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Selected Readings on Augmented Reality, Ekphrasis, and Michael Field Robert P West Chester University Digital Commons @ West Chester University Sight and Song Augmented: Painting and Poetry in Sight and Song Mixed Reality Spring 5-23-2017 Selected Readings on Augmented Reality, Ekphrasis, and Michael Field Robert P. Fletcher West Chester University of Pennsylvania, [email protected] Follow this and additional works at: http://digitalcommons.wcupa.edu/sight_song_series Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, Digital Humanities Commons, Interdisciplinary Arts and Media Commons, Literature in English, British Isles Commons, Other Film and Media Studies Commons, Performance Studies Commons, Reading and Language Commons, and the Visual Studies Commons Recommended Citation Fletcher, R. P. (2017). Selected Readings on Augmented Reality, Ekphrasis, and Michael Field. Retrieved from http://digitalcommons.wcupa.edu/sight_song_series/8 This Bibliography is brought to you for free and open access by the Sight and Song at Digital Commons @ West Chester University. It has been accepted for inclusion in Sight and Song Augmented: Painting and Poetry in Mixed Reality by an authorized administrator of Digital Commons @ West Chester University. For more information, please contact [email protected]. Sight and Song Augmented: Poetry and Painting in Mixed Reality Selected Readings on Augmented Reality, Ekphrasis, and Michael Field Augmented Reality Barba, Evan, Blair MacIntyre and Elizabeth D. Mynatt. “Here We Are! Where Are We? Locating Mixed Reality in the Age of the Smartphone.” Proceedings of the IEEE 100.4 (April 2012): 929-936. Berry, Marsha and Omega Goodwin. “Poetry 4 U: Pinning poems under/over/through the streets.” New Media and Society 15.6 (2012): 909-929. Print. Bolter, Jay David and Maria Engberg. “Cultural expression in augmented and mixed reality.” Convergence: The International Journal of Research into New Media Technologies (2014) 20(1): 3–9. Borsuk, Amaranth. “The Upright Script: Words in Space and on the Page.” Journal of Electronic Publishing 14.2 (Fall 2011). http://quod.lib.umich.edu/j/jep/3336451.0014.212?view=text;rgn=main Fletcher, Robert P. “AR as Digital Ekphrasis: The Example of Borsuk and Bouse’s Between Page and Screen.” Interactive Storytelling: Proceedings of the 7th International Conference on Interactive Digital Storytelling, ICIDS 2014, Singapore. Eds. Alex Mitchell, Clara Fernández-Vara, and David Thue. Lecture Notes in Computer Science. Volume 8832 2014. Springer. 220-23. ---. “Digital Ekphrasis and the Uncanny: Toward a Poetics of Augmented Reality.“ ebr: electronic book review. 15-3-2017. http://electronicbookreview.com/thread/electropoetics/augmented. Gentès, Annie and Camille Jutant. “The game mechanics of pervasive applications: visiting the uncanny.” New Review of Hypermedia and Multimedia 18.1-2 (2012): 91-108. Manovich, Lev. “The poetics of augmented space.” Visual Communication 5.2 (2006): 219-40. Nack, Frank and Annika Waern. “Mobile digital interactive storytelling—a winding path.” New Review of Hypermedia and Multimedia 18 (2012):1-2, 3-9. Print. Sundnes Lovlie, Anders. “flâneur, a walkthrough: Locative literature as participation and play.” Proceedings of DiGRA Nordic 2012 Conference: Local and Global – Games in Culture and Society. ---. “Locative Literature: Experiences with the Textopia System.” International Journal of Arts and Technology 4 (3): 234 – 248. doi:10.1504/IJART.2011.041479. ---. “You are the one thinking this: locative poetry as deictic writing.” New Review of Hypermedia and Multimedia 18 (2012):109-127. Print. Van Krevelen, D.W.F. and R. Poelman. “A Survey of Augmented Reality Technologies, Applications and Limitations.” The International Journal of Virtual Reality 9.2 (2010):1-20. Print. Sight and Song Augmented: Poetry and Painting in Mixed Reality Ekphrasis and Intermediation Bruhn, Siglind. Musical Ekphrasis: Composers Responding to Poetry and Painting. Hillsdale, NY: Pendragon, 2000. Cheeke, Stephen. Writing for Art: The Aesthetics of Ekphrasis. Manchester: Manchester University Press, 2008. Harrow, Susan. “New Ekphrastic Poetics.” French Studies: A Quarterly Review 64.3 (July 2010): 255-264. Hayles, N. Katherine. “Intermediation: Textuality and the Regime of Computation.” In My Mother was a Computer: Digital Subjects and Literary Texts. Chicago and London: U of Chicago P, 2005. 15-38. Hedley, Jane, Nick Halpern, and Willard Spiegelman, eds. In the Frame: Women’s Ekphrastic Poetry from Marianne Moore to Susan Wheeler. Newark: U of Delaware P, 2009. Heffernan, James. “Ekphrasis and Representation.” New Literary History 22 (Spring 1991): 297-316. ---. Museum of Words: The Poetics of Ekphrasis from Home to Ashbery. Chicago: U of Chicago P, 1993. Higgins, Dick. “Intermedia,” 1965, republished with an appendix by Hannah Higgins in Leonardo Electronic Almanac 34.1 (Feb. 2001): 49-54. https://muse.jhu.edu/journals/leonardo/v034/34.1higgins.pdf. Lindhé, Cecilia. ”‘A Visual Sense is Born in the Fingertips’: Towards a Digital Ekphrasis” DHQ: Digital Humanities Quarterly: 7.1 (2013). http://www.digitalhumanities.org/dhq/vol/7/1/000161/000161.html Mitchell, W. J. T. “Ekphrasis and the Other.” Picture Theory: Essays on Verbal and Visual Representation. Chicago: U of Chicago P, 1995. 151-182. ---. What Do Pictures Want? The Lives and Loves of Images. Chicago: University of Chicago Press, 2004. Scarry, Elaine. Dreaming by the Book. Princeton, NJ: Princeton UP, 1999. Webb, Ruth. “Ekphrasis Ancient and Modern: The Invention of a Genre.” Word and Image 15.1 (Januar- March 1999): 7-18. Michael Field and Sight and Song Andrews, Kit. “The Figure of Watteau in Walter Pater’s ‘Prince of Court Painters’ and Michael Field’s Sight and Song.” English Literature in Transition 1880-1920 4 (2010). Blain, Virginia. “Michael Field, the two-headed nightingale: lesbian text as palimpsest.” Women’s History Review 5 (1996): 239-57. ---. “Period Pains: The Changing Body of Victorian Poetry.” Victorian Poetry 42.1 (Spring 2004): 71-79. Bristow, Joseph. “Michael Field in Their Time and Ours.” Tulsa Studies in Women's Literature 29.1 (Spring 2010): 159-79. Cameron, Brooke. “The Pleasures of Looking and the Feminine Gaze in Michael Field’s Sight and Song.” Victorian Poetry 2 (2013): 147. Sight and Song Augmented: Poetry and Painting in Mixed Reality Donoghue, Emma. We Are Michael Field. Bath, England: Absolute P, 1998. Ehnenn, Jill. “Looking Strategically: Feminist and Queer Aesthetics in Michael Field's Sight and Song.” Victorian Poetry 43.1 (Spring 2005): 109-54. Fletcher, Robert P. “‘I Leave a Page Half-Writ’: Narrative Discoherence in Michael Field’s Underneath the Bough.” Women’s Poetry, Late Romantic to Late Victorian: Gender and Genre, 1830-1900. Eds. Isobel Armstrong and Virginia Blain; New York, NY: Macmillan; St. Martin’s, 1999. 164–182. Frankel, Nicholas. “The Concrete Poetics of Michael Field’s Sight and Song,” in Michael Field and Their World. High Wycomb: Rivendale Press, 2007. Fraser, Hilary. “A Visual Field: Michael Field and the Gaze.” Victorian Literature and Culture 34 (2006): 553-571. Gray, Erik Irving. “A Bounded Field: Situating Victorian Poetry in the Literary Landscape.” Victorian Poetry 41.4 (Winter 2003): 465-72. Ireland, Kenneth R. “Sight and Song: A Study of the Interrelations between Painting and Poetry.” Victorian Poetry 15 (1977): 9-20. Kersh, Sarah, ed. The Poems of Michael Field. 2015. https://michaelfield.dickinson.edu/. Accessed 21 Mary 2017. Leighton, Angela. “Michael Field.” Victorian Women Poets: Writing Against the Heart. Hemel Hampstead: Harvester, 1992. 202-243. Lysack, Krista. “Aesthetic Consumption and the Cultural Production of Michael Field's Sight and Song.” SEL 45.4 (Autumn 2005): 935-60. Prins, Yopie. “A Metaphorical Field: Katharine Bradley and Edith Cooper.” Victorian Poetry 33 (1995): 129-148. ---. “Sappho Doubled: Michael Field.” Yale Journal of Criticism 8 (1995): 165-186. Thain, Marion. ‘Michael Field’: Poetry, Aestheticism and the Fin de Siècle. New York: Cambridge Univ. Press, 2007. ---. and Ana Parejo Vadillo, eds. Michael Field the Poet: Published and Manuscript Materials. Peterborough: Broadview Press, 2009. Vadillo, Ana I. Parejo. “A Note Upon the ‘Liquid Crystal Screen’ and Victorian Poetry.” Victorian Poetry 41.3 (2003): 531-36. ---. “Sight and Song: Transparent Translations and a Manifesto for the Observer.” Victorian Poetry 38.1 (Spring 2000): 15-34. Vicinus, Martha. “‘Sister Souls’: Bernard Berenson and Michael Field (Katherine Bradley and Edith Cooper).” Nineteenth-Century Literature 60.3 (December 2005): 326–354. Sight and Song Augmented: Poetry and Painting in Mixed Reality Walter, Christina. “A Protomodern Picture Impersonality: Walter Pater and Michael Field’s Vision.” Optical Impersonality: Science, Images, and Literary Modernism. Baltimore: Johns Hopkins UP, 2014. White, Christine. “‘Poets and Lovers Evermore’: Interpreting Female Love in the Poetry and Journals of Michael Field.” Textual Practice 4 (1990): 197-212. ---. “The Tiresian Poet: Michael Field.” Victorian Women Poets: A Critical Reader. Ed. Angela Leighton. Cambridge, MA and Oxford: Blackwell, 1996. 148-61. Wise, Julie. “Michael Field’s Translations into Verse” in Michael Field and Their World. High Wycomb: Rivendale Press, 2007. .
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