Activity Packet Points to Ponder
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NEW ORLEANS NOSTALGIA Remembering New Orleans History, Culture and Traditions by Ned Hémard
NEW ORLEANS NOSTALGIA Remembering New Orleans History, Culture and Traditions By Ned Hémard Bonanza in the Big Easy Born in Ottawa, Canada, to Russian Jewish immigrants, this actor appeared as Monsieur Mercier in the 1958 Paramount Pictures film, The Buccaneer (which embellishes the role of Jean Lafitte (Yul Brynner) in helping Andrew Jackson (Charlton Heston) win the Battle of New Orleans. After a long and successful run in a weekly television series, this actor also reigned as Bacchus during the 1985 New Orleans Mardi Gras season. If the reader has not guessed by now, the actor mentioned above is Lorne Greene (the patriarch Ben Cartwright, star of Bonanza). The fictional setting for the show (according to the premiere episode's storyline) is a 600,000-acre ranch on the shores of Lake Tahoe known as the Ponderosa. Nestled high in the Sierra Nevada, with a large ranch house in its center, the Ponderosa spread is bigger than Don Corleone’s compound (also on Lake Tahoe), where the elaborate First Communion party scenes were filmed for The Godfather Part II. Ben Cartwright is said to have built the original, smaller homestead after moving from New Orleans with his pregnant third wife Marie de Marigny (that’s right, just like the Faubourg) and his two sons, Adam and Hoss (played by Pernell Roberts and Dan Blocker). The grown Adam designed the later sprawling ranch house as depicted on TV. The Ponderosa was roughly a two-hour ride on horseback from Virginia City, Nevada. Most people believe that the inspiration for the name Ponderosa was the great number of Ponderosa pines in the area, but it could’ve been taken from the Latin for large and ponderous in size. -
15 of the Most Iconic Fads from the Fifties
15 of the most iconic fads from the fifties: Car hops were THE way to get your hamburger and milkshake Hula hoops DA haircuts—yup, it stands for duck’s ass—the hair was slicked back along the sides of the head Poodle skirts are one of the most iconic fashion fads of the fifties. Invented by fashion designer Juli Lynne Charlot. Sock hops were informal dances usually held in high school gymnasiums, featuring the new Devil’s music—rock ‘n roll Saddle shoes, These casual Oxford shoes have a saddle-shaped decorative panel in the middle. Coonskin caps a major craze among young boys - a tribute to boyhood heroes of the era like Davy Crockett and Daniel Boone. Telephone booth stuffing ; college students crammed themselves into a phone booth. Drive-in movies capitalized on a fortuitous merging of the booming car culture Letterman jackets and letter sweaters: high school/college girls wanted to show off they were dating a jock. Conical bras Marilyn Monroe, Jayne Mansfield, and Jane Russell were largely responsible for igniting the fad. Cateye glasses:the accessory of choice for many young women. Jell-O molds people took a serious interest in encapsulating various foods in gelatin. Fuzzy dice During WWII, fighter pilots hung them in their cockpits for good luck. Sideburns: a classic element of the greaser look, along with DA haircuts, bomber jackets, and fitted T-shirts with sleeves rolled up, Weeks Reached #1 Artist Single @ #1 7-Jan-50 Gene Autry "Rudolph, The Red-nosed Reindeer" 1 14-Jan-50 The Andrews Sisters "I Can Dream, Can't I" 4 11-Feb-50 -
The Offbeat Off Year
OFFBEAT OFF YEAR BY DOTTY LYNCH, SENIOR POLITICAL EDITOR, CBS NEWS Aunt Gertrude, my 97-year-old aunt in Marlboro, Massachusetts who usually doesn’t skip a beat, looked surprised when I said I was really busy this year on the election. “Oh no, that’s not coming up already, is it,” she asked. At first I thought she was starting to slip. Then I realized that I felt the same way. It seems like we were just counting chads in Florida yesterday. And then September 11 happened and our gyroscopes went out of whack. Campaign 2002 is being fought under the old rules in a world that is very different from the one where those rules made some sense. Democratic campaign consultants say, for the most part, that September 11 hasn’t affected their strategies - and they point to their victories in the 2001 gubernatorial races in Virginia and New Jersey as shining examples of why September 11 shouldn’t matter this year when it didn’t affect races in November 2001. Republican consultants say much the same thing about their campaigns on a micro- level, but the White House has believed for the past year that the national unity which followed the terrorist attacks would work in their favor and give George Bush and the Republicans incredible political capital to spend on the mid-term elections, especially on recapturing the Senate. Karl Rove, the Bush White House political sage, got roundly criticized last winter for suggesting what every political operative knows to be true, that in the aftermath of September 11, the war on terrorism would be a great political asset for the GOP. -
Widescreen Weekend 2007 Brochure
The Widescreen Weekend welcomes all those fans of large format and widescreen films – CinemaScope, VistaVision, 70mm, Cinerama and Imax – and presents an array of past classics from the vaults of the National Media Museum. A weekend to wallow in the best of cinema. HOW THE WEST WAS WON NEW TODD-AO PRINT MAYERLING (70mm) BLACK TIGHTS (70mm) Saturday 17 March THOSE MAGNIFICENT MEN IN THEIR Monday 19 March Sunday 18 March Pictureville Cinema Pictureville Cinema FLYING MACHINES Pictureville Cinema Dir. Terence Young France 1960 130 mins (PG) Dirs. Henry Hathaway, John Ford, George Marshall USA 1962 Dir. Terence Young France/GB 1968 140 mins (PG) Zizi Jeanmaire, Cyd Charisse, Roland Petit, Moira Shearer, 162 mins (U) or How I Flew from London to Paris in 25 hours 11 minutes Omar Sharif, Catherine Deneuve, James Mason, Ava Gardner, Maurice Chevalier Debbie Reynolds, Henry Fonda, James Stewart, Gregory Peck, (70mm) James Robertson Justice, Geneviève Page Carroll Baker, John Wayne, Richard Widmark, George Peppard Sunday 18 March A very rare screening of this 70mm title from 1960. Before Pictureville Cinema It is the last days of the Austro-Hungarian Empire. The world is going on to direct Bond films (see our UK premiere of the There are westerns and then there are WESTERNS. How the Dir. Ken Annakin GB 1965 133 mins (U) changing, and Archduke Rudolph (Sharif), the young son of new digital print of From Russia with Love), Terence Young West was Won is something very special on the deep curved Stuart Whitman, Sarah Miles, James Fox, Alberto Sordi, Robert Emperor Franz-Josef (Mason) finds himself desperately looking delivered this French ballet film. -
HELP US GROW 2 for 1 Match Challenge JUNE 2018 See Page 31 for Details
HELP US GROW 2 for 1 Match Challenge JUNE 2018 See page 31 for details History of Yellowstone The Discovery 7pm Tuesday, June 5 Dudes and Sagebrushers 8pm Tuesday, June 5 A Realm Untamed 8pm Tuesday, June 12 It took centuries for Euro-Americans to find, and almost 70 years to explore and establish as a national park. Producer Jack R. Hubbell explores the history of Yellowstone National Park. See story, p. 2 MONTANAPBS PROGRAM GUIDE MontanaPBS Guide On the Cover JUNE 2018 · VOL. 31 · NO. 12 COPYRIGHT © 2018 MONTANAPBS, ALL RIGHTS RESERVED MEMBERSHIP 1-866-832-0829 SHOP 1-800-406-6383 EMAIL [email protected] WEBSITE www.montanapbs.org ONLINE VIDEO PLAYER watch.montanapbs.org The Guide to MontanaPBS is printed monthly by the Bozeman Daily Chronicle for MontanaPBS and the Friends of MontanaPBS, Inc., a nonprofit corporation (501(c)3) P.O. Box 10715, Bozeman, MT 59719-0715. The publication is sent to contributors to MontanaPBS. Basic annual membership is $35. Nonprofit periodical postage paid at Bozeman, MT. PLEASE SEND CHANGE OF ADDRESS INFORMATION TO: MontanaPBS Membership, P.O. Box 173345, Bozeman, MT 59717 KUSM-TV Channel Guide P.O. Box 173340 · Montana State University Mont. Capitol Coverage PARK NATIONAL YELLOWSTONE OF COURTESY Bozeman, MT 59717–3340 MontanaPBS World OFFICE (406) 994-3437 FAX (406) 994-6545 MontanaPBS Create E-MAIL [email protected] MontanaPBS Kids BOZEMAN STAFF MontanaPBS HD INTERIM GENERAL MANAGER Aaron Pruitt INTERIM DIRECTOR OF CONTENT/ Billings 16.1 16.2 16.3 16.4 16.5 CHIEF OPERATOR Paul Heitt-Rennie Tourists wading in Great Fountain c. -
Reprinted Here Is a Remarkable Tribute Written by Irishman Kevin Myers About Canada's Record of Quiet Valour in Wartime
Reprinted here is a remarkable tribute written by Irishman Kevin Myers about Canada's record of quiet valour in wartime. This article appeared in the April 21, 2002 edition of the Sunday Telegraph, one of Britain's largest circulation newspapers and in Canada's National Post on April 26, 2002. Salute to a brave and modest nation - Kevin Myers, 'The Sunday Telegraph', LONDON: Until the deaths of Canadian soldiers killed in Afghanistan , probably almost no one outside their home country had been aware that Canadian troops are deployed in the region. And as always, Canada will bury its dead, just as the rest of the world, as always will forget its sacrifice, just as it always forgets nearly everything Canada ever does.. It seems that Canada's historic mission is to come to the selfless aid both of its friends and of complete strangers, and then, once the crisis is over, to be well and truly ignored. Canada is the perpetual wallflower that stands on the edge of the hall, waiting for someone to come and ask her for a dance. A fire breaks out, she risks life and limb to rescue her fellow dance-goers, and suffers serious injuries. But when the hall is repaired and the dancing resumes, there is Canada, the wallflower still, while those she once helped glamorously cavort across the floor, blithely neglecting her yet again. That is the price Canada pays for sharing the North American continent with the United States, and for being a selfless friend of Britain in two global conflicts. For much of the 20th century, Canada was torn in two different directions: It seemed to be a part of the old world, yet had an address in the new one, and that divided identity ensured that it never fully got the gratitude it deserved. -
Georgia Historical Society Educator Web Guide
Georgia Historical Society Educator Web Guide Guide to the educational resources available on the GHS website Theme driven guide to: Online exhibits Biographical Materials Primary sources Classroom activities Today in Georgia History Episodes New Georgia Encyclopedia Articles Archival Collections Historical Markers Updated: July 2014 Georgia Historical Society Educator Web Guide Table of Contents Pre-Colonial Native American Cultures 1 Early European Exploration 2-3 Colonial Establishing the Colony 3-4 Trustee Georgia 5-6 Royal Georgia 7-8 Revolutionary Georgia and the American Revolution 8-10 Early Republic 10-12 Expansion and Conflict in Georgia Creek and Cherokee Removal 12-13 Technology, Agriculture, & Expansion of Slavery 14-15 Civil War, Reconstruction, and the New South Secession 15-16 Civil War 17-19 Reconstruction 19-21 New South 21-23 Rise of Modern Georgia Great Depression and the New Deal 23-24 Culture, Society, and Politics 25-26 Global Conflict World War One 26-27 World War Two 27-28 Modern Georgia Modern Civil Rights Movement 28-30 Post-World War Two Georgia 31-32 Georgia Since 1970 33-34 Pre-Colonial Chapter by Chapter Primary Sources Chapter 2 The First Peoples of Georgia Pages from the rare book Etowah Papers: Exploration of the Etowah site in Georgia. Includes images of the site and artifacts found at the site. Native American Cultures Opening America’s Archives Primary Sources Set 1 (Early Georgia) SS8H1— The development of Native American cultures and the impact of European exploration and settlement on the Native American cultures in Georgia. Illustration based on French descriptions of Florida Na- tive Americans. -
100 Years: a Century of Song 1950S
100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary -
Wayne Rogers - Wikipedia, the Free Encyclopedia
Wayne Rogers - Wikipedia, the free encyclopedia https://en.wikipedia.org/wiki/Wayne_Rogers#Fox_News.27_Cashin.27_In From Wikipedia, the free encyclopedia William Wayne McMillan Rogers III[1] (born April 7, 1933) is an American film and television actor, best known Wayne Rogers for playing the role of "Trapper John" McIntyre in the CBS television series, M*A*S*H. He is a regular panel member on the Fox News Channel stock investment television program Cashin' In, as a result of having built a highly successful and lucrative second career as an investor, investment strategist and advisor, and money manager. 1 Life and career 1.1 M*A*S*H (1972–1975) 1.2 Departure from M*A*S*H Rogers as Trapper John in M*A*S*H, 1972 1.3 House Calls (1979–1982) and other roles Born William Wayne McMillan Rogers III April 7, 1933 1.4 Fox News' Cashin' In Birmingham, Alabama, U.S. 1.5 Later developments Alma mater Princeton University 1.6 Awards Occupation Actor, director, screenwriter, 1.7 Personal life investor, television personality 2 References Years active 1959–present 3 External links Spouse(s) Mitzi McWhorter (1960–1983) Amy Hirsh (1988–present) Rogers was born in Birmingham, Alabama. He attended Ramsay High School in Birmingham and is a graduate of The Webb School in Bell Buckle, Tennessee. In 1954, he graduated from Princeton University with a history degree and was a member of the Princeton Triangle Club and the Eating Club Tiger Inn. Rogers served in the United States Navy before he became an actor. -
The Ben-Hur Franchise and the Rise of Blockbuster Hollywood
Chapman University Chapman University Digital Commons Film Studies (MA) Theses Dissertations and Theses Spring 5-2021 The Ben-Hur Franchise and the Rise of Blockbuster Hollywood Michael Chian Chapman University, [email protected] Follow this and additional works at: https://digitalcommons.chapman.edu/film_studies_theses Part of the Film and Media Studies Commons Recommended Citation Chian, Michael. "The Ben-Hur Franchise and the Rise of Blockbuster Hollywood." Master's thesis, Chapman University, 2021. https://doi.org/10.36837/chapman.000269 This Thesis is brought to you for free and open access by the Dissertations and Theses at Chapman University Digital Commons. It has been accepted for inclusion in Film Studies (MA) Theses by an authorized administrator of Chapman University Digital Commons. For more information, please contact [email protected]. The Ben-Hur Franchise and the Rise of Blockbuster Hollywood A Thesis by Michael Chian Chapman University Orange, CA Dodge College of Film and Media Arts Submitted in partial fulfillment of the requirements for the degree of Master of Film Studies May, 2021 Committee in charge: Emily Carman, Ph.D., Chair Nam Lee, Ph.D. Federico Paccihoni, Ph.D. The Ben-Hur Franchise and the Rise of Blockbuster Hollywood Copyright © 2021 by Michael Chian III ACKNOWLEDGEMENTS I would first like to thank my advisor and thesis chair, Dr. Emily Carman, for both overseeing and advising me throughout the development of my thesis. Her guidance helped me to both formulate better arguments and hone my skills as a writer and academic. I would next like to thank my first reader, Dr. Nam Lee, who helped teach me the proper steps in conducting research and recognize areas of my thesis to improve or emphasize. -
Pynchon's Sound of Music
Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage. -
Consuming-Kids-Transcript.Pdf
1 MEDIA EDUCATION F O U N D A T I O N 60 Masonic St. Northampton, MA 01060 | TEL 800.897.0089 | [email protected] | www.mediaed.org Consuming Kids The Commercialization of Childhood Transcript INTRODUCTION The consumer embryo begins to develop during the first year of existence. Children begin their consumer journey in infancy. And they certainly deserve consideration as consumers at that time. – James U. McNeal | Pioneering Youth Marketer [TITLE SCREEN] Consuming Kids: The Commercialization of Childhood NARRATOR: Not since the end of World War II, at the height of the baby boom, have there been so many kids in our midst. There are now more than 52 million kids under 12 in all in the United States – the biggest burst in the U.S. youth population in half a century. And for American business, these kids have come to represent the ultimate prize: an unprecedented, powerful and elusive new demographic to be cut up and captured at all costs. There is no doubt that marketers have their sights on kids because of their increasing buying power – the amount of money they now spend on everything from clothes to music to electronics, totaling some 40 billion dollars every year. But perhaps the bigger reason for marketers’ interest in kids may be the amount of adult spending that American kids under 12 now directly influence – an astronomical 700 billion dollars a year, roughly the equivalent of the combined economies of the world’s 115 poorest countries. DAVID WALSH: One economic impact of children is the money that they themselves spend – the money that they get from their parents or grandparents, the money that they get as allowance; when they get older, the money that they earn themselves.