BWTB Jan. 29Th DUKES 2017
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BWTB Nov. 13Th Dukes 2016
1 Playlist Nov. 13th 2016 LIVE! From DUKES in Malibu 9AM / OPEN Three hours non stop uninterrupted Music from JPG&R…as we broadcast LIVE from DUKES in Malibu…. John Lennon – Steel and Glass - Walls And Bridges ‘74 Much like “How Do You Sleep” three years earlier, this is another blistering Lennon track that sets its sights on Allen Klein (who had contributed lyrics to “How Do You Sleep” those few years before). The Beatles - Revolution 1 - The Beatles 2 The first song recorded during the sessions for the “White Album.” At the time of its recording, this slower version was the only version of John Lennon’s “Revolution,” and it carried that titled without a “1” or a “9” in the title. Recording began on May 30, 1968, and 18 takes were recorded. On the final take, the first with a lead vocal, the song continued past the 4 1/2 minute mark and went onto an extended jam. It would end at 10:17 with John shouting to the others and to the control room “OK, I’ve had enough!” The final six minutes were pure chaos with discordant instrumental jamming, plenty of feedback, percussive clicks (which are heard in the song’s introduction as well), and John repeatedly screaming “alright” and moaning along with his girlfriend, Yoko Ono. Ono also spoke random streams of consciousness on the track such as “if you become naked.” This bizarre six-minute section was clipped off the version of what would become “Revolution 1” to form the basis of “Revolution 9.” Yoko’s “naked” line appears in the released version of “Revolution 9” at 7:53. -
Paul Mccartney the Space Within US Mp3, Flac, Wma
Paul McCartney The Space Within US mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Non Music / Pop Album: The Space Within US Country: Russia Style: Interview, Pop Rock MP3 version RAR size: 1699 mb FLAC version RAR size: 1913 mb WMA version RAR size: 1239 mb Rating: 4.1 Votes: 280 Other Formats: DTS MPC VQF MOD DMF AHX FLAC Tracklist 1 Intro 2 Magical Mystery Tour 3 Flaming Pie 4 Let Me Roll It 5 Drive My Car 6 Till There Was You 7 I'll Get You 8 Eleanor Rigby 9 Maybe I'm Amazed 10 Got To Get You Into My Life 11 Fine Line 12 I Will 13 I'll Follow The Sun 14 Good Day Sunshine 15 For No One 16 Hey Jude 17 Fixing A Hole 18 Penny Lane 19 Too Many People 20 Let It Be 21 English Tea 22 I've Got A Feeling 23 Follow Me 24 Jenny Wren 25 Helter Skelter 26 Yesterday 27 Get Back 28 Please, Please Me 29 Credits Companies, etc. Manufactured By – Green Ray – GREENRAY 282 GR-CV M Notes Format: DVD-9 Sound: DTS 5.1 Surround / Dolby Digital Stereo Aspect: 16 x 9 Special Features: - US Tour Pre-Show Film - Sound Check - On the Road with US - More About US Barcode and Other Identifiers Barcode: 5 051011 702426 Matrix / Runout: PAUL McCARTNEY The Space Within US GREENRAY 282 GR-CV M Other versions Category Artist Title (Format) Label Category Country Year The Space Within US Paul (DVD-V, Copy MPL , Warner 50-51011-8192-2-3 50-51011-8192-2-3 Europe 2006 McCartney Prot., S/Edition, Music Vision PAL + CD, Copy Prot.) The Space Paul A&E Television AAE-76291 Within US AAE-76291 US 2006 McCartney Networks (DVD-V, NTSC) The Space Within US Paul (DVD-V, A&E -
Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
Good Day Sunshine: Stock Returns and the Weather
THE JOURNAL OF FINANCE VOL. LVIII, NO. 3 JUNE 2003 Good Day Sunshine: Stock Returns and theWeather DAVID HIRSHLEIFER and TYLER SHUMWAY n ABSTRACT Psychological evidence and casual intuition predict that sunny weather is as- sociated with upbeat mood. This paper examines the relationship between morning sunshine in the city of a country’s leading stock exchange and daily market index returns across 26 countries from 1982 to 1997. Sunshine is strongly signi¢cantly correlated with stock returns. After controlling for sun- shine, rain and snow are unrelated to returns. Substantial use of weather- based strategies was optimal for a trader with very low transactions costs. However, because these strategies involve frequent trades, fairly modest costs eliminate the gains.These ¢ndings are di⁄cult to reconcile with fully rational price setting. SUNSHINE AFFECTS MOOD, as evidenced by song and verse, daily experience, and formal psychological studies. But does sunlight a¡ect the stock market? The traditional e⁄cient markets view says no, with minor quali¢cations. If sun- light a¡ects the weather, it can a¡ect agricultural and perhaps other weather- related ¢rms. But in modern economies in which agriculture plays a modest role, it seems unlikely that whether it is cloudy outside the stock exchange today should a¡ect the rational price of the nation’s stock market index. (Even in coun- tries where agriculture plays a large role, it is not clear that one day of sunshine versus cloud cover at the stock exchange should be very informative about har- vest yield.) An alternative view is that sunlight a¡ects mood, and that people tend to eval- uate future prospects more optimistically when they are in a good mood than when they are in a bad mood. -
Yesterday (Beatles Song)
Yesterday (Beatles song) "Yesterday" is a song by English rock band the Bea- whether they had ever heard it before. Eventually it be- tles written by Paul McCartney (credited to Lennon– came like handing something in to the police. I thought McCartney) first released on the album Help! in the if no one claimed it after a few weeks then I could have United Kingdom in August 1965. it.”[5] “Yesterday”, with the B-side "Act Naturally", was re- Upon being convinced that he had not robbed anyone leased as a single in the United States in September 1965. of their melody, McCartney began writing lyrics to suit While it topped the American chart in October the song it. As Lennon and McCartney were known to do at the also hit the British top 10 in a cover version by Matt time, a substitute working lyric, titled “Scrambled Eggs” Monro. The song also appeared on the UK EP “Yester- (the working opening verse was “Scrambled eggs/Oh my day” in March 1966 and the Beatles’ US album Yesterday baby how I love your legs/Not as much as I love scram- and Today released in June 1966. bled eggs”), was used for the song until something more McCartney’s vocal and acoustic guitar, together with a suitable was written. In his biography, Paul McCartney: string quartet, essentially made for the first solo perfor- Many Years from Now, McCartney recalled: “So first of mance of the band. It remains popular today with more all I checked this melody out, and people said to me, 'No, than 2,200 cover versions[2] and is one of the most cov- it’s lovely, and I'm sure it’s all yours.' It took me a little ered songs in the history of recorded music.[note 1] “Yes- while to allow myself to claim it, but then like a prospec- terday” was voted the best song of the 20th century in a tor I finally staked my claim; stuck a little sign on it and said, 'Okay, it’s mine!' It had no words. -
A General-Purpose Deep Learning Approach to Model Time-Varying Audio Effects
Proceedings of the 22nd International Conference on Digital Audio Effects (DAFx-19), Birmingham, UK, September 2–6, 2019 A GENERAL-PURPOSE DEEP LEARNING APPROACH TO MODEL TIME-VARYING AUDIO EFFECTS Marco A. Martínez Ramírez, Emmanouil Benetos, Joshua D. Reiss Centre for Digital Music, Queen Mary University of London London, United Kingdom m.a.martinezramirez, emmanouil.benetos, [email protected] ABSTRACT center frequency is modulated by an LFO or an envelope follower, the effect is commonly called auto-wah. Audio processors whose parameters are modified periodically Delay-line based audio effects, as in the case of flanger and over time are often referred as time-varying or modulation based chorus, are based on the modulation of the length of the delay audio effects. Most existing methods for modeling these type of lines. A flanger is implemented via a modulated comb filter whose effect units are often optimized to a very specific circuit and cannot output is mixed with the input audio. Unlike the phaser, the notch be efficiently generalized to other time-varying effects. Based on and peak frequencies caused by the flanger’s sweep comb filter convolutional and recurrent neural networks, we propose a deep effect are equally spaced in the spectrum, thus causing the known learning architecture for generic black-box modeling of audio pro- metallic sound associated with this effect. A chorus occurs when cessors with long-term memory. We explore the capabilities of mixing the input audio with delayed and pitch modulated copies deep neural networks to learn such long temporal dependencies of the original signal. -
BEACH BOYS Vs BEATLEMANIA: Rediscovering Sixties Music
The final word on the Beach Boys versus Beatles debate, neglect of American acts under the British Invasion, and more controversial critique on your favorite Sixties acts, with a Foreword by Fred Vail, legendary Beach Boys advance man and co-manager. BEACH BOYS vs BEATLEMANIA: Rediscovering Sixties Music Buy The Complete Version of This Book at Booklocker.com: http://www.booklocker.com/p/books/3210.html?s=pdf BEACH BOYS vs Beatlemania: Rediscovering Sixties Music by G A De Forest Copyright © 2007 G A De Forest ISBN-13 978-1-60145-317-4 ISBN-10 1-60145-317-5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of the author. Printed in the United States of America. Booklocker.com, Inc. 2007 CONTENTS FOREWORD BY FRED VAIL ............................................... XI PREFACE..............................................................................XVII AUTHOR'S NOTE ................................................................ XIX 1. THIS WHOLE WORLD 1 2. CATCHING A WAVE 14 3. TWIST’N’SURF! FOLK’N’SOUL! 98 4: “WE LOVE YOU BEATLES, OH YES WE DO!” 134 5. ENGLAND SWINGS 215 6. SURFIN' US/K 260 7: PET SOUNDS rebounds from RUBBER SOUL — gunned down by REVOLVER 313 8: SGT PEPPERS & THE LOST SMILE 338 9: OLD SURFERS NEVER DIE, THEY JUST FADE AWAY 360 10: IF WE SING IN A VACUUM CAN YOU HEAR US? 378 AFTERWORD .........................................................................405 APPENDIX: BEACH BOYS HIT ALBUMS (1962-1970) ...411 BIBLIOGRAPHY....................................................................419 ix 1. THIS WHOLE WORLD Rock is a fickle mistress. -
THE CHINA CAT RIDERS Technical Rider
THE CHINA CAT RIDERS Technical Rider SUMMARY The China Cat Riders is a 5-piece Grateful Dead tribute act from Kingston, Ontario. This is a musical tribute act in the spirit of The Dead, not a strict role-playing copycat act. Band Leader: Adam Hodge, (613) 929-9137, [email protected] Tech Contact: Wes Garland, (613) 539-6952, [email protected] Last Update: Mar 20 2021 PERSONNEL Kevin Bowers – 60% Lead Vocals, Backing Vocals, Guitar (in the style of Jerry Garcia) Dan Curtis – 40% Lead Vocals, Backing Vocals, Guitar (in the style of Bob Weir) Adam Hodge – Backing Vocals, Bass Guitar Wes Garland – Backing Vocals, Keyboards (Piano, Hammond) Peter Bowers – Drums BACKLINE – FESTIVALS T he venue will supply: - bass amplifier and speaker cabinet - drum kit including rug, microphones, and breakables - 4 vocal mics (with foam windscreen if windy) - 4 boom stands - 2 instrument mics for guitar amps - All necessary XLR cables If a professional-quality keyboard with a weighted piano action (e.g. Yamaha CP4) or semi-weighted action (e.g. Nord Electro 5D) is already on stage, we will gladly make use of it. The band will supply: - two guitars and guitar amplifiers (combo amps) - bass guitar - all necessary instrument effect pedals, patch cables, etc. - digital piano if needed - Hammond organ with Leslie speaker cabinet - all necessary amp stands, keyboard stands, stools, etc. - helping hands, under the direction of the stage manager This band can do a festival-speed changeover, even when using the Hammond, provided we have good communication with the tech crew and a space very close to the stage in which to prepare our load-in. -
MTO 11.4: Spicer, Review of the Beatles As Musicians
Volume 11, Number 4, October 2005 Copyright © 2005 Society for Music Theory Mark Spicer Received October 2005 [1] As I thought about how best to begin this review, an article by David Fricke in the latest issue of Rolling Stone caught my attention.(1) Entitled “Beatles Maniacs,” the article tells the tale of the Fab Faux, a New York-based Beatles tribute group— founded in 1998 by Will Lee (longtime bassist for Paul Schaffer’s CBS Orchestra on the Late Show With David Letterman)—that has quickly risen to become “the most-accomplished band in the Beatles-cover business.” By painstakingly learning their respective parts note-by-note from the original studio recordings, the Fab Faux to date have mastered and performed live “160 of the 211 songs in the official canon.”(2) Lee likens his group’s approach to performing the Beatles to “the way classical musicians start a chamber orchestra to play Mozart . as perfectly as we can.” As the Faux’s drummer Rich Pagano puts it, “[t]his is the greatest music ever written, and we’re such freaks for it.” [2] It’s been over thirty-five years since the real Fab Four called it quits, and the group is now down to two surviving members, yet somehow the Beatles remain as popular as ever. Hardly a month goes by, it seems, without something new and Beatle-related appearing in the mass media to remind us of just how important this group has been, and continues to be, in shaping our postmodern world. For example, as I write this, the current issue of TV Guide (August 14–20, 2005) is a “special tribute” issue commemorating the fortieth anniversary of the Beatles’ sold-out performance at New York’s Shea Stadium on August 15, 1965—a concert which, as the magazine notes, marked the “dawning of a new era for rock music” where “[v]ast outdoor shows would become the superstar standard.”(3) The cover of my copy—one of four covers for this week’s issue, each featuring a different Beatle—boasts a photograph of Paul McCartney onstage at the Shea concert, his famous Höfner “violin” bass gripped in one hand as he waves to the crowd with the other. -
Vintage Motor Controller (VMC) Manual
Vintage Motor Controller (VMC) Manual 1 | Page BookerLAB® ©2017- 2019 Vintage Motor Controller (VMC) for Leslie Speakers (v19-0214) [email protected] - +1 (864) 843-4459 BookerLAB® http://www.bookerlab.com +1 (864) 843.4459 BookerLAB is a registered trademark of BookerLAB, LLC. Crumar, Electro, Hammond, Hammond-Suzuki, Leslie, Mojo, Nord, and Viscount are trademarks of their respective companies and are not associated with BookerLAB. Copyright © 2017-2019, BookerLAB, LLC. All Rights Reserved. Proudly designed and manufactured in Liberty, SC, USA. 2 | Page BookerLAB® ©2017- 2019 Vintage Motor Controller (VMC) for Leslie Speakers (v19-0214) [email protected] - +1 (864) 843-4459 Table of Contents Product Description........................................................................................................................ 4 VMC Family Comparison ............................................................................................................ 4 VMC Ideal Users ......................................................................................................................... 5 VMC Models & Features ................................................................................................................ 6 VMC – Vintage Motor Controller ............................................................................................... 6 VMC-MM – Vintage Motor Controller + Motor Monitors ........................................................ 8 VMC-MIDI – Vintage Motor Controller + Motor Monitors + MIDI ........................................ -
LET IT Bew.M. John Lennon, Paul Mccartney
LET IT BE w.m. John Lennon, Paul McCartney 4/4 1…2…123 When I find myself in times of trouble, Mother Mary comes to me Speaking words of wisdom, Let it Be And in my hour of darkness she is standing right in front of me Speaking words of wisdom, Let it Be Let it be, let it be, let it be, yeh, let it be, whisper words of wisdom, L I B And when the broken hearted people living in the world agree There will be an answer, let it be For though they may be parted, there is still a chance that they will see There will be an answer, let it be. Let It Be p.2 Let it be, let it be, let it be, yeh, let it be, there will be an answer, L I B And when the night is cloudy there is still a light that shines on me Shine until tomorrow, let it be. I wake up to the sound of music, Mother Mary comes to me Speaking words of wisdom, let it be. Let it be, let it be, let it be, yeh, let it be, whisper words of wisdom, let it be. LET IT BE w.m. John Lennon, Paul McCartney 4/4 1…2…123 G D Em C When I find myself in times of trouble, Mother Mary comes to me G D C G Speaking words of wisdom, Let it Be G D Em C And in my hour of darkness she is standing right in front of me G D C G Speaking words of wisdom, Let it Be Em D C G D C G Let it be, let it be, let it be, yeh, let it be, whisper words of wisdom, L I B G D Em C And when the broken hearted people living in the world agree G D C G There will be an answer, let it be G D Em C For though they may be parted, there is still a chance that they will see G D C G There will be an answer, let it be.