DOCSLIB.ORG

Epiphone2004 Rosetti.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Epiphone2004 Rosetti.Pdf TheThe LesLes PaulPaul CollectionCollection Les Paul Special II Les Paul A lot of guitar for your Studio Goth money. The Les Paul A Les Paul turned bad! The Special II is a great little guitar Les Paul Studio Goth features a that far surpasses the one hinted at 12th fret “XII” inlay and a Celtic cross by the price ticket. Also available left headstock logo. Available with a Floyd handed. Rose tremolo or stopbar tailpiece. LP 100 Les Paul Classic The LP 100 sits snugly Based on the Gibson between the Special II and Les Paul Classic, this the Studio. A beautifully Epiphone features all the uncluttered and supremely functional adornments that made the original guitar. Now supplied with covered so highly sort after. Sunburst finished humbuckers (uncovered version illustrated). models feature a ‘plus’ flamed maple top. Also available left handed. Solid colour finishes have a plain top. Les Paul Studio Les Paul Standard The Les Paul Studio has The industry standard, it all, the looks, the tone and The twin humbuckered a light-weight body. Perfect for powerhouse is at home on any those long gigs and practice stage playing any style. Sunburst sessions. and translucent finished models feature a ‘plus’ flamed maple top. Also available left handed. Solid colour finishes have a plain top. Les Paul Special II Les Paul 100 Les Paul Studio Les Paul Studio Goth Les Paul Classic Les Paul Standard Top Alder/Mahogany Alder Flame Maple Flame Maple Body Lam. Alder/Maple Alder/Mahogany Alder/Mahogany Mahogany Alder/Mahogany Alder/Mahogany Neck Mahogany Mahogany Mahogany Mahogany Mahogany Mahogany Fingerboard Rosewood Rosewood Rosewood Ebony Rosewood Rosewood Inlay Dot Dot Trapezoid 12th Fret “XII” Inlay Trapezoid Trapezoid Neck Join Bolt Bolt Set Set Set Set Scale 24.75” 24.75” 24.75” 24.75” 24.75” 24.75” Nut Width 1.68” 1.68” 1.68” 1.68” 1.68” 1.68” Pickups 2x Humbuckers 2x Humbuckers 2x Humbuckers 2x Humbuckers 2x Humbuckers 2x Humbuckers Controls 1 Vol, 1 Tone, 2 Vol, 2 Tone, 2 Vol, 2 Tone, 2 Vol, 2 Tone, 2 Vol, 2 Tone, 2 Vol, 2 Tone, 3-Way Switch 3-Way Switch 3-Way Switch 3-Way Switch 3-Way Switch 3-Way Switch Hardware Chrome Chrome Chrome Black Chrome Chrome Chrome Finish Vintage Sunburst, Vintage Sunburst, Heritage Cherry Sunburst, Satin Black Heritage Cherry Sunburst, Heritage Cherry Sunburst, Heritage Cherry Sunburst, Heritage Cherry Sunburst, Ebony, Wine Red, Metallic Gold, Honeyburst, Trans Amber, Trans Ebony, White Ebony Vintage Sunburst Vintage Sunburst, Wine Red, Vintage Sunburst, Wine Red (Black H/W) Ebony Ebony Other Lefthand (Vintage Lefthand (Heritage Cherry Floyd Rose or Lefthand (Ebony, Vint Sunburst, Sunburst) Sunburst) Stopbar Tailpiece Heritage Cherry Sunburst) TheThe LesLes PaulPaul CollectionCollection 1956 Les Paul Les Paul Custom Goldtop Flame Top A Homage to the original This Les Paul Custom goes Les Paul as found in 1956. This one step further and adds a stunning Les Paul features Alnico-V flamed maple top. The best just got P-90 pickups for that pure, vintage better. tone. Les Paul Custom Les Paul Black The Les Paul Custom Beauty - 3 Pickup represents the highest level The original 3 pickup Les of elegance and beauty in the Paul. The Black Beauty adds a Les Paul family. Also available left third humbucker to the mix for that handed. extra sonic dimension. 1956 Les Paul Gold Top Les Paul Custom Les Paul Custom Les Paul Black Beauty Flame Top 3 Pickup Top Alder/Mahogany Alder/Mahogany Flame Maple Alder/Mahogany Body Alder/Mahogany Alder/Mahogany Alder/Mahogany Alder/Mahogany Neck Mahogany Mahogany Mahogany Mahogany Fingerboard Rosewood Rosewood Rosewood Rosewood Inlay Trapezoid Block Block Block Neck Join Set Set Set Set Scale 24.75” 24.75” 24.75” 24.75” Nut Width 1.68” 1.68” 1.68” 1.68” Pickups 2x Alnico V P-90’s 2x Humbuckers 2x Humbuckers 3x Humbuckers Controls 2 Vol, 2 Tone, 2 Vol, 2 Tone, 2 Vol, 2 Tone, 2 Vol, 2 Tone, 3-Way Switch 3-Way Switch 3-Way Switch 3-Way Switch Hardware Chrome Gold Gold Gold Finish Metallic Gold Ebony, Heritage cherry Sunburst, Ebony Alpine White Vintage Sunburst Other Lefthand (Ebony) TheThe LesLes PaulPaul CollectionCollection Bob Marley Les Paul Special The Bob Marley Les Paul Special features a brass nut, John Connolly Les Marley’s face on a worn brown Paul Custom body, with the Jamaican flag colours for The Sevendust guitarist’s block inlays and “One love” printed on the signature Les Paul Custom. headstock. This guitar features black block inlays on a maple fingerboard with a stunning flame print on a flamed maple top! Ace Frehley Les Paul Classic Epiphone’s version of Ace Frehley’s Gibson signature Les Paul. Featuring three USA DiMarzio Zakk Wylde Les Super Distortion humbuckers, lightning Paul Custom bolt inlays and signature truss rod cover. Epiphone’s version of Zakk Wylde’s famous Gibson Les Paul Custom - Features Zakk’s trademark bullseye print, powerful EMG passive humbucking pickups and a raw, unfinished maple neck. Lynyrd Skynyrd Les Paul Goldtop Celebrate the 30th anniversary of Lynyrd Skynyrd with this limited edition Goldtop. Features “Lynyrd Skynyrd” inlay and the official emblem of the bands 30th anniversary tour printed on the back. Bob Marley Ace Frehley Lynyrd Skynyrd John Connolly Zakk Wylde Les Paul Special Les Paul Classic Les Paul Goldtop Les Paul Custom Les Paul Custom Top Flame Maple Maple Flame Maple Mahogany Body Mahogany Mahogany Mahogany Alder/Mahogany Mahogany Neck Maple Maple Maple Mahogany Maple Fingerboard Rosewood Rosewood Rosewood Maple Rosewood Inlay Mini Block Lightning Bolt “Lynyrd Skynyrd” Block Block Neck Join Set Set Set Set Set Scale 24.75” 24.75” 24.75” 24.75” 24.75” Nut Width 1.68” 1.68” 1.68” 1.68” 1.68” Pickups 2x Alnico-V Humbuckers 3x DiMazio USA Humbuckers 2x Alnico-V Humbuckers 2x USA Humbuckers 2x EMG HZ H4 Humbuckers Controls 2 Vol, 2 Tone, 2 Vol, 2 Tone, 2 Vol, 2 Tone, 2 Vol, 2 Tone, 2 Vol, 2 Tone, 3-Way Switch 3-Way Switch 3-Way Switch 3-Way Switch 3-Way Switch Hardware Chrome Chrome Chrome Black Chrome Gold Finish Worn Brown Heritage Cherry Sunburst Metallic Gold Translucent Black Antique Ivory With Flame Print With Bullseye Print Other TheThe SGSG CollectionCollection G-310 Vintage G-400 All the majesty of the The G-400 has been SG, but with an extremely updated with two 57 hot affordable price ticket. humbuckers, a one-piece Altogether a great value guitar. mahogany neck and two new worn finishes for that well-played, well-loved look. SG Special G-400 Deluxe Don’t let the low price Flame Top fool you. This guitar is pure A guitar for those torn SG through and through. between the shape and feel of the SG and the beautiful flamed finish on the Les Paul’s. A striking guitar with tones to match. G-400 G-400 Custom The G-400 is a licensed The G-400 Custom version of the classic represents the highest level Gibson SG Standard. For out of elegance and beauty in the and out bite the G-400 can’t be G-400 family. Features a third beaten. humbucker for that extra sonic dimension. G-310 SG Special G-400 Vintage G-400 G-400 Deluxe Flametop G-400 Custom Top Flame Maple Body Alder Lam. Alder/Maple Mahogany Mahogany Mahogany Mahogany Neck Mahogany Maple Mahogany Mahogany Mahogany Mahogany Fingerboard Rosewood Rosewood Rosewood Rosewood Rosewood Rosewood Inlay Dot Dot Trapezoid Trapezoid Trapezoid Block Neck Join Bolt Bolt Set Set Set Set Scale 24.75” 24.75” 24.75” 24.75” 24.75” 24.75” Nut Width 1.68” 1.68” 1.68” 1.68” 1.68” 1.68” Pickups 2x Humbuckers 2x Humbuckers 2x Alnico V Humbuckers 2x 57 Hot Humbuckers 2x Alnico V Humbuckers 3x Humbuckers Controls 2 Vol, 2 Tone, 1 Vol, 1 Tone, 2 Vol, 2 Tone, 2 Vol, 2 Tone, 2 Vol, 2 Tone, 2 Vol, 2 Tone, 3-Way Switch 3-Way Switch 3-Way Switch 3-Way Switch 3-Way Switch 3-Way Switch Hardware Chrome Chrome Chrome Chrome Chrome Gold Finish Red, Ebony Cherry Cherry Worn Brown, Vintage Sunburst Antique Ivory Worn Cherry Other Lefthand (Ebony) Lefthand (Cherry) TheThe SGSG CollectionCollection G-400 Goth Tony Iommi A G-400 turned bad! The G-400 G-400 Goth features a 12th Epiphone’s version of fret “XII” inlay, Celtic cross Gibson’s Tony Iommi SG. headstock logo and a Satin Black Features two Iommi finish with black chromed hardware. humbuckers, cross inlays and is also available lefthanded. G-400 Xtreme G-1275 You can’t get more Custom ‘Xtreme’ than this! The Based on the Gibson G-400 Xtreme features an EDS-1275. The two necks industrial style aluminium make for seamless switching scratchplate, 2 ultra hot humbuckers between 6 and 12 string sounds. and a Floyd Rose tremolo system. G-400 Goth G-400 Xtreme Tony Iommi G-400 G-1275 Custom Top Curly Maple Veneer Body Mahogany Mahogany Mahogany Alder Neck Mahogany Maple Mahogany Mahogany Fingerboard Ebony Rosewood Rosewood Rosewood Inlay 12th Fret “XII” Dot Cross Parallelogram Neck Join Set Bolt Set Set Scale 24.75” 24.75” 24.75” 24.75” Nut Width 1.68” 1.68” 1.68” 1.85”/1.68” Pickups 2x Humbuckers 2x Ultra Hot Humbuckers 2x USA Iommi Humbuckers 4x Humbuckers Controls 2 Vol, 2 Tone, 1 Vol 2 Vol, 2 Tone, 2 Vol, 2 Tone, 3-Way Switch 3-Way Switch 3-Way Switch 3x 3-Way Switches Hardware Black Chrome Black Chrome Black Chrome Chrome Finish Satin Black Satin Black Ebony Cherry Other Lefthand (Ebony) TheThe ElectricElectric CollectionCollection 1958 Explorer Goth An Explorer turned bad! 1958 Flying V Goth The Explorer Goth features A Flying V turned bad! a 12th fret “XII” inlay, Celtic cross The Flying V Goth features a headstock logo and a black satin 12th fret “XII” inlay, Celtic cross finish.
Load more

Recommended publications
  • Blue Book of Electric Guitars Sixth Edition
    Blue Book of Electric Guitars Sixth Edition Gibson Electric Guitars and Basses Edited by S.P. Fjestad Blue Book Publications, Inc. 8009 34th Avenue South, Suite 175 Minneapolis, MN 55425 U.S.A. Phone: 800-877-4867 (U.S.A. and Canada orders only) Phone: 952-854-5229 FAX: 952-853-1486 Email: [email protected] Web site: www.bluebookinc.com Reprinted with permission Copyright 1999 Blue Book Publications, Inc. All Rights Reserved. No part of this publication may be reproduced in any form whatsoever, by photograph, mimeograph, FAX transmission, or any other mechanical or electronic means. Nor can it be broadcast or transmitted, by translation into any language, nor by recording electronically or otherwise, without the express written permission from the publisher - except by a reviewer, who may quote brief passages for critical articles and/or reviews. Please note: At the request of Blue Book Publications, Inc., all pricing information has been omitted. For detailed pricing information, please either contact Blue Book Publications for ordering information, or visit their web site at www.bluebookinc.com Table of Contents Gibson Background History ----------------------------------------- 3 Identifying Features --------------------------------------------------- 4 Gibson Electric Guitars ---------------------------------- 5 B.B. King Series -------------------------------------------------------- 5 Barney Kessel Series --------------------------------------------------- 6 Byrdland Model ---------------------------------------------------------
    [Show full text]
  • The Gibson Flying V
    #1695702 in Books 2007-09-07Original language:EnglishPDF # 1 10.50 x 8.25 x .50l, .69 #File Name: 1886768722104 pages | File size: 60.Mb Zachary R. Fjestad, Larry Meiners ePub | *DOC | audiobook | ebooks | Download PDF [Library ebook] The Gibson Flying V The Gibson Flying V Zachary R. Fjestad, Larry Meiners : The Gibson Flying V before purchasing it in order to gage whether or not it would be worth my time, and all praised The Gibson Flying V: 8 of 8 people found the following review helpful. Everything about The Mighty VBy SGsStratsI just received this book in the mail yesterday and I love it. From design beginnings to a complete model listing with production dates and factories to headstock designs, it's all in here. There's even a section on the cases!My first lasting impression from the Flying V was as an 8 year old kid in '65 watching "Shindig" and The Kinks came on. They played "Tired Of Waiting" and there was Dave Davies with his Korina V, playing it with his arm in the fork of the body. Well, this book mentions not only when and where Dave bought his V but how much he paid for it (you won't believe it).I've been a V fan ever since from Andy Powell to the Schenker Brothers to Dave Meniketti (the first Yesterday and Today album) and Albert King and beyond. I wish the color section was a bit longer but everything else about this book is outstanding. Great detail about the Hendrix "Flying Angels" as he called them with photos of Jimi in action as well.The "Flying V Wanna- Bees" section is great also with coverage on Epiphone,Dean,Hamer and Ibanez models.This book is awesome and will give me hours of enjoyment.Now if I could just find that used Epi '67 style I've been looking for.2 of 2 people found the following review helpful.
    [Show full text]
  • Contents About the Author
    2 THE SERIOUS GUITARIST | EsseNtiaL BOOK OF Gear CONTENTS About the Author ..................................................... 3 2000 and Beyond ............................................38 Part 3: The Technical Stuff ..................................82 Introduction .............................................................. 4 Amp Modeling ...............................................39 The Science of Sound .....................................82 Guitar Apps ...................................................39 Vibrations........................................................82 Part 1: The History of Guitar Gear ...................... 5 8- and 9-String Guitars ...............................39 Amplitude and Types of Waves .................82 The1930s ............................................................. 5 Guitar-Based Video Games ......................40 Overtones (Harmonics) ..............................82 The First Electric Guitars .............................. 5 Look, Ma, No Amp! ......................................40 Modulation .....................................................83 The First Amplifiers ........................................ 6 Fractal Audio Systems Axe-FX II ..............40 The Order of Effects ....................................83 Early 7-String Guitar ...................................... 8 Looking Ahead ..............................................41 Understanding Guitar Amps ..........................84 Early Talk Box .................................................. 8 Tube Amps .....................................................84
    [Show full text]
  • Meek ([email protected]) Speedracer (Joe
    START NEW THREAD REPLY Top of Thread LIST Read 460 times From: Meek ([email protected]) Date: 2/25/2002 11:58 PM Subject: What amps & guitars are used on The Beatles' Abbey Road? Could anyone tell me what amps & guitars where used on the Abbey Road album? I know there is a book out now about this very topic, but I do not have it yet. Any help would be...helpful? Thanks, Meek START NEW THREAD REPLY PREVIOUS LIST Read 476 times From: John Kelley Brown ([email protected]) Date: 2/26/2002 12:36 AM Subject: Re: What amps & guitars are used on The Beatles' Abbey R I've heard from a few sources they were using silver face Fender combos, nothing more specific than that though. Kelley START NEW THREAD REPLY PREVIOUS LIST Read 108 times From: SpeedRacer ([email protected]) Date: 3/1/2002 1:10 PM Subject: Re: Great book about this.. go to your fav book st ore and find the Beatles Gear, it's a new book justabotu what they were using and when and where.. I bought it and really like it.. just am fried from lack of sleep and can't think of the title right now. Anyhow, pretty cool if you're a gear head/recording engineer geek. Paul wailing a tele through Selmer 2x12 50W combo on Sgt Pepper.. no yer talkin toneage! START NEW THREAD REPLY PREVIOUS LIST Read 472 times From: ChrisW ([email protected]) Date: 2/26/2002 12:43 AM Subject: Re: What amps & guitars are used on The Beatles' Abbey Road? Lennon did use a Casino and a tweed Deluxe Chris START NEW THREAD REPLY PREVIOUS LIST Read 443 times From: Jon Frum Date: 2/26/2002 5:55 AM Subject: Re: What amps & guitars are used on The Beatles' Abbey Road? I believe that George had a strat by then.
    [Show full text]
  • 7.9 the Wood Determines the Sound?
    7-102 7. Neck and body of the guitar 7.9 The Wood Determines the Sound? Mahogany! Maple! Rosewood! Men oft believe, if only they hear wordy pother, that there must surely be in it some thought or other [Goethe]. And the usual thinking is: “the electric guitar is a musical instrument made of wood. In all musical instruments made of wood, the wood determines the sound. The more noble the wood, the more noble the sound.” Goethe’s witch’s kitchen – a suitable location for deception and magic – holds more such articles of faith, but let us keep some distance from alchemy, and give physics the priority here: how does the body of the guitar vibrate, and in what way will the vibration of this body influence the sound? In the material-science course, every luthier learns about different tonewoods and their sound-determining material-parameters: “the denser the wood, the more brilliant, treble- rich the sound; the higher the stiffness, the longer the sustain (P. Day).” As if that were self- evident, this statement and similar ones are based on the assumption that the findings that are valid for violins and acoustic guitars apply to electric guitars, as well. If we now add that board of experts who listen to an electric guitar first of all without amplification, we quickly arrive at a conglomerate of teachings that, between them, could not be more contradictory. All the while two simple principles would really help us: 1) Compared to the acoustic guitar, the electric guitar functions very differently. Findings derived from the one type of guitar may not be sight-unseen applied to the other type.
    [Show full text]
  • Strategic Intertextuality in Three of John Lennonâ•Žs Late Beatles Songs
    STRATEGIC INTERTEXTUALITY IN THREE OF JOHN LENNON’S LATE BEATLES SONGS* MARK SPICER his article will focus on an aspect of the Beatles’ compositional practice that I believe T merits further attention, one that helps to define their late style (that is, from the ground- breaking album Revolver [1966] onwards) and which has had a profound influence on all subsequent composers of popular music: namely, their method of drawing on the resources of pre-existing music (or lyrics, or both) when writing and recording new songs. This may at first seem entirely obvious, especially since nowadays such a practice has been adopted routinely by many songwriters and producers, and is in fact the prevailing compositional strategy within certain pop and rock genres, rap being probably the most blatant example. Many rap artists are well known for their so-called “rap versions,” as Tim Hughes has described them, in which a distinctive element of a pre-existing song is lifted out of its original context—typically via digital sampling—and used as the foundation upon which a new song is built.1 Will Smith’s hit “Wild Wild West” (1999), for example, is composed around a sample of the bass-driven main groove from Stevie Wonder’s funk classic “I Wish” (1976); and Eminem’s hit “Like Toy Soldiers” * This essay is based in part on the first chapter of my dissertation, “British Pop-Rock Music in the Post-Beatles Era” (Ph.D. dissertation, Yale University, 2001). An earlier version was presented at the annual meeting of the Society for Music Theory, Columbus, in November 2002.
    [Show full text]
  • Hannoart Presents Dave's Guitar Shop
    HannoArt presents IN A WORLD FULL OF SO MUCH SAMENESS, HannoArt stands apart as one of the most distinctive coated sheets in the industry. Thanks to a proprietary triple-coating process, HannoArt offers an outstanding ink lay that holds crisp details and rich, dense solids—all on an incomparably smooth, uniform surface. Simply put, HannoArt represents a level of craftsmanship that is without peer—making it the ideal sheet for those with a passion for the exceptional. THE BENEFITS OF HANNOART Superior Surface Smoothness A unique triple-coated surface provides exceptional ink lay— enabling spectacular image fidelity and print depth. Outstanding Gloss Finish Provides an outstanding surface for excellent reproduction and visual impact. Exceptional Silk Finish Provides a superior and elegant tactile experience. Broad Basis Weight Range A broad range of sheet fed grades enables HannoArt to handle a variety of print projects. Custom sizes are also available through Sappi’s Special Making Order (SMO) services. Environmental Responsibility HannoArt boasts FSC Chain of Custody certification. This guarantees that trees used to produce HannoArt papers were procured from responsibly managed forests. YOU’D PROBABLY EXPECT a place called Dave’s Guitar Shop to be happily ensconced in some strip mall catering to America’s adolescents. But as the old adage goes, one cannot judge a book — or, in this case, a shrine — by its cover. You see, Dave’s Guitar Shop is a veritable mecca for guitar aficionados from around the world. Tucked away in La Crosse, Wisconsin, a city more famous for its barrels of brew than its Gibsons and Gretsches, Dave Rogers has created a haven for those seeking the finest in guitar design and craftsmanship.
    [Show full text]
  • Sam Ash Catalog 2009
    GREAT GIFT IDEAS! Epiphone DR90 Acoustic Player Pack $169.99 EPPGREA9D • List: $282.00 Ibanez JV50 Quick Start Acoustic Pack Daisy Rock $99.99 IJV50XXXX Debutante Junior Miss LIST: $249.99 Acoustic Guitar Pack • $99.00 D147210XX • List: $169.00 Disney licensed instruments for Hannah Montana fans! Washburn HMDA34/E34 Hannah Montana Acoustic • $79.99 Electric • $99.99 Designed to fit emerging stars, these guitars are 3/4 size, perfect for kids 6+ years old. “Sweet niblets,” you know the kids will love this! Cases not included. WHMDA34XX ACOUSTIC WHMDE34XX ELECTRIC Remo Kids Bongos $36.99. RKD540001 LIST: $50.00 Solid Top! Fender DG8S Premium Acoustic Pack $199.99 Great Quality! F0801100X Jumbie Jam LIST: $349.99 Student Steel Drum $199.99 Remo Kids JUMBiEJAM • List: $249.95 Floor Tom $36.99 RKD508001 LIST: $57.25 Epiphone EB0 Bass Player Pack $299.99 EPPBGEBG0 • List: $499.00 Ibanez IJXB190 Squier Affinity Jazz Jumpstart Bass Pack Bass and Rumble 15 Amp $289.99 Bass Pack $299.99 IJXB190BK BLACK, IJXB190TR TRANS RED F1675006X • List: $499.99 LIST: $427.99 2 GREAT GIFT IdEAS! Squier SE Special Epiphone Les Paul Stratocaster Pack Special II Player Pack $199.99 $259.99 EPPEGENJV • List: $432.00 F1600006X BLACK, F1600080X whITE LIST: $349.99 Ibanez JX40 Jumpstart Electric Pack $249.99 IJX40BKNX BLACK, IJX40MRXX RED LIST: $362.50 Remo Kids Squier Affinity Strat HSS and Bongos Bullet 150 Pack • $299.99 $36.99. F1610006X BLACK, RKD540001 F1610025X RED, LIST: $50.00 F1610095X BLUE • List: $499.99 Groove Percussion PVT16 5-Piece Drum Set with Hardware and Cymbals • $399.99 GPVt16BLK • List: $799.99 Groove Percussion 5-Piece Children’s Drum Set with Hardware and Cymbals $229.99 G1045XXXX • List: $424.99 Bonus FREE PA5D Power Supply Yamaha NP30 Stage Digital Piano WITH YNP30 Package • $299.99 YNP30PACK • List: $488.95 3 HOLIDAY SPECIALS Dunlop Hootenanny Jacquard Weave Guitar Straps • $19.99 each 2” “60’s Hootenanny” jacquard weave guitar strap with polypropylene backing.
    [Show full text]
  • Strategic Intertextuality in Three of John Lennonâ•Žs Late Beatles Songs
    Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic Volume 2 Issue 1 Article 11 July 2009 Strategic Intertextuality in Three of John Lennon’s Late Beatles Songs Mark Spicer Hunter College and City University of New York., [email protected] Follow this and additional works at: https://trace.tennessee.edu/gamut Part of the Music Commons Recommended Citation Spicer, Mark (2009) "Strategic Intertextuality in Three of John Lennon’s Late Beatles Songs," Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic: Vol. 2 : Iss. 1 , Article 11. Available at: https://trace.tennessee.edu/gamut/vol2/iss1/11 This A Music-Theoretical Matrix: Essays in Honor of Allen Forte (Part I), edited by David Carson Berry is brought to you for free and open access by Volunteer, Open Access, Library Journals (VOL Journals), published in partnership with The University of Tennessee (UT) University Libraries. This article has been accepted for inclusion in Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic by an authorized editor. For more information, please visit https://trace.tennessee.edu/gamut. STRATEGIC INTERTEXTUALITY IN THREE OF JOHN LENNON’S LATE BEATLES SONGS* MARK SPICER his article will focus on an aspect of the Beatles’ compositional practice that I believe T merits further attention, one that helps to define their late style (that is, from the ground- breaking album Revolver [1966] onwards) and which has had a profound influence on all subsequent composers of popular music: namely, their method of drawing on the resources of pre-existing music (or lyrics, or both) when writing and recording new songs.
    [Show full text]
  • Intune-Pages-JAN2017-SPREADS.Pdf
    “ i just go where the guitar takes me. IN TUNE Angus” Young For my dad who has always inspired and encouraged me. 1 2 15 Eddie Van Halen CONTENTS Frankenstrat 1979 Charvel hybrid VH2 EVH Wolfgang BB King Guitar anatomy 19 5 Gibson Memphis ES-355 7 Jimi Hendrix 21 Slash 1967 Flying V Slash Appitite Les Paul 1968 Fender Stratocaster B.C. Rich Mockingbird 1960 Danelectro 1967 Gibson EDS-1275 11 Jimmy Page 25 Details & Backstories 1959 Les Paul Standard 1959 Fender Telecaster Gibson EDS-1275 Index 3 29 4 Cutaway Anatomy Pickgaurd Control knobs Fingerboard Headstock Neck Pickup Bridge Inlay 5 6 1967 Gibson Flying V Handpainted Arrowhead Stringed backwards: E, B, headstock, G, D, A, E. shortened for balance and elegance. Mahogany neck, grade-a rosewood T-Bone PAF-style tones. fingerboard. They are called PAF becuase gibson had applied for a patent but did not recieve the number, hence Patent Applied For. Iconic “v” styling, slimmed down for Two volume optimum playing controls, master comfort. tone, 3-way selector, with JIMI HENDRIX “witch hat” knobs. 7 8 1968 Fender Stratocaster Betty Jean 1960 Danelectro Alder wood headstock. Bottle headstock. Maple wood Rosewood fingerboard in Bolt-on neck with an fingerboard. a“C” Shape with aluminum neck rod a finished Gloss from the peghead to Polyester. the bridge. Alder wood Sleek Body Shape and Contours. Three expressive 2 NOS lipstick American Vintage pickups. ‘65 Gray-Bottom single-coil pickups. 6-Saddle Vintage-Style 5 Poplar wood Synchronized body. 2 stacked tone tremolo bridge. and volume controls. 9 10 ’59 Les Paul Standard Quarter-sawn, lightweight Les Paul headstock mahogany and rosewood is carefully angled at fingerboard.
    [Show full text]
  • Medieval to Metal: the Art and Evolution of the Guitar MEDIEVAL to METAL: the ART and EVOLUTION of the GUITAR September 29Th, 2018-January 6Th, 2019
    EXHIBITION RESOURCE PACKET Medieval to Metal: The Art and Evolution of the Guitar MEDIEVAL TO METAL: THE ART AND EVOLUTION OF THE GUITAR September 29th, 2018-January 6th, 2019 How to use this resource: This packet is designed to be flexible. Use it to help prepare for a docent-led tour of the museum, to inform a self-guided tour, or to discuss selected artworks in your classroom, whether you’re able to physically visit the museum or not. The suggested activities (page 7) should be used in conjunction with in-depth discussion of at least one related artwork. The guitar has been a signature element of world culture for more than 500 years. As the guitar’s ancestors evolved over centuries from the earliest ouds and lutes to the signature hourglass shape we all know today, guitar makers experimented with shapes, materials, and accessories, seeking the perfect blend of beauty and sound. Spanning centuries of design and craftsmanship, this exhibition takes visitors through the history of an object that is one of the most recognizable items on the planet. Art and music transcend cultural boundaries while the most recognized musical instrument—the guitar—has influenced culture beyond music. Through the years the guitar and its shape have been integral elements for artists such as Vermeer and Picasso and today they are incorporated into the advertisements of everything from clothes to car. What guitars are in the show? The following 40 guitars are included in the exhibition: Oud (North Africa) Maccaferri Plastic Lute (Europe) Silvertone 1487 Speaker
    [Show full text]
  • Yorkville Month 2015 Flyer
    ART T4 Multi-Pattern Tube KRK Powered Studio Apex HP96 Monitor Condenser Mic Yorkville Parasource Headphones October is YORKVILLE Month Series Powered Monitors Perfect for recording critical vocals and instruments. The Delivering natural and balanced spectral Designed for maximum comfort and long- dual 35mm gold diaphragm and hand selected low noise Speakers and Subwoofers response with low distortion and term wearability. 53mm Neodymium 7025 tube deliver unmatched warmth and tone. The Designed to deliver the ultimate performance superior imaging, KRK studio monitors magnet diaphragms deliver unmatched unique multi-pattern design delivers 9 different polar in high power portable live sound systems, clarity with a natural sonic character and have been the choice of recording pattern settings. (433407) 0% FINANCING Yorkville Sound’s Parasource Series cabinets engineers and artists around the globe. extended bass response. (332027) $ PLUS A $50 L&M GIFT CARD FOR are at the leading edge of powered-speaker Now Available for Yorkville Month! $ 50 $ 575 USE ON YOUR NEXT PURCHASE! design. Made in Canada. Reg. 82 Sale 69 RP5-G3 – 5” (402823) $398/pr PS10P (385147) $1075 PS12S (411985) $1199 RP6-G3 – 6” (402827) $538/pr Apex HP15 Earbud ART M-OneU USB Studio Mic 800w 10” active loudspeaker 900w 12” active subwoofer $ $ Headphones Delivers studio quality performance in a convenient USB PS12P (385148) 1199 PS15S (411986) 1375 RP8-G3 – 8” (402828) $678/pr Sleek, ergonomic lightweight casing for mic design. Integrated 1/8th-inch TRS stereo headphone 1400w 12” active loudspeaker 1000w 15” active subwoofer long term comfort. Neodymium drivers jack with onboard volume and playback mix control for low latency monitoring of recording source and playback PS15P (385149) $1425 PS18S (411988) $1575 provide excellent full frequency response.
    [Show full text]