2014 Next Wave Festival OCT 2014 Sponsored by Time Warner Inc.

Roberto Diago, Aqui Estoy, 2014

Published by: Season Sponsor: Brooklyn Academy of Music

Alan H. Fishman, Chairman of the Board Moment William I. Campbell, Vice Chairman of the Board

Adam E. Max, Vice Chairman of the Board Marigold Karen Brooks Hopkins, President

Joseph V. Melillo, Choreography by Executive Producer Jodi Melnick

DATES: OCT 8—11 at 7:30pm

LOCATION: BAM Fisher (Fishman Space)

RUN TIME: 53min (no intermission)

Season Sponsor

Time Warner Inc. is the BAM 2014 Next Wave Festival Sponsor

Leadership support for dance at BAM provided by The Harkness Foundation for Dance

Major support for dance at BAM provided by The SHS Foundation.

#MOMENTMARIGOLD BAM Fisher 2014 NEXT WAVE FESTIVAL

performers into the process later in the game. With Moment Marigold, the need for the aloneness, and loneliness, Moment in the studio evaporated. It quickly became clear that this work needed the presence of both EmmaGrace and Maggie very early on in the process. I Marigold was working with ideas of the constant unfolding/unraveling of movement, of gnarled knots and images, motionless movement, pulled from a never- CHOREOGRAPHY ending desire to create new physical Jodi Melnick sequences and sensations in the body. Within the plentitude of dance PERFORMERS material we reference motifs from Jodi Melnick previous moments in the piece but not EmmaGrace Skove-Epes as an attempt to establish a thematic Maggie Thom structure. These references are fleeting, used to rouse the work into the next MUSIC phase of unraveling. The work is driven Steven Reker by our physical expressiveness; the body is the living, sensing, biological LIGHTING DESIGN plant that we implement as our Joe Levasseur aesthetic material. The experience of the performer drives the work without COSTUME DESIGN it being about the persona. I question Reid Bartelme & Harriet Jung if that is possible. Once the work was well on its way to becoming what I thought it was going to be, it changed drastically as it meshed with the actual space, Joe’s lighting design, Steven’s score, and Reid and Harriet’s costume Creation of Moment Marigold was design. This is the nature of it—it is a made possible in part by the Doris living thing. Duke Charitable Foundation, ADI in Rockville Maryland, and the John These thoughts/notes are just Simon Guggenheim Foundation. fragments of the palette I was pulling from while creating the work. I am not testing any model that supports or NOTES ON MOMENT MARIGOLD refutes a thesis­—rather I engage with a continuous act of creating. Entering the studio and developing movement has always been the —Jodi Melnick governing principle of my approach to dance making. I have always done this alone and then brought other dancers/

Photo: Jodi Melnick by Stephanie Berger 2014 NEXT WAVE FESTIVAL

John). Melnick collaborated with artist Exchange/Spoke the Hub in 2011. Spradlin, Sarah Michelson, David Dorf- Burt Barr (Fanfare, 2009), and has Her past performance credits include man, Jodi Melnick, Beth Gill, Maria appeared in the video work of artists Martha Bowers, Leslie Arlette Boyce, Hassabi, Ishmael Houston-Jones, Who’s Charles Atlas and Jillian Peña. Melnick Noémie LaFrance, Sondra Loring, LeeSaar the Company, Anna Sperber, worked with Donna Uchizono (2005— Meredith Monk, Susan Osberg, Aileen Megan Sprenger, and Christopher 08), creating and performing in a trio Passloff, Jesse Philips-Fein, Dana Williams. He has received two Bessie with Mikhail Baryshnikov and Hristoula Salisbury, Maria Simpson, and Nadia Awards for his design work, including Who Harakas, and danced with the Twyla Tykulsker/Spark(edit) Arts. Skove-Epes one with Big Dance Theater for Comme Tharp Dance Company from 1991— is pursuing her MFA in dance at Sarah Toujours Here I Stand. In 2009, his 94 and again in 2009. Melnick is Lawrence College. Drop Clock installation was featured in JODI MELNICK immensely grateful to all of the artists the lobby of Dance Theater Workshop. Choreographer she has worked with in the past, those In 2010, he showed a collection of MAGGIE THOM aforementioned as well as Yoshiko original paintings at PS 122. Ongoing Performer Jodi Melnick is a New York City-based Chuma, Nina Wiener, Irene Hultman, projects include lighting work for Jenni- choreographer, dancer, and teacher. Dennis O’Connor, Tere O’Connor, David Maggie Thom was born and raised in fer Monson, Big Dance Theater, Wendy Melnick is a 2014 Doris Duke Impact Neumann, Liz Roche, Lance Gries, New York City and received her BA Whelan, and Palissimo. Assistant to the Award recipient, a 2012 Guggenheim Yves Musard, Patricia Hoffbauer, and from Wesleyan University. Thom has Lighting Designer: Daniel Stearns Fellow, received a Jerome Robbins Russell Dumas. danced in five projects with Juliana F. joelevasseur.com New Essential Works Grant (2010— May/MAYDANCE, performing at NYLA, 11), a Foundation for Contemporary Currently, Melnick teaches technique the Chocolate Factory, University of Arts 2011 Grants to Artists Award, STEVEN REKER and composition at Barnard College, /Milwaukee, and Abrons Art and has been honored with two Bessie Music NYU (Experimental Theater Wing), as Center. Since 2007, Thom has worked Awards for sustained achievement in a guest teacher at Sarah Lawrence Col- with Sara Rudner appearing in Dancing dance (2001 and 2008). Her work Steven Reker is a Brooklyn-based lege, and the Trevor Day School. on View at the Baryshnikov Arts Center has been presented at New York City musician and choreographer who and the Institute of Contemporary Art Center, the Joyce Theater, New York founded the band People Get Ready in Boston. Thom has also danced with Live Arts (NYLA), The Kitchen, La in 2009. The group has presented EMMAGRACE SKOVE-EPES Vicky Shick at The Kitchen, mute/Me- MaMa, Jacob’s Pillow, American Dance their music and performance pieces at Performer gan Boyd and Luka Kito, Laurel Jen- Festival, Martha’s Vineyard, OtherShore The Kitchen, NYLA, Death by Audio, kins Tentindo, Stacy Grossfield, Molly Baryshnikov Arts Center, BAM, Skirball Dance Company, Barnard College, EmmaGrace Skove-Epes is a dancer Poerstel, and participated in Sarah Center (LA), Glasslands Gallery, and Sarah Lawrence College, and George and choreographer born and raised in Maxfield’s improvisational score In many other venues and performing Washington University. She created Brooklyn. Her work has been presented and Out of Uniform. In May of 2012, art centers in and outside of NY. He a new solo for Taryn Griggs (2014 at the Current Sessions (NYC), AUNTS, Thom wrote a “Why I Dance” column has worked as a musician-composer McKnight awardee), and has been Brooklyn Bridge Park, Center for for Dance magazine. Thom is an early and/or dancer-choreographer with the presented internationally: in Kansai, Performance Research, Gibney Dance childhood educator, teaches move- artists Yoshiko Chuma, David Byrne, Japan, for DanceBox; in Belfast, Center, Gowanus Arts Exchange, HERE ment and yoga to students of all ages, Robert Wilson, Bill T. Jones, Yasuko Ireland, opening the Dublin Dance Fes- Arts Center, Irondale Center for Theater, and is currently on faculty at Plymouth Yokoshi, Miranda July, and Annie-B tival in 2011; and in Tallinn, Estonia. Judson Memorial Church, Nothing Church School in Brooklyn Heights. Parson. Future projects include the In 2012, Melnick collaborated with Space, Paradise Theater, Performing staging of Richard Brautigan’s novella Trisha Brown, creating and performing Arts Conservatory of New Canaan, In Watermelon Sugar at The Kitchen in the solo One of Sixty Five Thousand Theaterlab, Triskelion Arts, Westbeth, JOE LEVASSEUR 2015. His new solo project MUSCLE Gestures. Melnick continues to perform and the 92nd St Y. Skove-Epes was the Lighting Design MEMORY will be premiering in 2015 and collaborate with choreographers recipient of a space grant at Brooklyn as well. He is so happy to be working such as Sara Rudner, Vicky Shick, Arts Exchange in 2012, and a space Joe Levasseur has collaborated with with Jodi again. Jon Kinzel, Susan Rethorst, and John grant and residency at Gowanus Arts many dance and performance artists Jasperse (creating Becky, Jodi, and including John Jasperse, RoseAnne 2014 NEXT WAVE FESTIVAL

REID BARTELME & Special Thanks: HARRIET JUNG Costume Design Heartfelt thanks to EmmaGrace and Maggie for your unwavering Reid & Harriet Design is a clothing commitment, inspired dancing, and design studio in New York City founded humor. by Reid Bartelme and Harriet Jung in 2011. They first met as classmates at Thank you, Joe and Steven. the Fashion Institute of Technology and, in collaboration, they have designed Thank you, Reid and Harriet. costumes for choreographers Justin Peck, Marcelo Gomes, Andrea Miller, Thank you to Joe Melillo and the entire Emery Lecrone, Kyle Abraham, Mauro staff and crew at BAM Fisher. Bigonzetti, and Doug Varone. They have costumed productions at Ameri- Thank you to Adrienne Willis, Ruth can Ballet Theatre, New York City Bal- Moe, Jason Wells, and the entire staff let, and BalletNext and have produced at the American Dance Institute (ADI) clothes for commissioned works at Fall for incubating this work. for Dance, the Youth America Grand Prix, and Dancers Responding to AIDS. More heartfelt thanks to Sara Rudner, Current projects include new Justin Vicky Shick, Doris Reyes, Jon Kinzel, Peck creations for Miami City Ballet Burt Barr, Trisha Brown, Sarah Mi- and Pacific Northwest Ballet. Along chelson, Laurie Roth, Dean Villarini, with Justin Peck, they are featured in Katie Glasner, and the creative space at the documentary Ballet 422 which Barnard College. premiered at the 2014 Tribeca Film Festival.

Photo by Maggie Picard, Courtesy of ADI

BAM

Official Beverage of BAM

Salutes BAM

BAM 2014 Next Wave Festival Sponsor

Salutes Oct 2014

Contents

Birds With Skymirrors Black Mountain Songs

Birds With Skymirrors. Photo: MAU Photo: Hazel Larsen Archer Lemi Ponifasio stretches time and broaches issues of climate change and global warming. Bryce Dessner and Dianne Berkun-Menaker by Brian McCormick answer questions about Black Mountain Songs, a suite of commissions by contemporary BASETRACK Live composers inspired by the legendary progressive Marines connect online with their loved ones in college. BASETRACK Live, offering a glimpse into life on the frontlines.

Cover Artist

Robert Diago Known for interweaving elements of his Afro-Cuban roots and involvement with the Abakua (a religious male secret society), Roberto Diago addresses issues of race, slavery, and religion in his artwork. He figuratively incorporates both historical and contemporary references through a variety of materials such as canvas, bamboo, and recycled materials in collages. The use of text and religious symbols brings subjects of the past to the present day.

Diago graduated from the Academia de Artes Plásticas San Alejandro, Havana in 1990 and is a member of the Unión de Escritores y Artistas de Cuba (UNEAC). He has exhibited internationally and most recently particpated in the 2012 Havana Bienal, Queloides at the Mattress Factory, Harvard University, and The 8th Floor. He was awarded the Juan Francisco Elso Prize by the National Fine Arts Museum, Cuba.

This work is currently available for purchase for $25,000; all proceeds benefit Roberto Diago, Aqui Estoy, 2014. Mixed media, 78-3/4” x 59”. Image courtesy of the artist and BAM. For more information please contact Holly Shen Chaves, Curator of Magnan Metz Gallery, New York Visual Arts, at [email protected] or 718.636.4101. 2014 NEXT WAVE FESTIVAL #BasetrackLive Photos courtesy the company

BASETRACK Live—

The AfghanistanVirtually war, started after 9/11, is one In performances Home at the University of Florida in of the costliest and longest wars our country has Gainesville we experimented with script and seen. While there has been no lack of coverage, structure with the whole creative team. In a unfiltered reports from people directly affected second residency at ASU Gammage in by the war are harder to come by. That is why we focused on integrating the technological the photojournalist Teru Kuwayama’s Facebook elements, refining the video, music, and live project Basetrack created so many waves in performance in relationship to one another. 2010. It provided a platform not only for marines on the frontline, but also for their families and The central characters are AJ, a Marine, and friends to connect and tell the world what they his newlywed, Melissa. Their lines are taken saw and felt. Those first-hand accounts are now from interviews with them. They face difficulties a theater work, BASETRACK Live, created by because of AJ’s war experience. Is their story Edward Bilous and directed by Seth Bockley representative of military couples? How are they (Harvey Theater, Nov 11—15). Using words coping with having their lives seen by thousands and images culled from the Basetrack archive of strangers? and interviews conducted by the creative team, AH: Their experience is typical for young recruits this multi-media work features two actors, four returning home. Many people enlist when they musicians, and a cascade of images and videos, are very young, and then go overseas for multiple telling the firsthand stories of marines and their deployments, placing real strain on their families. families. For producer Anne Hamburger, to get The war also changes people and coming home it on stages around the country is as much an is a huge, often misunderstood adjustment. This artistic adventure as a civic engagement. She is one of the issues that BASETRACK Live vividly discusses the genesis and goals of BASETRACK portrays. AJ and Melissa—thrilled and grateful Live. that their story is at the center of Basetrack Live—attended our world premiere in Austin, and What are the challenges in bringing this show to BAM. the stage? Anne Hamburger: As BASETRACK Live is a truly Does the show take a stand on Afghanistan war collaborative, multi-media piece, it can’t exist as or war in general? a script on paper. It’s only when the elements AH: No. BASETRACK Live is about the human come together that you know how they relate. side of war. The show focuses on one Marine BASETRACK LIVE #BasetrackLive

Unit in particular, the 1st Batallion 8th Marines, and their families. These people and their aspirations and struggles represent a much larger population of people in America affected by war. It is not specific to one branch of the service, nor is it gender or race specific.BASETRACK Live doesn’t sensationalize or victimize the veterans in this story. It shows a truthful, unblemished picture of a group of young men who go to war and come back changed.

How do you think civilians will be able to relate to the show? AH: It’s difficult not to be moved by the genuine sentiments of the young corpsmen who have worked very hard to earn the right to call themselves Marines. They may be the toughest warriors in the world, but it’s all about what’s in their hearts. BASETRACK Live portrays universal BASETRACK Live has a strong music element. issues. The impact of war relates to us all. What is the function of music?

AH: There is a four-piece band onstage that plays a dynamic electro-acoustic score that runs throughout. The music, composed by Michelle DiBucci, Edward Bilous, and Greg Kalember has tremendous variety. A hip-hop number is embedded within a sweeping cinematic score that triggers a cascade of photographs and videos, filling the stage.

Melissa talks about the importance of electronic communication to connect with AJ. Does the advance of technology help everyone—soldiers, families, the public—formulate a more informed opinion about war? AH: First, for the photojournalists who took enormous personal risks to document the war, the technology gave them an audience when There is an extensive outreach to the military the major “news” outlets weren’t interested. communities surrounding this production. What Incredibly, their website earned five million hits— is that and what’s its purpose? people seeking hard news from Afghanistan, but also from the families of the Marines stationed AH: BASETRACK Live is unique in that it there. For Melissa and her contemporaries who can bring together people not normally in have grown up connected by cell phones and conversation, those who have an up-close the internet, the thought of being completely and first-hand experience of the war, and out of contact is practically unimaginable. But, those who know nothing beyond the news. of course, that separation is a consequence of The performance gets people talking, and our serving at the frontlines. That’s what made the outreach efforts help make these conversations initial Basetrack project so compelling. It was meaningful and ongoing. One percent of the a lifeline to the families. They were grateful to American public serves in today’s military; use social media to connect to their loved ones, many of the men and women are on multiple and also to find a community where there was deployments. It is important to understand what support and understanding. they are experiencing. Photos courtesy the company BIRDS WITH SKYMIRRORS #BirdsWithSkymirrors Photo: MAU

The Last Dance on by Brian McCormick

Visionary and provocative, fearless, endless, and Earthyou will experience in a performance by MAU,” beautiful: the work of Lemi Ponifasio requires a he adds. “It is like a Zen garden, where you letting go of expectations, and having patience contemplate your own existence. You are the to inhabit timeless space; clocks have no place flower, and you are open to find your own truth.” here. His creations transcend genres, mastering a palette that mixes dance, theater, and Time is stretched and snapped in MAU perfor- ceremony, and draws from visual art, politics, mances. The usual comforts of spectatorship are philosophy, race relations, history, tradition, and challenged, with barely perceptible movement, myth. His work has been compared to that of dark lighting, and mysterious imagery, laced Robert Wilson and Pina Bausch—and in strictly with obscure, visceral verses characterized by formal terms, he would agree. sharp, manic activities. The effect is intentional: time blurs when people are faced with a life- What distinguishes MAU, Ponifasio’s community threatening crisis. Our perception slows, clarifies. of collaborators from his native Samoa, When things return to normal, there is a rush. New Zealand, and the south Pacific, is their A similar heightened state of awareness can be transformation of the theater into a ritual space experienced in a performance by MAU. of striking urgency. The name MAU, taken from the Samoan independence movement in New In Birds With Skymirrors, at the Howard Zealand, means “a declaration to the truth of a Gilman Opera House Nov 19 to 22, Ponifasio matter, or revolution, as an effort to transform.” approaches the crisis of climate change and ocean pollution. For him, and the people around “I don’t just make theater for those who love it,” him, time has already run out. The title of the Ponifasio explains. “Theater often deals with the work comes from seeing frigate birds flying with human, phenomenal world. I’m not trying to tell videotape in their bills that reflected the sun, a story. I’m not interested with the superficial, on the home island of one of his collaborators. but the cosmological. I’m inviting people to take But Birds With Skymirrors is not a lecture to time to stop and commune in that place—to the West about environmental responsibility; suspend time, and dissolve space. If you can it is a karanga, a reflection on or genealogical imagine a garden without flowers, this is what ceremony of humanity’s relationship with the BAM

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Salutes 2014 NEXT WAVE FESTIVAL #BirdsWithSkymirrors

other living things of the Earth. It is a call to on characteristics of flightless birds. Film footage contemplate, not a cri de coeur. of a pelican trapped in an oil slick takes on deeper, closer meaning, in which we now see “When we are sick, we behave sickly. The quality our own fragility. A naked man with the green of how we animate ourselves,” said Ponifasio, “is head of a bird appears, a god perhaps, and a related directly to the quality of our being. I made hopeful hue in an otherwise colorless world. this work because of what’s around me, because of people close to me, who come from Tuvalu A disquieting score of water sounds, chants, and Kiribati, where the effects of rising seas and NASA recordings, and other noises of nature and ocean pollution are happening now. You think progress keep the pace, and hurry it along during about people you work with, and what’s going to sequences that suggest alarm at our obsessive happen to them.” relationship with technology. Dark yet distinctive lighting design by longtime collaborator Helen A manifest darkness physically penetrates the Todd contributes significantly to establishing the stage in Birds With Skymirrors, a black monolith low-range perceptual continuum in space that slicing diagonally from the ground upward. Ash the dance and choreography make with time. is ceremonially dusted onto the floor, and then danced on—an invocation, or maybe a reflection For Ponifasio, Birds With Skymirrors answers on the way in which we are walking in the the question, what would the last dance on steps of our ancestors. A bare torso undulates earth look like? Tragically, in some places, it has softly, like a gentle wave under a dim light, already happened. conveying a primal beauty in one moment, and the haunting image of a de-feathered creature Brian McCormick leads the After School Critical in distress the next. Hands flutter, aping wings. Response program at Baryshnikov Arts Center Anthropomorphism is inverted, as humans take Photo: Sebastian Bolesch BAM Directory

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BAM Marquee sponsor Salutes Thanks to our Next Wave Festival supporters

Season Sponsor: The 2014 Next Wave Festival is Next Wave Festival supporters: dedicated to the late Hamish Maxwell— Frances Bermanzohn & Alan Roseman a corporate visionary at Philip Morris, a Brooklyn Community Foundation dedicated BAM trustee, a valued advisor, William I. Campbell & Christine and a generous BAM supporter together Wächter-Campbell with his wife Georgene. The Gladys Krieble Delmas Foundation BAM 2014 Next Wave Festival Sponsor: Aashish & Dinyar Devitre The Rolex Institute supports emerging Epstein Teicher Philanthropies artists at BAM Judith R. & Alan H. Fishman Endowed funds supporting the Next Ford Foundation Support for the Howard Gilman Signature Wave Festival: The Howard Gilman The Grand Marnier Foundation Artist Series provided by: Foundation; Lila Wallace-Reader’s Gotham Organization, Inc. Digest Endowment Fund for Community, The Francena T. Harrison Educational, and Public Affairs Programs Foundation Trust at BAM; The SHS Foundation; The The Hearst Foundations, Inc. Andrew W. Mellon Foundation Fund for Stephanie & Timothy Ingrassia Opera and Music-Theater; The Peter Frederick Loewe Foundation Programming in the BAM Harvey Theater Jay Sharp Fund for Opera and Theater; Diane & Adam E. Max is endowed by the Doris Duke Charitable The Ford Foundation Fund to Support McKinsey & Company, Inc. Foundation. Collaborative Creativity Among U.S. The Ambrose Monell Foundation Artists; Estate of Richard B. Fisher; BAM Henry and Lucy Moses Fund, Inc. Leadership support for BAM’s Fund to Support Emerging and Local Donald R. Mullen Jr. presentation of Shakespeare’s Musicians; The Starr Foundation; Next Samuel I. Newhouse Foundation, Inc. Sonnets provided by The Robert Wave Forward Fund: Altria Group, Inc./ The Reed Foundation W. Wilson Charitable Trust, Founding Sponsor “Supporting the Spirit The Peter Jay Sharp Foundation Aashish & Dinyar Devitre, and of Innovation”; and The Devitre Fund. The SHS Foundation Pablo J. Salame BAM 2014 Music Sponsor: The Morris and Alma Schapiro Fund The Shubert Foundation, Inc. Major support for BAM provided by The Harold and Mimi Steinberg American Express The BAM facilities are owned by the Charitable Trust City of New York and benefit from public Judy & Michael Steinhardt Support of works by women composers funds provided through the New York The Winston Foundation, Inc. provided by Virginia B. Toulmin City Department of Cultural Affairs with Foundation Title Sponsor of BAM Rose Cinemas and support from Mayor Bill De Blasio; BAMcinématek: Cultural Affairs Commissioner Tom Additional support for Basetrack provided Finkelpearl; the New York City Council by Altria Group, Inc. and The Nets including Council Speaker Melissa Foundation Mark-Viverito, Finance Committee BAM Rose Cinemas are named in Chair Julissa Ferreras, Cultural Affairs Major sponsor of Nonesuch Records recognition of a major gift in honor of Committee Chair Jimmy Van Bramer, at BAM: Jonathan F.P. and Diana Calthorpe Rose, the Brooklyn Delegation of the Council, and have been generously supported by and Councilwoman Laurie Cumbo; and The Peter Jay Sharp Foundation, and the Brooklyn Borough President Eric Adams. Estate of Richard B. Fisher.

Official Beverage of BAM: The Steinberg Screen at the BAM Harvey Major support for Black Mountain Songs Theater is made possible by: and Dawn Upshaw & Gilbert Kalish provided by Robert L. Turner

Leadership support for BAM’s BAM would like to thank the Brooklyn presentation of L.A. Dance provided by Delegations of the New York State BAMcafé Live sponsor: The Jerome Robbins Foundation, Inc. Assembly, Joseph R. Lentol, Delegation Leader; and New York Senate, Senator The BAM Fisher Artist Residency receives Velmanette Montgomery, Delegation support from The Harkness Foundation Leader. for Dance Programming in the BAM Lepercq Space Major support for Global BAM Presenting sponsor of BAMkids is supported by The Lepercq Charitable provided by: and community programs Foundation.

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Leadership support for BAM’s presentations of Sadeh21 and Salt of the Earth provided by Nash Family Foundation

Official Piano for BAM: 2014 NEXT WAVE FESTIVAL #BlackMountainSongs

Black Mountain

Songs Photo: Hazel Larsen Archer Between 1933 and 1957, Black Mountain I first learned about College in North Carolina was a model of through the Cage/Cunningham collaboration progressive interdisciplinary learning that posited in its early years; both taught there. I learned the importance of the arts. Brilliant thinkers from about the profoundly important visual artists many genres spent time there: Buckminster there either as teachers, lecturers, or students Fuller, Anni and , John Cage, Merce (, , Robert Cunningham. The rich collaborative spirit of the Motherwell, Willem de Kooning, Phillip Guston, college suffuses Black Mountain Songs, a suite etc.). The decision to create a staged work for of commissioned songs by eight composers the Brooklyn Youth Chorus was born out of a curated by Bryce Dessner and Richard Reed recent exploration of the Black Mountain poets, Parry, sung by the Brooklyn Youth Chorus, such as Robert Creeley and Charles Olson (the directed by Maureen Towey, with a film by Matt last rector of the college), integral to the Black Wolf and sets by Mimi Lien. The composers Mountain story and hugely influential American are Dessner, Parry, Caroline Shaw, Nico Muhly, writers. My idea was to set poems by these Aleksandra Vrebalov, John King, Jherek Bischoff, poets, and it expanded to embrace the ethos of and Tim Hecker. Dianne Berkun-Menaker directs community and collaboration, so essential. The the chorus and conducts. We asked Dessner spirit of learning through doing and emphasis (curator, musician, songwriter, composer, and on self-exploration for both teachers and member of The National) and Berkun-Menaker students seemed like a perfect vehicle to create (chorus director and conductor) about the a collaborative work meaningful to both the project; excerpts follow. young singers and the creative community of composers we embraced for the project. Where did the inspiration come from to honor Black Mountain College? How was that concept conveyed to the Bryce Dessner: I’ve been interested in Black composers when they received the commission? Mountain College for many years. As a kid, I BD: Because the identity of Black Mountain went to summer camp in North Carolina a few was so diverse and creatively expansive, we miles from there and learned to play music in the allowed each collaborator to explore the ideas mountains that spawned some of the greatest and characters of the place on their own. In this artists and movements of the 20th century. spirit, we wanted the process to be inspiring #BlackMountainSongs

for each composer—a process of self-discovery. vocal effect. Aleksandra Vrebalov asked us to The music was written over a three-year period; sound like bubbles rising in air and then give commissions were rolled out on different in to the natural laughter that spontaneously timelines, allowing us to steer artists towards erupted from singing a runaway flurry of scale exploring ideas and texts based on that already patterns. Caroline Shaw introduced slides and covered. For instance, once we had a couple of scoops that dip in and out of the low pulse Cage and Creeley-inspired works we suggested register, and set up choruses of bouncing balls that other composers look elsewhere. In the end dropping and gradually losing momentum. we touched only a fraction of the college’s vast John King led the voices to move freely in time, community. The songs woven throughout the creating beautiful washes of overlaid dissonance show set texts or ideas from Cage, Cunningham, that ultimately clear in a brilliant sonorous Anni and Josef Albers, Olson, Creeley, Fuller, harmony and then slip back into a musical haze. Robert Duncan, Fielding Dawson (including a song set in Kline’s studio), Ruth Asawa (who What Black Mountain figures have inspired you, inspired the stage design), and M.C. Richards. or do you relate to most? BD: I learned more about Anni Albers as a Have you rehearsed with the composers present? teacher and artist. Her weaving classes and Dianne Berkun-Menaker: The Chorus has textile works were a major force at the college rehearsed with composers through the entire and some of the most beautiful artistic work process, beginning with sitting in on rehearsals to come out of Black Mountain. While lesser to experience our sound and range. Often this known than her husband, Josef Albers (the changes the composer’s direction before they’ve first rector and most famous teacher), Anni begun putting pen to paper because the vitality had an incredibly beautiful vision of the role art and vibrancy of the chorus’ sound and the level and creativity could play in the world. Her ideas of difficulty they can handle surprises them. It are still deeply resonant today. Two other big also allows for bonding—we want the composers discoveries for me through creating the show were to hold us in their ears and their hearts when poet Charles Olson and sculptor Ruth Asawa. they write for us. As each of the composers share their inspiration for their music—be it the text or DBM: I am inspired by how artists like John the subject matter—the pieces take on greater Cage and Merce Cunningham embraced meaning. The composers provide a context. innovation of expression and found a way to turn whatever skill and creativity they Working sessions with the composers are vital for possessed into something meaningful. pieces involving non-traditional vocal techniques. The singers enjoy sound exploration and figuring Black Mountain Songs is at the BAM Harvey, out how to mold their technique to each desired Nov 20 to 23.

Brooklyn Youth Chorus. Photo: Elizabeth D. Herman Securing BAM’s Future

BAM Endowment A great institution is built upon on a secure future. At BAM, a growing endowment is the foundation for expansive programming that continues to set new standards for artistic daring and excellence. The BAM Endowment provides the financial underpinning to launch new artistic initiatives, plan for future years, seize opportunities for institutional advancement, and confront unanticipated challenges. BAM sincerely thanks those listed below for their generous support in securing BAM’s future.

$5,000,000 and above $500,000 and above $100,000 and above Richard B. Fisher & Jeanne The Campbell Family Foundation Michael Bailkin, Marvin Levine, Donovan Fisher The Devitre Fund Jesse Masyr, David Stadtmauer The Howard Gilman Foundation Judith R. & Alan H. Fishman Robert & Joan Catell Fund for The Peter Jay Sharp Foundation Charles J. & Irene F. Hamm Education Programs Lila Wallace-Reader’s Digest Maribelle & Stephen Leavitt Neil D. & Kathleen M. Chrisman Endowment Fund for Community, Diane & Adam E. Max Mr. & Mrs. Henry Christensen III Educational, & Mary & Jim Ottaway Jr. in honor of Madison S. Finlay Public Affairs Programs Ruth Blackburne Ottaway Francena T. Harrison Rockefeller Brothers Fund Performance Fund $1,000,000 and above Jonathan F.P. & Diana V.C. Rose Rita K. Hillman Altria Group, Inc./Next Wave Martha A. & Robert S. Rubin HSBC Bank USA, N.A. Forward Fund Nora Ann Wallace & Jack Nusbaum Independence Community Bank BAM Fund to Support Emerging Stephanie & Tim Ingrassia and Local Musicians $250,000 and above Mr. & Mrs. Edgar A. Lampert Brooklyn Community Foundation The Bohen Foundation Annie Leibovitz & Studio The Irene Diamond Fund The Jessica E. Smith and Kevin R. Leo Burnett, USA Doris Duke Charitable Foundation Brine Charitable Trust James McLaren & Lawton Fitt Emily H. Fisher The Charles & Valerie Diker Dance Sarah G. Miller & Frank L. Coulson The Ford Foundation Fund to Endowment Fund The Morgan Stanley Community Support Collaborative Creativity The Horace W. Goldsmith Foundation and Educational Fund Among U.S. Artists Michael Bancroft Goth Endowed J.P. Morgan & Co. Incorporated The Andrew W. Mellon Foundation Annual Performance Fund The Jerome Robbins Foundation, Inc. Fund For Opera & Music-Theater William Randolph Hearst May & Samuel Rudin Family Bruce C. Ratner Endowment for Education and Foundation William Boss Sandberg Humanities Programs Mr. & Mrs. Ame Vennema The Peter Jay Sharp Fund for Opera The Rita & Alex Hillman Foundation Verizon Communications and Theater Carole & Irwin Lainoff The Isak and Rose Weinman The SHS Foundation Maxwell Family Fund in Community Foundation in honor of Madame The Starr Foundation Funds, Inc. Lilliana Teruzzi The Geraldine Stutz Trust, Inc. The Winston Foundation Anonymous

As of September 1, 2014

Photo: Peter Jay Sharp Building, by Ben Cohen Securing BAM’s Future

Planned Giving Another way to help BAM prepare for the future is by making a provision in your estate plans. You create a legacy for many generations to come and ensure BAM’s excellence continues for the next 150 years. Existing options for planned giving include making a bequest in your will, and naming BAM as a beneficiary in your retirement plan or insurance policy, among others. Unless otherwise specified by a donor, it is BAM’s policy to apply planned gifts toward its endowment. Individuals who have made such gifts are recognized in the select group of patrons known as BAM Angels.

Our special thanks to the foresight of the charitable BAM Angels listed below.

BAM Angels Denis Azaro Barbara T. Hoffman David L. Ramsay, MD Bettina Bancroft William Josephson William Boss Sandberg Robert & Joan Catell Charlotte & Stanley Kriegel Louis Sanders Neil D. Chrisman Edgar A. Lampert Harriet L. Senz Mr. & Mrs. Henry Christensen III Harvey Lichtenstein Toni Mendez Shapiro Mallory Factor Phyllis Holbrook Lichtenstein Bella F. Stoll Madison S. Finlay Georgene M. Maxwell Lynn M. Stirrup Richard B. Fisher Scott C. McDonald PaulaMarie Susi Judith R. & Alan H. Fishman Evelyn & Everett Ortner Charlene Magen Weinstein & Barry M. Fox Frank J. & Adeline Pannizzo Laurence Benjamin Molloy Rita Hillman William Winthrop Parsons Judge Franklin R. Weissberg Marie D. Powers Carol Yorke & Gerard Conn

For more information on the BAM Endowment or on Planned Giving opportunities please contact Denis Azaro at 718.636.4193 or [email protected]. All inquiries will remain strictly confidential. BAM

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Salutes Upcoming Events

2014 NEXT WAVE FESTIVAL TALKS ADVENTUROUS ARTISTS, ADVENTUROUS AUDIENCES The Object Lesson | By Geoff Sobelle Warhol’s Films | In conjunction with Exposed: Songs for Directed by David Neumann | Nov 5—8 | FS Unseen Warhol Films | With Claire Henry and Geralyn Huxley Exposed: Songs for Unseen Warhol Films Nov 7 at 6pm | Attic Studio The Andy Warhol Museum and Dean Wareham On Truth (and Lies) in Homecoming | In conjunction Nov 6—8 | OH with BASETRACK Live | With Phil Klay & Nancy Sherman| BASETRACK Live | En Garde Arts | Nov 11—15 | HT Co-presented by BAM and Onassis Cultural Center NY | Nov 9 at Sadeh21 | Batsheva Dance Company | By Ohad Naharin 4:30pm | BC Nov 12—15 | OH Town Hall with Bryan Doerries | In conjunction with Oxbow | Ivy Baldwin Dance | Choreography by Ivy Baldwin BASETRACK Live | Nov 13, post-show | HT Nov 13—16 | FS Iconic Artist Talk: Ohad Naharin | In conjunction with Birds With Skymirrors | Lemi Ponifasio | MAU Sadeh21 | Nov 14 at 6pm | Attic Studio Nov 19—22 | OH MASTER CLASSES Wayfinders| Written and directed by Holcombe Waller ppr FAMILIES FAMILIES FAMILIES Nov 19—22 | FS PRESENTED BY BAM AND MARK MORRIS DANCE GROUP Black Mountain Songs | Brooklyn Youth Chorus | Choral Batsheva Dance Company | With Bobbi Smith director and conductor, Dianne Berkun-Menaker | Created by In conjunction with Sadeh21 | Nov 14 at 11am | MM Bryce Dessner | Co-curated by Bryce Dessner & Richard Reed Parry Meredith Monk & Vocal Ensemble | With Ellen Fisher & | Directed by Maureen Towey | Music by Herek Bischoff, Bryce Katie Geissinger | In conjunction with On Behalf of Nature Dessner, Tim Hecker, John King, Nico Muhly, Richard Reed Parry, Nov 25 at 10am | MM Caroline Shaw, Aleksandra Vrebalov | Nov 20—23 | HT BAMKIDS BAMCAFÉ LIVE MUSIC, FILM, PERFORMANCES, AND WORKSHOPS FOR FAMILIES FREE MUSIC FRI & SAT NIGHTS. BAR OPENS AT 6PM BAMkids Movie Matinees: Creature from the Black Tammy Faye Starlite in NICO: UNDERGROUND Lagoon (in 3D!) | Nov 2 at 2pm | BRC Nov 7 at 9pm BAMkids Concert Series: Nation Beat | Nov 8 at 2pm | BC The Waldos featuring Walter Lure | Nov 8 at 9pm BAMkids Concert Series: Oran Etkin: Timbalooloo West Point Jazz Knights | Nov 14 at 9pm Nov 15 at 10:30am | BC Gary Lucas’ Fleischerei: Music from Betty Boop BAMkids Movie Matinees: A Hard Day’s Night Nov 15 at 9pm Nov 16 at 2pm | BRC M.A.K.U. SoundSystem | Nov 21 at 9pm BAMkids Movie Matinees: The Sound of Music The Revelations | Nov 22 at 9pm Nov 30 at 2pm | BRC BAMCINEMATÉK REPERTORY, CLASSICS, FESTIVALS, PLUS SPECIAL GUESTS Queer Pagan Punk: The Films of Derek Jarman Oct 30—Nov 11 | BRC Andrei Tarkovsky’s The Sacrifice| Nov 12—25 | BRC . Photo: Gadi Dagon THE MET: LIVE IN HD OPERA ON THE BIG SCREEN AT BAM ROSE CINEMAS Sadeh21 Bizet’s Carmen | Nov 1 at 1pm | BRC Pre-screening discussion with Marc Scorca at 12pm Rossini’s Il Barbiere di Siviglia| Nov 22 at 1pm | BRC Pre-screening discussion with Fred Plotkin at 12pm

NATIONAL THEATRE LIVE Batsheva Dance Co.,

Skylight | Nov 8 at 12pm | BRC UNBOUND

PRESENTED BY BAM AND GREENLIGHT BOOKSTORE John Cleese with John Hodgman | Nov 5 at 8pm | HT

BC=BAMcafé | BRC=BAM Rose Cinemas | FS=Fishman Space (BAM Fisher) | HS=Hillman Studio (BAM Fisher) HT=BAM Harvey Theater | OH=BAM Howard Gilman Opera House | MM=Mark Morris Dance Center BAM Supporters & Patrons

BAM wishes to thank our patrons for all the operating, capital, and endowment support you’ve given us over the past year. (List represents gifts between August 1, 2013—August 1, 2014)

$500,000 and above Onassis Cultural Center NY Goldman Sachs Gives at Linda & Stuart Nelson Miriam Katowitz & Arthur brigitte nyc Pepsi-Cola Bottling the recommendation of O’Melveny & Myers LLP Radin Brooklyn Borough Company of New York Pablo J. Salame Gabriel & Lindsay Pizzi Gene & Terry Kaufman President’s Office—Eric Sarah & Spencer Robertson Anna Kuzmik Sampas & Alex Porter Will & Prattana Kennedy Adams The Jerome Robbins George Sampas The Reed Foundation Alexander E. Kipka & Brooklyn Community Foundation, Inc. The Morris and Alma Renova Katherine Nintzel Foundation The Fan Fox & Leslie R. Schapiro Fund Blanchette Hooker David L. Klein, Jr. The City of New York—Bill Samuels Foundation, Shearman & Sterling LLP Rockefeller Fund Foundation de Blasio, Mayor Inc. Jennifer Small & Adam Bartholomew A. Sheehan & KPMG LLP Judith R. & Alan H. The Shubert Foundation, Wolfensohn Sheila A. Cain Eileen M. Lach Fishman Inc. Santander Skadden, Arps, Slate, Solange Landau Ford Foundation The Jessica E. Smith and The Harold and Mimi Meagher & Flom LLP François & Calleen The Howard Gilman Kevin R. Brine Charitable Steinberg Charitable Joseph and Sylvia Slifka Letaconnoux Foundation Trust Trust Foundation The Levine Foundation Goldman Sachs Gives Axel Stawski & Galia Meiri Joseph A. Stern Mr. & Mrs. Howard John Lipsky & Zsuzsanna Diane & Adam E. Max The Joseph S. and Diane Time Warner Inc. Solomon S. Karasz The New York City H. Steinberg Charitable Pedro Jose Torres & Cecilia Brian Stafford Carley Roney & David Liu Council—Brooklyn Trust Picon Judy & Michael Steinhardt The Lupin Foundation Delegation Target Virginia B. Toulmin The Geraldine Stutz Briehan Lynch & Alexander The New York City Toll Brothers Foundation Trust, Inc. Evis Council—Melissa Mark- Robert Turner Joseph LeRoy & Ann C. Ram Sundaram M&T Bank Viverito, Speaker John L. & Eva Usdan Warner Fund Estate of Martha Zalles Mattis Family Foundation New York City Department Viacom Williams & Connolly LLP Ann Ziff Hamish Maxwell of Cultural Affairs Nora Ann Wallace & Jack Anonymous Anonymous (2) Scott C. McDonald New York City Economic Nusbaum McGuireWoods LLP Development Corporation The Winston Foundation, $25,000 and above $10,000 and above William Patrick McMullan & Jonathan F.P. & Diana Inc. Jody & John Arnhold Linda & Max Addison Rachel McPherson Calthorpe Rose Anonymous BNY Mellon The Aeroflex Foundation Constance & H. Roemer The Peter Jay Sharp Roger & Brook Berlind Roger Alcaly & Helen McPhee Foundation $50,000 and above The Brooklyn Brewery Bodian Medgar Evers College Gifts The SHS Foundation Altria Group, Inc. Bryan Cave LLP Allen & Overy LLP and Grants United States Department Mercedes T. Bass Goldman Sachs Gives at Allan Arffa & Kay Edward S. Moore of State, Bureau of Frances Bermanzohn & the recommendation of Matschullat Foundation Educational and Cultural Alan Roseman R. Martin Chavez David Ashen Barbara & Richard Moore Affairs Citi Linda & Adam Chinn Susan L. Baker & Michael Morgan Stanley Betsy and Ed Cohen/Areté Mr. & Mrs. Henry R. Lynch Munger, Tolles & Olson LLP $250,000 and above Foundation Christensen III The Barker Welfare Charles M. Nathan & Alisa Booth Ferris Foundation The Corinthian Foundation Citi Foundation Foundation F. Levin Aashish & Dinyar Devitre Ide & David Dangoor Constans Culver Foundation The Howard Bayne Fund Royal Norwegian Consulate First New York Partners Davis Polk & Wardwell Robert Davoli & Eileen Tony Bechara General Management Della Rosa Family McDonagh Paula & Earl Black The O’Grady Foundation Charles J. & Irene F. Hamm Foundation Rohit & Katharine Desai Emma Bloomberg & Joey O’Loughlin The Hearst Foundations, The Gladys Krieble Delmas DeWitt Stern Christopher Frissora Jim & Mary Ottaway Inc. Foundation Mark Diker & Deborah The Bloomingdale’s Fund of Michael Palm Foundation Suzie & Bruce Kovner Delta Air Lines Colson the Macy’s Foundation William & Laura Taft Leon Levy Foundation Brendan & Barbara Dugan Dow Jones & Company, Mr. & Mrs. Anthony Bowe Paulsen Donald R. Mullen Jr. Thérèse M. Esperdy & Inc. Donald A. Capoccia Peck Stacpoole Foundation Stavros Niarchos Robert G. Neborak Andre & Stephanie Dua Jim Chervenak Laura Pels International Foundation Steven & Susan Felsher Epstein Teicher Cleary Gottlieb Steen & Foundation for Theater Martha A. & Robert S. Forest City Ratner Philanthropies Hamilton LLP Pfizer Inc. Rubin Companies Barry M. Fox Credit Suisse Philip Morris International David & Jane Walentas Jacques and Natasha Freshfields Bruckhaus Crunch Maya Polsky The Wall Street Journal Gelman Foundation Deringer LLP Beatrice & James Del Marcel Przymusinski Gotham Organization, Inc. Fried, Frank, Harris, Shriver Favero William & Katherine Rayner $100,000 and above Agnes Gund & Jacobson LLP Diageo Reed Smith LLP Altman Foundation The Emily Davie & Joseph Barbara Gladstone Gallery Charles & Valerie Diker Related Companies American Express S. Kornfeld Foundation Inc. Jean and Louis Dreyfus William D. & Susan Kahan Bank of America Grace Lyu-Volckhausen Beth & Gary Allen Glynn Foundation, Inc. Rifkin Bloomberg Philanthropies James I. McLaren & Lawton Goodwin Procter LLP Robert and Mercedes Max Rifkind-Barron William I. Campbell & W. Fitt The Grand Marnier Eichholz Foundation River Cafe Christine Wächter- Mertz Gilmore Foundation Foundation Carol & Roger Einiger Mr. & Mrs. Theodore C. Campbell MetLife Foundation The William and Mary Mallory & Elizabeth Factor Rogers Robert Sterling Clark Pierre and Tana Matisse Greve Foundation Linda & Martin Fell Rolex SA Foundation Foundation GGMC Parking, LLC Estate of Richard B. Fisher Alexandra Munroe & Robert Con Edison The Ambrose Monell H3 Hardy Collaboration Fribourg Family Foundation Rosenkranz Corinthian Media, Inc. Foundation Architecture Alvin E. Friedman-Kien & Shelley & Donald Rubin Cumberland Packing Henry and Lucy Moses In Memory of Robert Sklar Ryo Toyonaga Foundation Jeanne Donovan Fisher Fund, Inc. Hasty Pudding Institute Gibson, Dunn & Crutcher, Bette & Richard Saltzman Fleurs Bella Nash Family Foundation of 1770 LLP The Scherman Foundation, Susan L. Foote & Stephen National Endowment for Barbara Haws & William David & Susie Gilbert Inc. L. Feinberg the Arts Josephson Goldman, Sachs & Co. Michael J. Schmidtberger & The Harkness Foundation National Grid Charles Hayden Foundation Elaine Golin Margaret Sung for Dance New York State Office of Cheryl Henson & Ed Finn The Green Fund Inc. Richard G. Schneidman The Francena T. Harrison Parks, Recreation and Penn & Diane Holsenbeck The Grodzins Fund Donna & Marvin Schwartz Foundation Trust Historic Preservation Kia Motors USA Mr. & Mrs. Henry B. Timothy & Julie Sebunya The Rita and Alex Hillman Samuel I. Newhouse Dan & Abbe Klores Gutman Adi Shamir & Richard D. Foundation Foundation, Inc. Tal Litvin The Marc Haas Foundation, Baron Richard Hulbert New York State Council on Frederick Loewe Inc. The Evelyn Sharp IFC the Arts Foundation, Inc. Mr. & Mrs. Burton K. Foundation Stephanie & Timothy The Barbro Osher Pro Gary Lynch & Kate Hall Haimes Sidley Austin LLP Ingrassia Suecia Foundation Goldman Sachs Gives at Dozier Hasty & Nancy Sills Family Foundation Frederick Iseman Lyon & Hilary Polk the recommendation of Havens-Hasty Susan & Larry Sills Stephen & Maribelle Leavitt Paul, Weiss, Rifkind, David & Susan Marcinek The Jim Henson NY/NJ Snowflake Youth The Lepercq Charitable Wharton & Garrison Merrill Lynch & Co. Foundation Foundation Foundation May & Samuel Rudin Foundation, Inc. Cecilia & James Herbert Edward Spilka Toby Devan Lewis Family Foundation, Inc. Morgan, Lewis & Bockius, Sophie Hughes Sam & Ellen Sporn Oliver Wyman, Inc. LLP Alan Jones & Ashley Garrett The Starr Foundation BAM Supporters & Patrons

Starry Night Fund Mr. & Mrs. Richard L. Dr. & Mrs. Jeffrey S. Borer Christine La Monica Lunn Vanetta Vancak Jean Stein Menschel J. Anthony Braddock Hugh & Betsy Lamle Bernardette Vaskas John Strasswimmer Martin F. & Selma E. Mertz Brooklyn Gin Foundation Vidaris Amanda Taylor Fund of the Timothy & Virginia Millhiser Brooklyn Roasting Company Nancy N. Lassalle Patricia Voight & Rachel Anne Cox Chambers The Moody’s Foundation Brooklyn Tea Company LeadDog Marketing Wolff Foundation Morgan Stanley Polk Wealth Andrew D. Brown Roseanne Legrand Thomas Von Foerster Wendy vanden Heuvel Management The Brownstone Foundation Jonathan E. Lehman Vosges Haut-Chocolat William Parsons Estate Sanford R. Nager & Dianne Robert & Joan Catell Julius Leiman-Carbia & Howard & Ruth Warshower Wilmer, Cutler, Pickering, Abeloff Herbert & Beverly Chase Kyle Smith Lisa Wassong Hale & Dorr Stephen R. Nelson Amita & Purnendu Hon. Stephen Levin, New Robert Watt & Dawn Carol Yorke & Gerard Conn New England Foundation Chatterjee York City Council Bradford Barbara & David Zalaznick for the Arts’ National Joyce E. Chelberg The Family of Wilbur John R. Wellschlager & Pia & Jimmy Zankel Dance Project Pamela Codispoti & Mark A. Levin Elizabeth D. McDermott Anonymous New York City Department Habner Richard Levy & Lorraine Dr. Sylvia Welsh & Dr. for the Aging Stuart H. Coleman & Meryl Gallard Howard Welsh $5,000 and above New York State Education Rosofsky Christopher Li Greci & Victoria Westhead & John The Sidney and Beatrice Department Ranny Cooper & David Robert Ohlerking Levy Albert Foundation Mark & Lorry Newhouse Smith Simon Lipskar & Kate James Wilentz & Robin Matthew & Krista David & Janet Offensend Breukelein Institute/Dennis Zuckerman Maxwell Annenberg Stephen Palmese Corrado Susan Lorence Kirby Woodson Jeffrey & Shari Aronson Bill & Patty Dugan Perlmuth The Cowles Charitable Trust Lowe Campbell Ewald Nancy Workman & Nathaniel Beck & Karen Diana Elzey Pinover & The Criterion Collection Dianne MacKenzie Jonathan Miller Hackett Eugene A. Pinover Sebastian Cucullu Anne Mackinnon Richard C. Yancey Leslie & Alan Beller Rajika & Anupam Puri Jennie & Richard Descherer Jan Marks Nurten Goksu Yolac Denise Bernardo & Eddie Bradley Radoff Diana Diamond & John John Martinez & Andrea Zeichner, Ellman & Krause Muentes Frances A. 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Noey & Jr., New York State Timothy & Carol Cole Ted Snowdon Harvey Fein Ghiora Aharoni Assembly The Coolidge Corner Jeanne & Steven Stellman Britton & Melina Fisher James C. & Marie Nugent- Aaron Abend Theatre Foundation Stop & Stor Charitable Fund David W. Fitts Head Marlas Nora Abousteit & Joshua The Aaron Copland Fund Michael M. Thomas Robert L. Forbes New York City Department Ramo for Music, Inc. Jane & Robert Toll Mr. & Mrs. Austin T. of Youth and Community Brice Acosta Kimberly Cox Travelers Foundation Fragomen, Jr. Development Caroline P. Addison Stuart D. Freedman & Carla Teresa Tsai FXFOWLE Architects William McGinty & Bianca Ronald & June Ahrens E. Craig Michael Tuch Foundation, Paul A. Gangsei & Susan Orlando Alexandra Alger Peter Curran Inc. Herman Wilhelmina Parris Daniel Algrant Joan K. Davidson (The J.M. Margo & Anthony Viscusi Michael E. & Mary Gellert John Perkins & Hope Dana Jonathan & Jennifer Soros Kaplan Fund) The Weininger Foundation, Lynn Gilbert The Perseus Books Group Mark Almeida & Theresa Cristina Enriquez-Bocobo & Inc. Shellie Gillespie Marnie S. Pillsbury Galvin Cody J. Smith Jill Weinstein Virginia Gliedman POP NYC American Endowment Samuel Feldman & Marilyn Francis H. Williams Rhonna & Ezra Goodman Aleksey Pryadko Foundation Meyerhoff Robert G. Wilmers Gordon & Mary Gould David L. Ramsay, MD Janet Aspen & Joseph Barbara J. Fife Nina Winthrop Francis Greenburger & Peter & Susan Restler Polizzotto First American Title Carolyn & H.L. Wise Isabelle Autones Mr. & Mrs. David Milton & Sally Avery Arts Insurance Company of Elizabeth & Richard Witten Peter & Monika Greenleaf Rockefeller Foundation New York Jennifer Carlson & Andrew Jane & Jean-Marie Grenier Seth Rosenberg & Catherine Jonathan Aviv Paul J. Fribourg Zolli Amy & Ronald Guttman Lebow Carla Balakgie Laurie Garrett Anonymous Hartley & Marks Publishers, Gerald Rosenfeld Peter Balis & Brian Ann and Gordon Getty Inc. Mace Rosenstein Goldston Foundation $2,500 and above James G. Croghan & Louis Ira Schreger Alexandra Ballard Nomi Ghez Foundation Jacqueline & Joseph R. Hedgecock Nancy Schuh Paul Balser John N. & Gillett A. Gilbert Aguanno Molly Heines & Thomas Gabriel & Jolie Schwartz Nancy Barber MaryAnne Gilmartin Donald Allison & Sumiko Ito Moloney Tatiana Serafin Andrea Barbieri Pamela Grace Mark Allison & Stephanie David & Jennifer Herman- Vivien & Michael Shelanski Wilhelmina Barker Regina M. Griffin Holmquist Feldman Ted & Mary Jo Shen Hugo Barreca & Wendy Robert D. Hall & Jane Alvin J. Rockwell 1990 Dr. Arlene Heyman, MD Amy Sherman-Palladino Schlemm Hritz Hall Charitable Trust Phyllis & Jan Hyde Gil Shiva Byron Bartlett Scott & Ellen Hand The American Chai Trust Scott Irwin & Viktoriia Irwin Barbara Simmons Whitney Baxter New Art Dealers Alliance Amphion Foundation Mark Jackson & Karen Patricia J. S. Simpson Martine Beamon & Eddie John & Samantha Hunt Rina Anoussi & Takis Hagberg Ellynne Skove Joyce Investors Bank Anoussis David & Amy Jaffe Mike & Janet Slosberg Kathleen Begala & Yves- Linda & Lawton Johnson Aon Foundation Douglas Jaffe & Kristin Stephen Smith & Ford Andre Istel Hon. Joseph R. Lentol, New Frank & Mary Ann Arisman Heavey Rogers Anka & Louis Begley York State Assembly Claude Arpels Donna & Carroll Janis Sarah & R. Sorenson Richard & Elizabeth Mary Kantor Adrienne Arsht Michele & David Joerg Joan & Laurence Sorkin Bellingham Jay Kriegel & Kathryn Daniel Baldini Randy & Mill Jonakait Robert Soros & Melissa Alan Berenbaum McAuliffe (Tides David Bank & Jason R. Stone Barbara Julius & Marc Schiff Soros Judith Berg Foundation) Leah & Benjamin Barber Silberberg Tom & Wendy Stephenson Marie-Eve Berty Seryl & Charles Kushner Katie Barthmaier & Brent Julia Kahr & Brian Colton Michael & Marjorie Stern Julia Bienstock Family Foundation Buck Rita J. and Stanley Dr. Susan Stewart Karen Binder & Victor Ney Robin & Edgar Lampert Jayne H. Baum H. Kaplan Family The Dorothy Strelsin Stefanie Birkmann & Sunil Michael Lee Martin & Mickey Baumrind Foundation, Inc. Foundation Savkar Robert Lehman Foundation Jim & Lisa Bedell Katten Muchin Rosemann Elizabeth F. Stribling Dr. David Biro Marion Leydier George E. Berger & LLP Daniel & Toby Talbot Jeffrey Blair The Bertha and Isaac Associates LLC Gerri Kay Sukey Tamarkin Jennie & Jake Blair Liberman Foundation David I. Berley, Walter & Helen Kim-Bordes Alexander Tarakhovsky & Allison Blinken in memory of Jeffrey Samuels, Inc. Alan & Susan Kolod Anne Schaefer Alison Blood P. Klein Elaine S. Bernstein Jayme Koszyn & Thomas Kathryn Taras & Anthony Gary N. Boston & Dr. The Liman Foundation Susan V. Berresford O’Handley Elitcher Charles Lee Allison & Joe Magliocco Paul Blackman & Sharon Joan Kreiss Juliet Taylor & James Walsh Bill Bragin & Lisa Philp MALIN+GOETZ Rowlands Mark Krueger Charitable Josephine & Philip Teverow Samy Brahimy & Lizanne Donna Marshall Mr. & Mrs. James P. Fund of Tides ToyQube Merrill McGraw Hill Financial Bodovitz Foundation Peter C. Trent Amanda Brainerd Joyce F. Menschel Jill & Sheldon Bonovitz Miodrag Kukrika Susan Unterberg Thanks to the many Ignite campaign donors for supporting innovative arts education at BAM.

Ignite campaign co-chairs are Richard Feldman of The SHS Foundation and actor-artist Lucy Liu.

$500,000 and above The Barker Welfare Foundation The Irene Diamond Fund John Blondel The Leona M. & Harry B. The Jessica E. Smith and Kevin R. Brine Helmsley Charitable Trust Charitable Trust Stavros Niarchos Foundation Linda & Adam Chinn The SHS Foundation The Corinthian Foundation Simon & Eve Colin Foundation, Inc. Constans Culver Foundation Anonymous William A. Douglass MaryAnne Gilmartin $100,000 and above Charles Hayden Foundation Altman Foundation Grace Lyu-Volckhausen Booth Ferris Foundation James I. McLaren & Lawton W. Fitt Brooklyn Community Foundation Anna Kuzmik Sampas Chase Howard Silverman Della Rosa Family Foundation Jennifer Small & Adam Wolfensohn Goldman Sachs Gives The Rita and Alex Hillman Foundation $10,000 and above Stephanie & Timothy Ingrassia American Express The Emily Davie & Joseph S. Kornfeld Bloomingdale’s Fund of the Macy’s Foundation Foundation brigitte nyc Pierre and Tana Matisse Foundation Donald Capoccia in memory of Felicia Garcia The Rockefeller Foundation New York City Cultural Mark Diker & Deborah Colson Innovation Fund Dow Jones & Company, Inc. Martha A. & Robert S. Rubin Barry M. Fox The Peter Jay Sharp Foundation John N. & Gillett A. Gilbert Target In Memory of Robert Sklar Joseph LeRoy & Ann C. Warner Fund Hasty Pudding Institute of 1770 Jody & John Arnhold Penn & Diane Holsenbeck Merrill Lynch & Co. Foundation, Inc. $50,000 and above Michael Palm Foundation Barclay’s Nets Community Alliance Tracey & Phillip Riese Con Edison Sills Family Foundation Judith R. & Alan H. Fishman Ted Snowdon MetLife Foundation Sam & Ellen Sporn National Grid Joseph A. Stern The David Rockefeller Fund, Inc. Time Warner Inc. May & Samuel Rudin Family Foundation, Inc. Michael Tuch Foundation, Inc. Joseph and Sylvia Slifka Foundation Viacom Surdna Foundation, Inc. Nora Ann Wallace & Jack Nusbaum Pedro Jose Torres & Cecilia Picon Anonymous Anonymous $5,000 and above $25,000 and above Lawrence Chanen The Achelis Foundation Rebekah Coleman & Ian Rusten Jody & John Arnhold David Edelstein BNY Mellon Robert and Mercedes Eichholz Foundation

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Joan Millman, New Mark Shepherd & Juliet Joseph Fazio Kevin Keating York State Assembly Blake

BAM greatly appreciates all contributions in support of our work. We apologize for any inaccuracies. Please contact the Development Department at [email protected] with any corrections. BAM Board

Brooklyn Academy of Music David E.R. Dangoor Sarah C. Robertson John Lipsky Cheryl Della Rosa Jonathan F.P. Rose Laurie Mallet Chairman of the Board Dinyar S. Devitre Anna Kuzmik Sampas Cathy-Ann Martine-Dolecki Alan H. Fishman Beth Rudin DeWoody Alberto Sanchez David L. Ramsay, M.D., M.Ed. Mark Diker Timothy Sebunya Elaine Weinstein Vice Chairmen of the Board Andre Dua Bartholomew A. Sheehan III Hon. Franklin R. Weissberg William I. Campbell Brendan J. Dugan Danny Simmons Vaughn C. Williams, Esq. Adam E. Max Thérèse Esperdy Jessica Smith Teri Everett Brian Stafford BAM Endowment Trust Chair President Mallory Factor Axel Stawski Timothy J. Ingrassia Karen Brooks Hopkins Ronald E. Feiner, Esq. Joseph A. Stern Richard E. Feldman, Esq. Pedro J. Torres Vice Chair Secretary Steven G. Felsher John L. Usdan Gabriel Pizzi Joseph V. Melillo Jeanne Donovan Fisher Brigitte Vosse Barry M. Fox Nora Ann Wallace Treasurer Treasurer MaryAnne Gilmartin Adam Wolfensohn Keith Stubblefield James I. McLaren Robert M. Greenberg Claire Wood G. Penn Holsenbeck Andrew Zolli Members President Emeritus Anne Hubbard William A. Douglass III Harvey Lichtenstein Mark H. Jackson Chairmen Emeriti Steven G. Felsher Daniel A. Klores Neil D. Chrisman Elizabeth Holtzman Members Edgar A. Lampert Seth S. Faison James I. McLaren Jeffrey H. Barker François Letaconnoux Bruce C. Ratner Norman L. Peck Tony Bechara Gary Lynch Alberto Sanchez René Böttcher Patricia E. Michels Honorary Trustees Timothy Sebunya Gordon Bowen Ahrin Mishan Robert L. Forbes R. Edward Spilka Linda Chinn Donald R. Mullen Jr. Charles J. Hamm Nora Ann Wallace Henry Christensen III William A. Perlmuth Barbara B. Haws, C.A. Henry Christensen III, Ex Officio Pamela A. Codispoti David L. Picket William Josephson Thérèse Esperdy, Ex Officio Dr. Rudolph F. Crew Frances A. Resheske Mary Kantor Alan H. Fishman, Ex Officio

BAM Staff

Karen Brooks Hopkins, President Jacqueline Folville, DanceMotion Cyrus Similly, Head Carpenter, OH SECURITY Joseph V. Melillo, Executive USASM Intern James D’Adamo, Head Electrician,OH Chris Thompson, Security Manager Producer Danny Kapilian, Producer, R&B Amy Domjan, Asst. Electrician, OH Melvin Patterson, Manuel Taveras, Festival, MetroTech Bill Horton Jr., Master of Properties, Supervising Attendant Guards Alice Bernstein, Executive Vice Steven Serafin,Special Consultant OH Kenneth Aguillera, Collie Dean, President & Editor, BAM: The Complete Marc Putz, Sound Engineer, OH Senior Attendant Guards Matthew Bregman, Vice President Works Paul McManus, Flyman, OH Marlon Desouza, Felix Jusino, for Development James Kehoe, Head Carpenter, HT Kevin Lemon, Teonia Smith, Andel Stephanie S. Hughley, Vice President ARCHIVES John Manderbach, Head Thomas, Michael Whyte, Attendant of Education & Humanities Sharon Lehner, Director of Archives Electrician, HT Guards Keith Stubblefield,Chief Financial Sarah Gentile, Digital Project Archivist Edward Donohue, Master of Officer and Vice President of Louie Fleck, Archives Manager Properties, HT CUSTODIAL SERVICES Finance & Administration Bree Midavaine, Mary Rhymer, Alison Dabdoub, Sound Engineer, HT Ramon Cabassa, Custodial Supervisor Processing Archivists Joe Werner, Asst. Carpenter, HT Allan Boyce, Ludlow Chamberlain, PRESIDENT’S OFFICE Jan Carr, Digital Content Writer Oscar Gruchalski, Utility Man Isaias Flores, Mayra Guillen, Ron Grace Eubank, Manager Anita Goss, Volunteer Librarian Richard Wurzbach, Utility Man Rathan, Akeon Thomas, Custodians Michael Hurst, Administrative Asst. Ivonne Paredes, Anika Paris, Mary Lou Houston, Wardrobe Mark Toepfer, Rebecca Walsh, Supervisor DEVELOPMENT BAM ROSE CINEMAS Interns INDIVIDUAL GIVING Efi Shahar,Cinema Executive Larysa McKenna, Volunteer ARTIST SERVICES William Lynch, Director of Manager Mary Reilly, Director of Artist Services Leadership Gifts Michael Katz, Projectionist GENERAL MANAGEMENT Stacey Dinner, Artist Services Barbara Cummings, Director of Adam Goldberg, Asst. Manager Patrick J. Scully, General Manager Manager Development Adam Birnbaum, Film Buyer Sarah Bierenbaum, Asst. General Jeannine Baca, Britney Polites, Glenn Alan Stiskal, Director of Andreea Drogeanu, Brente Kelly, Manager Artist Services Representatives Major Gifts Davina Roberts, Anthony Shields Jr., Sara Danielsen, Asst. General Emma Acciani, Fisher Representative Gwendolyn Dunaif, Assoc. Head Floor Staff Manager, Fisher Building Director, Major Gifts & Patron Jaclyn Bouton, Project Manager THEATER MANAGEMENT Programs BAMCINÉMATEK Kevin Condardo, GM Budget Christine M. Gruder, Theater Manager Richard Serrano, Research Manager Gabriele Caroti, Director Manager John L. Jones, Assoc. Theater Holly Shen Chaves, Curator of Nellie Killian, David Reilly, Liana Agredo, Jessie Fairbanks, Manager Visual Arts Programmers Project Supervisors Sonia Clayton, Jacqueline David, Mary Gordanier, Visual Arts Asst. Lisa Thomas, Publicity Manager Molly Rodino, GM Coordinator, Leroy Houston, Theater Staff Ben Lasser, Manager, Patron Andrew Chan, Marketing Manager Budgets & Contracts Supervisors Program Jesse Trussell, Programming Asst. Dakota Scott, Administrative Asst. & Travis Calvert, Project Coordinator, Hannah Thomas, Publicity & BAMshop Liaison BUILDING OPERATIONS Major Gifts Marketing Asst. Nivia Prescod, BAM Fisher Front Michael Zanca, Director of Building Kaylen Higgins, Administrative Asst. Ryan Werner, Programmer at Large of House Rep. & Rentals Asst. Operations Chris Mode, GM Intern Rohan Bhasin, Facilities Manager MEMBERSHIP ARTISTIC PROGRAMMING Markee Glover, Mailroom Clerk Katherine King, Director of Stonie Darling, Department Manager PRODUCTION Elaine Colon, Jean Smith, Building Membership Programs Ross Marshall, Manager of Artistic Neil Kutner, Director of Production Services Assoc. Sarah Mischner, Membership Planning Josh Escajeda, Dylan Nachand, Steve McDowell, Auxiliary Technician Manager Assoc. Production Managers Alysha Wright, Building Operations Bruce Smolanoff, Telefund PROGRAMS & CURATORIAL Paul Bartlett, Ryan Gastelum, Coordinator Manager Nick Schwartz-Hall, Line Producer Jennifer Grutza, Elizabeth Moreau, Blair Fraiport, Harsh Lochan, Cheryl-Lyn Miller, Membership Amy Cassello, Assoc. Producer, Barbara Wohlsen, Production Building Operations Assts. Coordinator Next Wave Festival Supervisors Shannon Alexander, Jessica Darrell M. McNeill, Assoc. Producer, Danielle Colburn, Laura Williams, BUILDING MAINTENANCE Benton, Allison Bodwell, Stéphanie Music Palmer Johnston, Production Anthony Shields, Maintenance De Latour, Justin Gray, Kimberly Rachel Katwan, Asst. Line Producer Coordinators Supervisor Howard, Samantha Inniss, Melissa R. Michael Blanco, DanceMotion Heli Soell, Administrative Coordinator Daniel Curato, Calvin Brackett, Krzywicki, Emilie McDonald, Joe USASM, Project Director Ronald Hunter, Maintainers Mulligan, Adrienne Reynolds, Sophia Shackleton, DanceMotion STAGE CREW Carl Blango, Asst. Maintainer Amanda Wilder, Saarah Zebede, USASM, Project Manager Thomas Paulucci, Crew Chief Membership Representatives BAM Staff

INSTITUTIONAL GIVING Akyeampong, Sékou Alájé, Laura Scholl, Marketing Operations Thomas Brown, Tessitura Clemente Luna, Director of Jennifer Armas, Melissa Brown, Manager Business Manager Institutional Giving Mahogany Browne, Chia-Ti Britt Aronovich, Marketing Analyst Ira Sibulkin, Assoc. Director of IT Kailin Husayko, Semra Ercin, Chiu, Darian Dauchan, Harris Chris Tusciuk, Web Development Institutional Giving Managers Eisenstadt, Imani Faye, Kimani STRATEGIC MARKETING Manager Stephanie Caragliano, Institutional Fowlin, Samara Gaev, Ana Garcia, Molly Meloy, Director of Strategic Timothy Assam, Systems Giving Coordinator Ingrid Gordon, Mel House, Lauren Marketing Administrator Saarah Zebede, Institutional Keating, Gwendolyn Kelso, Nicole Melanie Cherry, Program Svetlana Mikhalevskaya, Database Giving Intern Kempskie, Farai Malianga, Geneva Marketing Manager Developer Manley, Hector Morales, Kwesi Justin Monsen, Marketing Jason Q. Minnis, IT Project CORPORATE RELATIONS Nkroma, Monica Ortiz-Rossi, Gene Manager, Development Manager Chantal Bernard, Director of Osborne, Pamela Patrick, Katie Jessie Montgomery, Marketing Matthew Taylor, Andrei Iliescu, Corporate Relations Issel Pitre, Baba Wali Rahman, Manager, Customer Loyalty & Web Developers Gwendolyn Pointer, Director, Mike Ramsey, Gwenyth Reitz, Strategy Jersy Rodriguez, Network Analyst Corporate Sponsorships/New Najee Ritter, Victor Sanchez, Susan Bishop, Administrative Business Development Robby Stamper, Rohiatou Siby, TICKET & CUSTOMER SERVICES Coordinator Ashley Jacobson, Corporate Elizabeth Simmons, Karen G. Scott Kubovsak, Director of Lucas Austin, Junior Desktop Relations Manager Thornton-Daniels, Leese Walker, Ticket Services Analyst Elizabeth Sarkady, Business Adia Whitaker Royda C. Venture, Ticket Services Development Manager Manager PROJECT MANAGEMENT Rebecca Carew, Corporate MARKETING & Georgina Richardson, Customer Jeremy Dewey, Director, Project Sponsorship Project Coordinator COMMUNICATIONS Care Manager Management BOX OFFICE Giovanny Lopez, Ticket Services PATRON SERVICES Fred Dorso, Treasurer Coordinator Ramzi Awn, Director of Patron Victor Jouvert, First Asst. Latasha McNeil, Asst. Manager Audience Research & Analysis Services Treasurer Ryan Mauldin, Senior Ticket George A. Wachtel Michael Kendrick, Manager of Kevin McLoughlin, Charlie Dolce, Services Representative Patron Services & Donor Russell Grier, Asst. Treasurers Saul Almiachev, Anaïs Blin, Bookseller Relations Louisa de Butts, Justin Dash, Greenlight Bookstore Jessica Hindle, Patron Services PUBLICITY Robert Ebanks, Miranda Gauvin, Coordinator Sandy Sawotka, Director of Joya Harris, Katora Matthews, European Production Samantha Shay, Patron Services Publicity Edgar Mendoza, Warren Ng, Elsie Representative Asst. Joe Guttridge, Assoc. Director Pacella, Megan Pearson-Mason, On Tour Ltd., Roger Chapman Alexander Jofe, Intern of Publicity Jenise Primus, Edward Raube- Susan Yung, Editorial Manager Wilson, Tara Ricasa, Shanice Film Buyer SPECIAL EVENTS Adriana Leshko, Sarah Garvey, Tulley, Noel Vega, Jimmy Weaver, Adam Birnbaum Margaret Breed, Director of Publicity Managers Althea Wilkinson, Ticket Services Special Events David Hsieh, Publicity Manager Representatives Immigration Counsel Marissa Neiman, James Vause, Lauren Morrow, Junior Publicist Jonathan Ginsburg, Fettman, Special Events Managers Baha Ebrahimzadeh, Education & FINANCE & ADMINISTRATION Tolchin and Majors, PC Paloma Wake, Special Events Humanities Publicist CAPITAL PROJECTS Coordinator James Sutton, Publications Asst. Jonathan Jones, Director, Capital Insurance Broker Drew Devero, Publicity Intern Projects Dewitt Stern ENDOWMENT & PLANNED Matthew Baclini, Capital Projects GIVING DESIGN Analyst Legal Counsel Denis Azaro, Endowment & Clara Cornelius, Director of Design Laura Grady, Capital Projects Ronald E. Feiner PC Planned Giving Director Patrick Morin, Assoc. Director Manager Alexandra Biss, Manager of Board of Design Medical Consultants Relations Ryan Rowlett, Senior Interactive FINANCE & ADMINISTRATION Ahmar Butt, MD Designer Ellen Leszynski, Project Anders Cohen, MD EDUCATION & HUMANITIES Katie Positerry, Interactive Coordinator Shana Parker, Director of Designer Restaurateur Operations for E&H Michelle Angelosanto, Designer FINANCE Great Performances Jennifer Leeson, Operations Casey Cleverly, Design Studio Kozue Oshiro, Controller Manager for E&H Coordinator Tameka White, Asst. Controller Jackie Katz, Education Assoc. Ariel Davis, Intern Claudia Bailey, Budget Manager September 15, 2014 Rebekah Gordon, Administrative Brian Gee, Accounting Assoc. Asst. DIGITAL MEDIA David McCullough, Budget Stephen Litner, Director of Digital Coordinator EDUCATION Media Seon Gomez, Staff Accountant Steven McIntosh, Director of Aaron Weibel, Digital Operations Adam Sachs, Fiscal Manager Education & Family Programs Manager Douglas Fischer, Fiscal Coordinator John P. Tighe, Asst. Director of Nicholas Breul, Digital Production Yusuf Siddiquee, Fiscal Asst. Education Administrator John S. Foster, Education Manager Jamie Kraus, Digital Media GOVERNMENT & COMMUNITY Eveline Chang, Verushka Wray, Coordinator AFFAIRS Program Managers Benjamin Cohen, Assoc. Director Tamara McCaw, Director of Cathleen Plazas, Internship of Video Government & Community Coordinator Ben Katz, Video Production Affairs Paul Weintrob, Education Intern Manager Dewonnie Frederick, Community Alexander Guns, Catherine Lee, Affairs & Bazaar Manager HUMANITIES Video Production Assts. Ilex Bien-Aime, Government & Violaine Huisman, Director of Community Affairs Coordinator Humanities MARKETING Molly Silberberg, Humanities Gillian Fallon, Director of HUMAN RESOURCES Manager Marketing Seth Azizollahoff, Director of Lucile Hecht, Humanities Intern Raphaele de Boisblanc, Allison Human Resources Kadin, Program Marketing Jenny Rodriguez, Human LEAD INSTRUCTORS Managers Resources Manager Joshua Cabat, Young Film Critics Rhea Daniels, Program Marketing Cynthia Smith, Payroll Manager Michael LoMonico, Shakespeare Projects Coordinator Sajal Javid, Benefits Manager Teaches Teachers Claire Frisbie, Content Marketing Neil Acharya, Recruiting Asst. Jenny Rocha, Dancing into the Manager Alexis Boehmler, Human Future Joaquin Esteva, Advertising Resources Asst. Pat Hall, BAM/Restoration Manager DanceAfrica Coordinator Jenny Choi, Publications Manager INFORMATION TECHNOLOGY Robert Wood, Copywriter William Allen Lee III, Director of TEACHING ARTISTS Catherine Charnov, Interim Information Technology Sarah Abrams, Harold Marketing Asst.