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BUSINESS Burns, DOT Initiate Major Reorganization
20 ^ M ANCHKSTER HKKAl.I), Mondiiy, .)ul.\ 9. 1984 BUSINESS Vermont church tells ^ Prize Jeep attracted Shark hunters CHFA’s ‘calculated risk’ pays off In mortgages Its side of the story International attehtlonl get top prize page 9 ... page 11 page 15 By Mark A. Dupuis pects to close the bond sale and expired at the end of last year after the first in the country to take higher than for general loans. b ’Connor estimated 30 percent United Press International have the $200 million available for a two-year effort to repeal the law advantage of the extension when O'Connor said opposition to the of the loans made from the latest mortgages later this month. allowing the sale of mortgage Congress acted, and as it expected sale of mortgage revenue bonds $200 million in mortgages will go HARTFORD - A "calculated The money is expected to yield revenue bonds. was followed by others looking for came from lenders and others who for newly built homes, resulting in risk" by the Connecticut Housing about 3,200 mortgages, said Stuart Congress approved a four-year billions of dolars for mortgages, see housing finance authorities as 2,000 jobs in the homebuilding Finance Authority will pay off in Y. Jennings, deputy director of the extension of the legislation as part O'Connor said. a threat or a drain on federal industry, $900,000 in state sales mortgages this year for hundreds CHFA of a tax reform law a day after the Although there was a hiatus in its revenues. taxes and $1.44 million a year in of state residents. -
Tax Break for Homart Close to OK
I Mixed: Elegance W orried: CPEC looking to next budget / page 4 and sadness at the r' 41i Olympics / page life , Business: Underground economy grows / page 9 Mmxdmtn Manchnster ~ A Cily of Village Charm HrralJi Monday. Feb. IS, 1968 30 C ents Retirement Tax break won’t stifle i » - ‘love affair' for Homart Bv Nancy Concelman Manchester Herald close to OK From a window in his office. Savings Bank of Manchester President Wiiliam Johnson can see Main Street and everyone By Andrew Yurkovsky selves, would not be taken into on it — the merchants, the business people, Manchester Herald consideration if the mall were to the shoppers, the kids. be sold. If more than 50 percent of It's a perfect view for Johnson, who once A $9.5 million tax break for the the mall were to be sold, the tax said that the best thing about Manchester is developer of the proposed Mall at abatement would be terminated. the people. Buckland Hills moved one step Penny said. He should know. closer to reality today when Weinberg had raised objections Johnson, 65, is a resident of Glastonbury, Democratic Director Mary Ann to the continuation of the tax but admits to having a "very large love Handley said she was leaning in break if the mall were to be sold affair” with Manchester and its people in favor of the agreement. before the seven-year period of the 33 years he has been with the bank. I2‘/! Democratic Director Barbara the abatement ran out. as president. He will retire March I. -
2018 Annual Report
Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on. -
As Writers of Film and Television and Members of the Writers Guild Of
July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C. -
Download Original 5.51 MB
Wl='l l ESL EY COLI NOV 5 1 9 LIB V ews Vol. Liii WELLESLEY, MASSACHUSETTS, NOVEMBER 5, 1959 No. 17 Pianist Claudio Arrau Senate Grants Two O'Clocks T'!..,.~,~~~h'!l!.,~?.~~~::,~~M- In Response to Senior Petition rau will perform in Alumnae Hall, Monday, N~vember ? al 8:00 p.m. His program ' ill include some of the pieces which have Senate voted Saturday night two Those voting in favor of Senior class to strive for increased privi brought him intern•. tional fame. This will be his first Wellesley o'clocks to seniors "provided prac· two o'clocks were Mrs. Gurnsey leges, the " happiness" of seniors v. tical arrangements can be made" '\frs. Bradner, Miss Crawford, Mr. the goal of Wellesly College as an appearance. last Tuesday, November 3. Shell. Elizabeth Davis '60, Amanda intellectual community and the de Mr. Arrau will begin his concert Pointing system according to Pope ·60, Molly Sanderson '60, gree lo which an intellectual atmolr with two pieces by Shubert, Al groups was also abolished and pos· Penelope Percival '62, Marcia M<: phere is fostered by social reslric· legretto in C minor and Sonata in C minor. He will then play SonaLJI sible suspension for campus organ Clintock '62, Meredith Baldwin '61, tions. '61. in A major, Op. 101, by Beethoven. izalions with "mis·managed funds" and Emilie Stark Those opposed Practical arrangements now face1J instituted. and Gaspard de la Nuit, by Ravel. were Miss Clapp, 'diss Frisch. Mh. are increased cost of overtime 0£ A majority vote for the two Gnomenreigen and Mephisto ValsP, Tenney, Marcia Mason '61 and Vir campus policemen and watchmen, o'clock motion followed the intense both by Liszt, will conclude the pro ginia Waddell '61. -
Master Class with Andrea Martin: Selected Filmography 1 the Higher
Master Class with Andrea Martin: Selected Filmography The Higher Learning staff curate digital resource packages to complement and offer further context to the topics and themes discussed during the various Higher Learning events held at TIFF Bell Lightbox. These filmographies, bibliographies, and additional resources include works directly related to guest speakers’ work and careers, and provide additional inspirations and topics to consider; these materials are meant to serve as a jumping-off point for further research. Please refer to the event video to see how topics and themes relate to the Higher Learning event. Films and Television Series mentioned or discussed during the Master Class 8½. Dir. Federico Fellini, 1963, Italy and France. 138 mins. Production Co.: Cineriz / Francinex. American Dad! (2005-2012). 7 seasons, 133 episodes. Creators: Seth MacFarlane, Mike Barker, and Matt Weitzman. U.S.A. Originally aired on Fox. 20th Century Fox Television / Atlantic Creative / Fuzzy Door Productions / Underdog Productions. Auntie Mame. Dir. Morton DaCosta, 1958, U.S.A. 143 mins. Production Co.: Warner Bros. Pictures. Breaking Upwards. Dir. Daryl Wein, 2009, U.S.A. 88mins. Production Co.: Daryl Wein Films. Bridesmaids. Dir. Paul Feig, 2011, U.S.A. 125 mins. Production Co.: Universal Pictures / Relativity Media / Apatow Productions. Cannibal Girls. Dir. Ivan Reitman, 1973, Canada. 84 mins. Production Co.: Scary Pictures Productions. The Cleveland Show (2009-2012). 3 seasons, 65 episodes. Creators: Richard Appel, Seth MacFarlane, and Mike Henry. U.S.A. Originally aired on Fox. Production Co.: Persons Unknown Productions / Happy Jack Productions / Fuzzy Door Productions / 20th Century Fox Television. Club Paradise. Dir. Harold Ramis, 1986, U.S.A. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
Proquest Dissertations
"The Cross-Heart People": Indigenous narratives,cinema, and the Western Item Type text; Dissertation-Reproduction (electronic) Authors Hearne, Joanna Megan Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 10/10/2021 17:56:11 Link to Item http://hdl.handle.net/10150/290072 •THE CROSS-HEART PEOPLE": INDIGENOLJS NARRATIVES, CINEMA, AND THE WESTERN By Joanna Megan Heame Copyright © Joanna Megan Heame 2004 A Dissertation Submitted to the Faculty of the DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2004 UMI Number: 3132226 Copyright 2004 by Hearne, Joanna Megan All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI UMI Microform 3132226 Copyright 2004 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. -
Troop Use in Panama Is Doubtfui
One-man performance a lesson in alcoholism By Maureen Leavitt ing to keep his precarious world Manchester Herald together because of his alcoholic father, captivated the majority of COVENTRY — Scrapper’s life the students during the hour-long was a struggle all because his dad performance. A loved the bottle. The program was sponsored by About 130 students at Coventry the Coventry Youth Services and High School saw Scrapper’s story unfold before them Tuesday the Coventry Council for the Prevention of Student Drug and during a performance called Alcohol Abuse. It was funded by a "Hard Knocks.” In the program, A actor Jackson Gillman of Maine grant from the state Alcohol and Drug Abuse Commission. carried on a conversation with the imaginary Scrapper and After the presentation, stu Scrapper’s father, Frank. dents had the chance to be frank Gillman portrayed both roles in and discuss their views about a one-man performance that was alcohol abuse along with a panel Patrick Flynn/Manchaater Herald designed to teach students about of three students and four the disease of alcoholism. members of the faculty. GASPING FOR AIR — Actor Jackson Gillman, of sophomore students at Coventry High School Gillman’s compelling por Maine, looks as if he’s starved for air as he performs a Tuesday. Gillman also performed a more serious skit trayal of young Scrapper, fight See ALCOHOL, page 12 comical skit about drug abuse for freshman and about a family struggling with an alcoholic father. Y manrhpBlpr IrralJi Wednesday, May 10, 1989 Manchester, Conn. — A City of Village Charm Newsstand Price: 35 Cents Directors OK Troop use lease concept, question terms in Panama By Nancy Concelman Manchester Herald Members of the Board of Directors approved Tuesday the concept of a two-year extension of the is doubtfui lease with the Manchester Country Club for the town-owned golf course land. -
May 2008AAJ-NY.Qxd
NEW YORK May 2008 | No. 73 Your FREE Monthly Guide to the New York Jazz Scene newyork.allaboutjazz.com AHMAD JAMAL IT'S MAGIC Vince Giordano • George Garzone • Les Disques Victo • Dizzy’s Club • Event Calendar NEW YORK May is significant in the history of Miles Davis. Not only is the 26th the late trumpeter’s birthday but many of his most enduring works were New York@Night recorded during this month, including the Charlie Parker All-Stars (1948); the 4 Miles Davis-Tadd Dameron Quintet’s run in Paris (1949), most of the Workin’, Steamin’ and Relaxin’ triumvirate by the quintet with John Coltrane (1956), Miles Interview: Vince Giordano Ahead and At Carnegie Hall, both with the Gil Evans Orchestra (1957 and 1961 6 by Michael Hittman respectively); and the bulk of Miles in the Sky (1968). Now in May 2008, another chapter to the Miles Legacy will be written with an ambitious concert at Town Artist Feature: George Garzone Hall May 9th, “Miles From India”. A companion concert to a just-released album 7 by Matthew Miller of the same name, the concert brings together musicians who played with the legend throughout his career as well as a number of classical Indian musicians for Label Spotlight: Les Disques Victo what is billed as a “cross-cultural summit meeting”. Our Encore this month, 8 by Kurt Gottschalk guitarist Pete Cosey, is participating in what is sure to be a monumental event. But, as is typical for New York, the happenings don’t stop happening there. Club Profile: Dizzy’s Club Pianist Ahmad Jamal (Cover) brings his trio to Blue Note in a pre-release by Laurel Gross celebration of his first new album in three years, It’s Magic (Birdology-Dreyfus), due out in June. -
Emmy Award Winners
CATEGORY 2035 2034 2033 2032 Outstanding Drama Title Title Title Title Lead Actor Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actress—Comedy Name, Title Name, Title Name, Title Name, Title Outstanding Limited Series Title Title Title Title Outstanding TV Movie Name, Title Name, Title Name, Title Name, Title Lead Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Lead Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title CATEGORY 2031 2030 2029 2028 Outstanding Drama Title Title Title Title Lead Actor—Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. -
AFI PREVIEW Is Published by the Age 46
ISSUE 72 AFI SILVER THEATRE AND CULTURAL CENTER AFI.com/Silver JULY 2–SEPTEMBER 16, 2015 ‘90s Cinema Now Best of the ‘80s Ingrid Bergman Centennial Tell It Like It Is: Black Independents in New York Tell It Like It Is: Contents Black Independents in New York, 1968–1986 Tell It Like It Is: Black Independents in New York, 1968–1986 ........................2 July 4–September 5 Keepin’ It Real: ‘90s Cinema Now ............4 In early 1968, William Greaves began shooting in Central Park, and the resulting film, SYMBIOPSYCHOTAXIPLASM: TAKE ONE, came to be considered one of the major works of American independent cinema. Later that year, following Ingrid Bergman Centennial .......................9 a staff strike, WNET’s newly created program BLACK JOURNAL (with Greaves as executive producer) was established “under black editorial control,” becoming the first nationally syndicated newsmagazine of its kind, and home base for a Best of Totally Awesome: new generation of filmmakers redefining documentary. 1968 also marked the production of the first Hollywood studio film Great Films of the 1980s .....................13 directed by an African American, Gordon Park’s THE LEARNING TREE. Shortly thereafter, actor/playwright/screenwriter/ novelist Bill Gunn directed the studio-backed STOP, which remains unreleased by Warner Bros. to this day. Gunn, rejected Bugs Bunny 75th Anniversary ...............14 by the industry that had courted him, then directed the independent classic GANJA AND HESS, ushering in a new type of horror film — which Ishmael Reed called “what might be the country’s most intellectual and sophisticated horror films.” Calendar ............................................15 This survey is comprised of key films produced between 1968 and 1986, when Spike Lee’s first feature, the independently Special Engagements ............12-14, 16 produced SHE’S GOTTA HAVE IT, was released theatrically — and followed by a new era of studio filmmaking by black directors.