First Glimpse of Latest Bond Film Goes Online

Total Page:16

File Type:pdf, Size:1020Kb

First Glimpse of Latest Bond Film Goes Online 30 Friday Lifestyle | Feature Friday, December 6, 2019 Rap mogul Jay-Z marks his 50th Rap mogul Jay-Z birthday with return to Spotify ap mogul Jay-Z celebrated his fiftieth birth- the history of Billboard’s rankings chart with 14, day and surprised fans Wednesday by put- bested only by The Beatles, who have 19. “Happy Rting his catalog back on streaming giant Birthday, Hov,” Spotify tweeted Wednesday, using Spotify, after a two-year hiatus. The billionaire a nickname of the rapper born Shawn Carter, who artist, who owns rival streaming service Tidal, had grew up in one of Brooklyn’s most notorious pulled the majority of his discography from Spo- housing projects. tify in 2017, months before dropping his “4:44” There was no indication how long Jay-Z’s flow album exclusively on his own upstart platform. would remain available on Spotify, which has The introspective album prompted a surge of in- often come under fire from prominent artists in- terest in the paid subscription service Tidal — cluding Prince, Taylor Swift and Thom Yorke for which also exclusively carries his megastar wife its royalty system, which many musicians say Beyonce’s much-touted visual album “Lemonade” leaves them underpaid. In June, Forbes declared — briefly becoming a top downloaded app. Hov rap’s first billionaire, estimating $100 million Fans can now stream “4:44” on Spotify for the of his vast fortune came from Tidal. As of 2016, first time, along with classics like “The Blueprint,” Tidal said it said it had 3 million users. Today, “American Gangster” and “Watch the Throne.” Spotify says it has 248 million users, including 113 The rapper has the second-most top albums in million who pay for premium service.— AFP First glimpse of latest Instagram to require birth dates in move to block underage use Bond film goes online nstagram said Wednesday it would require more than a billion users. new users to verify they are at least 13 It was not immediately clear how Instagram ar chases, machine gun fire and love Iwhen they join the visually focused, Face- would protect against young people providing interest: fans of James Bond on book-owned social network. The move aims to false information, which has been a persistent CWednesday got their first taste of the help Instagram comply with a US law and its issue for social media. The announcement came upcoming film featuring the fictional British own policies that require any user to be at least a day after a TechCrunch article which noted superspy, “No Time To Die”. A trailer on the 13. “Asking for this information will help pre- that Instagram did not follow the example of official 007 Twitter account shows sharp- vent underage people from joining Instagram, most of its social media peers in checking the suited Bond, played by British actor Daniel help us keep young people safer and enable ages of users, which could put the network in Craig, evading capture in his Aston Martin more age-appropriate experiences overall,” an violation of the Child Online Privacy Protection sports car and jumping off a viaduct. Making Instagram blog said. The company said the age Act. The article noted that Facebook and Insta- a return alongside the suave secret agent is information would not be visible to others but gram both employed moderators who may lock actress Lea Seydoux, whose character would help in creating “age-appropriate and the accounts of any users they suspect are Madeleine Swann provided the obligatory safer experiences” on the social network with under 13.— AFP love interest in the last film, “Spectre” (2015). “Why would I betray you?” she asks Bond as they hurtle through narrow streets at breakneck speed while being shot at. “We all have our secrets,” Bond replies. “We just didn’t get to yours yet.” The 25th instalment of the British spy An employee holds a saga, due out in April, sees Bond drawn out cup with the Insta- of retirement in Jamaica by his old friend and gram logo at Face- CIA agent Felix Leiter. He is asked to em- book’s corporate bark on a treacherous mission to rescue a headquarters during a kidnapped scientist, according to Universal media event in Menlo Pictures. Rami Malek, who won a best actor Park, California.— Oscar for his depiction of Queen frontman AFP Freddie Mercury in “Bohemian Rhapsody”, plays the villain in the long-awaited movie. Craig, 51, who had to undergo minor she says to 007, warning him to “stay in your ankle surgery after an injury on set, is ex- lane”. British actress and writer Phoebe pected bow out after eight years as agent Waller-Bridge (“Fleabag”) was involved in 007. The trailer introduces a new rivalry be- the script to help improve the portrayal of tween the ageing Bond and a new spy, women, after repeated claims of misogyny played by British actress Lashana Lynch. and sexism. — AFP “The world’s moved on, Commander Bond,” ‘The rapist is you’: Chile hymn against sexual violence goes viral housands of women have mobbed the Na- wearing red scarves and blindfolds, converged on the cent weeks been staged around the country and demonstration. First created by the feminist collective tional Stadium in Chile’s capital for a flash de- sporting venue in the early evening after a call-out on around the world. Similar performances have been LasTesis, based in the Chilean seaside town of Val- Tnunciation of sexual violence-the latest social media networks. “The fault is not with me, nor staged by women as far away as Paris, Barcelona and paraiso, the performance began to be emulated after performance of a battle-cry that has seized public at- where I was, nor how I was dressed... The rapist is Mexico City. “It was a great experience to share this reports of police violence against women and as tention during weeks of national unrest. Women of all you!” the group sang, stomping their feet and waving with thousands and thousands of women,” 66-year- countrywide demonstrations against the government ages from around Santiago, dressed in black and their arms in a choreographed routine that has in re- old Jacqueline Saintard told AFP after Wednesday’s gained steam. —AFP .
Recommended publications
  • Open Steinle Cory Kanyecriticism.Pdf
    THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF COMMUNICATION ARTS & SCIENCES “I THOUGHT ABOUT KILLING YOU”: CONSIDERING THE UTILITY OF RHETORICAL AND BIOGRAPHICAL CRITICAL APPROACHES TO KANYE WEST’S YE CORY N. STEINLE SPRING 2020 A thesis submitted in partial fulfillment of the requirements for baccalaureate degrees in Communication Arts and Sciences and Labor and Employment Relations with honors in Communication Arts and Sciences Reviewed and approved* by the following: Bradford Vivian Professor of Communication Arts & Sciences Thesis Supervisor Lori Bedell Associate Teaching Professor in Communication Arts & Sciences Honors Adviser * Signatures are on file in the Schreyer Honors College. i ABSTRACT This paper examines the merits of intrinsic and extrinsic critical approaches to hip-hop artifacts. To do so, I provide both a neo-Aristotelian and biographical criticism of three songs from ye (2018) by Kanye West. Chapters 1 & 2 consider Roland Barthes’ The Death of the Author and other landmark papers in rhetorical and literary theory to develop an intrinsic and extrinsic approach to criticizing ye (2018), evident in Tables 1 & 2. Chapter 3 provides the biographical antecedents of West’s life prior to the release of ye (2018). Chapters 4, 5, & 6 supply intrinsic (neo-Aristotelian) and extrinsic (biographical) critiques of the selected artifacts. Each of these chapters aims to address the concerns of one of three guiding questions: which critical approaches prove most useful to the hip-hop consumer listening to this song? How can and should the listener construct meaning? Are there any improper ways to critique and interpret this song? Chapter 7 discusses the variance in each mode of critical analysis from Chapters 4, 5, & 6.
    [Show full text]
  • Kanye Album Download DOWNLOAD ALBUM: Kanye West & Sunday Service Choir – Emmanuel EP ZIP
    kanye album download DOWNLOAD ALBUM: Kanye West & Sunday Service Choir – Emmanuel EP ZIP. DOWNLOAD Kanye West & Sunday Service Choir Emmanuel EP ZIP & MP3 File. Ever Trending Star drops this amazing song titled “Kanye West & Sunday Service Choir – Emmanuel EP Album“, its available for your listening pleasure and free download to your mobile devices or computer. You can Easily Stream & listen to this new “ FULL ALBUM: Kanye West & Sunday Service Choir – Emmanuel EP Zip File” free mp3 download” 320kbps, cdq, itunes, datafilehost, zip, torrent, flac, rar zippyshare fakaza Song below. DOWNLOAD ZIP/MP3. Full Album Tracklist. 1. Requiem Aeternam 2. O Mira Nox 3. O Magnum Mysterium 4. Puer 5. Gloria. Free Download! Kanye West The College Dropout. Kanye West The College Dropout Album 2004 Download, free direct zip, zippyshare stream, mediafire mp3 songs. Kanye West The College Dropout Download working hot. "Never let me down" is influenced by the near-death car crash occurring in West. The song features Jay-Z, who, despite his chart success, is rhyming about retaining wealth and influence while Western focuses on racism and deprivation. The album features lyrics from spoken word actor J. Ivy who gives uplifting words. "Nobody Let Me Down" reuses a verse from Jay-Z first heard in his song "Hovi Boy" remix. "Through the Wire" features Chaka Khan's high-pitched vocal sample and describes West's real life experience of being in a car accident.[11] The song offers a largely comic account of his complicated recovery, and features West rapping of his jaw still wired from the crash.
    [Show full text]
  • Considering the Worthy Sacrifice Hip Hop Artists May Need to Make to Reclaim the Heart of Hip Hop, Its People
    It’s Not Me, It’s You: Considering the Worthy Sacrifice Hip Hop Artists May Need to Make to Reclaim the Heart of Hip Hop, its People by Sharieka Shontae Botex April, 2019 Director of Thesis: Dr. Wendy Sharer Major Department: English The origins of Hip Hop evidence that the art form was intended to provide more than music to listen to, but instead offer art that delivers messages on behalf of people who were not always listened to. My thesis offers an analysis of Jay-Z and J. Cole’s lyrical content and adds to an ongoing discussion of the potential Hip Hop artists have to be effective leaders for the Black community, whose lyrical content can be used to make positive change in society, and how this ability at times can be compromised by creating content that doesn’t evidence this potential or undermines it. Along with this, my work highlights how some of Jay-Z and J. Cole’s lyrical content exhibits their use of some rhetorical strategies and techniques used in social movements and their use of some African American rhetorical practices and strategies. In addition to this, I acknowledge and discuss points in scholarship that connect with my discussion of their lyrical content, or that aided me in proposing what they could consider for future lyrical content. I analyzed six Jay-Z songs and six J. Cole songs, including one song from their earliest released studio album and one from their most recently released studio album. I examined their lyrical content to document responses to the following questions: What issues and topics are discussed in the lyrics; Is money referenced? If so, how; Is there a message of uplift or unity?; What does the artist speak out against?; What lifestyles and habits are promoted?; What guidance is provided?; What problems are mentioned? and What solutions are offered? In my thesis, I explored Jay-Z and J.
    [Show full text]
  • Basquiat and the Bayou,’ the No
    The Times-Picayune October 20, 2014 GAGOSIAN GALLERY ‘Basquiat and the Bayou,’ the No. 1 Prospect.3 art festival stop in New Orleans Doug MacCash Franklin Sirmans, artistic director, Prospect.3 international art festival in New Orleans (Photo by Doug MacCash / NOLA.com | The Times-Picayune) Though he died at age 27 in 1988, artist Jean-Michel Basquiat remains among the brightest of American art stars. For a short time, he was a street artist in New York’s burgeoning 1970s graffiti scene. His tag, SAMO, became a graffiti icon. Not long after, Basquiat climbed to the highest rungs of the rarified Manhattan art world, eventually even collaborating on paintings with pop legend Andy Warhol. His celebrity was almost unparalleled among visual artists. His expressionist paintings now hang in museums across the globe and sell for tens of millions. Reebok recently released a line of athletic shoes decorated with Basquiat images. A suite of nine of Basquiat’s artworks based on Southern themes has been assembled for the first time ever on the Ogden Museum of Southern Art’s fifth floor. The exhibit, “Basquiat and the Bayou,” is certain to be the most popular stop during the Prospect.3 art festival that opens Oct. 25 and continues through Jan. 25, 2015. Franklin Sirmans, the artistic director of Prospect.3, has studied Basquiat for years. During a visit to the Ogden on Saturday (Oct. 18), Sirmans explained the amazing persistence of the artist’s popularity. Basquiat, as part of the New York graffiti and club scene in the 1970s and ‘80s, became a link to the beginnings of hip-hop culture, Sirmans said.
    [Show full text]
  • | , , Camps De Luca
    РОССИЯ ПОЛ МАККАРТНИ МАККАРТНИ ПОЛ 8 19 ЯНВАРЬ НОЯБРЬ 7 НОМЕР CОВРЕМЕННАЯ КЛАССИКА | ПОЛ МАККАРТНИ, энциклопедия трикотажа, Camps de Luca, мужские кольца НОМЕР 7 НОЯБРЬ ЯНВАРЬ 819 05/12/2018 10:01 dior.com - 8 800 550 68 85 68 550 800 8 - dior.com PEKMAMA RU_TheRake_205x275_SS19-KJ-SP3_10-12.indd 1 СодержаниеАКАДЕМИЯ 008 ПИСЬМО РЕДАКТОРА 014 НОВОСТИ АКАДЕМИЯ 34 Трикотаж испанской марки Knitbrary вяжут вручную 2 020 В НАЧАЛЕ БЫЛА МУЗЫКА из мериносовой шерсти Как Полу Маккартни удалось записать и «бэби-альпака» в Перу лучший альбом года 028 СТИЛЬ В ЗАКОНЕ Карманный словарь Андрея Панова 030 ГОРДОСТЬ И УБЕЖДЕНИЯ Брунелло Кучинелли возвращает достоинство человеку и земле 034 ШЕРСТЬ КОНТИНЕНТОВ Чем свитер отличается от пуловера и где искать лучший трикотаж 040 В ПЕРЕЛИВАХ ОТТЕНКОВ уфли и немного мистики 044 ТРЕХЦВЕТНОЕ ЗНАМЯ ПОБЕДЫ омми Хилфигер и Льюис Хэмилтон создали совместную коллекцию 048 ВЕНСКОЕ СУПЕРЭГО Где жить, шить и ужинать в столице Австрии 052 ЛОНДОН ЗОВЕТ Элегантность при низких температурах 064 THE RAKISH MEN The Rake Профессионалы и стиль Содержание 44 07 По просьбе The Rake Ральф Лорен перевыпустил архивных галстуков АЕЕ 072 ПРИНЦИП ГАРМОНИИ O ojenka Be oke создали пиджак, смешав стили Англии, Франции и Италии в верной пропорции 076 МЕДВЕЖЬИ ОБЪЯТЬЯ На примере Belve разбираем акту- альный стиль пальто «мишка едди» 078 ДЕСЯТЬ ИЗ ДЕСЯТИ К юбилею марки Ральф Лорен совместно с e Rake перевыпустил десятку лучших галстуков 084 ВЕДАЮТ, ЧТО ТВОРЯТ Homo Faber — выставка, которая The Rake возвращает веру в будущее Содержание
    [Show full text]
  • Critical Excess Watch the Throne and the New Gilded Age Tracking Pop Series
    Critical Excess Watch the Throne and the New Gilded Age Tracking Pop Series Jay-Z and Kanye West’s 2011 Watch the Throne is a self-avowed “luxury rap” album centered on Eurocentric conceptions of nobility, artistry, and haute couture. Critical Excess performs a close reading of the sonic and social commentary on this album, examining how the album alternately imagines and critiques the mutually reinforcing ideas of Europe, nobility, old money, art, and their standard bearer, whiteness. Reading the album alongside Black critical theory and work on the prophetic nature of music, Rollefson argues that through their performance of black excellence, opulence, and decadence, Jay-Z and Kanye West poured gas on the white resentment of the Obama presidency—a resentment that would ultimately spill over into public life, make audible the dog whistling of the Far Right, and embolden white supremacists to come out from under their rocks. Ultimately, Rollefson argues, Jay-Z and Kanye West’s performance of what Rollefson calls “critical excess” on this album exceeds the limits of conspicuous consumption and heralds the final stage of late capitalism—“the New Gilded Age.” J. Griffith Rollefson is professor of music at University College Cork, National University of Ireland. Rollefson is author of Flip the Script: European Hip Hop and the Politics of Postcoloniality and founding co- editor of the journal Global Hip Hop Studies. “J. Griffith Rollefson delivers a fresh and necessary revisitation to Watch the Throne in time for the pivotal album’s 10th anniversary. Rollefson’s Save 30% at analysis is wide-ranging and deep-probing, offering an intersectional framework for understanding Watch the Throne as a significant case press.umich.edu study of engaging hip hop’s tethering to globalization, commercialism, with promotion code and racial performance.” - Regina N.
    [Show full text]
  • “I Gotta Testify”: Conversations on Kanye West, Religion & Hip-Hop
    H-Announce “I Gotta Testify”: Conversations on Kanye West, Religion & Hip-Hop Announcement published by VaNatta Ford on Monday, September 21, 2015 Type: Call for Papers Date: October 19, 2015 Location: United States Subject Fields: African American History / Studies, Black History / Studies, Communication, Popular Culture Studies, Religious Studies and Theology CALL FOR CHAPTER PROPOSALS “I Gotta Testify”: Conversations on Kanye West, Religion & Hip-Hop Editors: Joshua K. Wright, Ph.D., Assistant Professor of History, University of Maryland Eastern Shore VaNatta Ford, Ph.D., Visiting Assistant Professor of Africana Studies, Williams College Adria Goldman, Ph.D., Assistant Professor of Communication, Gordon State College Is Kanye West taking his listeners to heaven or hell? Is he a modern day bluesman promoting the devil’s music or a secular alternative to traditional as well as contemporary religious music? These are important questions to consider when evaluating the spiritual characteristics of hip-hop’s most polarizing artist. Since his 2004 debut album The College Dropout, Kanye West has been engaging his audience in ongoing conversations about God, religion, spirituality, and theodicy. Kanye’s fascination with these topics has been evident since his first hit song “Through the Wire,” which credits God for his survival from a nearly fatal car accident. An alternate music video for his Grammy Award winning song “Jesus Walks,” visualizes man’s personal relationship with Christ by featuring Kanye walking through the hood with his homeboy Jesus. Kanye provides listeners with a revival-like experience through his “GOOD Music” as he testifies on his sophomore album, Late Registration, about God’s mercy, his grandmother’s illness, inequality, temptation, gold diggers, the evils of the world, and “looking extra fly.” His third album, Graduation, with its heavy emphasis on Nommo (a West African term for the generative power of words) and self- Citation: VaNatta Ford.
    [Show full text]
  • Kanye West and Male Emotionality 1 the Department of Communication
    Kanye West and Male Emotionality 1 The Department of Communication Arts and Sciences Kanye West, Emotionality, & Individualism – Pioneering a Paradigm Shift Amongst Rap’s Elite Cory Steinle The Pennsylvania State University Kanye West and Male Emotionality 2 Abstract By analyzing countless song lyrics, criminal data, and investigate interviews from popular rappers, I was able to draw the conclusion that Kanye West had a significant and quantifiable impact on the frequency of emotionality & individualism within popular rap music. His status as a celebrity allowed for the cathartic release of emotions throughout his music career to be labeled as “revolutionary.”. At the time he released his freshman album, The College Dropout (2004), violence and hate were two emotions largely represented in the popular rap sphere. This was the aftermath of a previous decade of rap music besieged by violent, criminalistics themes inspired by rap’s very best – Biggie, Tupac, Snoop Dogg, and N.W.A. However, with Kanye’s new “pink polo” Chicago style, he was successfully able to enter the marketplace with a unique, individualistic style and sound. Themes of individualism and healthy emotionality can be found throughout his career, from his 2002 single “Through the Wire” through his seventh solo studio album, The Life of Pablo (2016). He stayed true to these themes throughout his first three studio albums, but it was his fourth album, 808’s & Heartbreak, that truly shifted the paradigm of rap music. This album cemented West’s place in history as one of the most influential artists of his time, inspiring many of his peers to adopt similar styles and motives as his own.
    [Show full text]
  • Steve Mcqueen Interviews Kanye West”, Interview Magazine, January 22, 2014
    Steve McQueen, “Steve McQueen Interviews Kanye West”, Interview Magazine, January 22, 2014 What's there left to say about Kanye West? Certainly, West himself would have plenty to say. After all, he's the guy who, during an NBC telethon to benefit the victims of Hurricane Katrina, proclaimed, off script, that "George Bush doesn't care about black people." He's the guy who stormed the stage at the 2009 MTV Video Music Awards and announced that his good friend Jay-Z's significant other, Beyoncé, should have won the prize just bestowed upon the perpetually in faux-awe Taylor Swift. He's the guy who, in front of the large fabricated-mountain set on his recent "Yeezus" tour, has alternately taken aim at Hedi Slimane, Bernard Arnault, François-Henri Pinault, and Nike; likened himself to Steve Jobs, Walt Disney, and Michelangelo; embarked on a long and winding monologue about Lenny Kravitz (at which Kravitz was present); and asked Google head Eric Schmidt to invest in his design firm Donda (named after West's late mother)—all while still retaining the level-eyed insight to hold Le Corbusier and Q-Tip as inhabitors of similarly lofty creative planes. A lot of it, of course, is just old-fashioned "I'm the Alpha with no Omega" hip-hop theater. But some of it seems to emanate from some deeper, less performative place for West. Lest we forget that before he was a pop-star polymath, he was an in-demand producer whose aspirations to become a rapper in his own right were thoroughly and consistently dismissed by the very people who were profiting from his skills as a songwriter and beat- maker.
    [Show full text]
  • When the Beat Drops: Exploring Hip Hop, Home and Black Masculinity
    University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School April 2020 When the Beat Drops: Exploring Hip Hop, Home and Black Masculinity Marquese Lamont McFerguson University of South Florida Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the African American Studies Commons, Communication Commons, and the Feminist, Gender, and Sexuality Studies Commons Scholar Commons Citation McFerguson, Marquese Lamont, "When the Beat Drops: Exploring Hip Hop, Home and Black Masculinity" (2020). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/8321 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. When the Beat Drops: Exploring Hip Hop, Home and Black Masculinity by Marquese Lamont McFerguson A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Communication College of Arts & Sciences University of South Florida Major Professor: Aisha S. Durham, Ph.D. Frederick Steier, Ph.D. Chris McRae, Ph.D. Gary L. Lemons, Ph.D. Date of Approval: October 25, 2019 Keywords: autoethnography, black popular culture, media studies, art-based research Copyright © 2020, Marquese Lamont McFerguson TABLE OF CONTENTS Abstract .........................................................................................................................................
    [Show full text]
  • Jay Z the Blueprint 3 2009 DELUXE EDITION
    Jay Z The Blueprint 3 (2009) [DELUXE EDITION] 1 / 6 Jay Z The Blueprint 3 (2009) [DELUXE EDITION] 2 / 6 3 / 6 Jay Z-глава первая (chapterone) редкий импорт [Pa] Cd + 3 бонус-трека/рэп ... Jay-Z, ведь в прямом эфире из Гластонбери (2009), совершенно новая, запечатанная редкий больше не издающийся компакт-диск ... Jay-Z - Magna Carta (NEW & SEALED Deluxe Edition CD) ... Blueprint 3, Jay-Z, Good Clean,Import.. Характеристики и техническое описание: CD-диск Зарубежная музыка Медиа Jay-Z:The Blueprint 3, М.Видео.. Aug 06, 2019 · Blacc Hollywood Deluxe Digital Album Now available, ... Money 2009. ... StreetHipHop DDL2 Google search: page 1 - page 2 - page 3. ... Beastie Boys on AllMusic - 1994 - Ill Communication follows the blueprint of Check… ... in which he serenaded Jay-Z and Kanye West join forces for this new album ... On October 9, 2009, Jay-Z kicked off his tour for The Blueprint 3, during which he supported his ... The track ended up being on the deluxe edition of the album. Hallmark Card Studio 2013 Torrent Hhir_jay z__2009__dj_kut_ _the_blac jay z blueprint 3 zip on jay z the jay z the ... 2012 - The 2nd Law [Deluxe Edition] 2013 - Live at Rome Olympic .... "GOTTI" is a song by American rapper 6ix9ine from the deluxe edition of his debut ... 2009, and as the first single from Jay-Z's 11th studio album, The Blueprint 3.. International superstar and multi-media mogul, JAY-Z confirms the most highly speculated date in recent music history. Friday, September 11, 2009 is the official .... jay z discography download Hola amigos esta semana con la buena musica ..
    [Show full text]
  • The American Reception of Jay-Z & Kanye
    Backstage Pass Volume 1 Issue 1 Article 14 2018 Watching the Throne: The American Reception of Jay-Z & Kanye Ted Lin-Cereghino University of the Pacific, [email protected] Ted Lin-Cereghino (2019) is pursuing a degree in Arts & Entertainment. This article was written as part of the curriculum for the Bachelor of Music in Music Management and the Bachelor of Science in Music Industry Studies at University of the Pacific. Each student conducted research based on his or her own areas of interest and study. To learn more about the program, visit: go.pacific.edu/musicindustry Follow this and additional works at: https://scholarlycommons.pacific.edu/backstage-pass Part of the Music Commons Recommended Citation Lin-Cereghino, Ted (2018) "Watching the Throne: The American Reception of Jay-Z & Kanye," Backstage Pass: Vol. 1 : Iss. 1 , Article 14. Available at: https://scholarlycommons.pacific.edu/backstage-pass/vol1/iss1/14 This Opinion & Analysis is brought to you for free and open access by the Conservatory of Music at Scholarly Commons. It has been accepted for inclusion in Backstage Pass by an authorized editor of Scholarly Commons. For more information, please contact [email protected]. Lin-Cereghino: Watching the Throne: The American Reception of Jay-Z & Kanye Watching the Throne: The American Reception of Jay-Z & Kanye By: Ted Lin-Cereghino In today’s world, the two most well-known hip hop artists are arguably Kanye West and Jay-Z. Between the two, they have amassed 42 Grammys, 23 platinum albums, and 87 million albums sold.1 Here are two incredibly successful African American music businessmen who do and sell the same things.
    [Show full text]