asian diasporic visual cultures and the americas 1 (2015) 179-183 brill.com/adva The Botanist Alexander Lee Guest Artist Lecturer, Centre des Métiers d’Art de Polynésie Française, Tahiti
[email protected] The Botanist is a new series of works where I revisit the theme of the uru (breadfruit), continuing my investigation into the cultural narratives of the island of Tahiti, where I grew up. The breadfruit tree and its leaves appeared to me as a subject as I was raking leaves in my hometown of Mahina (Tahiti), a meditative gesture I have been accustomed to since my childhood: the sound of the metal rake on moist earth, the cracking of dried leaves under the towering trees, and finally the fire to dispose of it all and ward off mosquitoes and evil spirits. It was all there. There is a Tahitian legend that tells the story of Rua-ta’ata, a man who trans- formed his body into a breadfruit tree in order to save his family from famine. As a child I was fascinated by the images this legend conjured: the transforma- tion of Rua-ta’ata’s body into a tree trunk, his arms into branches, hands into leaves, and his head into a fruit to be eaten by his own wife and children. It is fantastical, cannibalistic, sensual, almost biblical, and talks about survival, sac- rifice, and perenniality. Gilles Deleuze wrote about the concept of “becoming animal” and in this case, I wondered how one could become vegetal. Uru also has a colonial history. On his first voyage of discovery, James Cook landed in Matavai Bay—in the district of Mahina—with the mission to follow the Transit of Venus.