I Found out ATV Was for Sale, and I Told Michael. He Asked What That Was. I Said, 'You're Not Going to Believe It: 250 Beatl

Total Page:16

File Type:pdf, Size:1020Kb

I Found out ATV Was for Sale, and I Told Michael. He Asked What That Was. I Said, 'You're Not Going to Believe It: 250 Beatl RAINMAKERS 1 I found out ATV was for sale, and I told Michael. He asked what that was. “ I said, ‘You’re not going to believe it: 250 Beatles songs, the Little Richard catalog.’ He started screaming on the phone. I actually have a great note he wrote me. It said, ‘Branca, the catalog is mine. Don’t lose it by over- negotiating.’ I framed that note. John Branca ”—Branca to the AP in 2009 THE CLO SER Here’s the saga, in five parts, of a man who’s been called— not hyperbolically—the most expensive lawyer in the world. 44 45 IT’S A WELL-WORN ADAGE THAT PAUL years later, the Australian who owned 24-hour period to strike a deal. WHEN BRANCA ORCHESTRATED THE My mom told me, ‘You’re either going McCartney gave Michael Jackson the 247 Lennon-McCartney titles, Robert “My ass was on the line,” Branca merging of Jackson’s ATV with Sony’s “ best investment advice he ever heard: Holmes a Court, was putting ATV up told Stan Sinberg for his So We Can nascent publishing business in 1995, he to go to college or you can get a Buy the publishing. for sale. Rock Forever blog in 2011. “I told him, became music publishing’s most accom- McCartney had purchased songs Holmes a Court and Branca had a ‘if this deal didn’t happen while I was plished attorney. job.’ I didn’t want to cut my hair, written by his childhood idols, artists handshake deal, but Holmes a Court there, to never, ever call me again.’” Sony paid Jackson $95 million to such as Buddy Holly, which prompted then agreed to sell it to Marty Bandier Branca secured the ATV catalog of merge ATV Music with its catalog to Jackson to respond, “I’m gonna buy and The Entertainment Co. Branca 4,000 songs for $47.5 million after form a new 50/50 JV, which immedi- so I took the GED and went to L.A. your songs.” John Branca, partner went to Bandier’s lead financier, a promising a charity performance by MJ ately became the world’s second largest and head of the music department at person he had done business with, and and letting Holmes a Court’s daughter publisher. As the company continued City College. —Branca in the Occidental College Magazine, 2017 Ziffren Brittenham LLP, made sure it asked that he cancel the financing, have the rights to “Penny Lane.” to acquire other catalogs, it grew to the ” happened. which he did. Holmes a Court was Bandier responded by saying, “next point that within 15 years it was earn- cial marketplace, just as McCartney had passed along this tid- left with only one option, and Branca time we do this, we’re hiring John”— ing $1 billion annually from licensing we assisted Apollo, Core bit while he and Jackson were record- chose to play hard to get, eventu- which came true when he went after and royalties. Media and the Raine ing “Say, Say, Say” in 1982 and three ally agreeing to fly to London for a CBS Songs. In 2012, Branca was a consultant Group in selling Elvis to Sony/ATV in connection with its Presley Enterprises.” $2.2 billion acquisition of EMI Music His other music-pub- Publishing; he was then hired by EMI lishing deals include Kurt to sell off music assets for $90 million. Cobain and Nirvana, His culminating move involving the Julian Lennon’s share EMI property took place six years later, of The Beatles’ royal- when, on behalf of the Michael Jackson ties, and Steven Tyler’s Estate, Branca sold the remaining 10% Aerosmith catalog. He of the valuable pubco not already has helped Don Henley owned by Sony Corp. for $287.5 mil- and John Fogerty secure lion—adding to the estate’s swelling unpaid royalties, as well coffers while making his friend Marty as getting Henley back his a very happy man. Eagles song copyrights, and negotiated royalty ranca handled the sale of half increases for The Beach of Berry Gordy’s Jobete Music Boys and The Doors for to EMI in 1997 for $132 mil- their catalogs. lion, the 2007 sale of Jerry Branca knows the Leiber & Mike Stoller’s catalog business so well that to Sony/ATV, and the 2009 sale when names are being Bof the Rodgers & Hammerstein bandied about for a new catalog, which sold for over $200 mil- worldwide head of a top lion in a “down” economy. music publishing com- Richard Rodgers’ estate executor, pany, his name is always Joshua S. Rubenstein, told The Daily on the list. Journal in 2011, “It was a family estate, David Dunn, who we wanted someone who would take has worked with Branca good care of the legacy, and John blew on a number of proj- us away with his passion and interest. ects and is managing For us, it wasn’t just about the money,” partner of Shot Tower 2 though he did get a sale price that was Capital in Baltimore, 3 95% of the estate’s highest valuation. told Occidental College Magazine in Rodgers & Hammerstein was about 2017, “He knows the business better BRANCA GRADUATED FROM THE more than money, Branca told HITS in than anybody. You’ve got artists who UCLA School of Law in 1975. He 2014. “Something like that is especially have particular viewpoints which aren’t didn’t take a particularly straight path John has a great sense of the value of a exciting to me, because I grew up lov- necessarily aligned with monetization, to get there. ing musicals like The Sound of Music, you’ve got labels and publishers who His mother was a dancer, and his song which songs will last for a long time, so we’re brought in not just to do the are more focused on monetization, and father, the Honorable John R. Branca, — paperwork but actually to help put you’ve got John, who over the course ran a baseball school, served two terms together the offering materials and the of his career has been able to bridge the in the New York State Assembly and how certain songs can be licensed.”—Marty Bandier marketing of the company to the finan- gap and translate in both directions.” became chairman of the New York State KILLER B’S: Branca, Berry, Bandier “ 462 47 Athletic Commission in 1983. When his it the piano-playing superstar talked parents split and his mother left Mount about not being able to spend all the Vernon, N.Y., for L.A., Branca stayed money he had earned, as well as his behind and followed in his father’s investments in real estate, art and his sports-oriented path. Baseball was #1, new company, Rocket, which had for playing and card collecting. Today, a goal of paying artists higher-than he owns one of the world’s most nota- usual-royalties. ble baseball-card collections. “I instantly recognized it as what I “Baseball’s lure transcends the should be doing,” Branca says. game and players,” Branca wrote in He secured a job at Hardee, the 2002 book, What Baseball Means Barovick, Konecky & Braun, initially to Me. “Babe Ruth is as much a part reviewing contracts for the likes of of American history and culture as Bob Dylan, Neil Diamond and George Abraham Lincoln or Elvis Presley, as Harrison, and subsequently negotiating much a part of any kid’s dreams. And innovative tour contracts. David Braun like any great sport or form of enter- took Branca under his wing and gave tainment, baseball—and its collect- him his first face-to-face task with an ibles—offer a wonderful diversion from artist: Talk Dylan out of investing in a everyday reality.” project with a friend from Minnesota. It meant spending a lot of time with hen he turned 11, Dylan at his home in Malibu. Branca joined his In 1978, when he was 27, Branca got mother in Los his first client…his second-favorite band. Angeles, and soon started to display 4 a passion for the Wguitar and songwrit- ing; at 13, he had his first band—The Other Half, who cut an album for GNP 4 Crescendo—and by 16, his Pasternak Progress band secured a deal with Art IT WAS DECEMBER, AND THE BEACH Growing up, I Laboe’s Original Sound label. They Boys were late in delivering a “ opened for The Doors and were regu- Christmas album to fulfill contract lars at Gazzari’s on the Strip. Like most obligations at Warner Bros. Records had five idols, kids, he was dabbling in drugs and Chairman/CEO Mo Ostin tapped showing little interest in school, even Branca to deal with Brian Wilson and and I wound up getting expelled from boarding school. the group before they drove off to their He put his energy in the band until his new deal with CBS. Branca did his representing mother gave him the “get a job or go to homework and took over the meeting, college” ultimatum. impressing the Wilson brothers, Al all of them. Branca did well at Los Angeles City Jardine and Mike Love in the process. College and transferred to Occidental They wanted Branca to represent them as a junior, majoring in political sci- and fire their manager, Love’s brother, Elvis was ence and graduating cum laude. After Steve Love. matriculating at UCLA School of Law, This occurred at a time when Brian #1. Then The he worked for Kindel & Anderson Wilson was under Eugene Landy’s in estate planning; he also repped the questionable care, and the head Beach Boys, The UCLA Foundation, deepening his con- Beach Boy had even gone missing at nection to the university.
Recommended publications
  • PARKSIDE UNIT 3 HEALTH: Putting the Truth About Drugs to Use NAME
    PARKSIDE UNIT 3 HEALTH: Putting the Truth about Drugs to Use NAME: _______________ ROOM: __________ DUE DATE: MAY 15, 2020 Assignments: Lesson # 1: Considering your response The statements below represent 9 common lies about drugs. They are often used to persuade young people to begin or continue to take illegal street drugs or to abuse prescription drugs. As you read each lie, think about how you would respond if a friend seriously said one of these to you. 9 Lies About Drugs: 1) Drugs make you feel better. 2) Drugs make you more creative. 3) Marijuana is better for you than tobacco. 4) Drugs make you more fun to be with. 5) Drugs wear off and don’t cause any permanent damage to your body. 6) Drugs give you energy. 7) Prescription drugs can’t hurt you. 8) You can stop taking drugs whenever you want. 9) Alcohol isn’t really a drug. Write one true statement about drugs that you could use to contradict each lie listed above (“contradict” means “to speak against”). Do not use the same “speak against” statement more than once. You will write 9 different “speak against” statements to respond to the 9 different lies listed in lesson 1. Lesson # 2: The aftermath of bad choices Read the song lyrics to Hurt more than once. As you read, think how the lyrics relate to a life lived and the meaning it is trying to communicate to its readers and listeners. As you read the lyrics for understanding, think about your written responses to these 3 prompts: 1) Identify and write about the song lyrics you believe tell about drug abuse.
    [Show full text]
  • Letter Reso 1..4
    *LRB09613384KXB28107r* HR0544 LRB096 13384 KXB 28107 r 1 HOUSE RESOLUTION 2 WHEREAS, The members of the Illinois House of 3 Representatives and State Representative Monique D. Davis are 4 saddened to learn of the death of Michael Jackson, who passed 5 away on June 25, 2009; and 6 WHEREAS, Michael Joseph Jackson was born on August 29, 1958 7 in Gary, Indiana to Joseph and Katherine Jackson; at the age of 8 4, he began singing with his brothers, Marlon, Jermaine, 9 Jackie, and Tito, as the Jackson 5; and 10 WHEREAS, By 1968, the Jacksons had cut singles for a local 11 Indiana label called Steeltown; at an engagement that year at 12 Harlem's famed Apollo Theater, singer Gladys Knight and pianist 13 Billy Taylor saw their act and recommended them to Motown 14 founder Berry Gordy; and 15 WHEREAS, Motown moved the Jacksons to California, and in 16 August 1968 they gave a breakthrough performance at a Beverly 17 Hills club called The Daisy; their first album, "Diana Ross 18 Presents the Jackson 5," was released in December 1969, and it 19 yielded the No. 1 hit "I Want You Back," with 11-year-old 20 Michael on the lead vocals; "ABC," "I’ll Be There," and other 21 hits followed, and the group soon had their own television 22 series, a Saturday morning cartoon, and an array of licensed -2-HR0544LRB096 13384 KXB 28107 r 1 merchandise aimed at youngsters; and 2 WHEREAS, By 1972, Michael Jackson had his first solo album, 3 "Got to Be There," which included the title hit as well as 4 "Rockin' Robin"; his first solo No.
    [Show full text]
  • Misdemeanor Warrant List
    SO ST. LOUIS COUNTY SHERIFF'S OFFICE Page 1 of 238 ACTIVE WARRANT LIST Misdemeanor Warrants - Current as of: 09/26/2021 9:45:03 PM Name: Abasham, Shueyb Jabal Age: 24 City: Saint Paul State: MN Issued Date Bail Amount Warrant Type Charge Offense Level 10/05/2020 415 Bench Warrant-fail to appear at a hearing TRAFFIC-9000 Misdemeanor Name: Abbett, Ashley Marie Age: 33 City: Duluth State: MN Issued Date Bail Amount Warrant Type Charge Offense Level 03/09/2020 100 Bench Warrant-fail to appear at a hearing False Pretenses/Swindle/Confidence Game Misdemeanor Name: Abbott, Alan Craig Age: 57 City: Edina State: MN Issued Date Bail Amount Warrant Type Charge Offense Level 09/16/2019 500 Bench Warrant-fail to appear at a hearing Disorderly Conduct Misdemeanor Name: Abney, Johnese Age: 65 City: Duluth State: MN Issued Date Bail Amount Warrant Type Charge Offense Level 10/18/2016 100 Bench Warrant-fail to appear at a hearing Shoplifting Misdemeanor Name: Abrahamson, Ty Joseph Age: 48 City: Duluth State: MN Issued Date Bail Amount Warrant Type Charge Offense Level 10/24/2019 100 Bench Warrant-fail to appear at a hearing Trespass of Real Property Misdemeanor Name: Aden, Ahmed Omar Age: 35 City: State: Issued Date Bail Amount Warrant Type Charge Offense Level 06/02/2016 485 Bench Warrant-fail to appear at a hearing TRAFF/ACC (EXC DUI) Misdemeanor Name: Adkins, Kyle Gabriel Age: 53 City: Duluth State: MN Issued Date Bail Amount Warrant Type Charge Offense Level 02/28/2013 100 Bench Warrant-fail to appear at a hearing False Pretenses/Swindle/Confidence Game Misdemeanor Name: Aguilar, Raul, JR Age: 32 City: Couderay State: WI Issued Date Bail Amount Warrant Type Charge Offense Level 02/17/2016 Bench Warrant-fail to appear at a hearing Driving Under the Influence Misdemeanor Name: Ainsworth, Kyle Robert Age: 27 City: Duluth State: MN Issued Date Bail Amount Warrant Type Charge Offense Level 11/22/2019 100 Bench Warrant-fail to appear at a hearing Theft Misdemeanor ST.
    [Show full text]
  • John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
    THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums.
    [Show full text]
  • Rolling Stone Magazine's Top 500 Songs
    Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35.
    [Show full text]
  • „Sie Sind Hinter Mir Her“
    Kultur „Sie sind hinterLEGENDEN mir her“ Auf 15000 Leinwänden in der ganzen Welt läuft ab dieser Woche ein Dokumentarfilm über die letzten Tage von Michael Jackson. Er entstand während der Proben für sein Comeback – und feiert einen Künstler, der längst ein Wrack war. as Büro von Dieter Wiesner ist ein Memorabilia mit dem Schriftzug „King 45. Geburtstag von Jackson. An den Wän- schwarz möbliertes Hinterzimmer of Pop“. Alle wollen noch einmal groß den hängen Poster, „Dieter“ steht handge- Din einem Gewerbegebiet in Rodgau, an Jackson verdienen. „Seit der Maikl tot schrieben auf einem dieser Plakate, „Stop Erdgeschoss, Gebäude 2F. Auf dem Boden ist“, sagt Wiesner, „ist der größte Kosten- the tabloids“; auf einem anderen „You’re liegt eine Kiste mit Michael-Jackson-Hand- faktor weg.“ the best! Michael“. Stopp die Boulevard- taschen und Michael-Jackson-Stöckelschu- In einer Glasvitrine steht eine Michael- blätter. Du bist der Beste! Michael. hen, Kunstleder made in Germany, gelie- Jackson-Porzellanstatue, angefertigt in Auf einem Foto in einem Regal ist fert aus der Türkei, die jüngste Ladung Rumänien, ein Geschenk Wiesners zum Jackson zu sehen, wie er 2002 an einem 160 der spiegel 44/2009 Sänger Jackson auf seiner Neverland-Ranch 1991 DILIP MEHTA / AGENTUR FOCUS Fenster des Hotel Adlon in Berlin der Men- Er war jahrelang Jacksons Geschäfts- Michael Jackson, der starb, am 25. Juni ge seinen Sohn zeigte. Jeder kennt diesen partner, später sein Manager und Bera- dieses Jahres. Moment des Wahnsinns, weil ihm damals ter. Und Wiesners Büro sieht aus, als Von diesem Michael Jackson erfährt fast das Baby aus den Händen rutschte, hätte sich bis heute daran nichts geän- man, wenn Wiesner den Safe, der unter aber das Bild ist nicht wie die anderen von dert.
    [Show full text]
  • Bob Denson Master Song List 2020
    Bob Denson Master Song List Alphabetical by Artist/Band Name A Amos Lee - Arms of a Woman - Keep it Loose, Keep it Tight - Night Train - Sweet Pea Amy Winehouse - Valerie Al Green - Let's Stay Together - Take Me To The River Alicia Keys - If I Ain't Got You - Girl on Fire - No One Allman Brothers Band, The - Ain’t Wastin’ Time No More - Melissa - Ramblin’ Man - Statesboro Blues Arlen & Harburg (Isai K….and Eva Cassidy and…) - Somewhere Over the Rainbow Avett Brothers - The Ballad of Love and Hate - Head Full of DoubtRoad Full of Promise - I and Love and You B Bachman Turner Overdrive - Taking Care Of Business Band, The - Acadian Driftwood - It Makes No Difference - King Harvest (Has Surely Come) - Night They Drove Old Dixie Down, The - Ophelia - Up On Cripple Creek - Weight, The Barenaked Ladies - Alcohol - If I Had A Million Dollars - I’ll Be That Girl - In The Car - Life in a Nutshell - Never is Enough - Old Apartment, The - Pinch Me Beatles, The - A Hard Day’s Night - Across The Universe - All My Loving - Birthday - Blackbird - Can’t Buy Me Love - Dear Prudence - Eight Days A Week - Eleanor Rigby - For No One - Get Back - Girl Got To Get You Into My Life - Help! - Her Majesty - Here, There, and Everywhere - I Saw Her Standing There - I Will - If I Fell - In My Life - Julia - Let it Be - Love Me Do - Mean Mr. Mustard - Norwegian Wood - Ob-La-Di Ob-La-Da - Polythene Pam - Rocky Raccoon - She Came In Through The Bathroom Window - She Loves You - Something - Things We Said Today - Twist and Shout - With A Little Help From My Friends - You’ve
    [Show full text]
  • WSJ Real Estate
    Trouble viewing this email? View in web browser › REAL ESTATE Some people collect stamps. Some, wealthier than I, collect vintage cars. Personally, I stick to fridge magnets from the 50 U.S. states. Ron Burkle has us all beat, it seems. The billionaire investor and Pittsburgh Penguins owner has a penchant for collecting high-end homes. “It’s a nondefensible number,” he says. You may remember Mr. Burkle grabbing headlines late last year after he bought Neverland Ranch for $22 million. But his real-estate portfolio extends far beyond Michael Jackson's ranch, and includes estates like Greenacres in Beverly Hills, a once "fake apartment" in New York, and a volcano-inspired home in Palm Springs. Mansion's Katherine Clarke takes us on a tour of some of Mr. Burkle's most notable properties right here. Ron Burkle recently completed a massive restoration of Bob Hope’s former Palm Springs home.MICHAL CZERWONKA FOR THE WALL STREET JOURNAL Mr. Burkle's La Jolla home spans about 50,000 square feet. MICHAL CZERWONKA FOR THE WALL STREET JOURNAL We also visit Napa, where artist Gordon Huether built a minimalist home made of glass and aluminum. Mr. Huether, who constructed the property with his wife, Darcy Tunt, didn't "want to live in someone else's house," so he filled the 3,000-square-foot home on the banks of the Napa River with his own artwork. Mansion's Nancy Keates shows us around the place here. And finally, Mansion reporter Candace Taylor tells the tale of a real-estate agent who invited TikTok influencers to film inside her $5.299 million Santa Monica listing.
    [Show full text]
  • Maniac Music Sustainiac Line Puts Outsized Guitar Sustain in a Pint-Sized Package Global Company Profiles
    www.musictrades.com DECEMBER 2017 THE GLOBAL ISSUE MANIAC MUSIC SUSTAINIAC LINE PUTS OUTSIZED GUITAR SUSTAIN IN A PINT-SIZED PACKAGE GLOBAL COMPANY PROFILES on a complicated cable/connector arrangement and a high-voltage ampli- MANIAC MUSIC fier floorbox, he concluded it could be improved through a low-impedance Sustainiac line puts outsized guitar sustain in a transducer powered by batteries and in- pint-sized package stalled as a self-contained unit on the guitar. This set the blueprint for the Sus- tainiac GA-1 model designed to fit into the Hamer Chaparral guitar in 1988. It WHEN JIMI HENDRIX rocked “The was followed soon afterward by the GA- Star-Spangled Banner” at Woodstock, 2, whose more conventional shape al- his secret sauce was a mix of heavy dis- lowed it to be retrofit on a variety of tortion and hellacious levels of feedback instruments. The GA-2 would be taken sustain. Listening to Hendrix and other up by guitar makers including Fernandes greats including Jeff Beck and Pete and ASI, as well as Hamer. Townshend, a musician named Alan Today, the Maniac Music lineup in- Hoover became fascinated with sustain cludes both electroacoustic and electro- as a playing technique as early as the magnetic versions. While mid-1960s. Then lead guitarist in an In- electromagnetic models demand a more diana band called The Villains, he started Sustainiac systems turbocharge guitar complex installation, they remain the thinking about ways to harness sustain sustain through a compact, guitar- prevalent style, Hoover says. “Many gui- without cranking the amplifier up to mounted device without excessive tar players prefer electroacoustic-type deafening volumes—though at the time, noise levels.
    [Show full text]
  • UCLA-Bruin-Blue-Spring-2021.Pdf
    BRUINS DESERVE MORE Earn an Extra $500 with Wescom!* Bank with Wescom and Get $500 on Us* To learn more and open your account, visit ucla.wescom.org/welcome. Promo Code: BRUIN 1-888-8WESCOM (1-888-893-7266) ® #BetterBankingforBruins /WescomCreditUnion @_Wescom Offer valid until 12/31/2021 and may discontinue at any time. Member must meet all qualifications to receive full $500 bonus. Full/partial bonus will be deposited to your regular savings account the first week of the month following the full calendar month after you qualify for the bonus. Offer valid for new members only and cannot be combined with any other offer. Youth Account, Wescom employees, their families, Wescom Volunteers, Wescom Board of Directors and existing Members are not eligible for this offer. Anyone who lives, works, worships, or attends school in Southern California is eligible to open an account at Wescom. A $1 deposit to a Regular Savings Account is required. Certain conditions and restrictions apply. Ask for further details. Insured by NCUA in California. And top 4 in the nation. #1 in Los Angeles, #4 in the nation, U.S. News & World Report Best Hospitals. BRUIN BLUE SPRING 2021 INSIDE this ISSUE VOL 7 | ISSUE 3 | SPRING 2021 THE OFFICIAL MAGAZINE OF CONTENTS UCLA ATHLETICS WRITERS: JON GOLD EMILY LERNER COURTNEY PERKES MANAGING EDITOR: DANNY HARRINGTON [email protected] 4 8 12 LAYOUT & DESIGN: 16 LEARFIELD IMG COLLEGE UCLA ATHLETICS IN PHOTOS SARAH JANE SNOWDEN, SPARKING A MOVEMENT Featuring UCLA men’s and women’s track and field teams, KIMBERLY SANDERS How Nia Dennis’ 90-second homage men’s water polo player Nicolas Saveljic and All-American to black culture became a viral sensation.
    [Show full text]
  • The Cinematic Worlds of Michael Jackson
    MA 330.004 / MA430.005 /AMST 341.002 Fall 2016 Revised: 10-7-16 The Cinematic Worlds of Michael Jackson Course Description: From his early years as a child star on the Chitlin’ Circuit and at Motown Records, through the concert rehearsal documentary This is It (released shortly after his death in 2009), Michael Jackson left a rich legacy of recorded music, televised performances, and short films (a description he preferred to “music video”). In this course we’ll look at Jackson’s artistic work as key to his vast influence on popular culture over the past 50 years. While we will emphasize the short films he starred in (of which Thriller is perhaps the most famous), we will also listen to his music, view his concert footage and TV appearances (including some rare interviews) and explore the few feature films in which he appeared as an actor/singer/dancer (The Wiz, Moonwalker). We’ll read from a growing body of scholarly writing on Jackson’s cultural significance, noting the ways he drew from a very diverse performance and musical traditions—including minstrelsy, the work of dance/choreography pioneers like Fred Astaire and Gene Kelly, and soul/funk legends like James Brown and Jackie Wilson—to craft a style uniquely his own. Crucially, we will ask how Jackson’s shifting public persona destabilize categories of gender, sexuality, and race----in a manner that was very different from his contemporaries: notably, the recently-deceased David Bowie and Prince. Elevated to superstardom and then made an object of the voracious cultural appetite for scandal, Michael Jackson is now increasingly regarded as a singularly influential figure in the history of popular music and culture.
    [Show full text]
  • Michael Jackson's Gesamtkunstwerk
    Liminalities: A Journal of Performance Studies Vol. 11, No. 5 (November 2015) Michael Jackson’s Gesamtkunstwerk: Artistic Interrelation, Immersion, and Interactivity From the Studio to the Stadium Sylvia J. Martin Michael Jackson produced art in its most total sense. Throughout his forty-year career Jackson merged art forms, melded genres and styles, and promoted an ethos of unity in his work. Jackson’s mastery of combined song and dance is generally acknowledged as the hallmark of his performance. Scholars have not- ed Jackson’s place in the lengthy soul tradition of enmeshed movement and mu- sic (Mercer 39; Neal 2012) with musicologist Jacqueline Warwick describing Jackson as “embodied musicality” (Warwick 249). Jackson’s colleagues have also attested that even when off-stage and off-camera, singing and dancing were frequently inseparable for Jackson. James Ingram, co-songwriter of the Thriller album hit “PYT,” was astonished when he observed Jackson burst into dance moves while recording that song, since in Ingram’s studio experience singers typically conserve their breath for recording (Smiley). Similarly, Bruce Swedien, Jackson’s longtime studio recording engineer, told National Public Radio, “Re- cording [with Jackson] was never a static event. We used to record with the lights out in the studio, and I had him on my drum platform. Michael would dance on that as he did the vocals” (Swedien ix-x). Surveying his life-long body of work, Jackson’s creative capacities, in fact, encompassed acting, directing, producing, staging, and design as well as lyri- cism, music composition, dance, and choreography—and many of these across genres (Brackett 2012).
    [Show full text]