DOCSLIB.ORG

Assis Face À Vous, John Lennon Joue Sur Son Epiphone Casino L'hymne

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Assis Face À Vous, John Lennon Joue Sur Son Epiphone Casino L'hymne En poursuivant votre navigation sur ce site, vous acceptez l'utilisation de cookies pour vous permettre de partager du contenu via les boutons de partage de réseaux sociaux, pour vous proposer des publicités ciblées adaptées à vos centres d'intérêts et pour nous permettre de mesurer l'audience. Pour en savoir plus et paramétrer les cookies france.tv radiofrance Confidentialité Newsletters J’aime 228 K Ac/ cuMeuilsique / Rock Par Laure Narlian @Nijikid Journaliste, responsable de la rubrique Rock-Electro-Rap de Culturebox Mis à jour le 23/09/2018 à 16H12, publié le 23/09/2018 à 16H00 Recevez chaque jour le meilleur de l'actualité culturelle et une sélection de concerts et spectacles, en direct et en replay, avec Culturebox ! Insérez votre adresse mail John Lennon dans la vidéo exhumée de "How Do You Sleep ?" en studio en 1971. © saisie écran Je m'abonne Une vidéo inédite de John Lennon en studio avec George Harrison lors de l'enregistrement d'un titre de l'album "Imagine" vient de faire surface. Cette pépite à voir ci-dessous annonce la sortie le 5 octobre d'un copieux coffret "Imagine, The Ultimate Collection", rassemblant 140 titres dont de nombreuses versions inédites de cet album culte de John Lennon paru en 1971. Mais d'abord, regardez. Merci de votre inscription Assis face à vous, John Lennon joue sur son Epiphone Voir tout le catalogue Casino Nous sommes fin mai 1971, aux studios Ascot (Grande-Bretagne). De nuit. En compagnie de George Harrison et du Plastic Ono Band, John Lennon enregistre "How Do You Sleep?" ("Comment dors-tu ?"), une chanson féroce dans laquelle il règle ses comptes avec Paul McCartney, son ancien partenaire au sein de Beatles. "Vous êtes leur invité de marque, assis sur une chaise au centre de leur studio d'enregistrement", souligne le livret de "Imagine, The Ultimate Collection". "John Lennon est assis face à vous, apprenant aux musiciens l'une de ses dernières compositions. Il parle et chante et joue de la même guitare électrique Epiphone Casino que sur "Revolution". Un George Harrison barbu vous fait face sur la droite, jouant de la slide sur la Fender Strat bleu pale de John." Voir tous Il y a là aussi Rod Lynton et Ted Turner de Wishbone Ash aux guitares, Klaus Voormann à la basse, Alan White (futur Yes) à la batterie et John Tout de Renaissance au piano Steinway. Et même, improvisant sur un piano électrique Wurlitzer Nicky Hopkins, quelques jours avant qu'il ne rejoigne les Rolling Stones à la Villa Nellcôte pour "Exile On Main Street". L'hymne "Imagine", l'arbre qui cache la forêt Si la chanson "Imagine" est devenue instantanément un hymne à la paix international, l'album du même nom contient neuf autres morceaux moins connus. Dont ce beaucoup moins pacifiste "How Do You Sleep ?". Dans cette chanson écrite après la rupture des Beatles, John Lennon se moque méchamment de Paul McCartney, affirme qu'il n'a que sa belle gueule pour lui, qu'il fait de la muzak et que la seule bonne chose qu'il ait écrite est "Yersterday". Que contient "Imagine, The Ultimate Collection" ? Yoko Ono, la veuve de John Lennon, a ouvert en grand ses archives pour la réédition deluxe de l'album solo phare de John Lennon "Imagine" paru en 1971. "Imagine - The Ultimate Collection" contient quatre disques et rassemble 140 titres (5 heures d'écoute !) dont beaucoup de chutes inédites, des démos, des jams en studio et des mix bruts, afin, selon la formule consacrée, de découvrir "le processus créatif" d'un chef d'oeuvre en pleine élaboration. Parmi ces goodies, figure la démo originale de "Imagine". Ecoutez la démo originale de "Imagine" J’aime Le coffret contient également deux Blu-Rays avec un documentaire audio racontant l'évolution des dix titres de l'album ainsi que le film "Imagine" réalisé et produit par Lennon et Yoko Ono témoignant de l'enregistrement du disque. Enfin, le coffret propose un livret de 120 pages racontant le making of de ce classique du XXe siècle. "Imagine" a été créé avec un amour immense et un préoccupation pour les enfants du monde", écrit Yoko Ono en préface du livret. "J'espère que vous l'aimerez". La bande annonce du film "Imagine" "Imagine, The Ultimate Collection" de John Lennon sort le 5 octobre (Geffen/UMe) Chaque jour à 18h, les infos et vidéos à ne pas manquer ! J’aime 228 K personnes aiment ça. Inscription pour voir ce que vos Votre adresse e-mail amis aiment. Le premier qui évoque "le retour" de Paul McCartney avec "Egypt Station" a un gage... Yoko Ono, 85 ans, sort "Warzone" un nouvel album pour la paix En Inde, les fans reviennent dans l'ashram des Beatles Paul McCartney se souvient du "gros choc" de la mort de Lennon Sean Lennon et James McCartney : un petit selfie... et des spéculations de duo Gestion Cookies.
Load more

Recommended publications
  • Meek ([email protected]) Speedracer (Joe
    START NEW THREAD REPLY Top of Thread LIST Read 460 times From: Meek ([email protected]) Date: 2/25/2002 11:58 PM Subject: What amps & guitars are used on The Beatles' Abbey Road? Could anyone tell me what amps & guitars where used on the Abbey Road album? I know there is a book out now about this very topic, but I do not have it yet. Any help would be...helpful? Thanks, Meek START NEW THREAD REPLY PREVIOUS LIST Read 476 times From: John Kelley Brown ([email protected]) Date: 2/26/2002 12:36 AM Subject: Re: What amps & guitars are used on The Beatles' Abbey R I've heard from a few sources they were using silver face Fender combos, nothing more specific than that though. Kelley START NEW THREAD REPLY PREVIOUS LIST Read 108 times From: SpeedRacer ([email protected]) Date: 3/1/2002 1:10 PM Subject: Re: Great book about this.. go to your fav book st ore and find the Beatles Gear, it's a new book justabotu what they were using and when and where.. I bought it and really like it.. just am fried from lack of sleep and can't think of the title right now. Anyhow, pretty cool if you're a gear head/recording engineer geek. Paul wailing a tele through Selmer 2x12 50W combo on Sgt Pepper.. no yer talkin toneage! START NEW THREAD REPLY PREVIOUS LIST Read 472 times From: ChrisW ([email protected]) Date: 2/26/2002 12:43 AM Subject: Re: What amps & guitars are used on The Beatles' Abbey Road? Lennon did use a Casino and a tweed Deluxe Chris START NEW THREAD REPLY PREVIOUS LIST Read 443 times From: Jon Frum Date: 2/26/2002 5:55 AM Subject: Re: What amps & guitars are used on The Beatles' Abbey Road? I believe that George had a strat by then.
    [Show full text]
  • Strategic Intertextuality in Three of John Lennonâ•Žs Late Beatles Songs
    STRATEGIC INTERTEXTUALITY IN THREE OF JOHN LENNON’S LATE BEATLES SONGS* MARK SPICER his article will focus on an aspect of the Beatles’ compositional practice that I believe T merits further attention, one that helps to define their late style (that is, from the ground- breaking album Revolver [1966] onwards) and which has had a profound influence on all subsequent composers of popular music: namely, their method of drawing on the resources of pre-existing music (or lyrics, or both) when writing and recording new songs. This may at first seem entirely obvious, especially since nowadays such a practice has been adopted routinely by many songwriters and producers, and is in fact the prevailing compositional strategy within certain pop and rock genres, rap being probably the most blatant example. Many rap artists are well known for their so-called “rap versions,” as Tim Hughes has described them, in which a distinctive element of a pre-existing song is lifted out of its original context—typically via digital sampling—and used as the foundation upon which a new song is built.1 Will Smith’s hit “Wild Wild West” (1999), for example, is composed around a sample of the bass-driven main groove from Stevie Wonder’s funk classic “I Wish” (1976); and Eminem’s hit “Like Toy Soldiers” * This essay is based in part on the first chapter of my dissertation, “British Pop-Rock Music in the Post-Beatles Era” (Ph.D. dissertation, Yale University, 2001). An earlier version was presented at the annual meeting of the Society for Music Theory, Columbus, in November 2002.
    [Show full text]
  • Strategic Intertextuality in Three of John Lennonâ•Žs Late Beatles Songs
    Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic Volume 2 Issue 1 Article 11 July 2009 Strategic Intertextuality in Three of John Lennon’s Late Beatles Songs Mark Spicer Hunter College and City University of New York., [email protected] Follow this and additional works at: https://trace.tennessee.edu/gamut Part of the Music Commons Recommended Citation Spicer, Mark (2009) "Strategic Intertextuality in Three of John Lennon’s Late Beatles Songs," Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic: Vol. 2 : Iss. 1 , Article 11. Available at: https://trace.tennessee.edu/gamut/vol2/iss1/11 This A Music-Theoretical Matrix: Essays in Honor of Allen Forte (Part I), edited by David Carson Berry is brought to you for free and open access by Volunteer, Open Access, Library Journals (VOL Journals), published in partnership with The University of Tennessee (UT) University Libraries. This article has been accepted for inclusion in Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic by an authorized editor. For more information, please visit https://trace.tennessee.edu/gamut. STRATEGIC INTERTEXTUALITY IN THREE OF JOHN LENNON’S LATE BEATLES SONGS* MARK SPICER his article will focus on an aspect of the Beatles’ compositional practice that I believe T merits further attention, one that helps to define their late style (that is, from the ground- breaking album Revolver [1966] onwards) and which has had a profound influence on all subsequent composers of popular music: namely, their method of drawing on the resources of pre-existing music (or lyrics, or both) when writing and recording new songs.
    [Show full text]
  • Beatles Firsts 2017 Final
    1 PLAYLIST JAN. 1st 2017 IT’S BEATLES FIRST’S!!! 9AM George Harrison – Ding Dong This track has the distinction of being the quickest song George Harrison had ever penned, following up the previous record holder, “My Sweet Lord,” it was composed in a mere three minutes. It reached the top 40 by 1975. BREAK 1st Song on the 1st side….on the first LP…and the 1st track credited to (McCartney/Lennon) on a Beatles LP…. 1 2 The Beatles - I Saw Her Standing There - Please Please Me 11th February 1963 along with 12 of the 14 tunes that day. Lead vocal Paul 1st Song on the 1st side….on the first LP…and the 1st track credited to (McCartney/Lennon) on a Beatles LP…. McCartney .8 Lennon .2 US - Meet The Beatles 1st side…. The Beatles – Norwegian Wood (This Bird Has Flown) - Rubber Soul Recorded Oct.12th 1965 The sitar being used for the first time on a Beatles song, though one was used on the intro to HELP! Written mainly by John though Paul did help out a bit w/ the lyrics. Paul says that it was his idea that the house should burn down…Which is something I never knew …I always thought he just lit a fire in the fireplace…But in Barry Mikes book Many Years From Now, Paul says just that. It was revenge for having to sleep in the tub! See ya never know these things as a kid! Bob Dylan did a bit of a parody of the song on his 1966 Blonde on Blonde LP.
    [Show full text]
  • Beatles on Apple 68-75
    1 The Beatles On Apple Vol.15 Playlist May 15th 2016 OPEN/9AM The Beatles - Hey Jude - Non-LP Track (Lennon-McCartney) Lead vocal: Paul 2 The Beatles’ eighteenth single release for EMI, the first on the Apple Records label. Paul McCartney’s masterpiece. The 7 minute, 11 second track was the longest released by the Beatles up until that time, and the song broke wide open the usual two to three minute mold that had long been the standard for pop singles. Paul got the idea for the song while driving to visit Cynthia and Julian Lennon. He wrote the lyrics as a message of encouragement to young Julian while his parents were in the throes of a very public separation. Paul wanted to stay friends, so he planned a visit. Cynthia was still living in John’s Kenwood estate, and since Paul usually wrote songs on the way there to collaborate with his writing partner, he fell into the same routine. Paul: “I started with the idea ‘Hey Jules,’ which was Julian, don’t make it bad, take a sad song and make it better. Hey, try and deal with this terrible thing. I knew it was not going to be easy for him. I always feel sorry for kids in divorce. The Beatles - Revolution - Non-LP Track (Lennon-McCartney) Lead vocal: John The Beatles’ eighteenth single release for EMI, their first on the Apple Records label. John Lennon lobbied hard to get his magnificent rocker on the A-side of the band’s summer 1968 single, but by any standard, Paul’s “Hey Jude” was an unbeatable choice for the A-side.
    [Show full text]
  • BWTB Dec. 11Th 2016
    1 PLAYLIST Dec. 11th 2016 9AM The Beatles - Good Morning Good Morning - Sgt. Pepper’s Lonely Hearts Club Band (Lennon-McCartney) Lead vocal: John 2 Based on a Kellogg’s Cornflakes television commercial John heard while sitting at the piano and feeling a bit “stuck” trying to write something for “Sgt. Pepper.” Paul plays a stinging guitar solo and flourishes with his right-handed Fender Esquire. The basic rhythm track was recorded on February 8, 1967 in eight takes, four of them complete. Overdubs followed with John’s lead vocal and Paul’s bass added on February 16. A horn section consisting of members of the Brian Epstein-managed band Sounds Inc. (previously Sounds Incorporated) was brought in on March 13. Sounds Incorporated had been one of the opening acts on the Beatles’ 1964 and 1965 tours. The Beatles - Savoy Truffle - The Beatles (Harrison) Lead vocal: George George took his inspiration for his fourth song on the “White Album” from a box of chocolates, specifically a Mackintosh’s Good News double centre chocolate assortment box, said by George to be Eric Clapton’s favorite brand. Most of the candies mentioned by George in the song came from the specific candies found in the box. Confections such as Creme Tangerine, Montelimart, Ginger Sling, Coffee Dessert and Savoy Truffle were part of the assortment. Cool Cherry Cream and Coconut Fudge were Harrison creations. When George sings “But you’ll have to have them all pulled out after the Savoy Truffle,” it is a warning to his friend Eric Clapton that he will have to have his decaying teeth pulled out.
    [Show full text]
  • 2013 Epiphone Catalog.Pdf
    Epiphone Guitar Co. All Epiphone products are guaranteed and backed by Gibson Musical Instruments 24/7 Customer Service A part of the Gibson family of brands at 1-800-444-2766 - Toll-Free USA only. 1510 Elm Hill Pike, Suite 212 In Europe at 00+800-444-2766-1. Nashville, Tennessee In China at 1-800-820-8841. 37210 USA IM Gibson Customer Service at www.epiphone.com [email protected] See warranty card for details or visit www.epiphone.com. In order to continually improve the quality and/or performance of our instruments Guarantee varies country to country. and/or to make use of the best available components, Epiphone reserves the right Check your authorized Epiphone retailer for details. to change prices and specifications without notice. E-CAT13 CATALOG 2013 The Epiphone Story expand as his business and reputation for quality work grew. The family acquired the "stock, goodwill, and modern machinery" of the Epiphone is one of America's oldest and most revered instrument makers. Since 1873, Farovan Company instrument plant in Long Island and incorporat- Epiphone has made instruments for every style of popular music and in 2013 will celebrate its ed. Epi gave the now growing business a new name--Epiphone. 140th anniversary. “Epiphone” referenced not only his own name, but the Greek word The name Epiphone evokes both history and the spirit of invention. The “House of for sound--phone. It was also an echo of the Greek word epipho- Stathopoulo” has played a central role in every great musical era from the mandolin craze of the nous, meaning one sound on another, the son building on the early 1900s to jazz age guitars of the 1920s; from swing era archtops through post-war pop, dreams of the father.
    [Show full text]
  • BWTB- June 14Th (Mccartney Birthday)
    Playlist June 14th 2015 All Paul Birthday Special w/ special Guest Laurence Juber and Alexis the singing 10 year old with an adult voice! 9AM The Beatles - Love Me Do – Please Please Me (McCartney-Lennon) Lead vocal: John and Paul The Beatles’ first single release for EMI’s Parlophone label. Released October 5, 1962, it reached #17 on the British charts. Principally written by Paul McCartney in 1958 and 1959. Recorded with three different drummers: Pete Best (June 6, 1962, EMI), Ringo Starr (September 4, 1962), and Andy White (September 11, 1962 with Ringo playing tambourine). The 45 rpm single lists the songwriters as Lennon-McCartney. One of several Beatles songs Paul McCartney owns with Yoko Ono. Starting with the songs recorded for their debut album on February 11, 1963, Lennon and McCartney’s output was attached to their Northern Songs publishing company. Because their first single was released before John and Paul had contracted with a music publisher, EMI assigned it to their own, a company called Ardmore and Beechwood, which took the two songs “Love Me Do” and “P.S. I Love You.” Decades later McCartney and Ono were able to purchase the songs for their respective companies, MPL Communications and Lenono Music. Fun fact: John Lennon shoplifted the harmonica he played on the song from a shop in Holland. On U.S. albums: Introducing… The Beatles (Version 1) - Vee-Jay LP The Early Beatles - Capitol LP Paul & Linda McCartney - Another Day Also written around the “Let it Be” sessions, this was a similar narrative to Eleanor Rigby, again dealing with a lonely woman.
    [Show full text]
  • Dear Prudence” As an Interaction Between East and West
    “Dear Prudence” as an Interaction between East and West Robert Tindol Guangdong University of Foreign Studies, China Abstract One of the noteworthy songs to come out of the Beatles’ celebrated 1968 trip to India was “Dear Prudence”, authored by John Lennon. “Dear Prudence” is unique in its conjoining of Eastern sounds with a childlike Western theme, and as such it is particularly evident of the way in which Lennon in particular understood the possibilities of artistic hybrids involving the East and West. Moreover, the song can be analyzed by employing Homi Bhabha’s The Location of Culture as well as Gilles Deleuze and Felix Guattari’s Capitalism and Schizophrenia two-volume series. With such an interpretation in mind, the call for Prudence to “come out and play” involves the sharing of attention of newfound interest in the East with a continued grounding in the familiar West. This is a new “plateau” that does no violence to the past nor to any actor in the present, but instead leads to a peaceful new beginning. Keywords: Beatles, Gilles Deleuze, Felix Guattari, Anti-Oedipus The facts of the case are not only simple and straightforward, but comprise one of the most widely known intercultural encounters in Western pop history. In early 1968 the Beatles and their spouses, a number of personal and professional friends, fellow musicians, and various others journeyed to India for the ostensible purpose of studying Transcendental Meditation at the feet of the renowned guru Maraheshi Mahesh Yogi. Within a few weeks, all four of the Beatles had departed -- albeit with a batch of memorable songs tucked away in their kits for future recordings (“The Beatles in India,” 2015, para.
    [Show full text]
  • User Manual & Safety Instructions
    USER MANUAL & SAFETY INSTRUCTIONS Thank you for purchasing the Dr. Robert! The most accurate replica of the legendary Vox® UL730 amplifier! www.aclamguitars.com C/ Consell de Cent, 201 - local 08011 Barcelona. Spain Llevinac S.L. CIF: B64412406 Index Overview 4 Features 6 Specs & material Included 7 Powering Requirements 8 Operating Diagram 10 Controls 11 Advanced Internal Controls 16 Setting examples 18 Setting up on a pedalboard 22 Trouble Shooting 25 Security Instructions 26 Warranty Terms 27 Overview The Vox® UL700 amp series were the secret weapon used by The Beatles to achieve the unique guitar tone on Revolver and part of Sgt. Peppers. They were also used by The Rolling Stones and Jimmy Page of Led Zeppelin. Introduced in 1966 these state-of-the-art guitar amps mixed a solid-state preamp with a tube power amp section. Tubes were standard at that time but had the inconvenience of being voluminous and prone to fail, plus they needed bigger transformers due to impedance matching and power requirements. Transistors were the solution as they were way smaller, reliable and took much less energy to operate. So, in 1965, Vox engineer Dick Denney decided to develop a hybrid amp with a solid-state preamp and tube powered amp section. Disponible en otros idiomas en: Thanks to the relatively new transistor technology, lots of www.aclamguitars.com features could be added. Available in other languages at: Top of the line models included two channels with three www.aclamguitars.com band eq each, distortion, tremolo and reverb. 4 There were many variants with different power ratings, but One of the keys of its tone is the “Middle” control which the ones used by The Beatles were the UL730 (30w) and is one of the most interesting mid-range eq ever found on UL7120 (120w).
    [Show full text]
  • BWTB March 12 2017
    1 PLAYLIST MARCH 12th, 2017 8AM? NO It’s 9AM! 1 2 The Beatles - I’m So Tired - The Beatles (Lennon-McCartney) Lead vocal: John John Lennon’s “I’m So Tired” was started and finished in 14 takes on October 8, 1968. No overdubs were added. The session was a marathon 16-hour session which started at 4 p.m. on the 8th and finished at 8 a.m. on October 9 (John’s 28th birthday), and saw the completion of two Lennon compositions (“I’m So Tired” and “The Continuing Story Of Bungalow Bill”) and work on George Harrison’s “Long Long Long.” Written in India while the Beatles were studying Transcendental Meditation under Maharishi Mahesh Yogi, the all-day regime in Rishikesh, India, prevented John from sleeping at night, so he decided to write A song about it. The Beatles - I’m Only Sleeping - Revolver (Lennon-McCartney) Lead vocal: John Written by John and Paul at Kenwood, John’s estate in Weybridge, in one writing session. Recording of the backing rhythm track began at 11:30 p.m. on April 27, 1966. John recorded his lead vocal on April 29. Both the vocal and backing track were recorded at variable speed. It was during the recording of “I’m Only Sleeping” that The Beatles discovered the “backwards guitar.” On May 5, 1966, as the band continued working on the song, George painstakingly transcribed the notes in his guitar solo and flourishes and then wrote them out backwards. He then played them in that reverse order. The tapes were then superimposed BACKWARDS in the mix, playing the solo notes and embellishments in the correct order, but maintaining the eerie backwards sound.
    [Show full text]
  • John Lennon Educational Tour Bus Makes Return Visit to Miami the Betsy Hotel Hosts Public Tours on Ocean Drive & Students Come Together to Imagine Peace
    John Lennon Educational Tour Bus Makes Return Visit To Miami The Betsy Hotel hosts public tours on Ocean Drive & Students Come Together To Imagine Peace New York, N.Y. (May 5, 2016) – The John Lennon Educational Tour Bus (Lennon Bus), the premier non-profit, state-of-the-art, mobile Pro Audio and HD video recording facility will make a return visit to Miami, FL on Monday, May 9th and Tuesday, May 10th. The appearance will include working with students at St. Brendan Catholic Elementary School. The Betsy Hotel, will host public tours and a performance by singer-songwriter, LINNEY, a recent big winner in the international John Lennon Songwriting Contest. Free Public Tours are May 10, from 7 to 9 PM in front of The Betsy Hotel, followed by LINNEY’s free performance at 9 PM in the Betsy’s Lobby Bar. Monday, May 9, 2016 The Lennon Bus team will dedicate Monday, May 9th to working with a select group of St. Brendan students on an audio and video recording session, providing them with hands-on experiences using the newest technology including the latest cameras and lenses from Canon U.S.A.. Prior to the session, and in honor of John Lennon and Yoko Ono, students and staff will unite with the Lennon Bus team to create a human peace sign on the St. Brendan campus. “Encouraging our children to imagine peace is a great way to inspire the next generation to make peace a reality,” said Lennon Bus Executive Director, Brian Rothschild In support of the students at St.
    [Show full text]