DOCSLIB.ORG

I-Ight 0N the Spherical Earth Purpose to Model How Lightfrom the Sun Is Distributed Over the Surface of the Earth

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
I-Ight 0N the Spherical Earth Purpose to Model How Lightfrom the Sun Is Distributed Over the Surface of the Earth Name Date Period I-ight 0n the Spherical Earth Purpose To model how lightfrom the sun is distributed over the surface of the Earth. Procedures *Be sure that each person has a chance to hold and move the paper. EBe sure NOT to stand between the light source and the globe. I . Be sure that the globe has the North Pole at the top and that the equator is horizontal. 2. Hold the piece of paper between the globe and the light source so that it hangs vertically and is perpendicular to the direction the light is coming from. Hold the paper about 20 cm from the globe so that a fairly clear square of light is projected on the center of the globe. 3. Slowly move the piece of paper side to side so that the paper hangs vertically and is perpendicular to the direction the light is coming from. Do not tilt or turn the paper. Keep the patch of light along the equator. Draw and describe what happens to the shape and brightness of the light patch in different positions along the equator. Draw on the globe picture and describe in the space below. (NP = North Pole. EQ = Equator, SP = South Pole) Picture of Globe Description: Answer the following: (Use complete sentences for b and c) a. On the picture above, label which patch of light represents morning sun, midday sun, and late afternoon sun. b. The hole in the paper allovrs a certain amount of light to pass through and is a sampling of the total light that would reach the globe. That amount of light is spread differently over differenf parts of the glcbe. At which time(s) of day does the light patch irave the greatesr intensity? Least intensity? c. At which time(s) of day does the light reach the surface ar the highest angle (sun highest in the skY)? Lowest angle (sun lowest in the sky)? 4. Slowly move the piece of paper up and down so that the paper hangs vertically and is perpendicular to the direction the light is coming from. Draw and describe what happens to the shape and brightness of the light patch as it is in different positions north and south of the equator. Draw on the globe picture and describe in the space below. Picture of Globe Description: NP (high latitude) (low Iatitude) SP (high latitude) Answer the following with complete sentences: a. How does the size of the light patch change from low latitude (near the equator) to high latitude (near the poles). b. How does the intensity of the light patch change from low latitude (near the equator) to high Iatitude (near the poles). c. The size and intensity of the Iight patch is affected by the angle at which Iight reaches the surface. Does light reach the surface at high angles (sun high in the sky) near the poles or the equator? Does light reach the surface at low angles (sun low in the sky) near the poles or the equator? Analysis Ouestions 1) Based on your observations in this lab, what is a reason the middle of the day is usually warmer than morning or evening? Refer to the intensity and to the angle of the light. 2) Based on your observations, why is the equator warmer than the poles? Refer to the intensity and to the angle of the light..
Load more

Recommended publications
  • Excesss Karaoke Master by Artist
    XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
    [Show full text]
  • Sermon, January 8, 2017 Rev
    Brant Hills Presbyterian Church: Sermon, January 8, 2017 Rev. Curtis Bablitz “FOLLOW THE LIGHT” People don’t usually follow stars nowadays. We used to do it all the time – sailors on ships, travelers on caravans, they could set a course by the stars above and know they were headed in the right direction, but we don’t really do that anymore. For one thing, you can’t really see the stars anymore from most populated areas, what with all the light pollution, and so we have a hard time recognizing which ones are which, which ones we can trust to follow. If you went camping as a kid, you might have learned the old trick to find the North Star – find the big dipper and follow the cup up to the little dipper and there it is – but good luck actually using the North Star to get anywhere in particular. We don’t follow stars, because now we don’t need to – why follow some twinkling little ball in the sky when you have Google Maps? Of course, Google Maps uses GPS, which depends on a whole system of satellites flying over our heads, thousands of little twinkling little balls in the sky that we follow without even thinking about it, but it’s not really the same thing. We follow satellites, not stars. So you have to give the wise men some credit for this amazing journey they went on, because even by the standards of their day, it was not an easy one. Matthew calls them the Magi, which is a Greek word that refer to Persian astrologers and intellectuals, people who lived in modern day Iran, outside of the Roman Empire.
    [Show full text]
  • Afterlives Joel Sherman Washington University in St
    Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Spring 5-2017 Afterlives Joel Sherman Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the Fiction Commons Recommended Citation Sherman, Joel, "Afterlives" (2017). Arts & Sciences Electronic Theses and Dissertations. 1073. https://openscholarship.wustl.edu/art_sci_etds/1073 This Thesis is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of English Writing Program Afterlives by Joel Sherman A thesis presented to The Graduate School of Washington University in partial fulfillment of the requirements for the degree of Master of Fine Arts May 2017 St. Louis, Missouri © 2017, Joel Sherman Table of Contents Acknowledgments.......................................................................................................................... iii Hiems .............................................................................................................................................. 1 Silver City ....................................................................................................................................
    [Show full text]
  • Script Preview
    ‘TWAS THE NIGHT BEFORE: A CHRISTMAS MUSICAL Music and lyrics by Roland Caire Jr. Based on the play by Rachel Olson Copyright Notice CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright laws of the United States of America and all countries with which the United States has reciprocal copyright relations, whether through bilateral or multilateral treaties or otherwise, and including, but not limited to, all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention and the Berne Convention. RIGHTS RESERVED: All rights to this Work are strictly reserved, including professional and amateur stage performance rights. Also reserved are: motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all forms of mechanical or electronic reproduction, such as CD-ROM, CD-I, DVD, information and storage retrieval systems and photocopying, and the rights of translation into non-English languages. PERFORMANCE RIGHTS AND ROYALTY PAYMENTS: All amateur and stock performance rights to this Work are controlled exclusively by Christian Publishers. No amateur or stock production groups or individuals may perform this play without securing license and royalty arrangements in advance from Christian Publishers. Questions concerning other rights should be addressed to Christian Publishers. Royalty fees are subject to change without notice. Professional and stock fees will be set upon application in accordance with your producing circumstances. Any licensing requests and inquiries relating to amateur and stock (professional) performance rights should be addressed to Christian Publishers. Royalty of the required amount must be paid, whether the play is presented for charity or profit and whether or not admission is charged.
    [Show full text]
  • Strolen.Com and Roleplayingtips.Com Present
    Strolen.com and RoleplayingTips.com Present 5 Room DungeonsVolume 09 Thank you for downloading the 5 Room Dungeons PDF, which contains short adventure seeds you can drop into your campaigns or flesh out into larger adventures. All dungeons in this PDF are sub- missions from the 5 Room Dungeon contest co-hosted by Roleplayingtips.com and Strolen’s Citadel. Dungeon entries had to follow the 5 Room Dungeon template, which is provided at the end of this file (it’s a great recipe for crafting your own quick dungeons too). Thanks to everyone who entered the contest. Your great entries are now inspiring and helping game masters around the world. Thanks also to the volunteers at Strolen’s Citadel for their hours of editing. You can download this file, and all other parts in the series as they are released, at www.strolen.com or www.roleplayingtips.com. Special thanks to manfred/Peter Sidor for editing. Cheers, Johnn Four and Strolen Thanks to the following sponsors who supplied prizes for the 5 Room Dungeon contest held September 2007: Errors, omissions, or feedback? Please e-mail [email protected] Skanda Biologicals By Siren no Orakio http://www.strolen.com/content.php?node=4316 Skanda Biologicals is one of the world's premier producers of Awakened Biological Systems. Now, the party has been asked to penetrate their fortress, and destroy their research. But, can they find the force of will to do so? This is a Shadowrun Setting Specific Plot / Dungeon, as originally intended to be run. As always, cyber- punk or magical elements may be removed or masqued at will for your own game.
    [Show full text]
  • November 29, 2020 First Sunday of Advent
    November 29, 2020 First Sunday of Advent Fr. John R. Rushofsky [email protected] Pastor 412-364-8999 x8112 Pastor’s Perspective Lots Going On! Our long awaited takeout Fish Fry on November 13 was a great success, as you can see from the long line of cars lined up from the Saint Teresa parking lot, at one point all the way to Brandt’s Funeral Home. Congratulations to the Our Lady of Mount Carmel Fish Fry Crew for their hard work. It was a fun evening for all. And while we’re looking at pictures, here’s a couple that were taken on November 18, so by the time you’re reading this, the elevator project will be much further along. What you’re looking at is the base of the shaft that will be almost as high as the church roof. Caissons had to be set deep into the ground because the church itself sits on caissons to prevent settling. The concrete block you see here will be covered by brick that will match the church exterior as much as possible. The elevator car will have its own inner entrance, with a little lobby on both levels so that the elevator itself will not open into the outside on the lower level nor directly into the church on the upper level, which will be located in the back of the church next to the confessionals. In Other News: We now begin Advent, the season of hope. Human beings cannot live without hope. Unlike the animals, we are blessed—or cursed—with the ability to think about the future and to fear our actions to shaping it.
    [Show full text]
  • Advent Reflections for the Cooperative Baptist Fellowship of Arkansas
    Leaning Forward: Advent Reflections for the Cooperative Baptist Fellowship of Arkansas We invite you to join us for the next twenty-seven days on a devotional journey through this season of Advent. On the following pages you will find devotional reflections from brothers and sisters across the Arkansas fellowship. The diverse authors of these reflections will challenge us to lean forward this Advent season. We hope you will join us in leaning forward through prayer, reflection, and in the hope of what is to come in Christ. “It is Advent: the time just before the adventure begins, when everybody is leaning forward to hear what will happen even though they already know what will happen and what will not happen, when they listen hard for meaning, their meaning, and begin to hear, only faintly at first, the beating of unseen wings.” (Frederick Buechner) Please take some time each day to read the passages, consider the reflections and questions, and use the guide in your prayers. We are excited to see how the Spirit will lead our CBF of Arkansas community through this devotional guide. Feel free to share this collection with friends and family; we encourage you to forward the PDF file to friends and family, make copies to share with those in your church, or follow the devotional online (website: www.cbfar.org/advent-devotional or Facebook: www.facebook.com/cbfofarkansas). You have an incredible opportunity to journey through this Advent season together with other CBF Arkansans. From Lake Village to Fayetteville, from Jonesboro to Hot Springs, and from Virginia to Slovakia our CBF of Arkansas community is well represented in this devotional.
    [Show full text]
  • Loch Norse Issue X
    Cover Art: Destiny Ca’Mel The Journey Copyright © 2021 All rights reserved to the authors and artists Loch Norse Magazine Northern Kentucky University Highland Heights, KY, 41099 This year has been different from prior years. We have delved into times of racial disparities, quarantines, political anguish, loss of loved ones, and loss of self. Despite the chaos encircling our individual lives, we have made beautiful melodies out of fearful screams. As a creative community, we have amplified the voices and words of di- verse storytellers. We rose above hate. Looking back to April 2020, we never thought Issue X would be con- structed entirely online. Although unconventional, it was assembled by passionate creators and thinkers. As Editor-in-Chiefs, there was never a worry about leadership. We knew we had amazing editors, staff, and creative writers on campus submitting their work to the magazine. Our job gave us the privilege to see the impressive people who edit, people who submit, and people who create to change the world around us. So from the bottom of our hearts, thank you to everyone who has shared their talents and their time to create Issue X. Cheers to 10 years and many, many more. With Love, Anna Leach and Chloe Cook Loch Norse Magazine Issue X 2021 Co-Editors-in-Chief Anna Leach, Chloe Cook Poetry Editors Eva Smith, Sarah Williams-Bryant Fiction Editors Kendra Darby, Samantha Harrell Creative Non-Fiction Editors Katya Melgoza, Mikaylah Porter Social Media Coordinator Ashley Hopkins Visual Art Editor Tessa Woody Faculty Advisor Michelle Donahue, Jessica Hindman Loch Norse Magazine accepts submissions of poetry, fiction, creative nonfiction, and artwork annually November through February.
    [Show full text]
  • Huntsville Museum Encounters: Lilian Garcia-Roig Catalog & Essay by Peter Baldaia
    October 5 November 30, 2008 This project is made possible in part by a grant from The Alabama State Council on the Arts and through the generous support of Bobby Bradley and Charley Burrus, Greg Gum, The Huntsville Times, Lisa and Alston Noah, and The Women’s Guild of the Huntsville Museum of Art The Encounters series of solo exhibitions is organized by Peter J. Baldaia, Director of Curatorial Affairs of the Huntsville Museum of Art, to highlight outstanding regional contemporary art on cover: Stained Glass Woods, WA (detail), 2007, oil on canvas, 48 x 132 inches overall above: Fall Paths, NH, 2007, oil on canvas, 60 X 144 inches overall opposite: Birch Melt, NH (detail), 2007, oil on canvas, 36 x 48 inches Impassioned Nature: Lilian Garcia-Roig and the Unclaimed Landscape Lilian Garcia-Roig paints the unclaimed landscape with engaging energy and assured bravado. She works in large scale directly on-site, painting for many hours at a time to capture the essence of a particular locale — whether it is the autumn woods of New England, the coastal rain forest of the Pacific Northwest, the palmetto scrub of the Florida Panhandle, or the Appalachian valleys of Northeast Alabama. Garcia-Roig’s aesthetic uniqueness stems in part from her ability to paint traditional subject matter abstractly and expressionistically yet retain the representational quality that her subject matter demands. From a distance, her compositions appear as dense, conventional spaces. Yet up close, they dissolve into active networks of lush pigment ranging from thick, gestural patches to areas of raw canvas.
    [Show full text]
  • A Note from Pastor Lisa… Rev
    July 2017 Messenger Newsletter We are here to serve, not to condemn— to welcome, not to exclude—to love, not to judge. December 2017 Messenger A Note from Pastor Lisa… Rev. Dr. Lisa Martin Senior Pastor - A Brussels Sprouts Advent A couple of weeks ago, it was pizza night in the Martin-Hilker household. Jim noticed that Dewey’s had a seasonal special pizza with Brussels sprouts. It also had bacon on it, and since I don’t eat bacon, we made a special order for this pizza, but without the bacon. When I arrived to pick it up, they’d messed up and put bacon on. They gave us the messed up one, but then gave us another bacon-less pizza free. (Good customer service from Dewey’s, right?) We were thrilled. Both Jim and I love Brussels sprouts, and it meant a happy weekend of leftovers (and no cooking) for all of us. It was not always so. If I could build a time machine and go back to tell 8-year-old Lisa that she would someday love Brussels sprouts SO MUCH that she’d even want them on pizza, that child would gape in amazement. She would be more incredulous about the idea of someday liking Brussels sprouts than she would at the presence of a time machine. I hated Brussels sprouts. I thought they were bitter. I thought they were slimy. Certainly, something is to be attributed to mom’s preference for boiling vegetables until they were nice and gray, but I’m not sure you could have convinced me to try them in any form.
    [Show full text]
  • Documenting Graffiti in the Maya Lowlands
    University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2018 Reflectance rT ansformation Imaging: Documenting Graffiti in the Maya Lowlands Rachel Gill University of Central Florida Part of the Anthropology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Gill, Rachel, "Reflectance rT ansformation Imaging: Documenting Graffiti in the Maya Lowlands" (2018). Electronic Theses and Dissertations, 2004-2019. 5762. https://stars.library.ucf.edu/etd/5762 REFFLECTANCE TRANSFORMATION IMAGING: DOCUMENTING INCISED GRAFFITI IN THE MAYA LOWLANDS by RACHEL GILL B.A. Boston University, 2016 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Anthropology in the College of Sciences at the University of Central Florida Orlando, Florida Spring Term 2018 ABSTRACT In the late 19th century, explorers identified graffiti etched in stucco walls of residences, palaces, and temples in the Maya Lowlands. By the mid-20th century, scholars acknowledged that the ancient Maya produced these incised images. Today, archaeologists struggle with documenting these instances of graffiti with precision and accuracy, often relying solely on to- scale line drawings to best represent the graffitied image they see before them. These images can be complex, multilayered, and difficult to see so identifying the sequence of creation of the incisions can be challenging.
    [Show full text]
  • (Eighteen Visions) 1910 Fruit Gum Company
    1 Pound Fish Man 2 Brothers On The Fourth Floor (4Th Floor) One Pound Fish SH27383 Let Me Be Free SH03417 10 Years 2 Chainz Through The Iris SH21020 I'm Different (Clean) SH27274 Wasteland SH24179 I'm Different (Explicit) SH27273 10,000 Maniacs 2 Chainz & Drake More Than This SH15953 No Lie HD90160 10Cc 2 Chainz & Drake & Lil Wayne Dreadlock Holiday HD02812 I Do It (Clean) SH29169 I'm Not In Love HD03021 2 Chainz & Drake & Quavo 12 Gauge Bigger Than You (Clean) HD05277 Dunkie Butt SH23798 Bigger Than You (Clean) SH33610 12 Stones Bigger Than You (Explicit) HD05276 Far Away SH17657 Bigger Than You (Explicit) SH33609 The Way I Feel SH18123 2 Chainz & Nicki Minaj 18 Visions (Eighteen Visions) I Love Dem Strippers (Clean) SH25910 Victim SH24185 I Love Dem Strippers (Explicit) SH25892 1910 Fruit Gum Company 2 Eivissa Simon Says SH01661 I Wanna Be Your Toy SH08598 1975 Oh La La La SH06774 Chocolate HD02897 2 Live Crew Chocolate SH27596 Me So Horny (Clean) HD05684 Girls (Clean) SH28297 Me So Horny (Explicit) HD05683 Girls (Explicit) SH28296 2 Play & Thomas Jules & Jucxi D Love Me HD03588 Careless Whisper HD00102 Love Me SH29922 Careless Whisper SH13507 Love Me (Workout Mix) SH29942 2 Play And Thomas Jules And Jucxi D Robbers SH28878 Careless Whisper HD00102 Settle Down SH28636 2 Unlimited Sex HD02979 Do What's Good For Me SH04468 Sex (Clean) SH28075 Faces SH02672 Sex (Explicit) SH28074 Get Ready For This SH03549 The City HD02913 Get Ready For This (Full Vocal Version) SH28056 The City SH27799 Here I Go SH03922 The Sound HD03638 Jump For Joy SH04668
    [Show full text]