Large Vocabulary Russian Speech Recognition Using Syntactico-Statistical Language Modeling
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Speech Recognition for East Slavic Languages: the Case of Russian
SPEECH RECOGNITION FOR EAST SLAVIC LANGUAGES: THE CASE OF RUSSIAN Alexey Karpov1, Irina Kipyatkova2 and Andrey Ronzhin1 1Saint-Petersburg State University, Department of Phonetics, Russia 2SPIIRAS Institute, Speech and Multimodal Interfaces Laboratory, Russia {karpov, kipyatkova, ronzhin}@iias.spb.su ABSTRACT Slavic languages are Baltic ones: Lithuanian [16] and Latvian (now there is only a speech corpus [17]), but not In this paper, we present a survey of state-of-the-art systems Estonian [18], which is the Uralic language. for automatic processing of recognition of under-resourced languages of the Eastern Europe, in particular, East Slavic Table 1. National spoken languages of the Eastern Europe languages (Ukrainian, Belarusian and Russian), which share Language and family Approximate some common prominent features including Cyrillic speakers, Million alphabet, phonetic classes, morphological structure of word- Indo-European language family forms and relatively free grammar. A large vocabulary West Slavic languages Russian speech recognizer, developed by SPIIRAS, is Czech 12 described in the paper and especial attention is paid to Slovak 5 grapheme-to-phoneme conversion for automatic creation of Polish 40 a pronunciation vocabulary and acoustic modeling at the South Slavic languages system training stage. Speech recognition results for a very Serbo-Croatian: 20 large vocabulary above 200K word-forms are reported. Serbian, Croatian, Bosnian, Montenegrin Index Terms— Slavic languages, automatic speech Slovene 2.5 recognition (ASR), Russian language, pronunciation Bulgarian 11 vocabulary, grapheme-to-phoneme conversion Macedonian 2 East Slavic languages 1. INTRODUCTION Russian 165 (up to 300) In the Eastern Europe, over 400 million people speak using Ukrainian 47 Slavic languages (see Table 1). -
Annales, Series Historia Et Sociologia 29, 2019, 2
Anali za istrske in mediteranske študije Annali di Studi istriani e mediterranei Annals for Istrian and Mediterranean Studies Series Historia et Sociologia, 29, 2019, 2 UDK 009 Annales, Ser. hist. sociol., 29, 2019, 2, pp. 171-344, Koper 2019 ISSN 1408-5348 UDK 009 ISSN 1408-5348 (Print) ISSN 2591-1775 (Online) Anali za istrske in mediteranske študije Annali di Studi istriani e mediterranei Annals for Istrian and Mediterranean Studies Series Historia et Sociologia, 29, 2019, 2 KOPER 2019 ANNALES · Ser. hist. sociol. · 29 · 2019 · 2 ISSN 1408-5348 (Tiskana izd.) UDK 009 Letnik 29, leto 2019, številka 2 ISSN 2591-1775 (Spletna izd.) UREDNIŠKI ODBOR/ Roderick Bailey (UK), Simona Bergoč, Furio Bianco (IT), COMITATO DI REDAZIONE/ Alexander Cherkasov (RUS), Lucija Čok, Lovorka Čoralić (HR), BOARD OF EDITORS: Darko Darovec, Goran Filipi (HR), Devan Jagodic (IT), Vesna Mikolič, Luciano Monzali (IT), Aleksej Kalc, Avgust Lešnik, John Martin (USA), Robert Matijašić (HR), Darja Mihelič, Edward Muir (USA), Vojislav Pavlović (SRB), Peter Pirker (AUT), Claudio Povolo (IT), Marijan Premović (ME), Andrej Rahten, Vida Rožac Darovec, Mateja Sedmak, Lenart Škof, Marta Verginella, Špela Verovšek, Tomislav Vignjević, Paolo Wulzer (IT), Salvator Žitko Glavni urednik/Redattore capo/ Editor in chief: Darko Darovec Odgovorni urednik/Redattore responsabile/Responsible Editor: Salvator Žitko Uredniki/Redattori/Editors: Urška Lampe, Gorazd Bajc Gostujoča urednica/Editore ospite/ Guest Editor: Klara Šumenjak Prevajalci/Traduttori/Translators: Petra Berlot (it.) Oblikovalec/Progetto -
Vowel Reduction in Russian Classical Singing: the Case of Unstressed /A/ After Palatalised Consonants
DOI: 10.26346/1120-2726-148 Vowel reduction in Russian classical singing: The case of unstressed /a/ after palatalised consonants Maria Konoshenko Institute of Linguistics, Russian State University for the Humanities <[email protected]> The paper focuses on variable pretonic vowel reduction /a/→[a~e~i] after palatalised consonants in Russian classical singing, as in /grjaˈda/ [grjaˈda~grjeˈda~grjiˈda] ‘ridge’. Faithful /a/→[a] realisation frequently occurs in classical singing as opposed to spoken standard Russian, where /a/→[i] reduction applies without exception. In this study, I examined how various lin- guistic and musical factors influence pretonic /a/→[a~e~i] realisation in 17 classical Russian art songs as recorded by 35 professional singers. T-tests were run to assess the effect of phonetic duration, which appeared insignificant in my data. The contribution of other factors was studied by constructing mixed-effects logistic regression models. Three parameters proved to be relevant: the quality of the stressed vowel, the relative pitch of the note bearing the pretonic vowel as opposed to the stressed vowel, and the singer’s year of birth. Although faithful /a/→[a] realisation is commonly attributed to orthographic influence, my find- ings suggest that vowel reduction may be affected by other factors in singing, and it is also subject to high individual variation. Keywords: Russian, vowel reduction, classical singing, lyric diction, dissimila- tion, mixed models. 1. Introduction In classical singing, vowels undergo various types of adjustments, also known as vowel modifications. For example, this happens in the upper reg- ister for sopranos, where F0 frequency is higher than F1, especially in high vowels (Sundberg 1975). -
Russian Lyric Diction: a Practical Guide with Introduction and Annotations and a Bibliography with Annotations on Selected Sources
©Copyright 2012 CRAIG M. GRAYSON Russian Lyric Diction: A practical guide with introduction and annotations and a bibliography with annotations on selected sources Craig M. Grayson A Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts University of Washington 2012 Reading Committee: Thomas Harper, Chair Stephen Rumph George Bozarth Bojan Belic Program Authorized to Offer Degree: School of Music College of Arts and Sciences University of Washington Abstract Russian Lyric Diction: a practical guide with preliminaries and annotations, and a bibliography with annotations on selected sources Craig M. Grayson Chair of the Supervisory Committee: Associate Professor Thomas Harper Music The purpose of this dissertation is twofold — to investigate, in brief, the available guides to Russian lyric diction and to present my own comprehensive guide, which gives singers the tools to prepare the pronunciation of Russian vocal pieces independently. The survey examines four guides to Russian lyric diction found in popular anthologies or diction manuals — Anton Belov’s Libretti of Russian Operas, Vol. 1, Laurence Richter’s Complete Songs series of the most prominent Russian composers, Jean Piatak and Regina Avrashov’s Russian Songs and Arias, and Richard Sheil’s A Singer's Manual of Foreign Language Dictions — and three dissertations — “The Singer's Russian: a guide to the Russian operatic repertoire through a collection of texts of opera arias for all voice types, with phonetic transcriptions, word-for-word and idiomatic English” by Emilio Pons, "Solving Counterproductive Tensions Induced by Russian Diction in American Singers" by Sherri Moore Weiler, and "Russian Songs and Arias: an American Singer's Glasnost" by Rose Michelle Mills-Bell. -
Sung Russian for the Low Male Voice Classical Singer
Sung Russian for the Low Male Voice Classical Singer: The Latent Pedagogical Value of Sung Russian with a Fully Annotated Bibliography and IPA Singers’ Transcriptions for Musorgsky’s Sunless and Kabalevsky’s Op. 52: Ten Shakespeare Sonnets on Translations by Marshak by Daniel A H Mitton A thesis submitted in conformity with the requirements for the degree of Doctor of Musical Arts, Music Performance Graduate Department of the Faculty of Music University of Toronto © Copyright by Daniel A H Mitton 2020 Sung Russian for the Low Male Voice Classical Singer: The Latent Pedagogical Value of Sung Russian Daniel A H Mitton Doctor of Musical Arts, Music Performance Graduate Department of the Faculty of Music University of Toronto 2020 Abstract Low male voice classical singers (LMVs) are a statistical rarity (R. Miller 2008). Their relative scarcity notwithstanding, the research undertaken in this thesis shows that LMV-specific voice pedagogy resources do exist, including a rich body of Russian vocal literature suitable for the LMV. This thesis positions singing in Russian as beneficial for LMV classical training by examining how secondary palatalization and the presence of the [i] vowel in sung Russian promote a fronted tongue, and how the prevalence of its default dark-a allophone [ɑ] facilitates a low, stable larynx. Both of these vocal tract configurations are hallmarks of fine classical singing technique (Bozeman 2013). To measure how much of net phonation time is spent singing in these corresponding vocal tract configurations, I operationalized Musorgsky’s Sunless and Kabalevsky’s Op. 52 Ten Shakespeare Sonnets on Translations by Marshak using an enhanced version of Pacheco’s Graphic-Statistic Method (Pacheco 2013). -
A Thought on the Form and the Substance of Russian Vowel Reduction Guillaume Enguehard Université D’Orléans, CNRS/LLL
Chapter 5 A thought on the form and the substance of Russian vowel reduction Guillaume Enguehard Université d’Orléans, CNRS/LLL This paper is an attempt to formalize the Russian vowel reduction within asub- stance-free approach. My contribution consists in arguing that Russian vowel re- duction is a strict quantitative phenomenon (not a qualitative phenomenon). Fi- nally, I propose a motivation based on the representation of stress in different au- tosegmental frameworks. Keywords: Russian vowel reduction, phonology, substance-free, Element Theory 1 Introduction […] our mission is closer to one of revelation than of perfection. (Hamilton 1980: 132) Russian vowel reduction is known to be a complex mechanism showing strong variations both in the realization and the neutralization of vowel phonemes. This paper is a modest contribution to the understanding of this phenomenon. My aim is to stress the difference between the substance and the form of Russian vowel reduction. In the line of Hjelmslev (1943/1971), I will assume a clear separation between the realization of distinctive units (which I call substance or phonet- ics) and their abstract relations (which I call form or phonemics). Such a strong dichotomy was also recently renewed in Hale & Reiss (2000) and Dresher (2008) (among others). The aim of this paper is not to compete on the same fieldas very valuable studies addressing the realization of Russian unstressed vowels (e.g. Crosswhite 2000a,b; Padgett 2004; among others). These deal with phonetic realizations which are not central to the present paper. I rather propose a parallel Guillaume Enguehard. 2018. A thought on the form and the substance of Russian vowel reduction.