaiian music Andy Porter A Woman with a groove Brosseau, Mic Cahalen smart songs with Lady Bianca, Statman & mesmerizing Rhonda Benin, with special guest groove driven Patrick Landeza Shelby Earl Morrison guitar gymnastics Ashling Cole, gorgeous, gritty, an adventure American roots, Valerie Troutt, jazz, and klezmer on Martyn Joseph eclectic songwriting every time & Eli West opens Destiny Muhammad, clarinet and mandolin mountain bluegrass Veronica Klaus and 7:30 showtime & old time music MZSwitched $21/$23 Mar 2 $15/$17 mar 3 $5/$7 Mar 4 $29/$31 mar 5 $18/$20 mar 6 $21/$23 Mar 7 $25/$27 mar 8 DANCE FLOOR! San francisco Chamber Sourdough Lisa Ferraro Michael orchestra presents Magnolia & Erika & Shay Classical Slim w/ Väsen @ the Freight Robert Sisters Luckett Black Sweden’s leading blockbuster virtuosic guitar playing, brothers from folk revivalists Squid, Inc. Armstrong louisiana Cajun soulful singing, and ireland’s foremost ensemble uplifting lyrics family of song ben Simon, the last of the host vaudeville cowboys $23/$25 mar 9 $9/$11 Mar 10 $21/$23 Mar 12 $21/$23 mar 13 $21/$23 Mar 14 $26/$28 mar 15 patchwork kids Show Can’t make it Green Room Trubitt & Cole The to the Freight? Freight The Bill a morning of story & song Watch the show live, 11am show Open Sessions $8/$10 Claire Lynch wherever you are. -
Traditional Music of Scotland
Traditional Music of Scotland A Journey to the Musical World of Today Abstract Immigrants from Scotland have been arriving in the States since the early 1600s, bringing with them various aspects of their culture, including music. As different cultures from around Europe and the world mixed with the settled Scots, the music that they played evolved. For my research project, I will investigate the progression of “traditional” Scottish music in the United States, and how it deviates from the progression of the same style of music in Scotland itself, specifically stylistic changes, notational changes, and changes in popular repertoire. I will focus on the relationship of this progression to the interactions of the two countries throughout history. To conduct my research, I will use non-fiction sources on the history of Scottish music, Scottish culture and music in the United States, and Scottish immigration to and interaction with the United States. Beyond material sources, I will contact my former Scottish fiddle teacher, Elke Baker, who conducts extensive study of ethnomusicology relating to Scottish music. In addition, I will gather audio recordings of both Scots and Americans playing “traditional” Scottish music throughout recent history to compare and contrast according to their dates. My background in Scottish music, as well as in other American traditional music styles, will be an aid as well. I will be able to supplement my research with my own collection of music by close examination. To culminate my project, I plan to compose my own piece of Scottish music that incorporates and illustrates the progression of the music from its first landing to the present. -
Battlefield Band There's a Buzz Mp3, Flac, Wma
Battlefield Band There's a Buzz mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: There's a Buzz Country: Germany Released: 1988 Style: Celtic MP3 version RAR size: 1264 mb FLAC version RAR size: 1470 mb WMA version RAR size: 1763 mb Rating: 4.5 Votes: 599 Other Formats: AU MMF AIFF FLAC MOD VQF AA Tracklist 1 Bessie MacIntyre Johnny MacDonald's Reel Roddy MacDonald's Fancy 3:08 2 Shining Clear 4:25 3 Sir Sidney Smith's March 3:47 4 A Chance as Good as Any Reid's Rant 3:17 5 Lord Haddo's Favourite 3:41 6 Tending the Steer Sandy Thompson The Calrossie Cattle Wife 3:10 7 The Presbytarian Hornpipe The Watchmaker's Daughter The Hurricane 3:58 8 The Battle of Waterloo Kilcoy's March The Quaker 4:52 9 One Miner's Life The Image of God 4:59 10 Kantara to El 'Arish Christmas Carousal Willie Roy's Loomhouse 2:58 11 The Green Plaid 3:44 Credits Bagpipes – Duncan MacGillivray Fiddle – Brian McNeill Guitar – Ged Foley Keyboards – Alan Reid Notes Produced and recorded by Robin Morton at Temple Records Studio Scotland Related Music albums to There's a Buzz by Battlefield Band Jenna And Bethany Reid - Escape (The Story Of Jan Baalsrud And The Shetland Bus) Alistair Anderson - Islands Gaelic College MacDonald Hundred Junior Pipe Band - Gaelic Mod Battlefield Band - New Spring The Cape Breton Symphony - Fiddle Jeanette MacDonald - March Of The Grenadiers / Dream Lover Battlefield Band - On The Rise Mike Katz - A Month Of Sundays Various - Scottish Traditional Fiddle Music Brian Boru Irish Pipe Band - 40th Anniversary Battlefield Band & Alison Kinnaird - Music In Trust Volume One Patsy Reid - With Complements. -
Gordon Jelly
Drum Major Gordon Jelly by Allan Cha5o, 1994 Gordon Jelly in 1929, his first year with the Dalzell Highland Pipe Band, age fourteen. In 1915, Alexander Gordon Hamilton Jelly was born in the town of Motherwell, Lanarkshire, Scotland. In his early years he developed a keen interest in music, and at the age of twelve, while aFending the local 5th Company of The Boys Brigade, it was only natural that he was aFracted to their pipe band, and in parHcular, to the snare drummers. LiFle did the pipe band world know that this was the start of a foundaHon that was to become part of the history and the development of pipe band drumming. So it was in 1927 that Gordon decided he wanted to learn to play the snare drum. What beFer start could a keen young lad have? The BaFalion pipe band drummers were being tutored by the famous Jimmy Catherwood, who at the Hme was the Drum Corporal of the Dalzell Highland Pipe Band. This band, under Pipe Major William Jack and Leading Drummer Willie Craig, was making a name for itself in ScoSsh Open Grade CompeHHons. Dalzell Highland was formed when a group of piping enthusiasts met in 1910 on the "Old Calder Brig" in the steel town of Motherwell. Each member agreed to contribute five shillings a week - a considerable sum in those days - towards the band for the purchase of uniforms and instruments. The first pracHces were held outdoors on the banks of the River Calder. The band eventually gained the support of several generous "honorary members," one of whom was David Colville of the Dalzell Steel and Iron Works. -
Port Na Bpúcaí Title Code 1 Altan 25Th Anniversary Celebration with The
Port na bPúcaí Title Code Aberlour's Save the last drop 9,95 1 Abbey Ceili Band Bruach at StSuiain 9,95 1 Afro Celt Sound System POD (CD & DVD) CDRW 116 18,95 Afro Celt Sound System Vol 1 - Sound Magic CDRW61 14,95 Afro Celt Sound System Vol 2 - Release CDRW76 14,95 1 Afro Celt Sound System Vol 3 - Further in time CDRW96 14,95 Afro Celt Sound System Anatomic CDRW133 16,95 Afro Celt Sound System Seed CDRWG111 Altan 25th Anniversary Celebration with the ALT001 16,95 2 RTE concert orchestra Altan Altan ( Frankie & Mairead ) GLCD 1078 16,95 Altan another sky... 724384883829 12,95 Altan Best of, The (2CDs) GLCD 1177 16,95 1 Altan The best of Altan - The Songs 7, 24354E+11 9,95 Altan Blackwater CDV2796 12,95 Altan Blue Idol, The CDVE961/ 8119552 16,95 Altan Finest, The CCCD100 8,95 Altan First ten years 1986-1995, The GLCD 1153 14,95 Altan Glen Nimhe - The Poison Glen COM4571 16,95 Altan harvest storm GLCD 1117 16,95 Altan horse with a heart GLCD 1095 16,95 Altan island angel GLCD 1137 16,95 1 Altan Local ground VERTCD069 19,95 Altan Runaway sunday CDV2836 12,95 Altan Red crow, The GLCD 1109 16,95 Altan The widening gyre 16,95 1 Ancient voice of Ireland Haunting Irish melodies 9,95 2 Anúna Anúna DANU21 9,95 1 Anúna Deep dead blue DANU020 14,95 Anúna Illumination DANU029 Anúna Invocation DANU015 14,95 Anúna Sanctus DANU025 14,95 Anúna Winter Songs DANU 16 14,95 Arcade Fire The subburbs 6,95 5 Arcady After the ball.. -
Projecting the Nation: Constructions of Scotland in Film Since 1979
Projecting the Nation: Constructions of Scotland in Film Since 1979 Emily Torricelli PhD University of York Theatre, Film and Television January 2016 Abstract This thesis examines questions of the continued significance of national cinemas and identities, focussing on the case of Scottish cinema. As a small, devolved nation with relative autonomy from the United Kingdom, Scotland presents an interesting case for how films are labelled with a national identity, as Scottish films can also often be understood in a British, European, and even global context. Rather than attempting to construct a working model of Scottish cinema based on representation or production context, I ask how films have been constructed as Scottish. I approach the concepts of Scotland and Scottish film as sets of meanings that are subject to change over time and in different contexts. This facilitates a perspective which asks in what ways Scotland and Scottishness is constructed in film. I examine how multiple identities are balanced in the filmic construction of Scotland first by considering how Scottish films—both those made in and which are about Scotland—from the early 1980s to the present construct Scottish identities. I will consider the way these films explored ‘traditional’ Scottish identities in the 1980s, Scottish masculinity in the 1990s, and Scottish identities based on ethnicity and gender in the 2000s and 2010s. Second, I look at how these films are received as Scottish by examining reviews and other press materials to determine how the Scottishness -
National Qualifications Curriculum Support
NATIONAL QUALIFICATIONS CURRICULUM SUPPORT English and Communication Using Scottish Texts Support Notes and Bibliographies [MULTI-LEVEL] Edited by David Menzies INTRODUCTION First published 1999 Electronic version 2001 © Scottish Consultative Council on the Curriculum 1999 This publication may be reproduced in whole or in part for educational purposes by educational establishments in Scotland provided that no profit accrues at any stage. Acknowledgement Learning and Teaching Scotland gratefully acknowledge this contribution to the Higher Still support programme for English. The help of Gordon Liddell is acknowledged in the early stages of this project. Permission to quote the following texts is acknowledged with thanks: ‘Burns Supper’ by Jackie Kay, from Two’s Company (Blackie, 1992), is reproduced by permission of Penguin Books Ltd; ‘War Grave’ by Mary Stewart, from Frost on the Window (Hodder, 1990), is reproduced by permission of Hodder & Stoughton Ltd; ‘Stealing’, from Selling Manhattan by Carol Ann Duffy, published by Anvil Press Poetry in 1987; ‘Ophelia’, from Ophelia and Other Poems by Elizabeth Burns, published by Polygon in 1991. ISBN 1 85955 823 2 Learning and Teaching Scotland Gardyne Road Dundee DD5 1NY www.LTScotland.com HISTORY 3 CONTENTS Section 1: Introduction (David Menzies) 1 Section 2: General works and background reading (David Menzies) 4 Section 3: Dramatic works (David Menzies) 7 Section 4: Prose fiction (Beth Dickson) 30 Section 5: Non-fictional prose (Andrew Noble) 59 Section 6: Poetry (Anne Gifford) 64 Section 7: Media texts (Margaret Hubbard) 85 Section 8: Gaelic texts in translation (Donald John MacLeod) 94 Section 9: Scots language texts (Liz Niven) 102 Section 10: Support for teachers (David Menzies) 122 ENGLISH III INTRODUCTION HISTORY 5 INTRODUCTION SECTION 1 Introduction One of the significant features of the provision for English in the Higher Still Arrangements is the prominence given to the study of Scottish language and literature. -
Representing History
Representing History The Pianist To Kill A King Why use film? History is currently `in vogue’ with the media. Documentaries cover the five terrestrial channels, historical non-fiction tops the best selling charts and Simon Schama, Michael Wood and David Starkey are now superstar presenters. Time Team and Restoration positively encourage us to take a `hands on’ approach – we can now affect what happens to our heritage directly. Historical films are also as popular as ever, with Pirates of the Caribbean currently topping the UK Box Office (although historians may argue exactly which historical period it is from!) and there are still many costume drama classics that draw in audiences across the world. Films that attempt to show history are sometimes derided by historians and critics for their lack of accuracy and sometimes hilariously bad casting - John Wayne as Genghis Khan anyone? However, if we view historical films as documents to begin an investigation, and if we look at how the film itself works, as well as examining how it purports to tell us about the past, the result can be a rewarding and enjoyable journey. A film can capture a feeling for a time; can create a mood and a picture of the past that perhaps, with further historical research and examination of the other contemporary art forms (drama, literature, painting, music etc.) can make that world come to life. © Film Education 2003 1 Curriculum Links The case study films below have been chosen both for their specific links to historical topics but also because of their filmic interest, either as a new take on a particular subject or an innovative way of telling a story. -
The Ulster-Scot
WIN wITH weAnS’ wURlD Ulster-Scots Agency (Boord o Ulstér-Scotch) official publication SATURDAY MAY 17 2014 PAGe 16 UniqUeinnovatoRsgalleRysettolaUnCh at BelfasttitaniCMaRitiMefestival PAGE 7 STePPInG BAck In TIMe AT BAnnOckBURn lIVe - PAGe 15 Blue plaque in Mallusk honours United Irishman Ulster-Scots literary trail launched in Moneyreagh - Page 5 - Page 15 2 www.ulsterscotsagency.com SATURDAY MAY 17 2014 CLASSESINTRODUCE Fair Faa Ye Welcome to the May 2014 CULTUREANDLANGUAGE edition of The Ulster-Scot. Summer is almost upon us once again and the Ulster- Scots Agency is gearing up for a few busy months of festivals and outdoor events. This month we will be taking part in the Belfast Titanic Maritime Festival at the Titanic Dock & Pump-House and Thompson Dry Dock at Queens Island with a range of Ulster-Scots activities (including the Agency’s juvenile pipe band). We will use the event from May 24-26 to launch our long awaited Ulster-Scots Innovators Gallery. You can read more about the festival on Page 7. The Agency will also be present at the Ballyclare May Fair (May 20-24) and the Northern Ireland Countryside Festival (May 31- June 1), which has been relocated this year to Balmoral Park in Lisburn. More details can be found on Page 11. Also in this edition we look back at some of the highly successful events that have taken place over the past couple of months – including the Ulster and Scotland Conference at the A series of classes took place in Peninsula, the Plantation of Ulster, banging a Lambeg drum and tasting Europa Hotel on Page 6, the annual Whitelaw Reid Memorial The Auld House in Moneyreagh the Black Oath, the Eagle Wing, the home-made fadge, hot off the Lecture on Page 10 and the Ulster-Scots Cultural Evening in village during March and April 1641 massacres, and the 1798 griddle, with cock-a-leekie soup and Craigavon on Page 8. -
PW DIGITAL 55, NOV 2013.Qxd
DIGITAL SERIES ISSUE 55 INDEX PIPING WORLD5 NOVEMBER THE WORLD’S ONLY INDEPENDENT PIPING MAGAZINE 2 is the pipe band world really a sleeping 2013 giant? 8 danny fleming: pipe obsession hits the news John Grant 14 new australian book: shows rich piping diversity Danny Fleming 16 murdoch maclean macleod: 1924-2013 18 act solo piping: hughes wins championship Reay Fencibles 21 stevenston juniors: stewart and barrie champions The sleeping giant 25 ‘floo’ers o’ the forest’: a magnificent memorial 25 highlands competition: heavy losses force call-off Angus John MacLellan 27 worth a look: boghall & bathgate ‘forte’ Stevenston Juniors 29 maccrimmons of skye: popular book back in print 31 ashton trophy: liverpool piper wins award 33 off the wire 41 pipe bands in pictures: 43 angus john maclellan: 1936-2013 48 the reay fencibles:iain mackay scobie’s research 60 piping for dancing:the highland fling 65 moladh air piob-mhor mhic cruimein: in praise of maccrimmon’s pipes 74 leading the way: antwerp & district 80 piping pics: act solo championships 2013 82 the tuition of young pipers: pipe major john grant 95 swiss championships: switch affects entry 97 worth a look: world pipe band championships 2013 November 2013 Antwerp & District Pipe Band www.duntroonpublishing.com THE GLOBAL PIPING PHENOMENON Piping World Piping World hats off to the 2013 world pipe is the pipe band world band champions really a sleeping giant? with Bruce Campbell COMMENT EDITOR, PIPING WORLD URING the course of my ‘day job’ (how can you call a pas- band would have plus past members D sion a ‘job’) I am lucky enough and current learners (and including the to be able to speak about my favourite number of non-band pipers around the subject to a lot of different people.