Dcwgifui 14 Y
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Sermon, January 8, 2017 Rev
Brant Hills Presbyterian Church: Sermon, January 8, 2017 Rev. Curtis Bablitz “FOLLOW THE LIGHT” People don’t usually follow stars nowadays. We used to do it all the time – sailors on ships, travelers on caravans, they could set a course by the stars above and know they were headed in the right direction, but we don’t really do that anymore. For one thing, you can’t really see the stars anymore from most populated areas, what with all the light pollution, and so we have a hard time recognizing which ones are which, which ones we can trust to follow. If you went camping as a kid, you might have learned the old trick to find the North Star – find the big dipper and follow the cup up to the little dipper and there it is – but good luck actually using the North Star to get anywhere in particular. We don’t follow stars, because now we don’t need to – why follow some twinkling little ball in the sky when you have Google Maps? Of course, Google Maps uses GPS, which depends on a whole system of satellites flying over our heads, thousands of little twinkling little balls in the sky that we follow without even thinking about it, but it’s not really the same thing. We follow satellites, not stars. So you have to give the wise men some credit for this amazing journey they went on, because even by the standards of their day, it was not an easy one. Matthew calls them the Magi, which is a Greek word that refer to Persian astrologers and intellectuals, people who lived in modern day Iran, outside of the Roman Empire. -
Queering the Gaze of Pop Music Videos Dr Cordelia Freeman School
Filming female desire: Queering the gaze of pop music videos Dr Cordelia Freeman School of Geography, University of Nottingham [email protected] orcid: 0000-0003-2723-8791 Funding details: none Disclosure statement: No financial interest or benefit has arisen from the direct applications of this research. Data availability statement: N/A Biographical note: Cordelia Freeman is an Assistant Professor in the School of Geography, University of Nottingham. Her research is broadly concerned with gender and sexuality and this has been predominantly through the biopolitical control of women’s bodies through reproductive healthcare restrictions in Latin America. Acknowledgements: I am enormously grateful for the useful comments provided by Rosie Harsant, Kevin Milburn, and Nick Stevenson. I would also like to thank the reviewers for their helpful guidance. Any errors, of course remain my own. 1 Filming female desire: Queering the gaze of pop music videos Abstract This paper examines the queer gaze within pop music videos. It contends that the contemporary US musician Hayley Kiyoko can be seen as a queer music video auteur who has transformed what the ‘gaze’ can mean in mainstream pop music through directing her own videos. The paper asserts that through her performance within and, arguably even more significantly, via her direction of videos, Kiyoko has produced a new and complex portrayal of how female sexual desire is represented even when, on the surface, it may not necessarily appear to disrupt normativity. Reaction videos made by Kiyoko’s fans have also queered the gaze whereby the ‘watcher’ becomes the ‘watched’. The paper concludes that online spaces and digital technologies are radically reshaping understandings of queer sexuality in music videos. -
Krt Madonna Knight Ridder/Tribune
FOLIO LINE FOLIO LINE FOLIO LINE “Music” “Ray of Light” “Something to Remember” “Bedtime Stories” “Erotica” “The Immaculate “I’m Breathless” “Like a Prayer” “You Can Dance” (2000; Maverick) (1998; Maverick) (1995; Maverick) (1994; Maverick) (1992; Maverick) Collection”(1990; Sire) (1990; Sire) (1989; Sire) (1987; Sire) BY CHUCK MYERS Knight Ridder/Tribune Information Services hether a virgin, vamp or techno wrangler, Madon- na has mastered the public- image makeover. With a keen sense of what will sell, she reinvents herself Who’s That Girl? and transforms her music in Madonna Louise Veronica Ciccone was ways that mystify critics and generate fan interest. born on Aug. 16, 1958, in Bay City, Mich. Madonna staked her claim to the public eye by challenging social norms. Her public persona has Oh Father evolved over the years, from campy vixen to full- Madonna’s father, Sylvio, was a design en- figured screen siren to platinum bombshell to gineer for Chrysler/General Dynamics. Her leather-clad femme fatale. Crucifixes, outerwear mother, Madonna, died of breast cancer in undies and erotic fetishes punctuated her act and 1963. Her father later married Joan Gustafson, riled critics. a woman who had worked as the Ciccone Part of Madonna’s secret to success has been family housekeeper. her ability to ride the music video train to stardom. The onetime self-professed “Boy Toy” burst onto I’ve Learned My Lesson Well the pop music scene with a string of successful Madonna was an honor roll student at music video hits on MTV during the 1980s. With Adams High School in Rochester, Mich. -
The U2 360- Degree Tour and Its Implications on the Concert Industry
THE BIGGEST SHOW ON EARTH: The U2 360- Degree Tour and its implications on the Concert Industry An Undergraduate Honors Thesis by Daniel Dicker Senior V449 Professor Monika Herzig April 2011 Abstract The rock band U2 is currently touring stadiums and arenas across the globe in what is, by all accounts, the most ambitious and expensive concert tour and stage design in the history of the live music business. U2’s 360-Degree Tour, produced and marketed by Live Nation Entertainment, is projected to become the top-grossing tour of all time when it concludes in July of 2011. This is due to a number of different factors that this thesis will examine: the stature of the band, the stature of the ticket-seller and concert-producer, the ambitious and attendance- boosting design of the stage, the relatively-low ticket price when compared with the ticket prices of other tours and the scope of the concert's production, and the resiliency of ticket sales despite a poor economy. After investigating these aspects of the tour, this thesis will determine that this concert endeavor will become a new model for arena level touring and analyze the factors for success. Introduction The concert industry handbook is being rewritten by U2 - a band that has released blockbuster albums and embarked on sell-out concert tours for over three decades - and the largest concert promotion company in the world, Live Nation. This thesis is an examination of how these and other forces have aligned to produce and execute the most impressive concert production and single-most successful concert tour in history. -
Welcome Booklet Orientation International Students
Welcome Booklet Orientation International Students Congratulations on your acceptance to Madonna University! On the next page is a checklist for you to follow to make arrangements for your travel to the United States and to Madonna University. On the pages after the checklist is detailed information related to each activity. Refer to the entire Welcome Booklet for the information you will need. Domestic International Booklet September, 2016 Page 1 Domestic International Booklet September, 2016 Page 1 Checklist Make sure you RSVP as soon as possible! Go to the following link to complete the Arrival Form: https://ww4.madonna.edu/mucfweb/ssl_forms/International_Arrival/client/general_for m_2.cfm SUBMIT ENROLLMENT DEPOSIT OF $50.00 REGISTER FOR ENGLISH (ESL) PLACEMENT TEST (Deadline for Fall, 2017: May 1, 2017) (IF APPLICABLE) (See instruction on online payment process on To register for ESL placement test, complete Page 3.) Arrival RSVP form. ESL Program Information: SEND OFFICIAL FINAL TRANSCIPT https://www.madonna.edu/academics/esl REQUEST SEVIS DATA RELEASE FROM YOUR CURRENT Or E-mail: Ms. Hadeel Betti for more information: [email protected] SCHOOL TO MADONNA UNIVERSITY Students who have met the English Proficiency REPORT TO INTERNATIONAL STUDENTS OFFICE WITHIN Requirement will be required to take a writing 15 DAYS OF YOUR PROGRAM START DATE assessment test during the first semester of study. RSVP FOR ATTENDING INTERNATIONAL STUDENT APPLY FOR ON-CAMPUS HOUSING ORIENTATION Submit Residence Hall Contract and $175.00 deposit to: Use the RSVP link above Madonna University Email Ms. Amy Dickerson for more information: Student Accounts Office [email protected] 36600 Schoolcraft Road ACTIVATE E-MAIL AND ACESS MY PORTAL Livonia, Michigan 48150, USA Contact [email protected] or 734-432- Attn: Ms. -
Ciaran Gribbin
Ciaran Gribbin Ciaran Gribbin is a Grammy nominated songwriter and performer who, in addition to working with word class artists such as Madonna, U2, Paul McCartney, Snow Patrol and Al Pacino, has toured the world as the singer of INXS. Ciaran was born in war-torn Northern Ireland growing up in ‘The Troubles’. As a young musician he cut his teeth doing gig after gig in the tough bars of Belfast and Derry. During this turbulent time in a divided society, Ciaran witnessed and experienced the bombs and bullets of sectarian abuse and paramilitary attacks. Ciaran’s first big break came in 2010 when he received a Grammy nomination for Madonna’s worldwide hit single ‘Celebration’, which he co-wrote with Madonna and Oakenfold. Since then, in addition to performing at many music festivals including Brazil’s ‘Rock in Rio’, Ciaran has opened shows for Paul McCartney, Crowded House, The Script and Gotye. Ciaran has worked extensively as a songwriter for acts such as Groove Armada and Dead Mau5. He has also worked on multiple movie soundtracks including writing all of the original songs for the U2 supported movie ‘Killing Bono’. This movie was released through Paramount Pictures with a Sony Music soundtrack album. In 2011 Ciaran became the singer of the legendary Australian band INXS. He has toured extensively with INXS throughout South America, Europe and Australasia. 2015 ended with an Oscar shortlist nomination for Ciaran’s song 'Hey Baby Doll' which was sung by Al Pacino in the critically acclaimed movie 'Danny Collins'. “Ciaran has one of the most Ciaran is the founder of Rock and Roll Team Building and extraordinary voices I’ve heard in along with original INXS member, Garry Beers, is a founding member of the super-group ‘Stadium’ who are based in Los a long time.” Angeles. -
God Is a Woman: Feminism As a Religion Protected Under the Free Exercise Clause of the First Amendment
American University Journal of Gender, Social Policy & the Law Volume 27 Issue 5 Symposium Edition Article 9 2019 God is a Woman: Feminism as a Religion Protected Under the Free Exercise Clause of the First Amendment Lalita Moskowitz American Civil Liberties Union of New Mexico Follow this and additional works at: https://digitalcommons.wcl.american.edu/jgspl Part of the First Amendment Commons, and the Law and Gender Commons Recommended Citation Moskowitz, Lalita (2019) "God is a Woman: Feminism as a Religion Protected Under the Free Exercise Clause of the First Amendment," American University Journal of Gender, Social Policy & the Law: Vol. 27 : Iss. 5 , Article 9. Available at: https://digitalcommons.wcl.american.edu/jgspl/vol27/iss5/9 This Symposium is brought to you for free and open access by the Washington College of Law Journals & Law Reviews at Digital Commons @ American University Washington College of Law. It has been accepted for inclusion in American University Journal of Gender, Social Policy & the Law by an authorized editor of Digital Commons @ American University Washington College of Law. For more information, please contact [email protected]. Moskowitz: God is a Woman: Feminism as a Religion Protected Under the Free E GOD IS A WOMAN: FEMINISM AS A RELIGION PROTECTED UNDER THE FREE EXERCISE CLAUSE OF THE FIRST AMENDMENT LALITA MOSKOWITZ* Introduction ...................................................................................... 224 I. Defining Religion .......................................................................... 227 A. The Seeger and Welsh Definition of Religion ................ 227 B. The Third Circuit’s Three-Factor Test for Recognizing Religion .......................................................................... 230 C. Non-Theistic and Non-Traditional Religions Recognized by Courts ........................................................................ 231 II. Defining Feminism...................................................................... -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
Ariana Grande Full Album Download [FREE ALBUM] Download Ariana Grande Dangerous Woman Full Album 2016
ariana grande full album download [FREE ALBUM] Download Ariana Grande Dangerous Woman Full Album 2016. Ariana Grande Dangerous Woman Track List: 1. Moonlight 2. Dangerous Woman 3. Be Alright 4. Into You 5. Side To Side 6. Let Me Love You 7. Greedy 8. Leave Me Lonely 9. Everyday 10. Sometimes 11. I Don't Care 12. Bad Decisions 13. Touch It 14. Knew Better / Forever Boy 15. Thinkin Bout You. Ariana Grande - Dangerous Woman download, Ariana Grande - Dangerous Woman full album leaked download, Ariana Grande - Dangerous Woman 320 kbps, Ariana Grande - Dangerous Woman album, Ariana Grande - Dangerous Woman album download, Ariana Grande - Dangerous Woman album leaked, Ariana Grande - Dangerous Woman album musique gratuit, Ariana Grande - Dangerous Woman album telecharger, Ariana Grande - Dangerous Woman download, Ariana Grande - Dangerous Woman download free, Ariana Grande - Dangerous Woman download mp3 album, Ariana Grande - Dangerous Woman full album, Ariana Grande - Dangerous Woman full album leaked download, Ariana Grande - Dangerous Woman gratuit, Ariana Grande - Dangerous Woman has it leaked?, Ariana Grande - Dangerous Woman leak, Ariana Grande - Dangerous Woman leaked, Ariana Grande - Dangerous Woman mediafire, Ariana Grande - Dangerous Woman mp3, Ariana Grande - Dangerous Woman musique mp3, Ariana Grande - Dangerous Woman telechargement album, Ariana Grande - Dangerous Woman telechargement album gratuit, Ariana Grande - Dangerous Woman telechargement musique, Ariana Grande - Dangerous Woman telecharger, Ariana Grande - Dangerous Woman -
Afterlives Joel Sherman Washington University in St
Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Spring 5-2017 Afterlives Joel Sherman Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the Fiction Commons Recommended Citation Sherman, Joel, "Afterlives" (2017). Arts & Sciences Electronic Theses and Dissertations. 1073. https://openscholarship.wustl.edu/art_sci_etds/1073 This Thesis is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of English Writing Program Afterlives by Joel Sherman A thesis presented to The Graduate School of Washington University in partial fulfillment of the requirements for the degree of Master of Fine Arts May 2017 St. Louis, Missouri © 2017, Joel Sherman Table of Contents Acknowledgments.......................................................................................................................... iii Hiems .............................................................................................................................................. 1 Silver City .................................................................................................................................... -
Metanarratives and Storytelling in Contemporary Mainstream Popular Music: Romeo and Juliet in the Making of the Star Persona
Text Matters: A Journal of Literature, Theory and Culture Number 10 Literature Goes Pop / Literar(t)y Article 13 Matters 11-24-2020 Metanarratives and Storytelling in Contemporary Mainstream Popular Music: Romeo and Juliet in the Making of the Star Persona Eduardo Viñuela University of Oviedo Follow this and additional works at: https://digijournals.uni.lodz.pl/textmatters Part of the Feminist, Gender, and Sexuality Studies Commons, and the Interdisciplinary Arts and Media Commons Recommended Citation Viñuela, Eduardo. "Metanarratives and Storytelling in Contemporary Mainstream Popular Music: Romeo and Juliet in the Making of the Star Persona." Text Matters: A Journal of Literature, Theory and Culture, no.10, 2020, pp. 209-222, doi:10.18778/2083-2931.10.13 This Article is brought to you for free and open access by the Arts & Humanities Journals at University of Lodz Research Online. It has been accepted for inclusion in Text Matters: A Journal of Literature, Theory and Culture by an authorized editor of University of Lodz Research Online. For more information, please contact [email protected]. Text Matters, Number 10, 2020 http://dx.doi.org/10.18778/2083-2931.10.13 Eduardo Viñuela University of Oviedo Metanarratives and Storytelling in Contemporary Mainstream Popular Music: Romeo and Juliet in the Making of the Star Persona A BSTR A CT This article analyzes how mainstream artists respond to the dynamics of online fan communities, developing complex metanarratives that interrelate their songs and music videos with their “personal” activity on social media. Audiences analyze in depth and discuss each release, contributing to its viralization on the internet.