Louise Mackenzie Thesis
ABJECTION, PLACE AND THE MODERN CITY—PARIS IN JACQUES TATI’S PLAY TIME ABJECTION, PLACE AND THE MODERN CITY PARIS IN JACQUES TATI’S PLAY TIME Louise Elizabeth Mackenzie Master of Arts March 2021 School of Design Faculty of Health, Arts and Design Swinburne University of Technology A thesis submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy © Louise Mackenzie 2021 1 ABJECTION, PLACE AND THE MODERN CITY—PARIS IN JACQUES TATI’S PLAY TIME ABSTRACT This thesis explores how cinema contributes to our knowledge of the modern city by examining Jacques Tati’s representation of Paris in his 1967 comedy film Play Time. I argue that in the ultra-hygienic modern city depicted in the film, nature has become abject, resulting in its removal from the city. Hence, the threat of the abject keeps the modern citizen under control; this control is embedded in the rational, desensitised, modern architecture, which plays a significant role in creating the modern city. However, in the end the modern architecture is to a degree broken down, instigating a cavalcade of disorder, by M. Hulot, the main character, who in the role of a benevolent monster breaks this control, bringing a kind of freedom to the modern city. Furthermore, this thesis argues that Tati in his critique of the modernisation of Paris in the post-World War II period—and the intertwining of his lived experience of the city within his story telling—make Play Time a filmic document that informs our understanding of the city. Literature on the history of the urban modernisation of Paris during the 19th and 20th centuries and the literature addressing the cinematic explorations of the city are applied to investigate the research questions, in combination with works by authors Mary Douglas on “dirt” and social control, Julia Kristeva on abjection, and Robin Wood on political control.
[Show full text]