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A Basic World Music Library

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A Basic World Music Library The Scoville Series: Part III Reprinted from Impressions, CDEA Fall 2006, pgs 18-19 $%DVLF:RUOG0XVLF/LEUDU\ By Jon Scoville One of the singular joys of living on a newly music, Lou Harrison with Indonesian and Korean forms, digital planet is how much access we now have to a and of course the Beatles encounter with the music of remarkable treasury of world music. Of course it wasn’t ,QGLD1RZHYHU\RQHLQHYHU\JHQUHLVEHLQJLQÀXHQFHG always that way. I remember vividly seeing Indian by everyone else. It’s a yeasty brew and it’s growing. PXVLFLDQ5DYL6KDQNDUIRUWKH¿UVWWLPHLQWKHODWH¶V Similarly, in the dance world, the explorations on the tv program Omnibus. It was like nothing I’d ever LQLWLDWHGE\5XWK6W'HQLV0DUWKD*UDKDP.DWKHULQH KHDUGEHIRUHJURZLQJXSLQDKRXVH¿OOHGZLWKFODVVLFDO 'XQKDPDQGRWKHUVLVFRQWLQXLQJ0DQ\FRQWHPSRUDU\ PXVLF DQG P\ RZQ OLWWOH FROOHFWLRQ RI &KXFN %HUU\ FKRUHRJUDSKHUVIURP0DUN0RUULVWR$NUDP.KDQWR DQG /RXLV$UPVWURQJ 1RZ LQ D VHFRQG RU WZR \RX *UXSR&RUSRDUHDYDLOLQJWKHPVHOYHVRIWKHUHVRXUFHV can download Ravi’s daughter Anoushka on iTunes, of world dance and world music, not in an attempt to DQGVKH¶VWKHUHUHDG\WRSOD\IRU\RX0\VHFRQG recreate dances of those cultures but to ask the audience world music revelation came around 10 years later to bring fresh ears to new movement. when I heard a collection of Bantu musicians recorded With that in mind, I have assembled a basic E\ +XJK 7UDFH\ ,PSUHVVLRQV¶ 3DXO 7UDFH\¶V IDWKHU survey of some of what’s available, much of which has IRU &ROXPELD 5HFRUGV 7KH OLIH IRUFH DQG UK\WKPLF particular dance forms associated with the music. Along invention woven into the music left an indelible mark ZLWKWKLVOLVWRIVW\OHV ZKLFKLVLQQRSDUWLFXODURUGHU on me as a musician. are a few of the best-known practitioners. Amazon. 0XFKOLNH3LFDVVR¶VHSLSKDQ\ZLWK$IULFDQDUW com, www.sternsmusic.com, www.worldmusiccentral. LQ'HEXVV\¶VHQFRXQWHUVZLWK%DOLQHVHJDPHODQ com, and www.calabashmusic.com are all good sources in Paris in the 1880’s forever altered western music. In of various world music recordings. his footsteps, Bartok and Stravinsky sought resources 0RVWKDYHGRZQORDGDEOHVDPSOHV for their compositions in the folkloric music of Hungary DQG5XVVLDDVGLG&RSODQGZLWK$PHULFDQWUDGLWLRQDO About Jon Jon Scoville is a composer, author and musician. An Associate Professor/Lecturer at the University of Utah, Professor Scoville teaches music resources for dance, rhythmic analysis, percussion accompaniment, aesthetics, and choreography. He KDVWRXUHGLQWHUQDWLRQDOO\DVFRDUWLVWLFGLUHFWRURI7DQG\%HDO &RPSDQ\DQGLVWKHDXWKRURISound Designs. Professor 6FRYLOOHLVDSUROL¿FFRPSRVHUIRUGDQFHLQFOXGLQJVFRUHVIRUWKHIDFXOW\DVZHOODVFKRUHRJUDSKHUV$OZLQ1LNRODLV0XUUD\ Louis, Laura Dean, and Sara Rudner, among others. Edited from http://www.dance.utah.edu/people/faculty/Scoville.html Jon, :KDWZRXOG\RXUHFRPPHQGDVWKH¿UVWLQVWUXPHQWVDQHZGDQFHWHDFKHUVKRXOGSXUFKDVH" Anonymous Depending on the skills of the teacher or accompanist, a piano --which I like to think of as 88 tuned drums -- is certainly the ideal, though an expensive one. Beyond that a bass drum, a pair of toms, perhaps a djembe (the African hourglass-shaped drum which initially is easier to get good sounds out of than a conga GUXP PD\EH D WRQJXH GUXP VPDOO UHVRQDWHG ER[ ZLWK WKH WRS KDYLQJ XS WR WXQHG EDUV ± WR DGG WKH SRVVLELOLW\RIPHORG\WRWKHFODVV DQGDVPDOOJRQJRUF\PEDOIRUDFFHQWV Ask a Musician Do you have a question that only a musician can answer? Do you need recommendations for music to use in you studio or performance? Now is your chance to ask Jon Scoville. Submit your questions to [email protected], and after Jon answers them we will print them in a future newsletter. 12 The Scoville Series: Part III cont... Argentine Tangos &DUORV *DUGHO WR $VWRU---World%RWK\%DQG%R\VRIWKH/RXJKWKH&KLHIWDLQV Music---Musikás and similar Hungarian and 3LD]]ROOD %HVW RI &DUORV *DUGHO 3LD]ROOD 0RYLQJ6WRUP,ULVK-LJV 5HHOVDQGQXPHURXV Transylvania folk music 0DUWD6HEHVW\HQ /LEHUWDQJR RWKHUFRPSLODWLRQV Quitiplas: bamboo stamping pipes from Korean Pansori: exotic vocal story-telling style Flamenco: music of the Spanish gypsies 9HQH]XHOD -DFNHOLQH5DJR .LP6RKHHRQ1RQHVXFKUHFRUG (Legends of Gypsy Flamenco—compilation, Garifuna and other African diaspora music Japanese Gagaku: the world’s oldest orchestral 0DQLWDVGH3ODWD.HWDPD9LYD(VSDxD±QXHYD from Central America 3HQ &D\HWDQR$QG\ PXVLF *DJDNX %H\RQG ÀDPHQFR 3DODFLR Tuvan throat singing: multiphonic vocal music Portuguese Fados: expressive songs of Music from Cabo Verde: A Portuguese- African IURP 0RQJROLD 7XYD $PRQJ 7KH 6SLULWV IDWH $PDOLD 5RGULTXH] &ULVWLQD %UDQFR VWHZRIVRXQG &HVDULD(YRUD%DXDQGRWKHUV 6RXQG0XVLF$QG1DWXUH,Q6DNKD$QG7XYD 0DGUHGHXV Kayageum Sanjo: lap zither instrumental music E\ 9DULRXV $UWLVWV 2USKDQV /DPHQW +XXQ Mbaqanga: South African township music IURP.RUHD %\RQNL+ZDQJ +XXU7X /DG\VPLWK%ODFN0DPED]R0LULDP0DNHED Iraqi Oud Music: (the Bachir Brothers play Tex-Mex ERUGHU PXVLF %HVW RI )ODFR 0RWHOOD4XHHQV'ROODU%UDQG improvisations on a stringed instrument which -LPHQH] Capoeira music: music used to accompany the LVWKHSUHGHFHVVRUIRUWKHJXLWDU SkaSURWRUHJJDH ORWVRIFRPSLODWLRQV ,QGLDQ %UD]LOLDQPDUWLDODUW *UXSRGH&DSRHLUD$QJROD Mbira (sanza, kalimba) Music: thumb piano Dhrupads: old-school classical singing from 3HORXULQKR PXVLFIURP&HQWUDODQG6RXWKHUQ$IULFD 6KRQD 1RUWKHUQ,QGLD WKH'DJDU%URWKHUV Gamelan: metallophone orchestras from the 0ELUD 0XVLF RQ 1RQHVXFK DQG %DWD0ELUD Klezmer: Eastern European and Lower East LVODQGVRI%DOL -DYD 0XVLFRIWKH0RUQLQJ D \HDVW\ EOHQG RI PXVLF IURP &XED DQG Side Jewish street music (Klezmatics, The RIWKH:RUOG =LPEDEZH .OH]PRULP Armenian duduk music PHGLWDWLRQDO ÀXWH PifanosPHVWL]RGUXP ÀXWHPXVLFIURPWKH Bulgarian vocal music: closely harmonized PXVLFIURP$UPHQLD 'MLYDQ*DVSDUD\DQ Sertão, Brazil’s northeast (Banda de Pifano, women’s choral music (Bulgarian Women’s Norwegian medieval folk songs: (Agnes Buen 3LIDQR0RGHUQD &KRLU.LWND *DUQnV $IULFDQ$PHULFDQ GUXP ¿IH PXVLF IURP Juju1LJHULDQGDQFHPXVLF .LQJ6XQQ\$GH Japanese Enka: folk/pop songs (Akiko Wada, the South Pygmy singing: interlocking singing styles from .HLNR)XML Bal Musette: traditional accordion music from the forest peoples (Pygmies ot the Ituri Forest Australian Aboriginal didgeridoo music: 3DULVLDQ FDIpV ¶V¶V (PLOH 9DFKHU RQ)RONZD\V$ND3\JP\PXVLFRQ2FRUD 'LGJHULGRR'UHDPLQJFRPSLODWLRQ &KDUOHV3pJXUL Brazilian Forro: music of the northeast of Inuit throat singing: from the arctic circle Coçek: Brass & accordion bands from Serbia & %UD]LO WKH VRXUFH RI ODPEDGD %UD]LO 5RRWV -HX[9RFDX[GHV,QXLW0XVLTXHGHV,QXLW &URDWLD ,YR3DSDVRY%REDQ0DUNRYLF )RUUR0XVLFIRU0DLGVDQG7D[L'ULYHUV Gospel Music: music of the African-American Frevo: hyper fast street music from Recifé Samba: the afro-Brazilian motor for carnaval religious life (where to begin?: start with Thomas %UD]LO 0HVWUH'XGD&DSLED DQ\WKLQJ E\ WKH (VFRODV GH 3DGUH 0LJXHO Dorsey and continue through Rosetta Tharpe, Al Ketjak%DOLQHVHPRQNH\FKDQWV 0XVLFIURP %HLMD)ORUDQG9LOD,VDEHOHWF *UHHQ7KH:LQDQVXSWR.LUN)UDQNOLQ±LW¶VDOO WKH0RUQLQJRIWKH:RUOG±1RQHVXFKUHFRUGV Samba Reggae: a blend of Jamaican reggae and PLUDFOHPXVLF Khayals &ODVVLFDO LQVWUXPHQWDO DQG YRFDO VDPEDIURP%DKLD 2ORGXP,O\$L\H Cuban Rumba: afro-cuban dance forms: PXVLF IURP 1RUWKHUQ ,QGLD ± VLWDU VDURG Polynesian choral music: sweet rich harmonies guaguanco, columbia, & yambu (anything by sarangi, santoor, and tabla styles (many names from Tonga and Samoa (Nonesuch Explorer /RV3DSLQHVRU/RV0XQHTXLWRV 3XHUWR5LFDQ to chose from: Ali Akbar Khan, Ravi Shankar, VHULHV6RXWK3DFL¿F,VODQG0XVLF ERPEDVDQGSOHQDV .DNR\&RUWLMR%RPEDV\ $PLU.KDQ9LOD\DW.KDQ%ULM1DUD\DQHWFIRU Taksim: instrumental improvisations from 3OHQDV VWDUWHUV WKH 0LGGOH (DVW PDQ\ VW\OHV DQ\WKLQJ E\ Guitar music from Madagascar: 0DODJDV\ Maculelê: percussion & stick dances of the Bachir Brothers, Art of Taksim by Goskel JXLWDUE\'¶*DU\ Pernambuco in northeastern Brazil (Senzala de .DUWHO Qawwali: Pakistani ecstatic party music (Nusrat 6DQWRV&DSRHLUD6DPEDGH5RGD0DFXOHOH Tibetan chanting: overtone singing from )DWHK$OL.KDQ %XGGKLVW PRQDVWHULHV 7LEHWDQ 7DQWULF &KRLU Bantu Music: music from the indigenous *\XWR0RQNV SHRSOHV RI 6RXWKHUQ $IULFD ± LQYHQWLYH DQG SalsaWKHPXVLFRI&XEDDQG3XHUWR5LFRZLWK rhythmically vital. (One of my desert island D1HZ<RUNÀDYRU &HOLD&UX]5HXEHQ%ODGHV discs would be Hugh Tracey’s compilation on :LOOLH&RORQ/RV9DQ9DQ/DUU\+DUORZ WKH &ROXPELD :RUOG /LEUDU\ VHULHV 5RXQGHU Broadway musicals WKH WUDGLWLRQ IURP &ROH 5HFRUGVPD\UHUHOHDVHLW Porter to Stephen Sondheim Bhangra: harvest dances from the Punjab -- Delta bluesWKHPXVLFRIWKH0LVVLVVLSSLGHOWD now popular in British techno. (In its electronica 5REHUW-RKQVRQ6RQ+RXVH&KDUOLH3DWWRQ YHUVLRQV6WDWHRI%HQJDOGM&KHE,6DEEDK Zydeco&DMXQDFFRUGLRQPXVLFIURP/RXLVLDQD Gauchos & Cowboys: country & western music 'HZH\ %DOID 0LFKDHO 'RXFHW %XFNZKHDW IURP%UD]LO¶VVRXWK 5HQDWR%RUJKHWWL =\GHFR:D\QH7RXSV3XWDPD\RFRPSLODWLRQ Yoiking from Lapland 6DPLPXVLFLDQV0DUL Celtic: Irish string band and vocal music (so %RLQH-RQQH-DUYHOD many good ones from which to choose: Altan, 13 Dr. Hugh Tracey recording among the Pygmies in the early 1950s.
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