DOCSLIB.ORG

Spring VILLAGE Edition Visitor

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Spring VILLAGE Edition Visitor 2014 O L D S T U R B R I D G E Spring VILLAGE Edition Visitor Painting Images of OSV Curators’ Favorite Artifacts A Discovery in “Bucket Town” OSV’s Costumed Historians Health Care Hazards in the 1800s OSV Mills Harness Water Power Heirloom Gardening at OSV a member magazine that keeps you coming back Old Sturbridge Village, a museum and learning resource of Growing Success New England life, invites each visitor to find meaning, pleasure, Planting the Seeds of Knowledge relevance, and inspiration through the exploration of history. t’s spring again here in New England and as the days grow warmer, gardens are planted —sown with seeds that will, with nurturing and proper care, become beautiful flowers or delicious vegetables and fruits in time. It’s easy for me to think of our educational programs offered through the Village as a garden, too. We sow the seeds of learning, providing our youngest generation with an important understanding of our country’s past. We sow this knowledge in many ways—by offering a fantastic education experience VOLUME LIV, NO. 1 to more than who visit the Village each year and through special 65,000 schoolchildren SPRING 2014 programs we take to their schools, like History on the Road. As an example of just how big our “garden” is, I recently had the chance to visit the ON THE COVER: Welcome to the SPRING EDITION INTERPRETER ROB LYON PLAYS THE FIFE Crane Country Day School in Santa Barbara, California, with Deb Friedman and Tom Kelleher, of our VISITOR magazine. We hope that you will learn for their Colonial Fair. This school, located more than 3,000 miles away, brings its fifth grade class new things and come to visit the Village soon. There is to Massachusetts for a week every year to learn about American history, including a full day at the Village. During our visit, the students learned how to churn butter and about 19th-century always something fun to do at Old Sturbridge Village. coopering techniques, among other aspects of the Village that were shared with them. It was a day that I look upon proudly as our expert staff shared our museum and our collective history with Jim Donahue, President and CEO In This Issue: Greg Dixon, Vice President of Marketing students from across the nation. and Communications 4 Renowned Artist Paints Images of Doreen St. John and Yellow Inc., Design Closer to home, in nearby Providence, Rhode Island, a Catholic school has its junior high OSV: Dinotopia Creator James Laura Chilson, Marketing and Communications Coordinator school students create a three-dimensional model of OSV based on research the students do online. Gurney Captures Village Ann Lindblad, Communications Consultant Blacksmiths at Work Teams of students work on individual buildings, learn about architecture and history, and then The Old Sturbridge Village Visitor is visit the Village for the day to see if their work was accurate. I had a chance to visit this school a published three times a year for the 6 Treasures from the Friends of Old Sturbridge Village as few years ago and I can assure you the results of this project were impressive. The Village also has OSV Collection: a benefit of membership by Old Sturbridge Inc., vocational partnerships with Tantasqua Regional High School and Killingly Vocational—allowing Curatorial Staff Share 1 Old Sturbridge Village Road, students to learn their trade while supporting the ongoing maintenance efforts here at the Village. Favorite Artifacts Sturbridge, MA 01566. 8 Famous Mural Artist Led YEARLY MEMBERSHIP: These examples remind me of how important it is that we continue to nurture and grow $50 for Individual educational opportunities around history both at the Village and in our schools. As I reflect on an Inventive Life: The $80 for Individual Plus One and Dual Fascinating Story $90 for Family these efforts, I’m also grateful, as these educational opportunities would not be possible without the $120 for Family Plus One of Rufus Porter support of the many businesses and foundations which give generously to ensure these programs Family membership benefits are extended to 10 Hingham’s Hersey Workshop: two adults living at the same address and their continue. Our Country Bank Education Center, perhaps the best example of this support, is children or grandchildren under the age of 18. Discovering a Lost Treasure Individual Plus One includes a complimentary celebrating its 40th anniversary of hosting schoolchildren who visit the Village. guest admission with each visit. Dual As we head toward warmer and longer days, let’s remember how important tending our 12 Bringing History to Life: membership is for two adults living OSV’s Costumed Historians at the same address. Family Plus One includes “garden” of history-based education is here at the Village. two adults, one guest, and their children/ grandchildren under 18. 14 Staff Profile: A Conversation with Jean Contino MEMBERS ENJOY: • Free, unlimited daytime admission 15 Business Partner Profile: • 25% discount on guest admissions H • 10% discount at museum shops G&F Industries: Generations of • 10% discount on food services H Support for OSV • 10% discount on purchase of ach year, Memorial Day through Labor Day, a stirring display gift memberships • Discounts at partner living history of flags greets visitors as they enter the Village. Because of our 16 Bleeding, Blistering, Puking, Purging: museums The Hazards of Health Care in the • Free monthly members-only events generous members and donors, the Field of Flags campaign allowed • Annual members recognition event E 19th Century • Advance notice of Village programs for 4,335 military members and their families to visit OSV for free in and events 2013, a value of $104,040. Let’s top that in 2014! Every $25 donation 18 History of the OSV Mill Neighborhood: • Member rates for many fee-based events Harnessing Water Power with • Member rates at the Old Sturbridge Inn allows for one flag to be planted and provides support for complimentary and Reeder Family Lodges Ancient Technology • Periodic e-mails, newsletters, and daytime admission to military members. updates on Village happenings 20 Preserving Living Artifacts: • Members-only Dog Days Heirloom Gardening at Please send your gift in the enclosed envelope today. To join, to subscribe, or to provide Old Sturbridge Village a change of address, write the H Membership Department, Upcoming Events e-mail [email protected], 22 or call 800-SEE-1830. 2 OSV VISITOR SPRING 2014 OSV VISITOR SPRING 2014 3 Renowned Artist Paints Images of OSV Dinotopia Creator James Gurney Captures Village Blacksmiths at Work illions of people love the work of author and illustrator James Gurney, best known for the realistically rendered fantasy world depicted in his beloved Dinotopia book series. The first book, A Land Apart from Time, published in 1992, went on to sell more than two million copies. Today, there are more than 20 Dinotopia books in print. Despite their popular success, the Dinotopia series is just one of Gurney’s many artistic endeavors. Others include magazine articles and illustrations, lectures, art exhibits, Paintings of OSV blacksmiths at work by James Gurney. videos, blogs, and plein-air painting, which is what brought him and fellow artist Garin Baker to Old Sturbridge Village on a recent painting excursion. He featured the Blacksmith Shop painting session in a video and on his blog, the Gurney Journey. Read a few excerpts on the opposite page. A Conversation with James Gurney Q. Why do you enjoy painting at Old Sturbridge Village? The Many Challenges of Painting in a Blacksmith Shop A. Sturbridge is a favorite because there is so much to draw—so many people doing things in By James Gurney an authentic way. And there is so much artificial light in the modern world, it’s rare to get natural window light, and it has such a special quality. A visit to the Village is a unique chance to get in the blacksmith shop in a living history museum time machine and go back. A is a challenging location for plein-air painting. It’s dark, gritty, noisy, and crowded. Worst of all, the blacksmiths are in constant motion: hammering, Q. What do you enjoy most about sketching? working the bellows, and leaving the building for My sketchbook is always with me. I’ve always loved anything about the 19th century and breaks. But my friend Garin Baker and I were A. sketching is a form of observation rooted in the 19th century. Sitting, observing, and drawing slow determined to take a swing at it. down the clock—something you don’t get to do INSpiRATION – I thought it would be like a time travel experience to paint people working at through the lens of a camera. And animals and kids authentic historical trades in period costumes using don’t pose—you have to be fast to capture them! traditional tools and methods. Making a picture is a magical thing—or making DESIGN STRATEGY – I approached the portraits MATERIALS – I used flat and round brushes and anything is magical—starting with a raw material and of the two blacksmiths separately, since the workers casein, a water-based paint, which has tremendous transforming it into something different. S kept changing places and taking breaks. My strategy opacity and flows off the brush more easily than E lm was to include just enough of the background to acrylic. When a layer dries you can paint over it HO Q. Are more Dinotopia books planned? L URE convey the atmosphere of the setting and the color without the dry paint lifting up. That allowed me A L temperature of the two main light sources.
Load more

Recommended publications
  • Summer VILLAGE Edition Visitor
    2013 O L D S T U R B R I D G E Summer VILLAGE Edition Visitor Redcoats & Rebels: 10 Years Lodging Reopens at OSV Independence Cake for July 4th Baseball: Doubleday Didn’t Do It Renewing the Freeman Farm Garden a member magazine that keeps you coming back Old Sturbridge Village, a museum and learning resource of A Big Idea That Started Small New England life, invites each visitor to find meaning, pleasure, A Message from President and CEO Jim Donahue relevance, and inspiration through the exploration of history. ike many big ideas, the Old Sturbridge Village Redcoats & Rebels event had humble beginnings. Back in August 2003, the OSV program staff was looking for new ways to use the Village for special events and decided to try something new. Their idea was to teach visitors about America’s military history by inviting VOLUME LIII, NO. 2 reenactors to OSV for a weekend. It was a good idea that has grown even better SUMMER 2013 over time—with profound benefits for the Village. What started as a small gathering of units that first year has grown into to the SUMMER EDITION ON THE COVER: a premier event: Redcoats & Rebels, now the Welcome largest Revolutionary War THEODORE WIEGAND WITH of our VISITOR magazine. We hope that you will learn and one that Yankee magazine has named a reenactment in New England OLD GLORY “Best in New England Top Event.” Read more about Redcoats on page 4. new things and come to visit the Village soon. There is This year marks the 10th anniversary of Redcoats & Rebels, which now always something fun to do at Old Sturbridge Village.
    [Show full text]
  • And AI D Is, Rfdge:Ifab •• I To
    ADVOCATE INDUSTRY AND ENTERPRiSE, AND THE OF OF MECHANICAL OTHER IMPROVEMENTS. --------"-"_.. JOURNAL - AND - ---- -------- ---- - - -- ----- - ---- ----- ---- ----------------- --- - -- :.:;--=:.=-=-:;�= - .... ----. ---------- -<--.--.--..------ ---'--..;:-�====:::;- YOLUME I.1 THURSDAY, NEW-YORK, JULY 9, 1846. [NUMBER 42. ) �-���-��=��.�� '-1l'jl(;JJ .�<JllrmU�r1J'lliJ'll<Jll £Rll�rn.ll<Jll£�,1 MOJINING, I ALPHABETICAL LIST OF PATEN­ pUBLI.aEO EVEILY THUIISD.lY AT MACHINE FOR THE CLEANSING WHEAT TEES FOR 1845. BUNFu BUILDINGlton st., and .. Na!sau , Fig. (Concluded from ALSO,-Rntrance AT NO. 128COURT ST" 89 AND st.­ I. No. 41.) BOSTON, William Scnior,New York, 13 CAnE, PHILADELPHIA. 1'10.29 AR­ F Pierpont Seymour, Bloomfield, (The being at New East NY. Principal Office York.) Geo Shaw, Thompson. W COllO. Samuel Prairie, Ohio. PORTER,-Editor. Shearer, Bi� I Shecut, H New RUFUS I We H & H D'lY. Y rk. I �'r derkk E S ickels, New York, o thi. paper i_turnished w th two I Thomas Simpson, Norwich, Each number of i from D Conn. to five ORIGINAL ENGRAVINGS,many of them elegant, and l,Vm Y S inglet'_lIl, Springfield, Ill. SCIIU'TIFIC PRINer- illustrative of p F �Ianc East Masi. NEW INVENTIONS, and .I Golding, Camhridge, PLES, and contaiD� as much Interest­ BenJ �Illger!and. PatersolJ; NJ. C';RlOSlTU;�; and Slocum, ing telligence as ordinary daily papers, consisting of Joseph Syracu�e, NY. In six Va: noti eli of ha i al he Jabez Smith, Petersburg, the Me n c and ot r Smith, Chelsea, c progress of c Scienti­ John Cutts Ma8s. Improvements,-American and Foreign I ventions Theophilu6 Sinith, Galway, NY, fic n Smith, Cataloguei of Patcnts,-Bcientilic Essays, BellJ 1\1 Mas8ilion, Ohio, American of jJ­ Falls, ustrat ve of the the of Ira SrDith, Chagrin o.
    [Show full text]
  • July2017.Pdf
    Benefits Key: C - Free or Discounted Gift, Publication, or Service D - Discounted Admission F - Free Admission G - Gift Shop Discount P - Free Parking R - Restaurant Discount S - Special Event Offer T - Free or Discounted Tour(s) It is highly recommended to call ahead and do your own independent research on any institution you plan to visit. Name City Benefit Alabama Berman Museum of World History Anniston D Alaska Arizona Arizona Historical Society - Arizona History Museum Tucson D Arizona Historical Society - Downtown History Museum Tuscon D Arizona Historical Society - Fort Lowell Museum Tuscon D Arizona Historical Society - Pioneer Museum Flagstaff D Arizona Historical Society - Sanguinetti House Museum Yuma D Arizona Historical Society Museum at Papago Park Tempe D Gila County Historical Museum Globe F, T, P Heritage Square Foundation Pheonix T Show Low Historical Museum Show Low F, G The Jewish History Museum Tucson F Arkansas Historic Arkansas Museum Little Rock F, P, G Old Independence Regional Museum Batesville F Rogers Historical Museum Rogers G, S Shiloh Museum of Ozark History Springdale G California Banning Museum Wilmington G Bonita Museum and Cultural Center Bonita F, G, P California Historical Society San Francisco F Catalina Island Museum Avalon F Dominguez Rancho Adobe Museum Rancho Dominguez F, G, S El Presidio de Santa Barbara State Historic Park Santa Barbara F Folsom History Museum Folsom F Friends of Rancho Los Cerritos Long Beach G, S Goleta Valley Historical Society Goleta F, G Heritage Square Museum Los Angeles
    [Show full text]
  • Maine Guide to Museums and Historic Homes (4Th Edition)
    Maine Guide to Museums and Historic Homes FOURTH EDITION INDEX—1983-84 MAINE GUIDE TO MUSEUMS & HISTORIC HOMES Page Page Page Allagash 37 Gorham 3 Phillips 13 Aina 20 Greenville 34 Phippsburg 4-5 Ashland 37 Hampden 31 Pittston 18 Auburn 16 Harpswell 3 Poland Spring 18 Augusta 16-17 Head Tide 22 Porter 13 Bangor 28 Hinckley 17 Portland 5-6 Bar Harbor 28-29 Houlton 38 Prospect 24 Bath 20 Islesboro 22 Rangeley 13-14 Belfast 20 Islesford 31 Richmond 18-19 Bethel 10 Jay 11-12 Rockland 24-25 Biddeford 2 Katahdin Iron Works 34 Rumford Center 14 Blue Hill 29 Kennebunk 3 Saco 7 Boothbay 21 Kennebunkport 3-4 Scarborough 7 Boothbay Harbor 21 Kezar Falls 12 Searsport 25 Bridgton 10 Kittery 4 Sebago 14 Brooksville 29 Kittery Point 4 Sedgwick 32 Brunswick 2-3 Lee 31 Skowhegan 19 Buckfield 10 Liberty 22-23 Somesville 32 Bucksport 29 Lincoln 31-32 South Berwick 7 Burlington 29 Litchfield 17 South Bristol 25 Buxton 10 Livermore 12 South Casco 14 Calais 35 Lubec 35 South Solon 19 Camden 21 Machias 35 South Windham 14 Campobello, NB 36 Machiasport 36 Southwest Harbor 33 Canton 10 Madawaska 38 Standish 14-15 Caribou 37 Monhegan Island 23 Stockholm 38 Casco 10-11 Monmouth 17-18 Strong 15 Castine 29-30 Monson 34 Sullivan 33 Cherryfield 35 Morrill 23 Thomaston 25-26 China 17 Naples 12 Thorndike 26 Columbia Falls 35 New Gloucester 12 Topsham 8 Corinna 30 New Sweden 38 Union 26 Cushing 21 Newburgh 32 Unity 26 Damariscotta 21 Newcastle 23 Van Buren 38 Deer Isle 30 Newfield 12 Vinalhaven 26 Dexter 30-31 North Berwick 4 Waldoboro 26-27 Dover-Foxcroft 34 North Bridgton 13 Waterville 19 Dresden 22 North Edgecomb 23 Wayne 19 Ellsworth 31 North Vassalboro 18 Wells 8 Fairfield 17 Old Orchard Beach 4 West Paris 15 Farmington 11 Old Town 32 Wilton 15 Farmington Falls 11 Orland 32 Winslow 19 Fort Fairfield 37 Orono 32 Winter Harbor 33 Fort Kent 37-38 Owls Head 23 Wiscasset 27 Franklin 31 Palermo 18 Yarmouth 8 Freeport 3 Paris 13 York 8-9 Friendship 22 Patten 34 York Harbor 9 Fryeburg 11 Pemaquid 23-24 Gilead 11 Pemaquid Point 24 Maine Guide to Museums and Historic Homes FOURTH EDITION Peter D.
    [Show full text]
  • Label Copy Transcending the Boundaries Of
    Bowdoin College Museum of Art Rufus Porter’s Curious World: Art and Invention in America, 1815–1860 December 12, 2019–May 31, 2020 Label Copy Transcending the boundaries of art and science, Rufus Porter (1792–1884) employed his mind’s eye and spatial imagination to design pictorial and mechanical systems in various media and on different scales. He painted portraits and landscapes, authored practical manuals, invented mechanical devices, founded Scientific American, and designed an airship to fly Gold Rush prospectors from New York to California in three days. Porter believed these advancements would create a better world. This exhibition presents his many endeavors in the context of the Enlightenment, other artist-inventors, itinerancy, and the emergence of modern transportation and communication networks in antebellum America. Like gentleman-scientist James Bowdoin II (1726–1790), the College’s namesake, and Benjamin Franklin (1706–1790), Porter ranged across diverse fields in search of new and useful knowledge. A forward-thinking man in his own time, Porter would likely feel at home with today’s artists, engineers, and innovators, especially those working across disciplines in our digital world. American Enlightenment JEAN-JACQUES CAFFIERI French, 1725–1792 Benjamin Franklin, ca. 1785 painted plaster Gift of William Vaughan 1835.1 Benjamin Franklin was a leading proponent of the Enlightenment in America. A founding father known for his experimentation—most famously with electricity—and publications, such as Poor Richard’s Almanack, Franklin helped to establish in 1743 the American Philosophical Society in Philadelphia, a scholarly organization that promotes science and the humanities. Other Society notables included members of the Vaughan family of Hallowell, Maine, who donated this sculpture to Bowdoin College in 1835.
    [Show full text]
  • Exhibition Texts
    EXHIBITION TEXTS Return after Use This booklet is published in association with the exhibition American Perspectives: Stories from the American Folk Art Museum Collection, presented February 11–May 31, 2020, at the American Folk Art Museum, New York. All texts are by Stacy C. Hollander, exhibition curator, unless otherwise indicated. Share Your Story folkartmuseum.org/Perspectives.html AMERICAN FOLK ART MUSEUM 2 Lincoln Square New York, NY 10023 www.folkartmuseum.org Edited by Cindy Trickel Designed by Kate Johnson Copyright © 2020 American Folk Art Museum, New York. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without written permission from the museum. This exhibition is supported in part by Art Bridges, the David Davies and Jack Weeden Fund for Exhibitions, the Richard C. von Hess Foundation, the Juliet Lea Hillman Simonds Foundation, the Gladys Krieble Delmas Foundation, the Stacy C. Hollander Fund for Exhibitions, the New York City Department of Cultural Affairs in partnership with the City Council, the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, and the Council for Traditional Folk Art. America is a nation of stories. Each life is a series of experiences; they make Everyone has a story to tell—a life lived as a us who we are. witness to and participant in events both These become the stories that we use to invoke private and shared. The stories that we tell as truths, assert authenticity, and appeal to our individuals are single strands in a grander better natures through the precious values narrative.
    [Show full text]
  • Bowdoin College Museum of Art Maine's Lithographic Landscapes: Town & City Views, 1830–1870 December 12, 2019–May
    Bowdoin College Museum of Art Maine’s Lithographic Landscapes: Town & City Views, 1830–1870 December 12, 2019–May 31, 2020 Label Text Maine citizens commissioned panoramic lithographs to celebrate their towns and cities, creating twenty-three major prints between 1832 and 1866. These large works reveal not only the young state’s economic and architectural development, but also provide insights into how these commercial centers viewed themselves and wished others to see them. The German invention of lithography, allowing prints to be made from a smooth surface onto which an image could be drawn, arrived in America in 1819. Involving artists, printers, publishers, and financial underwriters, the process made it possible for images to be reproduced inexpensively for wide distribution. This printmaking innovation came to New England when John Pendleton opened his Boston shop in 1825. Describing Pendleton’s work in 1828, author John Neal of Portland wrote of his astonishment “at the vigor and beauty of lithographic prints and at the hidden capacities of the art.” From Bangor to Saco, residents turned to such leading artists as Fitz Henry Lane and talented local artists, including Esteria Butler and Cyrus William King. During the same period when Rufus Porter painted landscapes of New England’s natural beauty, these artists publicized the state’s urban and commercial development. Bowdoin College appeared in several prints beginning in 1825, based on paintings, sketches, and photographs. These views provide an in-depth examination of the campus as well as the institution’s development before the first widely circulated albumen photograph appeared in 1860. Celebrating the bicentennial of Maine’s statehood, this exhibition explores Maine’s history and the role lithography played in promoting the state and its early artistic and economic aspirations.
    [Show full text]
  • Rufus Porter's Curious World: Art
    Use with or in material that HAS Use with or in material that the Scientific American logo DOES NOT HAVE the Scientific American logo The background color can be colors associated with the The background color can be Scientific American brand colors associated with the Scientific American brand RECOMMENDED By Andrea Gawrylewski CELEBRATING YEARS 3 4 1 Rufus Porter’s Curious World: Art and Invention in America, 1815–1860 Edited by Laura Fecych Sprague and Justin Wolff . Pennsylvania State University Press, 2019 ($39.95). Exhibit: 12/12/19 to 5/31/20, Bowdoin College Museum of Art In his obituary in ); 2 this magazine, published on Sep- tember 6, 1884, Rufus Porter is described ); 1 as a “remarkable 2 natural genius” who had a peculiar ten- dency to move quickly from one occupa- ) 4 ( tion and place to another. “Although he work on a new kind of boat intended to tra- might be doing well at the business which verse the Connecticut River. He made his for the time engaged his attention, he primary living as an artist, painting portraits, would sell out and abandon it the moment landscapes and architecture. 1. Plumb and level indicator, circa 1846, New York, N.Y.; SCIENTIFIC AMERICAN SCIENTIFIC a new idea came into his mind,” the writer In 1845 he published the fi rst issue of ); 3 hand-colored engraving, metal pointer, wood frame. remarked. “His brain was an overfl owing Scientifi c American, which he ran for less By Rufus Porter, 1792–1884, designer; and fountain of new ideas and active projects.” than a year before moving on to his next unidentifi ed engraver.
    [Show full text]
  • Drawing on at the University of Maine
    Volume 14, Issue #4 November 2011 Drawing On at the University of Maine Drawing On, an exhibition of drawings by eight Maine artists, pres- ents works drawn directly on the walls of the Lord Hall Gallery at the University of Maine, now through November 18. Working over the course of two weeks, the artists have created an environment of unique but temporary drawings that focus on the immediacy of the drawing process as well as the impermanent nature of artistic forms. The artists in Drawing On include David Allen, Kathleen Florance, Susan Groce, WHERE TO DRAW THE LINE: The Maine Drawing Project is Orson Horchler, Reese Inman, Nina Jerome, James Linehan, and Ed a statewide visual arts initiative, developed by the Maine Curators’ Nadeau. This exhibition is part of Where to Draw the Line: The Maine Forum, that represents a unique collaboration among Maine’s arts Drawing Project, a statewide visual arts initiative developed by the organizations. As part of the Maine Drawing Project, museums and Maine Curators Group, which represents a unique collaboration among galleries across Maine will offer exhibitions in the 2011 calendar Maine’s arts organizations. year that focus on drawing as a vehicle for creative, diverse forms of visual expression. Each 2011 issue of the Maine Archives & Museums Lord Hall Gallery is handicapped accessible. All events are free and open Newsletter will feature the offerings of a MAM member organization to the public. The gallery is open weekdays from 9am to 4pm. For more involved in the statewide initiative. The Farnsworth Art Museum, the information, please contact the University of Maine’s Department of Art L.C.
    [Show full text]
  • About Maine : Print and Film Materials to Enrich the Study of Maine History in Grade Eight
    University of Southern Maine USM Digital Commons Maine Collection 1969 All About Maine : Print and Film Materials to Enrich the Study of Maine History in Grade Eight Clyde W. Swett Mary L. Haskell Follow this and additional works at: https://digitalcommons.usm.maine.edu/me_collection Part of the Collection Development and Management Commons, Curriculum and Instruction Commons, Educational Methods Commons, History Commons, Instructional Media Design Commons, and the Other Education Commons Recommended Citation Swett, Clyde W. and Haskell, Mary L., "All About Maine : Print and Film Materials to Enrich the Study of Maine History in Grade Eight" (1969). Maine Collection. 12. https://digitalcommons.usm.maine.edu/me_collection/12 This Book is brought to you for free and open access by USM Digital Commons. It has been accepted for inclusion in Maine Collection by an authorized administrator of USM Digital Commons. For more information, please contact [email protected]. ALL ABOUT MAINE Print and Film Materials to Enrich the Study of Maine History in Grade Eight By Clyde W. Swett, Consultant ~ /'11 Instructional Media, Department of Education and Mary L. Haskell, Librarian Union Street Junior High School, Bangor Augusta Maine State Department of Education William T. Logan, Jr., Commissioner of Education 1969 Published under P.L. 89-10 Title V grant (State Appropriation 8240) CONTENTS page AcKNOWLEDGMENTS 4 INTRODUCTION 5 BIOGRAPHY 7 FICTION . 15 FILMS 30 FoLKLORE 34 LITERATURE . 36 MAPS 39 MISCELLANEOUS 40 NATURAL HISTORY AND GEOLOGY . 41 PERIODICALS • 48 SociAL AND PoLITICAL HisToRY 50 DIRECTORY OF PUBLISHERS AND DISTRIBUTO!RS . 69 INDEX 79 3 62199 ACKNOWLEDGMENTS We wish to express our gratitude for the help we have received from the staff of the Maine State Library, especially Mrs.
    [Show full text]
  • Here Are a Handful of Gift Ideas from Maine's Archives and Museums. Please Contact the Organization for Purchasing Informatio
    GREAT GIFT IDEAS FROM MAINE’S MUSEUMS AND ARCHIVES Here are a handful of gift ideas from Maine’s Archives and Museums. Please contact the organization for purchasing information. You can also look up member institutions using the “Find a Museum/Archive” search feature on MAM’s website: http://www.mainemuseums.org/members.asp. General Maine’s Museums: Art, Oddities & Artifacts (Countryman Press, 2011) by Janet Mendelsohn is the first and only book devotedly solely to Maine’s great art, history, maritime, children’s and quirky museums. MAINE magazine called the book a “thorough, affectionate, and engaging exploration of Maine’s obscure and popular museums.” It is available wherever books are sold including many museum gift shops. www.janetmendelsohn.com The Pembroke Historical Society The Pembroke Historical Society’s 2011 Christmas ornament, each hand painted by artist Joan Dodge, is on sale locally and ready for shipment to those who live away. It is the sixth in our series of ornaments that commemorate historic Pembroke, and a companion to last year’s depiction of the clipper ship Western Continent. Built in Pembroke by Stephen C. Foster in 1853, the vessel was shown moored in 2010, with her sails furled and rigging exposed. This year, she’s under full sail in a roiling sea. The artist based her design on a sketch from 1861 attributed to the captain. The Farnsworth Art Museum In celebrating Maine’s role in American art, the Farnsworth Art Museum offers a nationally recognized collection of American art in its elegantly appointed galleries. Featured this year in the Museum Shop: Paul Caponigro of Cushing Maine, “The Hidden Presence of Places”; the show catalog of black & white photography.
    [Show full text]
  • Corn Mummy Opens the Potomack Company's Year Rufus Porter
    Rufus Porter Museum Corn Mummy Opens Receives $40,000 The Potomack Company’s Year by Walter C. Newman Donation he Potomack Company opened linen bandages and coated he Rufus Porter Museum in Bridgton, Maine, has received a Tits 2019 auction season with with various oils, resins, wax, T$40,000 gift from the National Museum of Decorative Painting a series of antiques and fine art and gum. The figure was in Atlanta, Georgia. After 36 years of operation with the purpose sales beginning on February 2. The placed in a carved wooden of collecting, preserving, and displaying the art of decorative high lot of the live catalog sale was coffin. The corn mummy painting, the National Museum of Decorative Painting closed in probably one of the oldest items ever was then likely buried as 2018. The funds will be used by the Rufus Porter Museum toward offered by the Alexandria, Virginia, part of rituals associated the acquisitions and operational costs. firm. god Osiris; germination and “I was very sad to hear the news of the museum’s closure,” This Egyptian corn mummy in a growth of the corn within the said Karla Leandri Rider, museum director-curator of the Rufus gilt and black-painted falcon-head mummy are a symbol of the Porter Museum. “I know I speak for the board, staff, volunteers, wooden coffin dates from the Late resurrection of Osiris. and members of the Rufus Porter Museum when I say that we are Period (525-332 B.C.E.), and sold Little is known about this honored and appreciative to have received such a generous gift.” to a telephone bidder for $112,500 corn mummy before the Founded in 2005, the Rufus Porter Museum features the history (includes buyer’s premium).
    [Show full text]