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Winter NAMM 2014 Press Kit BOOTH #3582
1 Winter NAMM 2014 Press Kit BOOTH #3582 2 ToneRite Inc. 2014 Company Fact Sheet ToneRite Inc. is a leading research and development firm in the field of Acoustical Physics. Its product, the ToneRite®, is the world's most advanced and premier play-in device. Significantly accelerating the play-in process and providing increased tone, playability, and balance, the ToneRite makes all of this available in a nearly silent, high quality, and portable manner. ToneRite Inc. manufacturers a line of ToneRite models for nine different string instruments and has just released the first model from their percussion line, ToneRite for drums. Employees 1-10 Headquarters PO Box 5271 Gainesville, FL 32601 Type Privately Held Founded 2007 Website www.ToneRite.com Key Executives Augi Lye, Inventor Valerie Sheehan, President & CEO History For centuries, well-versed musicians and luthiers have acknowledged the importance of playing instruments regularly to achieve and maintain their optimum sound. However, when accomplished musician and engineer Agapitus “Augi” Lye purchased a new cello, he lacked the time necessary to adequately play-in the instrument. Utilizing his knowledge of acoustical physics and leaning on his engineering background, Lye built a prototype that would become the ToneRite. Surprised by the tonal improvements that had occurred in Lye’s cello in such a short time his luthier, fellow musicians and professionals urged him to continue his research and it was from his exploration that ToneRite was born. Through their ambitious studies of acoustical physics, advanced signal processing, engineering, and practiced musicians, the ToneRite team have spent years perfecting the science of play-in. -
Allan Holdsworth Schille Reshaping Harmony
BJØRN ALLAN HOLDSWORTH SCHILLE RESHAPING HARMONY Master Thesis in Musicology - February 2011 Institute of Musicology| University of Oslo 3001 2 2 Acknowledgment Writing this master thesis has been an incredible rewarding process, and I would like to use this opportunity to express my deepest gratitude to those who have assisted me in my work. Most importantly I would like to thank my wonderful supervisors, Odd Skårberg and Eckhard Baur, for their good advice and guidance. Their continued encouragement and confidence in my work has been a source of strength and motivation throughout these last few years. My thanks to Steve Hunt for his transcription of the chord changes to “Pud Wud” and helpful information regarding his experience of playing with Allan Holdsworth. I also wish to thank Jeremy Poparad for generously providing me with the chord changes to “The Sixteen Men of Tain”. Furthermore I would like to thank Gaute Hellås for his incredible effort of reviewing the text and providing helpful comments where my spelling or formulations was off. His hard work was beyond what any friend could ask for. (I owe you one!) Big thanks to friends and family: Your love, support and patience through the years has always been, and will always be, a source of strength. And finally I wish to acknowledge Arne Torvik for introducing me to the music of Allan Holdsworth so many years ago in a practicing room at the Grieg Academy of Music in Bergen. Looking back, it is obvious that this was one of those life-changing moments; a moment I am sincerely grateful for. -
Musical Rhetoric and Sonic Composing Processes Kyle D
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School January 2012 Musical Rhetoric and Sonic Composing Processes Kyle D. Stedman University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the American Studies Commons, Music Commons, and the Rhetoric Commons Scholar Commons Citation Stedman, Kyle D., "Musical Rhetoric and Sonic Composing Processes" (2012). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/4229 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Musical Rhetoric and Sonic Composing Processes by Kyle D. Stedman A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of English College of Arts and Sciences University of South Florida Major Professor: Joseph M. Moxley, Ph.D. Trey Conner, Ph.D. Marc Santos, Ph.D. Meredith Zoetewey, Ph.D. Date of approval: June 12, 2012 Keywords: Music, Sound, Composition, Creativity, Aesthetics Copyright © 2012, Kyle D. Stedman DEDICATION I dedicate this project to Margo, who partnered with me through writing marathons, bad moods, cluttered desks, long conferences, and endless drives between Orlando and Tampa. She never stopped speaking truth into me and reminding me how good I am at this whole teacher/scholar thing. And she filled our home with music, the best writing support of all. I also owe a debt to the fifteen composers who took the time to talk to me about their work, as well as all the composers over the years who have translated their musical instincts into words through interviews. -
Compositions-By-Frank-Zappa.Pdf
Compositions by Frank Zappa Heikki Poroila Honkakirja 2017 Publisher Honkakirja, Helsinki 2017 Layout Heikki Poroila Front cover painting © Eevariitta Poroila 2017 Other original drawings © Marko Nakari 2017 Text © Heikki Poroila 2017 Version number 1.0 (October 28, 2017) Non-commercial use, copying and linking of this publication for free is fine, if the author and source are mentioned. I do not own the facts, I just made the studying and organizing. Thanks to all the other Zappa enthusiasts around the globe, especially ROMÁN GARCÍA ALBERTOS and his Information Is Not Knowledge at globalia.net/donlope/fz Corrections are warmly welcomed ([email protected]). The Finnish Library Foundation has kindly supported economically the compiling of this free version. 01.4 Poroila, Heikki Compositions by Frank Zappa / Heikki Poroila ; Front cover painting Eevariitta Poroila ; Other original drawings Marko Nakari. – Helsinki : Honkakirja, 2017. – 315 p. : ill. – ISBN 978-952-68711-2-7 (PDF) ISBN 978-952-68711-2-7 Compositions by Frank Zappa 2 To Olli Virtaperko the best living interpreter of Frank Zappa’s music Compositions by Frank Zappa 3 contents Arf! Arf! Arf! 5 Frank Zappa and a composer’s work catalog 7 Instructions 13 Printed sources 14 Used audiovisual publications 17 Zappa’s manuscripts and music publishing companies 21 Fonts 23 Dates and places 23 Compositions by Frank Zappa A 25 B 37 C 54 D 68 E 83 F 89 G 100 H 107 I 116 J 129 K 134 L 137 M 151 N 167 O 174 P 182 Q 196 R 197 S 207 T 229 U 246 V 250 W 254 X 270 Y 270 Z 275 1-600 278 Covers & other involvements 282 No index! 313 One night at Alte Oper 314 Compositions by Frank Zappa 4 Arf! Arf! Arf! You are reading an enhanced (corrected, enlarged and more detailed) PDF edition in English of my printed book Frank Zappan sävellykset (Suomen musiikkikirjastoyhdistys 2015, in Finnish). -
Land Reform Is Basically a Class Issue”
This land is my land! Motions and emotions around land reform in Namibia Erika von Wietersheim 1 This study and publication was supported by the Friedrich-Ebert-Stiftung, Namibia Office. Copyright: FES 2021 Cover photo: Kristin Baalman/Shutterstock.com Cover design: Clara Mupopiwa-Schnack All rights reserved. No part of this book may be reproduced, copied or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval system without the written permission of the Friedrich-Ebert-Stiftung. First published 2008 Second extended edition 2021 Published by Friedrich-Ebert-Stiftung, Namibia Office P.O. Box 23652 Windhoek Namibia ISBN 978-99916-991-0-3 Printed by John Meinert Printing (Pty) Ltd P.O. Box 5688 Windhoek / Namibia [email protected] 2 To all farmers in Namibia who love their land and take good care of it in honour of their ancestors and for the sake of their children 3 4 Acknowledgement I would like to thank the Friedrich-Ebert Foundation Windhoek, in particular its director Mr. Hubert Schillinger at the time of the first publication and Ms Freya Gruenhagen at the time of this extended second publication, as well as Sylvia Mundjindi, for generously supporting this study and thus making the publication of ‘This land is my land’ possible. Furthermore I thank Wolfgang Werner for adding valuable up-to-date information to this book about the development of land reform during the past 13 years. My special thanks go to all farmers who received me with an open heart and mind on their farms, patiently answered my numerous questions - and took me further with questions of their own - and those farmers and interview partners who contributed to this second edition their views on the progress of land reform until 2020. -
“Atheists and Believers”
“Atheists and Believers” Available as Ltd. Edition CD Digipak (with special packaging), 180g 2 LP Gatefold Edition (incl. etching on side 4 and the album on CD) and as Digital Album Release Date: March 22nd, 2019 The Mute Gods deliver hard-hitting message on future of the planet in Atheists and Believers Third album from Nick Beggs (Steven Wilson and Steve Hackett), Roger King (Steve Hackett) and Marco Minnemann (The Aristocrats and The Sea Within) features guest appearances from Alex Lifeson, guitarist with Rush, drummer Craig Blundell (Frost* and Steven Wilson) and multi-instrumentalist Rob Townsend (Steve Hackett). As global populism continues to lead humanity down sinister, self-serving alleyways and truth is an irrelevance, does anyone have the capability of saving this planet? Have humans forgotten their responsibilities to each other, especially to those millions of people left homeless and displaced by conflict, while arms sales to warmongering nations carry on abated? These are some of the powerful themes that The Mute Gods put under the spotlight on Atheists and Believers . This is the third album in a trilogy of pulsating, turbulent rock compositions, that delves even deeper into the machinations that are driving mankind further towards an abyss of its own making. The metal-edged, menacing wake-up calls to humanity are tempered by three gentler, more sentimental compositions in which Beggs reflects on love and loss, mortality and marriage. “The album’s key message is that we now empower stupid people and don’t listen to educated, informed experts anymore because truth is no longer fashionable,” explains Beggs. -
Bryan Beller Is Suddenly Every- Where at Once
PHOTOS BY GRIFF PETERS, SCOTT CHATFIELD, JT LAMBERT/STAGES PHOTOGRAPHY, GLEN LAFERMAN PHOTOGRAPHY, JT LAMBERT/STAGES CHATFIELD, GRIFF PETERS, SCOTT BY PHOTOS 28 bassplayer.com / october2012 QUICKENINGTHE AFTER 20 YEARS OF METICULOUSLY CRAFTING A MULTI-FACETED CAREER, BRYAN BELLER IS SUDDENLY EVERY- WHERE AT ONCE. BY E.E. BRADMAN IT’S 12:30 ON A WEDNESDAY AFTERNOON, AND I’M TALKING TO BRYAN BELLER, who’s on his way to the helicopter that will take him to tonight’s sold-out Dethklok show. Klokateers, the band’s hooded helpers, will be at the door to pass out Dethklok tattoos, and bartenders will serve drinks with specially made cocktail napkins. Eight hours later, the band is scheduled to take the stage, kick ass, and accept the adulation of the thousands of rabid fans who snapped up tickets in time. Beller’s got a million things on his mind—there are albums to mix, sessions to plan, and tours in the balance—but his primary job tonight will be to make William Murderface, the bassist of Dethklok, sound good to a Comic-Con audience full of hardcore metal fans. And as anyone who’s ever seen Adult Swim’s hit cartoon series Metalocalypse knows, that’s a mighty Herculean task. Lucky for him, Beller has a skill set heavy enough to inspire a fictional character: He’s a rocker’s rocker bassplayer.com / october2012 29 CS BRYAN BELLER with superhuman chops, ears of gold, a tone all his own, an intense work ethic, and a sense of humor that just won’t quit. -
KONZERT Dvds
KONZERT DVDs Künstler Titel Drummer, Percussionist Phil Collins Live and Loose in Paris Ricky Lawson, Luis Conte, Phil Collins Phil Collins Finally…The first farewell tour Chester Thompson, Luis Conte, Phil Collins Patti LaBelle One Night Only John Blackwell Tina Turner One Last Time Jack Bruno Steely Dan Two Against Nature Ricky Lawson George Benson Absolutely Live Michael White Brian Setzer Orchestra Live in Japan (Big Band) Bernie Dresel Toto Live and more Jeff Porcaro Earth,Wind & Fire Live Sonny Emory Chicago Real Artist Working Tris Imboden Paul Simon You’re The One Steve Gadd Diana Krall Live in Paris Jeff Hamilton James Taylor Pull Over Russ Kunkel, Luis Conte Fourplay An Evening of Fourplay Harvey Mason Lee Ritenour & Friends Live from the Coconut Grove Harvey Mason, Paulinho da Costa Steve Lukather Los Lobotomys in Concert Simon Phillips Marcus Miller In Concert Poogie Bell Larry Carlton In Concert Rick Marotta Prince Rave 2000 John Blackwell Tom Jones Live at Cardiff Castle Graham Ward, Jody Linscott Bonnie Raitt Road Tested Ricky Fataar, Debra Dobkin Steps Ahead Live in Tokyo Steve Smith Niacin Blood, Sweat & Beers Dennis Chambers Xavier Naidoo Alles Gute vor uns Ralf Gustke Cher The Farewell Tour Mark Schulman Lee Ritenour Rit Special Carlos Vega Eliane Elias Trio Live in Munich Adam Nussbaum Herbie Hancock In Concert Terry Lynne Carrington Dizzy Gillespie At the Royal Festival Hall Ignacio Berroa, Airto Steve Gadd The Gadd Gang Live Steve Gadd Chaka Khan The Jazz Channel Presents Vinnie Colaiuta Toto Live in Amsterdam Simon Phillips Sting All This Time Manu Katche Sting The Brand New Day Tour Manu Katche Sting The Soul Cages Tour Vinnie Colaiuta Sting MTV Unplugged Vinnie Colaiuta, Vinx Paul McCartney Back in the U.S. -
Oscar Peterson Motions and Emotions
Oscar Peterson Motions and Emotions Label:MPS Records (LC00979) Vertrieb: EDEL / Kontor New Media VÖ: 02. November 2018 EAN CD: 4029759128304 Kat-Nr. LP: 0212831MSW EAN LP: 4029759128311 www.mps-music.com Infos und Pressefotos: http://www.herzogpromotion.com Line-Up: Oscar Peterson (piano), Bucky Pizzarelli (guitar), Sam Jones (bass), Bob Durham (drums), Claus Ogerman (arranger) Track-Listing / ISRC: 1. Sally's Tomato (DEA116900160), 2. Sunny (DEN120408042), 3. By The Time I Get To Phoenix (DEN120408043), 4. Wandering (DEN120408044), 5. This Guy's In Love With You (DEA116900200), 6. Wave (DEA116900210), 7. Dreamsville (DEN120408045), 8. Yesterday (DEN120408046), 9. Eleanor Rigby (DEN120408047), 10. Ode To Billy Joe (DEN120408048) Oscar Peterson – Motions and Emotions In Trio-Besetzungen, als Solist und Mitmusiker der Singers Unlimited – so zeigte sich der Piano-Gigant Oscar Peterson bisher auf den Wiederveröffentlichungen aus dem MPS- Katalog. In der Serie Ambassadors for MPS offenbart der Kanadier nun mit einer von Till Brönner ausgewählten Einspielung aus dem Jahre 1969 ein weiteres spannendes Gesicht: Auf Motions And Emotions erleben wir ihn mit Jazzfassungen populärer Stücke aus Pop, Easy Listening und Songwriting als Protagonist eines Quartetts von langjährigen Begleitern, eingebettet in reiche Orchesterfarben. Gemalt hat sie ein Zauberer der Zunft, der großartige Claus Ogerman, zuvor auch schon in Diensten für Tom Jobim. Der Brasilianer ist denn auch mit seinem Standard „Wave“ vertreten, in dem das Orchester für Petersons fantastisch verschleppte Phrasierung eine leuchtende tropische Kulisse baut. Einem anderen großen Orchesterchef, Henry Mancini, erweisen Peterson und Ogerman in „Sally‘s Tomato“ mit federleicht trillernder Brillanz die Ehre. Eine Metamorphose fast ins Klassische hinein erfährt Jimmy Webbs „By The Time I Get To Phoenix“ – Ogerman öffnet hier mit den distanziert schwelgenden Streichern unendliche Klangräume. -
Alfred 2008-2009
Alfred 2008-2009 Percussion Catalog • 2008-2009 PERCUSSION learn•teach•play music CATALOG Alfred Publishing Co., Inc. USA/Canada: P.O. Box 10003, Van Nuys, CA 91410-0003 Asia: 15 Queen St. #04-08, Tan Chong Tower, Singapore 188537 30% total recycled fi ber Australia: P.O. Box 2355, Taren Point NSW 2229 Printed in USA Germany: Hansestraße 99, 51149 Köln U.K.: Burnt Mill, Elizabeth Way, Harlow, Essex CM20 2HX U(a38081*MRTMRp(u alfred.com 00-104085 / wo 82110 Alfred Publishing Co., Inc. P.O. Box 10003 Van Nuys, CA 91410-0003 alfred.com 08 percussion catalog cover 2_kp.indd 1 4/11/08 8:48:58 AM CONTENTS 1 DW DVDs ...............................................................................................................................2 Personality Titles A—Z .........................................................................................................4 Drumset Methods, Collections, Duets/Solos .................................................................19 Drum & Snare Drum Methods, Collections, Duets/Solos .................................................................................................32 Keyboard Percussion Methods, Collections, Solos, Duets/Trios, Ensembles ........................................................................................38 Percussion Ensemble Collections ...................................................................................43 Individual Percussion Ensembles ...................................................................................44 Multiple Percussion Solos -
For a Lark the Poetry of Songs
UNIVERSIDADE DE LISBOA FACULDADE DE LETRAS PROGRAMA EM TEORIA DA LITERATURA FOR A LARK THE POETRY OF SONGS Telmo Rodrigues DOUTORAMENTO EM ESTUDOS DE LITERATURA E DE CULTURA TEORIA DA LITERATURA 2014 Universidade de Lisboa Faculdade de Letras Programa em Teoria da Literatura FOR A LARK THE POETRY OF SONGS Telmo Rodrigues Dissertação orientada por: PROFESSOR DOUTOR ANTÓNIO M. FEIJÓ PROFESSOR DOUTOR MIGUEL TAMEN Doutoramento em Estudos de Literatura e de Cultura Teoria da Literatura 2014 Acknowledgments The work for this thesis was done under a fellowship granted by the Foundation for Science and Technology (FCT): the time granted to think is priceless, and I am indeed thankful for being allowed to benefit from it. During this period I have also benefited from the resources put at my disposal by my host institution, the Nova Institute of Philosophy (IFILNOVA). Professor António Feijó has been teaching me since my first year of undergraduate studies and Professor Miguel Tamen since I started graduate studies: I am still to this day amazed at the luck I have for being given the opportunity to work with both of them, and my gratitude for their efforts and enthusiasm in crafting this thesis is immeasurable. As a student of the Program in Literary Theory I must extend my thanks to Professor João Figueiredo, who is an integral part of the Program and with whom I have learnt many valuable things about art. When writing a thesis, a friend who enjoys editing is a blessing one must always be thankful for; in any case, I would gladly dismiss Helena’s editing skills for the friendship which has shaped this work beyond recognition and, necessarily, beyond any written acknowledgment. -
Wackerman the Wackermans
ISSUE 35 ISSUE FREE CD DOWNLOAD AUDIO PREVIEWS LessoNS praCTICE W/ THE pros DAVE JJIM IAN V DICENSO BOGIOS MOSELY NOVEMBER / DECEMBER 2012 / DECEMBER NOVEMBER ALL THINGS WACKERMAN THE WACKERMANS November - December 2012 | NO. 035 $6.99 US | $7.99 CAN THE WACKERMAN 014 PROGENY STARRING: CHUCK, BOB, CHAD, JOHN, BROOKS & BARBARA. Interview: Rich Mangicaro - Photos: Rob Shanahan 015 Parents have a powerful and positive impact upon the development and health of their children. The relationship between father and son early on in life is crucial—dad is his son’s first role model. He is both consciously and subconsciously observed, and his words and actions are absorbed, even before the child’s first spoken word. With an artistic parent, a child can be influenced even while still in the womb; rhythms and melodies permeate mama’s belly and the child is most definitely affected by this. Some say it’s the beginning of ‘natural talent’ or ‘being born with it.’ Some say the child is an old soul. To have one child that is born with this natural artistic talent is quite something to behold, but to have four?! This is extraordinary. Thus is the case with the Wackerman family. Hailing from Orange County, California, this gifted musical family has inspired thousands of musicians worldwide. All four of Chuck and Barbara Wackerman’s sons are absolute virtuosos on their instrument. Three of their sons, Chad, John and Brooks became drummers like their dad. Equally as talented as his drumming brothers, Bob Wackerman chose the drummer’s right-hand instrument, the bass.