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Waters of Rome Journal
TIBER RIVER BRIDGES AND THE DEVELOPMENT OF THE ANCIENT CITY OF ROME Rabun Taylor [email protected] Introduction arly Rome is usually interpreted as a little ring of hilltop urban area, but also the everyday and long-term movements of E strongholds surrounding the valley that is today the Forum. populations. Much of the subsequent commentary is founded But Rome has also been, from the very beginnings, a riverside upon published research, both by myself and by others.2 community. No one doubts that the Tiber River introduced a Functionally, the bridges in Rome over the Tiber were commercial and strategic dimension to life in Rome: towns on of four types. A very few — perhaps only one permanent bridge navigable rivers, especially if they are near the river’s mouth, — were private or quasi-private, and served the purposes of enjoy obvious advantages. But access to and control of river their owners as well as the public. ThePons Agrippae, discussed traffic is only one aspect of riparian power and responsibility. below, may fall into this category; we are even told of a case in This was not just a river town; it presided over the junction of the late Republic in which a special bridge was built across the a river and a highway. Adding to its importance is the fact that Tiber in order to provide access to the Transtiberine tomb of the river was a political and military boundary between Etruria the deceased during the funeral.3 The second type (Pons Fabri- and Latium, two cultural domains, which in early times were cius, Pons Cestius, Pons Neronianus, Pons Aelius, Pons Aure- often at war. -
Sphinx Sphinx
SPHINX SPHINX History of a Monument CHRISTIANE ZIVIE-COCHE translated from the French by DAVID LORTON Cornell University Press Ithaca & London Original French edition, Sphinx! Le Pen la Terreur: Histoire d'une Statue, copyright © 1997 by Editions Noesis, Paris. All Rights Reserved. English translation copyright © 2002 by Cornell University All rights reserved. Except for brief quotations in a review, this book, or parts thereof, must not be reproduced in any form without permission in writing from the publisher. For information, address Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850. First published 2002 by Cornell University Press Printed in the United States of America Library of Congress Cataloging-in-Publication Data Zivie-Coche, Christiane. Sphinx : history of a moument / Christiane Zivie-Coche ; translated from the French By David Lorton. p. cm. Includes bibliographical references and index. ISBN 0-8014-3962-0 (cloth : alk. paper) 1. Great Sphinx (Egypt)—History. I.Tide. DT62.S7 Z58 2002 932—dc2i 2002005494 Cornell University Press strives to use environmentally responsible suppliers and materials to the fullest extent possible in the publishing of its books. Such materi als include vegetable-based, low-VOC inks and acid-free papers that are recycled, totally chlorine-free, or partly composed of nonwood fibers. For further informa tion, visit our website at www.cornellpress.cornell.edu. Cloth printing 10 987654321 TO YOU PIEDRA en la piedra, el hombre, donde estuvo? —Canto general, Pablo Neruda Contents Acknowledgments ix Translator's Note xi Chronology xiii Introduction I 1. Sphinx—Sphinxes 4 The Hybrid Nature of the Sphinx The Word Sphinx 2. -
The History and Description of Africa and of the Notable Things Therein Contained, Vol
The history and description of Africa and of the notable things therein contained, Vol. 3 http://www.aluka.org/action/showMetadata?doi=10.5555/AL.CH.DOCUMENT.nuhmafricanus3 Use of the Aluka digital library is subject to Aluka’s Terms and Conditions, available at http://www.aluka.org/page/about/termsConditions.jsp. By using Aluka, you agree that you have read and will abide by the Terms and Conditions. Among other things, the Terms and Conditions provide that the content in the Aluka digital library is only for personal, non-commercial use by authorized users of Aluka in connection with research, scholarship, and education. The content in the Aluka digital library is subject to copyright, with the exception of certain governmental works and very old materials that may be in the public domain under applicable law. Permission must be sought from Aluka and/or the applicable copyright holder in connection with any duplication or distribution of these materials where required by applicable law. Aluka is a not-for-profit initiative dedicated to creating and preserving a digital archive of materials about and from the developing world. For more information about Aluka, please see http://www.aluka.org The history and description of Africa and of the notable things therein contained, Vol. 3 Alternative title The history and description of Africa and of the notable things therein contained Author/Creator Leo Africanus Contributor Pory, John (tr.), Brown, Robert (ed.) Date 1896 Resource type Books Language English, Italian Subject Coverage (spatial) Northern Swahili Coast;Middle Niger, Mali, Timbucktu, Southern Swahili Coast Source Northwestern University Libraries, G161 .H2 Description Written by al-Hassan ibn-Mohammed al-Wezaz al-Fasi, a Muslim, baptised as Giovanni Leone, but better known as Leo Africanus. -
Introduction and Notes by Catharine Edwards Excerpt More Information
Cambridge University Press 978-0-521-46011-8 — Seneca: Selected Letters Seneca , Edited with Introduction and Notes by Catharine Edwards Excerpt More Information INTRODUCTION 1 SENECA’S LIFE AND WORKS Born at Corduba (modern Córdoba in southern Spain) between 4 bce and 1 ce into a wealthy equestrian family, Seneca the Younger (hereafter S) was the second son of Seneca the Elder, an acclaimed rhetorician who wrote treatises on declamation, and of Helvia (addressee of Ad Heluiam matrem, written during S’s exile). Though little is known of his life before 41 ce, he studied rhetoric at Rome and claims to have been attracted to philosophy at an early age, citing as his teachers the Stoic Attalus, as well as Sotion and Papirius Fabianus. After a period in Egypt, S returned to Rome in 31 ce, where some time later he secured election to the quaestorship (thus entering the senate), and established a reputation as a brilliant orator. After eight years in exile on the island of Corsica for alleged involvement in the adultery of Gaius’ sister Livilla (Dio 60.8), he was recalled to Rome on the initiative of Claudius’ new wife Agrippina to serve as tutor to her 12-year-old son, the future emperor Nero.1 S was closely associated with Nero for more than a decade, going on to serve, when Nero succeeded Claudius in 54 ce, as his adviser and speech- writer. S’s treatise De clementia, addressed to the new emperor, dates from soon after his accession and offers the young emperor a philosophically informed model of the proper relationship between ruler and subjects.2 A powerful igure at the imperial court, S held the suffect consulship in 56 ce. -
The Beautiful Burial in Roman Egypt
OXFORD STUDIES IN ANCIENT CULTURE AND REPRESENTATION General Editors Simon Price R. R. R. Smith Oliver Taplin OXFORD STUDIES IN ANCIENT CULTURE AND REPRESENTATION Oxford Studies in Ancient Culture and Representation publishes signiWcant inter- disciplinary research into the visual, social, political, and religious cultures of the ancient Mediterranean world. The series includes work which combines diVerent kinds of representations which are usually treated separately. The overarching programme is to integrate images, monuments, texts, performances and rituals with the places, participants, and broader historical environment that gave them meaning. The Beautiful Burial in Roman Egypt Art, Identity, and Funerary Religion CHRISTINA RIGGS 1 3 Great Clarendon Street, Oxford ox2 6dp Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With oYces in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York © Christina Riggs 2005 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2005 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. -
Theatricality of Naumachiae Bachelor’S Diploma Thesis
Masaryk University Faculty of Arts Department of Theatre Studies Bachelor’s Diploma Thesis 2018 Lucia Steltenpohlová Masaryk University Faculty of Arts Department of Theatre Studies Theatre Theory and History Lucia Steltenpohlová Theatricality of Naumachiae Bachelor’s Diploma Thesis Supervisor: Mgr. Eliška Poláčková, Ph. D. 2018 Declaration Hereby I declare that this paper is my original authorial work, which I have worked out on my own. All sources, references, and literature used or excerpted during elaboration of this work are properly cited and listed in complete reference to the due source. Lucia Steltenpohlová i ii Acknowledgement I would like to thank my supervisor, Mgr. Eliška Poláčková Ph.D., for all her professional support and enthusiasm with which she guided me throughout the process of research as well as writing of this thesis, for all the corrections and comments, for her patience. To all the staff of the department of Theatre studies for constantly broadening my horizons. A big thank you to my friends, namely the wonderful future doctor Simona Halajová and German language mage Bc. Andrea Bukovská, who had to listened to my theatre talk and did not complain the least bit. To Bc. Viktor Solík, for using his remarkable informatics skills to help me in the process of putting the formalities of this thesis together (and for teaching me that there are far too many names for brackets). To Michal Solčiansky, for cooking for me when I needed it the most. Last but not least a huge thanks to my family, for all that you have done and still do for me. -
Calendar of Roman Events
Introduction Steve Worboys and I began this calendar in 1980 or 1981 when we discovered that the exact dates of many events survive from Roman antiquity, the most famous being the ides of March murder of Caesar. Flipping through a few books on Roman history revealed a handful of dates, and we believed that to fill every day of the year would certainly be impossible. From 1981 until 1989 I kept the calendar, adding dates as I ran across them. In 1989 I typed the list into the computer and we began again to plunder books and journals for dates, this time recording sources. Since then I have worked and reworked the Calendar, revising old entries and adding many, many more. The Roman Calendar The calendar was reformed twice, once by Caesar in 46 BC and later by Augustus in 8 BC. Each of these reforms is described in A. K. Michels’ book The Calendar of the Roman Republic. In an ordinary pre-Julian year, the number of days in each month was as follows: 29 January 31 May 29 September 28 February 29 June 31 October 31 March 31 Quintilis (July) 29 November 29 April 29 Sextilis (August) 29 December. The Romans did not number the days of the months consecutively. They reckoned backwards from three fixed points: The kalends, the nones, and the ides. The kalends is the first day of the month. For months with 31 days the nones fall on the 7th and the ides the 15th. For other months the nones fall on the 5th and the ides on the 13th. -
De Otio De Brevitate Vitae
SENECA DE OTIO DE BREVITATE VITAE G. D. WILLIAMS Associate Professor of Classics, Columbia University, New York The Pitt Building, Trumpington Street, Cambridge , United Kingdom The Edinburgh Building, Cambridge, ,UK West th Street, New York, -, USA Williamstown Road, Port Melbourne, , Australia Ruiz de Alarc´on , Madrid, Spain Dock House, The Waterfront, Cape Town , South Africa http://www.cambridge.org C Cambridge University Press This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published Printed in the United Kingdom at the University Press, Cambridge Typefaces Baskerville / pt and New Hellenic System LATEX ε [] A catalogue record for this book is available from the British Library hardback paperback CONTENTS Preface page vii Conventions and abbreviations viii Introduction Author and date: initial problems The Dialogues in context (a) The Stoicbackground (b) The Roman philosophical tradition (c) From Republicto Empire De otio (a) The view from above (b) Date, addressee and related problems De breuitate uitae (a) Preliminaries (b) Date and addressee (c) Theme and interpretation Style and language (a) Senecan style: context and general tendency (b) Senecan mannerism, vocabulary, wordplay The transmission of the text L. ANNAEI SENECAE DE OTIO; DE BREVITATE VITAE Commentary Bibliography Indexes General Latin words Greek words v INTRODUCTION . AUTHOR AND DATE: INITIAL PROBLEMS Born into a provincial equestrian family of Italian extraction at Corduba (modern C´ordoba) in southern Spain, Lucius Annaeus Seneca (c. – ) wasraisedand educated from an early age at Rome. -
Islands in the Nile Sea: the Maritime Cultural Landscape of Thmuis, an Ancient Delta City
ISLANDS IN THE NILE SEA: THE MARITIME CULTURAL LANDSCAPE OF THMUIS, AN ANCIENT DELTA CITY A Thesis by VERONICA MARIE MORRISS Submitted to the Office of Graduate studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2012 Major Subject: Anthropology Islands in the Nile Sea: The Maritime Cultural Landscape of Thmuis, an Ancient Delta City Copyright 2012 Veronica Marie Morriss ISLANDS IN THE NILE SEA: THE MARITIME CULTURAL LANDSCAPE OF THMUIS, AN ANCIENT DELTA CITY A Thesis by VERONICA MARIE MORRISS Submitted to the Office of Graduate studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF ARTS Approved by: Chair of Committee, Shelley Wachsmann Committee Members, Deborah Carlson Nancy Klein Head of Department, Cynthia Werner May 2012 Major Subject: Anthropology iii ABSTRACT Islands in the Nile Sea: The Maritime Cultural Landscape of Thmuis, an Ancient Delta City. (May 2012) Veronica Marie Morriss, B.A., The Pennsylvania State University Chair of Advisory Committee: Dr. Shelley Wachsmann In ancient Egypt, the Nile was both a lifeline and a highway. In addition to its crucial role for agriculture and water resources, the river united an area nearly five hundred miles in length. It was an avenue for asserting imperial authority over the vast expanse of the Nile valley. River transport along the inland waterways was also an integral aspect of daily life and was employed by virtually every class of society; the king and his officials had ships for commuting, as did the landowner for shipping grain, and the ‘marsh men’ who lived in the northernmost regions of the Nile Delta. -
Naumachie De Titus” Gérald Cariou
Projet ”Naumachie de Titus” Gérald Cariou To cite this version: Gérald Cariou. Projet ”Naumachie de Titus”. Virtual Retrospect 2003, Robert Vergnieux, Nov 2003, Biarritz, France. pp.44-50. hal-01741936 HAL Id: hal-01741936 https://hal.archives-ouvertes.fr/hal-01741936 Submitted on 23 Mar 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Version en ligne Tiré-à-part des Actes du colloque Virtual Retrospect 2003 Biarritz (France) 6 et 7 novembre 2003 Vergnieux R. et Delevoie C., éd. (2004), Actes du Colloque Virtual Retrospect 2003, Archéovision 1, Editions Ausonius, Bordeaux G. Cariou Project “Titus Naumachia” . pp. 44-50 Conditions d’utilisation : l’utilisation du contenu de ces pages est limitée à un usage personnel et non commercial. Tout autre utilisation est soumise à une autorisation préalable. Contact : [email protected] http://archeovision.cnrs.fr Virtual Retrospect 2003 November 6, 7 PROJET “NAUMACHIE DE TITUS” Gérald Cariou Centre de Recherche sur l’Antiquité et les Mythes (CERLAM) Maison de la Recherche en Sciences Humaines de Caen Basse-Normandie Université de Caen, Esplanade de la Paix 14032 Caen Cedex [email protected] Abstract : A team of scientists, artists and computer graphics Mots clés : Rome Antique – Naumachie – modélisation – designers are working on a short film showing the greatest images de synthèse. -
Cover Next Page > Cover Next Page >
cover cover next page > title : History in Ovid author : Syme, Ronald. publisher : Oxford University Press isbn10 | asin : 0198148259 print isbn13 : 9780198148258 ebook isbn13 : 9780585220840 language : English subject Ovid,--43 B.C.-17 or 18 A.D, Historical poetry, Latin-- History and criticism, Rome--Social life and customs, Literature and history--Rome. publication date : 1978 lcc : PA6537.S9eb ddc : 937/.07 subject : Ovid,--43 B.C.-17 or 18 A.D, Historical poetry, Latin-- History and criticism, Rome--Social life and customs, Literature and history--Rome. cover next page > file:///C|/Documents%20and%20Settings/Nidia%20San...O-PRENDA%20DE%20NATAL/0198148259/files/cover.html [23-12-2008 0:03:08] page_iii < previous page page_iii next page > Page iii History in Ovid Ronald Syme OXFORD AT THE CLARENDON PRESS < previous page page_iii next page > file:///C|/Documents%20and%20Settings/Nidia%20Sant...PRENDA%20DE%20NATAL/0198148259/files/page_iii.html [23-12-2008 0:03:08] page_iv < previous page page_iv next page > Page iv Oxford University Press, Great Clarendon Street, Oxford OX2 6DP Oxford New York Athens Auckland Bangkok Bogota Bombay Buenos Aires Calcutta Cape Town Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madras Madrid Melbourne Mexico City Nairobi Paris Singapore Taipei Tokyo Toronto Warsaw and associated companies in Berlin Ibadan Oxford is a trade mark of Oxford University Press Published in the United States by Oxford University Press Inc., New York © Sir Ronald Syme 1978 Special edition for Sandpiper Books Ltd., 1997 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press. -
The Flavian Amphitheater Bread and Circuses
THE NEW JERSEY ITALIAN HERITAGE COMMISSION The Flavian Amphitheater Bread and Circuses Grade Level: 6-12 Subjects: World History / United States History / Law / Language Arts / World Languages Categories: History and Society Standards: Please see page 7 of the lesson plan for complete New Jersey Student Learning Standards alignment. Objectives: Students will be able to: 1. explain why Vespasian decided to build the magnificent Flavian Amphitheater, better known as the Colosseum. 2 determine why Vespasian wanted to give the plebeians games and circuses to distract them. 3. infer that slavery and the nonproductively and unemployment with the plebeians ranks served as a perpetual problem for Rome. Abstract: The lesson focuses on Caesar Vespasian’s and his son Caesar Titus’ desire to build a great monument to honor the Emperor and to keep the plebeians amused and content at the games. The lesson also highlights the ineffectiveness of slavery in a society. Key Terms: Patricians Latin The Roman upper class. Plebian Latin One of the common people of ancient Rome. A member of the lower classes. Gladiator Celtic A professional combatant or slave who entertained the public by engaging in mortal combat. Naumachia Latin A naval spectacle; a mock sea battle put on by the ancient Romans. Page 1 of 13 Copyright 2019 – New Jersey Italian Heritage Commission U3-LP-005 Background: Early in the history of the Roman Republic, most common Romans farmed on small homesteads around the city. They also served in the army during Rome's numerous wars. As Roman conquests increased, the city began to employee a professional army and the patricians, or the upper class accumulated tremendous amounts of wealth.