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Publications for John Clark

2021

Bangkok, Thailand: Bangkok Art Biennale.
Clark, J., Suwannakudt, P. (2021). A History of Phaiboon

Suwannakudt (1925-1982). Journal of The Siam Society,

109(1), 1-36.
Clark, J. (2019). Park Seo-Bo in Historical and Comparative

Perspective. Park Seo-Bo: The Untiring Endeavorer, (pp. 91 -

112). Seoul, Korea, Republic of (South): National Museum of

  • Modern and Contemporary Art (Seoul, South Korea).
  • Clark, J. (2021). Las Bienales Asiaticas Contemporaneas:

Algunas Conclusiones. In Danne Ojeda and Ruben de la Nuez

(Eds.), Trazos discontinuos. Antologia critica sobre las bienales  2018

de arte en Asia Pacifico, (pp. 197-223). Leiden: Almenara.
Clark, J. (2018). A Personal Poetics: Latiff Mohidin and his

Clark, J., Sabapathy, T. (2021), The Asian Modern: John Clark in Conversation with T.K. Sabapathy. Conversation. <a

href="https://www.youtube.com/watch?v=4TkSKRIBxOM&fea ture=share&fbclid=IwAR2jQbBNqhTyOseMQT2vBD8LZp8Zk DH7JyXdMzbQLSWCP8wyBmOF2UwX8w4">[More Information]</a>
Pago Pago series. In Shabbir Hussain Mustafa and Catherine

David (Eds.), Latiff Mohidin: Pago Pago (1960-1969), (pp. 198-

210). Singapore: National Gallery Singapore. Clark, J. (2018). Contemporary Art and the Contemporary Art Museum: Shanghai and Its Biennale. Yishu: A journal of

Chinese Contemporary Art, 17(1), 8-29.

2020

Clark, J. (2018). Japanese Modern and Contemporary Art: An Art-Historical Field. Art History, 41(4), 596-791. <a href="http://dx.doi.org/10.1111/1467-8365.12393">[More Information]</a>
Clark, J. (2020). 'Tradition' in Modern Thai Art. Southeast of

Now: Directions in Contemporary and Modern Art in Asia,

4(2), 39-89. <a href="http://dx.doi.org/10.1353/sen.2020.0007">[More Information]</a>
Clark, J. (2018). Negotiating Change in Recent Southeast Asian

Art. Southeast of Now: Directions in Contemporary and Modern Art in Asia, 2(1), 43-92. <a

href="http://dx.doi.org/10.1353/sen.2018.0002">[More Information]</a>
Clark, J. (2020). A Thai Novel: From the Inside? On Veeraporn Nitiprapha, 'The Blind Earthworm in the Labyrinth', 2013, translation 2018. Journal of The Siam Society, 108(1), 25-38. <a href="https://so06.tci- thaijo.org/index.php/pub_jss/article/view/241794">[More Information]</a>
Clark, J. (2018). The archive in time, temporal processes in the

history of the Asian modern. Archival Turn: East Asian Contemporary Art and Taiwan (1960-1989), Taipei, Taiwan:

Taipei Fine Arts Museum.
Clark, J. (2020). Behind the Painting: Xu Bing's Hybrid

Landscapes. In Sarah E. Fraser and Yu-Chieh Li (Eds.), Xu

Bing: Beyond the Book from the Sky, (pp. 109-114). Singapore:

Springer. <a href="http://dx.doi.org/10.1007/978-981-15-3064- 7_8">[More Information]</a>
Clark, J. (2018). Time Processes in the History of the Asian Modern. In Dan Karlholm, Keith Moxey (Eds.), Time in the

History of Art: Temporality, Chronology and Anachrony, (pp.

45-61). New York: Routledge. <a href="http://dx.doi.org/10.4324/9781315229409-4">[More Information]</a>
Clark, J. (2020). Book review: 'Very Bangkok: In the City of the Senses' by Philip Cornwel-Smith, Bangkok: River

Books, 2020. Journal of The Siam Society, 108(2), 237-241.

2017

Clark, J. (2020). Multiple Modernities: An Art History of 'The Asian Modern'. Humanities Australia, 11, 38-46. <a href="https://www.humanities.org.au/issue-item/humanities- australia-no-11-2020/">[More Information]</a>
Clark, J. (2017). Colonial Art as a Space of the Asian Modern. In Low Sze Wee, Patrick D Flores (Eds.), Charting Thoughts:

Essays on Art in Southeast Asia, (pp. 44-59). Singapore:

National Gallery Singapore.
Ker, Y., Chotpradit, T., O'Connor, S., Soon, S., Abdullah, S., Nelson, R., Campos, P., Taylor, N., Mahamood, M., Chua, L., Clark, J., et al (2020). Teaching the History of Modern and Contemporary Art of Southeast Asia. Southeast of Now:

Directions in Contemporary and Modern Art in Asia, 4(1), 101-

203. <a href="http://dx.doi.org/10.1353/sen.2020.0005">[More Information]</a>
Clark, J. (2017). Jun T. Lai in the 1980s and 1990s. Jun T. Lai: Wonderland, (pp. 36 - 39). Taichung, Taiwan: National Taiwan Museum of Fine Arts.

Clark, J. (2017). Modern Art in Southeast Asia [reprint]. In

Furuich Yasuko (Eds.), The Japan Foundation Asia Center Art Studies. Volume 3: Shaping the History of Art in Southeast

Asia, (pp. 20-23). Tokyo: The Japan Foundation.
Clark, J. (2020). The Asian Modern. Singapore: National

Gallery Singapore. <a href="https://www.nationalgallery.sg/discover- learn/publications/research-titles/The-Asian-Modern">[More Information]</a>
Clark, J. (2017). Review of A Career of Japan: Baron Raimund von Stillfried and Early Yokohama Photography, by Luke

Gartlan. Australian and New Zealand Journal of Art, 17(2), 261-

264. <a href="http://dx.doi.org/10.1080/14434318.2017.1450070">[Mor e Information]</a>

2019

Clark, J. (2019). Around the sides of the modern. Life Pilgrimages, (pp. 198 - 202). Hong Kong, Hong Kong (SAR of China): brownie publishing.

2016

Clark, J. (2016). Asian Art History in Australia: Its Functions

and Audience. Australian and New Zealand Journal of Art,

16(2), 202-217. <a
Clark, J. (2019). Meanwhile, snapshots across the river. 1st

Bangkok Art Biennale 'Beyond Bliss' 2018, (pp. 412 - 417).

href="http://dx.doi.org/10.1080/14434318.2016.1237929">[Mor e Information]</a> href="http://arthistoriography.wordpress.com/10-jun- 2014/">[More Information]</a>

Clark, J. (2016). Building a Collection: Chinese Prints at the University of Sydney. In Stephen Whiteman, Minerva Inwald, Bingqing Wei, John Clark (Eds.), Floating Time: Chinese Prints, 1954-2002, (pp. 25-35). Sydney: Power Publications.
Clark, J. (2014). Japan and Modern Asian Art. Journal of Fine Arts, 1(2), 49-80.

Clark, J. (2014). The Worlding of the Asian Modern. In Michelle Antoinette, Caroline Turner (Eds.), Contemporary

Asian Art and Exhibitions: Connectivities and World-making,

(pp. 67-88). Canberra: ANU Press. <a href="http://dx.doi.org/10.22459/caae.11.2014.04">[More Information]</a>
Clark, J. (2016). John Young: Painting Simulacra and a Reenvisaged History. In Wu Hung (Eds.), Zhang Dali:

Permanence and Impermanence, (pp. 134-151). Beijing: China

Nationality Art Photograph Publishing House. Clark, J. (2016). Parallel Modernities: Approaching Modernity in Asia Outside Europe and America. In Sarah Lee, Sara Siew (Eds.), Reframing Modernism, (pp. 239-245). Singapore: National Gallery Singapore.
Clark, J. (2014). Trajectories of the National: Xu Beihong and Arthur Kampf in Inter-Asian Comparison. In Wang Wenjuan

(Eds.), Globalisation and Ethnicisation: Xu Beihong Art Research and Development in 21st Century China, (pp. 405-

424). Beijing: Chinese Peoples University Press.
Clark, J. (2016). Review of Contemporary Chinese Art, A

History 1970s�2000s, by Wu Hung. Australian and New

Zealand Journal of Art, 16(1), 106-108. <a

2013

href="http://dx.doi.org/10.1080/14434318.2016.1173618">[Mor e Information]</a>
Clark, J. (2013). [Book review] Hans Belting, 'Florence and Baghdad: Renaissance Art and Arab Science'. Australian and

New Zealand Journal of Art, 13, 185-189.

Clark, J. (2016). Su Xinping. In Stephen Whiteman, Minerva Inwald, Bingqing Wei, John Clark (Eds.), Floating Time:

Chinese Prints, 1954-2002, (pp. 99-117). Sydney: Power

Publications.
Clark, J. (2013). Asian Artists as Long-Distance Cultural Specialists in the Formation of Modernities. In Fuyubi Nakamura, Morgan Perkins, Olivier Krischer (Eds.), Asia

through Art and Anthropology: Cultural Translation Across

Borders, (pp. 19-32). London: Bloomsbury Academic, imprint of Bloomsbury. <a
Clark, J. (2016). The Endogenous and the Exogenous Interface in Globalism: The Case of China and Thailand. In Hiroki

Azuma (Eds.), Genron 3: Escape from Postwar Japanese Art,

(pp. 212-232). Japan: Genron. href="http://dx.doi.org/10.5040/9781474214032.ch- 001">[More Information]</a>
Clark, J. (2016). The life and the work: Australian art biography. In Jaynie Anderson, Christopher R. Marshall,

Andrew Yip (Eds.), The Legacies of Bernard Smith: Essays on Australian Art, History and Cultural Politics, (pp. 178-189).

Sydney: Power Publications.
Clark, J. (2013). Here we go Asian again. ORIENTing: Ian

Fairweather in Western Australian Collections and With or

Without You, (pp. 45 - 48). Perth, Australia: Lawrence Wilson Art Gallery.

Clark, J. (2013). Jumaadi's Artwork. The Figural Poetry of

2015

Jumaadi, (pp. 40 - 43). Jakarta, Indonesia: Art:1.
Clark, J. (2015). Canon-Making and Curating in Recent Asian

Art. Journal of Fine Arts, 2(2), 33-93.

Clark, J. (2013). Modernities of Japanese Art. Leiden: Brill. <a href="https://brill.com/view/title/22207?rskey=wnO1rC&result =1">[More Information]</a>
Clark, J. (2015). Moral Tales, Now with Humor and Maybe

Redemption. In A. Bergmann, S-L Hertel, J. Noth, A. Papist-

Matsuo, W. Schrape (Eds.), Elegant Gathering in a Scholar's Garden: Studies in East Asian Art in Honor of Jeong-hee Lee-

Kalisch, (pp. 287-291). Wiemar: Verlag und Datenbank für Geisteswissenschaften.
Clark, J. (2013). Presenting the Self: Pictorial and Photographic Discourses in Nineteenth-century Dutch Indies and Siam. Ars

Orientalis, 43, 66-81.

Clark, J. (2013). The Elephant and The Ant: Chinese and Thai Art in the 1980s and 1990s. In Parul D Mukherji, Naman P

Ahuja, Kavita Singh (Eds.), InFlux: Contemporary Art in Asia,

(pp. 20-35). New Delhi: Sage Publications India Pvt. Ltd.
Clark, J., Chen, W. (2015). Questions of Contemporary Discourse and Its Development in the Work of Araya Rasdjarmrearnsook. Xiandai Meishu, 176, 35-47. <a href="http://www.tfam.museum/Research/PublishingDetail.aspx ?ddlLang=en-us&id=983">[More Information]</a>
Clark, J. (2013). The Endogenous-Exogenous Interface in Globalism: The Case of China and Thailand. In Hans Belting, Andrea Buddensieg, Peter Weibel (Eds.), The Global

Contemporary and the Rise of New Art Worlds, (pp. 193-201).

Karlsruhe, Germany: ZKM Publications.

2014

Clark, J. (2014). [Book Review] '"Avant-Garde" Art Groups in China, 1979–1989: The Stars - The Northern Art Group - The Pond Association - Xiamen Dada: A Critical Polylogue' by Paul Gladston. The China Journal, 72, 223-225.

2012

Clark, J. (2012). Modern and Contemporary Chinese Art: Main Issues. In Birgit Hopfener, Franziska Koch, Jeong-hee Lee-

Kalisch, Juliane Noth (Eds.), Negotiating Difference: Contemporary Chinese Art in the Global Context, (pp. 33-47).

Weimar: VDG Weimar.
Clark, J. (2014). Alms to Stray Dogs and Other Stories: Araya Rasdjarmrearnsook in Conversation with John Clark. Art

Monthly Australia, 268, 34-41. Clark, J., Veal, C. (2014). Araya Rasdjarmrearnsook:

Storytellers of the Town. 4A Centre for Contemporary Asian Art; ANU Drill Hall Gallery, Sydney, Australia: 4A Centre for Contemporary Asian Art.
Clark, J. (2012). Okakura Tenshin and Aesthetic Nationalism.

In Rimer, J. Thomas (Eds.), Since Meiji: Perspectives on the Japanese Visual Arts, 1868-2000, (pp. 212-256). Honolulu:

University of Hawaii Press.
Clark, J. (2014). Is the Modernity of Chinese Art Comparable?: An Opening of a Theoretical Space. Journal of Art

Historiography, 10. <a

Clark, J. (2012). The Southeast Asian Modern: Three Artists. In Nora A. Taylor, Boreth Ly (Eds.), Modern and

Contemporary Southeast Asian Art: An Anthology, (pp. 15-32).

New York, United States: Cornell University Press.

International Symposium: Globalization, localization, and Japanese studies in the Asia-Pacific region, Kyoto, Japan:

International Research Center for Japanese Studies.

2011

Clark, J. (2011). 'Asian Art' and Australia. In Anderson, Jaynie

(Eds.), The Cambridge Companion to Australian Art, (pp. 217-

230). Cambridge: Cambridge University Press.
Clark, J. (2010). Modernities of Chinese Art. Leiden: Brill. <a href="https://brill.com/view/title/17889">[More Information]</a>

Clark, J. (2011). An "Australian" creative space: where is

Australian-Asian Art now? Contemporary Visual Art + Culture: Broadsheet, 40(2), 90-95.

Clark, J. (2010). Setouchi art matters. Asian Art News 20(5), Volume 20 Issue 5, (pp. 50 - 54). Hong Kong, China (excludes SARs and Taiwan Province): Asian Art News.

Clark, J. (2011). Charusu Waaguman, saikô. Kindai Gasetsu, 20(4), 12-35.
Clark, J. (2010). Taiwan in Venice. Taiwan Pavilion at the

Venice Biennale: A Retrospective 1995-2007, (pp. 117 - 121).

Taipei, Taiwan: Taipei Fine Arts Museum.
Clark, J. (2011). Icon and Image in Modern Thai Art: A

Preliminary Exploration. Contemporary Aesthetics, 3(Special), 1-31.
Clark, J. (2010). The intractable wall and Asia. Contemporary

Visual Art + Culture: Broadsheet 39(2), volume 39 Issue 2, (pp.

102 - 105). Adelaide, Australia: Contemporary Art Centre of South Australia (CACSA).

Clark, J. (2011), Modern and Contemporary Asian Art: A Working Bibliography. <a

href="http://sydney.edu.au/arts/art_history_film/documents/Clar k_Bibliography.pdf">[More Information]</a>
Clark, J. (2010). Wirgman, Charles. The Oxford Dictionary of National Biography. Oxford: Oxford University Press.

Clark, J. (2011). Open and closed discourses of Modernity in Asian Art. In Melissa Chiu, Benjamin Genocchio (Eds.),

Contemporary Art in Asia: A Critical Reader, (pp. 27-45).

United States of America: The MIT Press.

2009

Clark, J. (2009). Beyond the National, inside the Global: New Identity Strategies in Asian Art in the Twenty-First Century.

32nd International Congress in the History of Art 2008,

Australia: The Miegunyah Press.
Clark, J. (2011). Un Paris changeant: la capitale mondiale de l'art vue par les artistes venus de Chine (et de quelques autres pays d'Asie). Artistes chinois a Paris, (pp. 10 - 19). Paris, France: Paris Musees.
Clark, J. (2009). Margo Machida, Unsettled Visions: Contemporary Asian American artists and the social imaginary.

Asian Art News, 19(6), 120.

2010

Clark, J. (2009). Political expression and the recent Chinese

landscape painting of Ding Fang. emaj: electronic Melbourne art journal, 4, 1-23.

Clark, J. (2010). [Book review] Art in China 2/e, Oxford University Press, edited by C. Clunas. Asian Art News, 20(2), 100-100.
Berghuis, T., Clark, J., Butler, R., Cruickshank, A. (2009). The

Asia Pacific Triennial: an interview. Broadsheet, 38.4, (pp. 235 -
239). Adelaide, Australia: Contemporary Art Centre of South Australia (CACSA).
Clark, J. (2010). A distant view. In James Elkins, Zhivka Valiavicharska and Alice Kim (Eds.), Art and globalization. University Park, PA: Pennsylvania State University Press.

Clark, J. (2010). Art in Beijing 1981 & 1990. In John A Clark (Eds.), Modernities of Chinese Art, (pp. 19-27). Leiden: Brill.
Clark, J. (2009). Zhi Jiang Dahai [For Jiang Dahai]. Jiang

Dahai: Xuanchang / StringField, (pp. 109 - 110). Beijing,

China (excludes SARs and Taiwan Province): Jinri Meishuguan.
Clark, J. (2010). Asia's invisible [?] modernism. In Peking

University Research Centre for Aesthetics and Aesthetic

Education (Eds.), What is Chinese Contemporary Art?, (pp. 438-

459). Chengdu: Sichuan Meishu Chubanshe.

2008

Clark, J. (2008), Modern Asian art: the contemporary as a site in the absence of history.
Clark, J. (2010). Asian Modernities: Chinese and Thai Art

Compared, 1980 to 1999. Sydney, Australia: Power

Publications. <a href="https://shop.powerpublications.com.au/products/test- 5">[More Information]</a>
Clark, J. (2008). Modernities in art: how are they "other"? In Kitty Zijlmans and Wilfried van Damme (Eds.), World art

studies: exploring concepts and approaches, (pp. 401-418).

Amsterdam: Valiz.
Clark, J. (2010). Beauty of Distance: postmortems John Clark.

Contemporary Visual Art + Culture: Broadsheet 39(3), volume

39 issue 3, (pp. 207 - 207). Adelaide, Australia: Contemporary Art Centre of South Australia (CACSA).
Jones, C., Clark, J. (2008). Nationalism and Internationalism in Modern Art. In Sarvepalli Gopal, Sergei L.Tikhvinsky (Eds.),

History of Humanity: Scientific and Cultural Developement: Volume VII The Twentieth Century, (pp. 408-446). Paris,

France: UNESCO Publishing.
Clark, J. (2010). Biennials as structures for the writing of art

history: the Asian perspective. In Elena Filipovic, Marieke van Hal, Solveig Ovstebo (Eds.), The Biennial Reader, (pp. 164- 183). Ostfildern, Germany: Hatje Cantz Verlag.

2007

Clark, J. (2007). Art In The Present Tense. Asian Art News 17(6), (pp. 110 - 117). Hong Kong, Afghanistan: Asian Art Press.
Clark, J. (2010). Chinese modern artists in postwar France, 1980s and 1990s. In John A Clark (Eds.), Modernities of

  • Chinese Art, (pp. 187-209). Leiden: Brill.
  • Clark, J., McCallum, P., Maxwell, I. (2007). Australian Arts:

Where the Bloody Hell Are You? Australian Arts in an International Context: Proceedings of a Symposium held at University of Sydney on 8 December 2006. Australian Arts in

an International Context: Symposium held at University of

Sydney, Sydney: Sydney University Press.
Clark, J. (2010). Fiona Tan: coming home. Art and Australia 47(4), volume 47 issue 4, (pp. 685 - 685). Sydney (Paddington), Australia: Art and Australia Pty Ltd.

Clark, J. (2010). Japanese Contemporary Art and Globalization: Largely Seen from Participation in the Venice Biennale.
Clark, J. (2007). Beyond Euramerica. In Peter Weibel/Andrea

Buddensieg (Eds.), Contemporary art and the museum: a

global perspective, (pp. 66-78). Ostfildern: Hatje Cantz Verlag. href="http://dx.doi.org/10.1353/jjs.2006.0005">[More Information]</a>

Clark, J. (2007). Concluding Remarks 2. 27th International

Symposium. Traditional Japanese Arts and Crafts in the 21st

Century, Fukui Japan: International Research Center for Japanese Studies.
Clark, J. (2006). Luis Chan: A Hong Kong Modernist. In Jack

Lee (Eds.), From Reality to Fantasy: the Art of Luis Chan, (pp.

112-116). Hong Kong: Asian Art Archive. Clark, J. (2006). Okakura Tenshin and Aesthetic Nationalism.
Clark, J. (2007). Global Intentions. Asian Art News, 17, (pp. 77 -

East Asian History, 29(June), 1-38.

81). Hong Kong, Hong Kong (SAR of China): Asian Art News.
Clark, J. (2006). The discursive space of Asian Cubism. The

Japan Foundation International Symposium 2005, Tokyo: The

Japan Foundation.
Clark, J. (2007). Histories of the Asian "New": Biennales and Contemporary Asian Art. In Vishakha N Desai (Eds.), Asian

Art History in the 21st Century, (pp. 229-249). United States:

Yale University Press.
Clark, J. (2006). What Modern and Contemporary Asian Art is [or is not]: the view from MoMA and the view from Asia. In John Clark, Maurizio Peleggi, and T.K. Sabapathy (Eds.), Eye

of the beholder : reception, audience, and practice of modern

Asian Art, (pp. 297-317). Sydney: Wild Peony Pty Ltd.
Clark, J. (2007). Hybridity in Asian art now. Journal of Korean

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    United States Atmospheric & Underwater Atomic Weapon Activities National Association of Atomic Veterans, Inc. 1945 “TRINITY“ “Assisting America’s Atomic Veterans Since 1979” ALAMOGORDO, N. M. Website: www.naav.com E-mail: [email protected] 1945 “LITTLE BOY“ HIROSHIMA, JAPAN R. J. RITTER - Editor November, 2011 1945 “FAT MAN“ NAGASAKI, JAPAN 1946 “CROSSROADS“ BIKINI ISLAND 1948 “SANDSTONE“ ENEWETAK ATOLL 1951 “RANGER“ NEVADA TEST SITE 1951 “GREENHOUSE“ ENEWETAK ATOLL 1951 “BUSTER – JANGLE“ NEVADA TEST SITE 1952 “TUMBLER - SNAPPER“ NEVADA TEST SITE 1952 “IVY“ ENEWETAK ATOLL 1953 “UPSHOT - KNOTHOLE“ NEVADA TEST SITE 1954 “CASTLE“ BIKINI ISLAND 1955 “TEAPOT“ NEVADA TEST SITE 1955 “WIGWAM“ OFFSHORE SAN DIEGO 1955 “PROJECT 56“ NEVADA TEST SITE 1956 “REDWING“ ENEWETAK & BIKINI “ Hey Sarge - I can still feel the heat “ 1957 “PLUMBOB“ NEVADA TEST SITE 1958 “HARDTACK-I“ ENEWETAK & BIKINI 1958 “NEWSREEL“ JOHNSON ISLAND 1958 “ARGUS“ SOUTH ATLANTIC 1958 “HARDTACK-II“ NEVADA TEST SITE 1961 “NOUGAT“ NEVADA TEST SITE 1962 “DOMINIC-I“ CHRISTMAS ISLAND JOHNSTON ISLAND 1965 “FLINTLOCK“ AMCHITKA, ALASKA 1969 “MANDREL“ AMCHITKA, ALASKA 1971 “GROMMET“ AMCHITKA, ALASKA 1974 “POST TEST EVENTS“ AMCHITKA, ALASKA ------------ “ IF YOU WERE THERE, The motto of the day was “Semper-Fry“ YOU ARE AN ATOMIC VETERAN “ The Newsletter for America’s Atomic Veterans COMMANDERS COMMENTS We enjoyed our re-union in Richmond, VA and wish to offer our thanks to Director Jenkins for his efforts to make this event an Ted Hayes ( AZ ) Clarence Roth ( CT ) overwhelming success. Gillie furnished a Howard Shertzer ( PA ) Paul Bochon ( WA ) bus for an all-day ( ladies-only ) tour of the Robert Hosley ( CA ) John E. Forde ( CA ) local historical sites.
  • Finally Fit V4.Indd

    Finally Fit V4.Indd

    It's Never Too Late to Achieve a Dream FINALLY Finally Fit FIT JOHN H. CLARK III Finally Fit Copyright © 2020 by John H. Clark III All Rights Reserved. No part of this book may be reproduced in any written, electronic, recording, or photocopying without written permission of the publisher or author. The exception would be in the case of brief quotations embodied in the critical articles or reviews and pages where permission is specifically granted by the publisher or author. Cover Design by 100Covers.com Interior Design by FormattedBooks.com https://www.fossilfit.net/ DEDICATION This book is dedicated to anyone and everyone who feels that life is passing them by; and that it is too late in the game to do anything about it. It is not too late. Scores of people have supported, encouraged, and inspired me during my journey from a depressed and hopeless, aging couch potato to a determined and eager go-getter who for the first time in a long time is genuinely excited about the future. Hats off to the entire pole vault community, an incredible group of folks from all around the world who have touched my life in so many ways, and are too numerous to mention individually. Having said that, I have to single out my fellow Houston native, Scarborough High School graduate, dear friend and brother, Bubba Sparks, who for some reason decided to take me under his inspirational wing, so to speak, and help me transform myself and rejuvenate my life. I’m forever grateful. And my loving wife, Katie, whose undying support through all my ups and downs over the past 20+ years makes everything possible.
  • John W. Clark of Nushagak, Alaska, 1846–1896 U.S

    John W. Clark of Nushagak, Alaska, 1846–1896 U.S

    National Park Service — U.S. Department of the Interior Lake Clark National Park and Preserve Times of and Life The JOHN W. CLARK (1846–1896) was one of the fi rst Euroamerican residents of Alaska, arriving at St. Michael with the Western Union Telegraph Company Russo-American Expedition to build a worldwide telegraph line in 1866. John W. Clark W. John Th e Life and Times of He was a distinguished trader on the Yukon, Kuskokwim and Nushagak Rivers between 1868 and 1896. Clark lived at Nushagak nearly twenty years and was a founder of the world-renowned Bristol Bay commercial salmon fi shing industry. He was an entrepreneurial fur trader and merchant and likely the fi rst English speaking resident of the Bristol Bay region. Clark was a close friend of the Native people of western John W. Clark Alaska and traveled widely about the region by dog sled and baidarka. He married and established a large extended family in western Alaska. Despite having Lake Clark, Lake Clark Pass and Clarks Point named after him, very little is known about Clark’s early life. For the fi rst time, some of Clark’s enigmatic life is of Nushagak, revealed in this biography of a pioneer of nineteenth century western Alaska. September 26, 1891: At Nushagak…there has lived for nearly a score of years a man whose personal qualifi cations for a worldly career, whose reading, breeding, manly characteristics, and genial traits have been a loss to the world for all time. I refer to John W. Clark. His object in devoting himself to such a 1846–1896 Alaska, hermit life has not been material gain, but his peculiar, thoughtful qualities of mind have given him that taste for solitude and the natural grandeur of Alaska which has been displayed by many other brilliant men who have visited that mysterious Territory.
  • A Letter from the Chairs Honourable Delegates, Welcome to the Model

    A Letter from the Chairs Honourable Delegates, Welcome to the Model

    A Letter from the Chairs Honourable delegates, Welcome to the Model City Hall 2016 Police Board Committee. As chairs of a government institution essential to maintaining municipal security, it is our pleasure to explore the challenges currently being confronted by the Toronto Police Service, specifically carding and police brutality. It is our wish that by representing members of the Police Board, Model City Hall delegates will revamp their perspective on policing in Toronto and be empowered to increase their involvement with regards to municipal issues. This will be reflected in the debate, where delegates will advance conflicting interests to gain an understanding of how the municipal government functions. The conclusions drawn by this debate and its corresponding resolutions will be forwarded to municipal officials, encouraging them to take youth into consideration throughout the decision making process. During Model City Hall 2015, one of us co-chaired the Transit Committee and had the honour of nuking the Gardiner Expressway. The thought of repeating similarly mischievous antics and enjoying this experience with other delegates makes me excited to chair the Police Board for 2016, while maintaining the seriousness of debate. Furthermore, the openness to interpretation and lack of absolutes with regards to municipal issues such as carding and police brutality has always been considered intriguing For instance, when is carding considered racism as opposed to a form of risk management? Likewise, when is responding with force considered police brutality as opposed to protecting other citizens? The answers to these questions are uncertain, and we hope you will join us in finding them.
  • The Life and Times of John W. Clark of Nushagak, Alaska-Branson-508

    The Life and Times of John W. Clark of Nushagak, Alaska-Branson-508

    National Park Service — U.S. Department of the Interior Lake Clark National Park and Preserve The Life and Times of Jo h n W. C l a r k of Nushagak, Alaska, 1846–1896 John B. Branson PAGE ii THE LIFE AND TIMES OF JOHN W. CLARK OF NUSHAGAK, ALASKA, 1846–1896 The Life and Times of Jo h n W. C l a r k of Nushagak, Alaska, 1846–1896 PAGE iii U.S. Department of the Interior National Park Service Lake Clark National Park and Preserve 240 West 5th Avenue, Suite 236 Anchorage, Alaska 99501 As the nation’s principal conservation agency, the Department of the Interior has responsibility for most of our nationally owned public lands and natural and cultural resources. This includes fostering the conservation of our land and water resources, protecting our fish and wildlife, preserving the environmental and cultural values of our national parks and historical places, and providing for enjoyment of life through outdoor recreation. The Cultural Resource Programs of the National Park Service have responsibilities that include stewardship of historic buildings, museum collections, archeological sites, cultural landscapes, oral and written histories, and ethnographic resources. Our mission is to identify, evaluate and preserve the cultural resources of the park areas and to bring an understanding of these resources to the public. Congress has mandated that we preserve these resources because they are important components of our national and personal identity. Research/Resources Management Report NPS/AR/CRR-2012-77 Published by the United States Department of the Interior National Park Service Lake Clark National Park and Preserve Date: 2012 ISBN: 978-0-9796432-6-2 Cover: “Nushagak, Alaska 1879, Nushagak River, Bristol Bay, Alaska, Reindeer and Walrus ivory trading station of the Alaska Commercial Co.,” watercolor by Henry W.
  • Police Use of Lethal Force: a Toronto Perspective John D

    Police Use of Lethal Force: a Toronto Perspective John D

    Osgoode Hall Law Journal Article 2 Volume 19, Number 2 (June 1981) Police Use of Lethal Force: A Toronto Perspective John D. Abraham John C. Field Richard W. Harding Steven Skurka Follow this and additional works at: http://digitalcommons.osgoode.yorku.ca/ohlj Article Citation Information Abraham, John D.; Field, John C.; Harding, Richard W.; and Skurka, Steven. "Police Use of Lethal Force: A Toronto Perspective." Osgoode Hall Law Journal 19.2 (1981) : 199-236. http://digitalcommons.osgoode.yorku.ca/ohlj/vol19/iss2/2 This Article is brought to you for free and open access by the Journals at Osgoode Digital Commons. It has been accepted for inclusion in Osgoode Hall Law Journal by an authorized editor of Osgoode Digital Commons. POLICE USE OF LETHAL FORCE: A TORONTO PERSPECTIVE By JOHN D. ABRAHAM*, JOHN C. FIELD**, RICHARD W. HARDING***, STEVEN SKURKA* Page I. GENERAL INTRODUCTION 200 II. THE LEGAL FRAMEWORK 202 A. The Criminal Code 202 B. The Police Act of Ontario 207 C. Additional Guidelines 208 III. EXPECTED PATTERNS OF POLICE USE OF DEADLY FORCE 210 A. Confrontation Arrests 210 B. Fugitive Arrests 211 C. Training and Tactics 211 D. The Operation of the Criminal Justice System 212 IV. TORONTO PATTERNS OF POLICE USE OF DEADLY FORCE 213 A. Alexander Misztal 213 B. William Elie 214 C. Aquilino Torcato 216 D. Hans Nattinen 221 E. Michael Wawryniuk 223 F. Andrew Evans 224 G. Albert Johnson 226 V. PROCEDURAL DEFECTS IN THE ADMINISTRATION OF JUSTICE 230 A. The Investigation 230 B. The Inquest 232 C. Civil Actions 234 VI. CONCLUSIONS AND SUGGESTIONS FOR REFORM 234 @Copyright, 1981, John D.
  • Tartan Ball: Halcyon Videos

    Tartan Ball: Halcyon Videos

    THE TORONTO ASSOCIATION NEWSLETTER ~ FEBRUARY 2015 www.DanceScottish.ca From the Chair… Tartan Ball: Halcyon Videos he January dance Twas a lot of fun; unfortunately, the attendance was down, but the Board and Monthly Dance Committee are con- John Clark sidering some changes to make it more inviting. As I sit and write this article, I refect on the two Burns’ celebrations I recently attended. You can never have enough haggis, and we met some great people. This hyper colour image (above, left side) is a frame from a video of Castle of Mey (shown at right side). Tere are thirty-four sleeps until the most It was processed with a Topaz filter to define edges and warm colours to appear like a sketch or painting. elegant event in our dance calendar, the Tar- s you anticipate the 52nd Tartan Ball, perhaps you muse upon Tartan Balls past and mentally tan Ball. I hope you have your tickets. Aconjure rich colours, fowing gowns, faring kilts, and elegantly pointed toes. Tat is my halcyon For those who are basic dancers, just start- image, cruelly tweaked when video shows what I really dance like. But the ball is not about perfection ing out, come down and sit in the balcony, — it’s about conviviality, spectacle, and fun! Tose qualities shine brightly in videos from previous enjoy the atmosphere as the dancers go Tartan Balls now posted at: www.dancescottish.ca/Tartan_Ball_History.html Each ball video shows high energy, high spirits, and smiling faces. Speaking as a member of the through the fgures, and see what you can do Marketing Committee — that is the sizzle we need for selling the Scottish country dance experience with a little learning and practice.
  • JOHN SCHLESINGER [Extent 140 Archive Boxes]

    JOHN SCHLESINGER [Extent 140 Archive Boxes]

    JOHN SCHLESINGER [Extent 140 Archive Boxes] INTRODUCTION JOHN RICHARD SCHLESINGER Born: London, 16 February 1926. Died: Palm Springs, California, 25 July 2003 Education: Uppingham School; Balliol College, Oxford Early Career: As an actor playing small parts in films including SINGLE- HANDED (GB,1953), The DIVIDED HEART (GB,1954), OH... ROSALINDA! (GB,1955), BATTLE OF THE RIVER PLATE (GB,1956), BROTHERS IN LAW! (GB,1956) and in television The ADVENTURES OF ROBIN HOOD (tx 1956-1957), WOMAN OF PROPERTY (tx 2/5/1957). As Director: Schlesinger's career behind the camera began with a short film BLACK LEGEND (GB,1948) and work for BBC Television writing and directing documentaries for the TONIGHT and MONITOR Series 1956-1961. A British Transport Film TERMINUS (GB,1961) written and directed by Schlesinger, launched his film career proper. Schlesinger’s feature films: A KIND OF LOVING (GB,1962), BILLY LIAR (GB,1963), DARLING (GB,1965), FAR FROM THE MADDING CROWD (GB,1967), MIDNIGHT COWBOY (US,1969), SUNDAY BLOODY SUNDAY (GB,1971), DAY OF THE LOCUST (US,1974), MARATHON MAN (US,1976), YANKS (GB,1979), HONKY TONK FREEWAY (US,1981), FALCON AND THE SNOWMAN (US,1985), BELIEVERS (US,1987), MADAME SOUSATZKA (GB,1988), PACIFIC HEIGHTS (US,1990), INNOCENT (GB,1993), EYE FOR AN EYE (US,1995), The NEXT BEST THING (US,2000). Schlesinger's television credits include: SEPARATE TABLES (tx 1983) AN ENGLISHMAN ABROAD (tx 29/11/1983), A QUESTION OF ATTRIBUTION (tx 20/10/1991) and COLD COMFORT FARM (tx 1/1/1995). Schlesinger also directed the following: OPERA LES