Publications for John Clark

2021 Bangkok, Thailand: Bangkok Art Biennale. Clark, J., Suwannakudt, P. (2021). A History of Phaiboon Clark, J. (2019). Park Seo-Bo in Historical and Comparative Suwannakudt (1925-1982). Journal of The Siam Society, Perspective. Park Seo-Bo: The Untiring Endeavorer, (pp. 91 - 109(1), 1-36. 112). Seoul, Korea, Republic of (South): National Museum of Clark, J. (2021). Las Bienales Asiaticas Contemporaneas: Modern and Contemporary Art (Seoul, South Korea). Algunas Conclusiones. In Danne Ojeda and Ruben de la Nuez (Eds.), Trazos discontinuos. Antologia critica sobre las bienales 2018 de arte en Asia Pacifico, (pp. 197-223). Leiden: Almenara. Clark, J. (2018). A Personal Poetics: Latiff Mohidin and his Clark, J., Sabapathy, T. (2021), The Asian Modern: John Clark Pago Pago series. In Shabbir Hussain Mustafa and Catherine in Conversation with T.K. Sabapathy. Conversation. [More Museum: Shanghai and Its Biennale. Yishu: A journal of Information] Chinese Contemporary Art, 17(1), 8-29. 2020 Clark, J. (2018). Japanese Modern and Contemporary Art: An Art-Historical Field. Art History, 41(4), 596-791. [More Now: Directions in Contemporary and Modern Art in Asia, Information] 4(2), 39-89. [More Clark, J. (2018). Negotiating Change in Recent Southeast Asian Information] Art. Southeast of Now: Directions in Contemporary and Modern Art in Asia, 2(1), 43-92. [More Nitiprapha, 'The Blind Earthworm in the Labyrinth', 2013, Information] translation 2018. Journal of The Siam Society, 108(1), 25-38. [More history of the Asian modern. Archival Turn: East Asian Information] Contemporary Art and Taiwan (1960-1989), Taipei, Taiwan: Taipei Fine Arts Museum. Clark, J. (2020). Behind the Painting: Xu Bing's Hybrid Landscapes. In Sarah E. Fraser and Yu-Chieh Li (Eds.), Xu Clark, J. (2018). Time Processes in the History of the Asian Bing: Beyond the Book from the Sky, (pp. 109-114). Singapore: Modern. In Dan Karlholm, Keith Moxey (Eds.), Time in the Springer. [More Information] 45-61). New York: Routledge. [More Clark, J. (2020). Book review: 'Very Bangkok: In the City Information] of the Senses' by Philip Cornwel-Smith, Bangkok: River Books, 2020. Journal of The Siam Society, 108(2), 237-241. 2017 Clark, J. (2020). Multiple Modernities: An Art History of 'The Clark, J. (2017). Colonial Art as a Space of the Asian Modern. Asian Modern'. Humanities Australia, 11, 38-46. [More Information] National Gallery Singapore. Ker, Y., Chotpradit, T., O'Connor, S., Soon, S., Abdullah, S., Clark, J. (2017). Jun T. Lai in the 1980s and 1990s. Jun T. Lai: Nelson, R., Campos, P., Taylor, N., Mahamood, M., Chua, L., Wonderland, (pp. 36 - 39). Taichung, Taiwan: National Taiwan Clark, J., et al (2020). Teaching the History of Modern and Museum of Fine Arts. Contemporary Art of Southeast Asia. Southeast of Now: Directions in Contemporary and Modern Art in Asia, 4(1), 101- Clark, J. (2017). Modern Art in Southeast Asia [reprint]. In 203. [More Furuich Yasuko (Eds.), The Japan Foundation Asia Center Art Information] Studies. Volume 3: Shaping the History of Art in Southeast Asia, (pp. 20-23). Tokyo: The Japan Foundation. Clark, J. (2020). The Asian Modern. Singapore: National Gallery Singapore. [More Gartlan. Australian and New Zealand Journal of Art, 17(2), 261- Information] 264. [Mor 2019 e Information] Clark, J. (2019). Around the sides of the modern. Life Pilgrimages, (pp. 198 - 202). Hong Kong, Hong Kong (SAR of 2016 China): brownie publishing. Clark, J. (2016). Asian Art History in Australia: Its Functions and Audience. Australian and New Zealand Journal of Art, Clark, J. (2019). Meanwhile, snapshots across the river. 1st 16(2), 202-217. [Mor href="http://arthistoriography.wordpress.com/10-jun- e Information] 2014/">[More Information] Clark, J. (2016). Building a Collection: Chinese Prints at the Clark, J. (2014). Japan and Modern Asian Art. Journal of Fine University of Sydney. In Stephen Whiteman, Minerva Inwald, Arts, 1(2), 49-80. Bingqing Wei, John Clark (Eds.), Floating Time: Chinese Clark, J. (2014). The Worlding of the Asian Modern. In Prints, 1954-2002, (pp. 25-35). Sydney: Power Publications. Michelle Antoinette, Caroline Turner (Eds.), Contemporary Clark, J. (2016). John Young: Painting Simulacra and a Re- Asian Art and Exhibitions: Connectivities and World-making, envisaged History. In Wu Hung (Eds.), Zhang Dali: (pp. 67-88). Canberra: ANU Press. [More Nationality Art Photograph Publishing House. Information] Clark, J. (2016). Parallel Modernities: Approaching Modernity Clark, J. (2014). Trajectories of the National: Xu Beihong and in Asia Outside Europe and America. In Sarah Lee, Sara Siew Arthur Kampf in Inter-Asian Comparison. In Wang Wenjuan (Eds.), Reframing Modernism, (pp. 239-245). Singapore: (Eds.), Globalisation and Ethnicisation: Xu Beihong Art National Gallery Singapore. Research and Development in 21st Century China, (pp. 405- 424). Beijing: Chinese Peoples University Press. Clark, J. (2016). Review of Contemporary Chinese Art, A History 1970s�2000s, by Wu Hung. Australian and New 2013 Zealand Journal of Art, 16(1), 106-108. [Mor Clark, J. (2013). [Book review] Hans Belting, 'Florence and e Information] Baghdad: Renaissance Art and Arab Science'. Australian and New Zealand Journal of Art, 13, 185-189. Clark, J. (2016). Su Xinping. In Stephen Whiteman, Minerva Inwald, Bingqing Wei, John Clark (Eds.), Floating Time: Clark, J. (2013). Asian Artists as Long-Distance Cultural Chinese Prints, 1954-2002, (pp. 99-117). Sydney: Power Specialists in the Formation of Modernities. In Fuyubi Publications. Nakamura, Morgan Perkins, Olivier Krischer (Eds.), Asia through Art and Anthropology: Cultural Translation Across Clark, J. (2016). The Endogenous and the Exogenous Interface Borders, (pp. 19-32). London: Bloomsbury Academic, imprint in Globalism: The Case of China and Thailand. In Hiroki of Bloomsbury. [More Information] Clark, J. (2016). The life and the work: Australian art Clark, J. (2013). Here we go Asian again. ORIENTing: Ian biography. In Jaynie Anderson, Christopher R. Marshall, Fairweather in Western Australian Collections and With or Andrew Yip (Eds.), The Legacies of Bernard Smith: Essays on Without You, (pp. 45 - 48). Perth, Australia: Lawrence Wilson Australian Art, History and Cultural Politics, (pp. 178-189). Art Gallery. Sydney: Power Publications. Clark, J. (2013). Jumaadi's Artwork. The Figural Poetry of 2015 Jumaadi, (pp. 40 - 43). Jakarta, Indonesia: Art:1. Clark, J. (2015). Canon-Making and Curating in Recent Asian Clark, J. (2013). Modernities of Japanese Art. Leiden: Brill. [More Information] Clark, J. (2015). Moral Tales, Now with Humor and Maybe Redemption. In A. Bergmann, S-L Hertel, J. Noth, A. Papist- Clark, J. (2013). Presenting the Self: Pictorial and Photographic Matsuo, W. Schrape (Eds.), Elegant Gathering in a Scholar's Discourses in Nineteenth-century Dutch Indies and Siam. Ars Garden: Studies in East Asian Art in Honor of Jeong-hee Lee- Orientalis, 43, 66-81. Kalisch, (pp. 287-291). Wiemar: Verlag und Datenbank für Clark, J. (2013). The Elephant and The Ant: Chinese and Thai Geisteswissenschaften. Art in the 1980s and 1990s. In Parul D Mukherji, Naman P Clark, J., Chen, W. (2015). Questions of Contemporary Ahuja, Kavita Singh (Eds.), InFlux: Contemporary Art in Asia, Discourse and Its Development in the Work of Araya (pp. 20-35). New Delhi: Sage Publications India Pvt. Ltd. Rasdjarmrearnsook. Xiandai Meishu, 176, 35-47. [More Information] Andrea Buddensieg, Peter Weibel (Eds.), The Global 2014 Contemporary and the Rise of New Art Worlds, (pp. 193-201). Karlsruhe, Germany: ZKM Publications. Clark, J. (2014). [Book Review] '"Avant-Garde" Art Groups in China, 1979–1989: The Stars - The Northern Art Group - The 2012 Pond Association - Xiamen Dada: A Critical Polylogue' by Clark, J. (2012). Modern and Contemporary Chinese Art: Main Paul Gladston. The China Journal, 72, 223-225. Issues. In Birgit Hopfener, Franziska Koch, Jeong-hee Lee- Clark, J. (2014). Alms to Stray Dogs and Other Stories: Araya Kalisch, Juliane Noth (Eds.), Negotiating Difference: Rasdjarmrearnsook in Conversation with John Clark. Art Contemporary Chinese Art in the Global Context, (pp. 33-47). Monthly Australia, 268, 34-41. Weimar: VDG Weimar. Clark, J., Veal, C. (2014). Araya Rasdjarmrearnsook: Clark, J. (2012). Okakura Tenshin and Aesthetic Nationalism. Storytellers of the Town. 4A Centre for Contemporary Asian In Rimer, J. Thomas (Eds.), Since Meiji: Perspectives on the Art; ANU Drill Hall Gallery, Sydney, Australia: 4A Centre for Japanese Visual Arts, 1868-2000, (pp. 212-256). Honolulu: Contemporary Asian Art. University of Hawaii Press. Clark, J. (2014). Is the Modernity of Chinese Art Comparable?: Clark, J. (2012). The Southeast Asian Modern: Three Artists. An Opening of a Theoretical Space. Journal of Art In Nora A. Taylor, Boreth Ly (Eds.), Modern and Historiography, 10. [More 230). Cambridge: Cambridge University Press. Information] Clark, J. (2011). An "Australian" creative space: where is Clark, J. (2010). Setouchi art matters. Asian Art News 20(5), Australian-Asian Art now? Contemporary Visual Art + Volume 20 Issue 5, (pp. 50 - 54). Hong Kong, China (excludes Culture: Broadsheet, 40(2), 90-95. SARs and Taiwan Province): Asian Art News. Clark, J. (2011). Charusu Waaguman, saikô. Kindai Gasetsu, Clark, J. (2010). Taiwan in Venice. Taiwan Pavilion at the 20(4), 12-35. Venice Biennale: A Retrospective 1995-2007, (pp. 117 - 121). Taipei, Taiwan: Taipei Fine Arts Museum. Clark, J. (2011). Icon and Image in Modern Thai Art: A Preliminary Exploration. Contemporary Aesthetics, 3(Special), Clark, J. (2010). The intractable wall and Asia. Contemporary 1-31. Visual Art + Culture: Broadsheet 39(2), volume 39 Issue 2, (pp. 102 - 105). Adelaide, Australia: Contemporary Art Centre of Clark, J. (2011), Modern and Contemporary Asian Art: A South Australia (CACSA). Working Bibliography. [More Information] National Biography. Oxford: Oxford University Press. Clark, J. (2011). Open and closed discourses of Modernity in 2009 Asian Art. In Melissa Chiu, Benjamin Genocchio (Eds.), Contemporary Art in Asia: A Critical Reader, (pp. 27-45). Clark, J. (2009). Beyond the National, inside the Global: New United States of America: The MIT Press. Identity Strategies in Asian Art in the Twenty-First Century. 32nd International Congress in the History of Art 2008, Clark, J. (2011). Un Paris changeant: la capitale mondiale de Australia: The Miegunyah Press. l'art vue par les artistes venus de Chine (et de quelques autres pays d'Asie). Artistes chinois a Paris, (pp. 10 - 19). Paris, Clark, J. (2009). Margo Machida, Unsettled Visions: France: Paris Musees. Contemporary Asian American artists and the social imaginary. Asian Art News, 19(6), 120. 2010 Clark, J. (2009). Political expression and the recent Chinese Clark, J. (2010). [Book review] Art in China 2/e, Oxford landscape painting of Ding Fang. emaj: electronic Melbourne University Press, edited by C. Clunas. Asian Art News, 20(2), art journal, 4, 1-23. 100-100. Berghuis, T., Clark, J., Butler, R., Cruickshank, A. (2009). The Clark, J. (2010). A distant view. In James Elkins, Zhivka Asia Pacific Triennial: an interview. Broadsheet, 38.4, (pp. 235 - Valiavicharska and Alice Kim (Eds.), Art and globalization. 239). Adelaide, Australia: Contemporary Art Centre of South University Park, PA: Pennsylvania State University Press. Australia (CACSA). Clark, J. (2010). Art in Beijing 1981 & 1990. In John A Clark Clark, J. (2009). Zhi Jiang Dahai [For Jiang Dahai]. Jiang (Eds.), Modernities of Chinese Art, (pp. 19-27). Leiden: Brill. Dahai: Xuanchang / StringField, (pp. 109 - 110). Beijing, China (excludes SARs and Taiwan Province): Jinri Meishuguan. Clark, J. (2010). Asia's invisible [?] modernism. In Peking University Research Centre for Aesthetics and Aesthetic 2008 Education (Eds.), What is Chinese Contemporary Art?, (pp. 438- 459). Chengdu: Sichuan Meishu Chubanshe. Clark, J. (2008), Modern Asian art: the contemporary as a site in the absence of history. Clark, J. (2010). Asian Modernities: Chinese and Thai Art Compared, 1980 to 1999. Sydney, Australia: Power Clark, J. (2008). Modernities in art: how are they "other"? In Publications. [More Information] Amsterdam: Valiz. Clark, J. (2010). Beauty of Distance: postmortems John Clark. Jones, C., Clark, J. (2008). Nationalism and Internationalism in Contemporary Visual Art + Culture: Broadsheet 39(3), volume Modern Art. In Sarvepalli Gopal, Sergei L.Tikhvinsky (Eds.), 39 issue 3, (pp. 207 - 207). Adelaide, Australia: Contemporary History of Humanity: Scientific and Cultural Developement: Art Centre of South Australia (CACSA). Volume VII The Twentieth Century, (pp. 408-446). Paris, France: UNESCO Publishing. Clark, J. (2010). Biennials as structures for the writing of art history: the Asian perspective. In Elena Filipovic, Marieke van 2007 Hal, Solveig Ovstebo (Eds.), The Biennial Reader, (pp. 164- 183). Ostfildern, Germany: Hatje Cantz Verlag. Clark, J. (2007). Art In The Present Tense. Asian Art News 17(6), (pp. 110 - 117). Hong Kong, Afghanistan: Asian Art Clark, J. (2010). Chinese modern artists in postwar France, Press. 1980s and 1990s. In John A Clark (Eds.), Modernities of Chinese Art, (pp. 187-209). Leiden: Brill. Clark, J., McCallum, P., Maxwell, I. (2007). Australian Arts: Where the Bloody Hell Are You? Australian Arts in an Clark, J. (2010). Fiona Tan: coming home. Art and Australia International Context: Proceedings of a Symposium held at 47(4), volume 47 issue 4, (pp. 685 - 685). Sydney (Paddington), University of Sydney on 8 December 2006. Australian Arts in Australia: Art and Australia Pty Ltd. an International Context: Symposium held at University of Clark, J. (2010). Japanese Contemporary Art and Globalization: Sydney, Sydney: Sydney University Press. Largely Seen from Participation in the Venice Biennale. Clark, J. (2007). Beyond Euramerica. In Peter Weibel/Andrea Buddensieg (Eds.), Contemporary art and the museum: a href="http://dx.doi.org/10.1353/jjs.2006.0005">[More global perspective, (pp. 66-78). Ostfildern: Hatje Cantz Verlag. Information] Clark, J. (2007). Concluding Remarks 2. 27th International Clark, J. (2006). Luis Chan: A Hong Kong Modernist. In Jack Symposium. Traditional Japanese Arts and Crafts in the 21st Lee (Eds.), From Reality to Fantasy: the Art of Luis Chan, (pp. Century, Fukui Japan: International Research Center for 112-116). Hong Kong: Asian Art Archive. Japanese Studies. Clark, J. (2006). Okakura Tenshin and Aesthetic Nationalism. Clark, J. (2007). Global Intentions. Asian Art News, 17, (pp. 77 - East Asian History, 29(June), 1-38. 81). Hong Kong, Hong Kong (SAR of China): Asian Art News. Clark, J. (2006). The discursive space of Asian Cubism. The Clark, J. (2007). Histories of the Asian "New": Biennales and Japan Foundation International Symposium 2005, Tokyo: The Contemporary Asian Art. In Vishakha N Desai (Eds.), Asian Japan Foundation. Art History in the 21st Century, (pp. 229-249). United States: Clark, J. (2006). What Modern and Contemporary Asian Art is Yale University Press. [or is not]: the view from MoMA and the view from Asia. In Clark, J. (2007). Hybridity in Asian art now. Journal of Korean John Clark, Maurizio Peleggi, and T.K. Sabapathy (Eds.), Eye Modern and Contemporary Art History, 18, 192-208. of the beholder : reception, audience, and practice of modern Asian Art, (pp. 297-317). Sydney: Wild Peony Pty Ltd. Clark, J. (2007). Münster Skulptur Projekte. World Sculpture News, Hong Kong, Hong Kong (SAR of China): Asian Art 2005 News. Clark, J. (2005). A Short review of a Very, Very Long Book. Clark, J. (2007). Review: Kalighat Painting: Images from a Yishu: A journal of Chinese Contemporary Art, 4(4), 107-107. Changing World. Asian Art News, (March). Clark, J. (2005). Asian Modern and Contemporary Art. Oxford Clark, J. (2007). Review: When was Modernism: Essays on Art Online; Groove Art Online. (pp. Contemporary Cultural Practice in India. Australian and New http://www.oxfordartonline.com/subscriber/article/). online Zealand Journal of Art. search engine: Oxford University Press. Clark, J. (2007). The Taipei Biennial 2006. Asian Art News, Clark, J. (2005). Between the worlds: Chinese Art at Biennials (pp. 77 - 81). Hong Kong, Hong Kong (SAR of China): Asian since 1993. Yishu, (pp. 40 - 55). Taipei, Taiwan: Art & Art News. Collection Group. Clark, J. (2007). Unashamedly Eurocentric. World Sculpture Clark, J. (2005). Foreword. Past peripheral: curation in News, 13(3), 40-41. Southeast Asia, (pp. 1 - 3). Singapore, Singapore: NUS Clark, J. (2007). Uncertain Identity. Asian Art News, 17(5), 86- Museum. 91. Clark, J. (2005). Foreword - Past Peripheral: Clark, J. (2007). Uncertain Identity: Documenta 12. Asian Art Curation in Southeast Asia. Past Peripheral: Curation In News, (pp. 86 - 91). Hong Kong, Hong Kong (SAR of China): Southeast Asia, (pp. 1 - 2). Singapore, Singapore: National Asian Art News. University of Singapore Museum. Clark, J. (2005). Japanese Modernisation and Mingei Theory: 2006 Cultural Nationalism and Oriental Orientalism. Journal of Clark, J. (2006). A narrowing of horizons: The Shanghai and Design History, 18(3), 309-311. Gwangju Biennales 2006. Art Monthly Australia, 196, (pp. 50 - Clark, J. (2005). Montien Boonma AND Modern Thai 55). Acton, ACT, Australia: Art Monthly Australia. Sculpture. Death Before Dying: The Art of Montien Boonma, Clark, J. (2006). A spectacle of questions. Asian Art News, 16, (pp. 256 - 258). Bangkok, Thailand: Ministry of Culture, (pp. 68 - 72). Hong Kong, Hong Kong (SAR of China): Asian Thailand. Art News. Clark, J. (2005). Shomei Tomatsu: Skin of the Nation. History Clark, J. (2006). An Australian Creative Space: Where is of Photography 29(4), (pp. 387 - 388). London, United Australian-Asian art now? In Charles Green (Eds.), 2006 Kingdom: Taylor and Francis. /contemporary commonwealth/, (pp. 26-35). Melbourne: Clark, J. (2005). Three recent Biennales in Asia: Gwangju, National Gallery of Victoria. Busan and Shanghai. Art and Australia, 42, (pp. 388 - 391). Clark, J. (2006). Contemporary Asian Art at Biennales and Sydney (Paddington), Australia: Art and Australia Pty Ltd. Triennales: The 2005 Venice Biennale and Fukuoka Asian Clark, J. (2005). Yao Souchou, Confucian Capitalism: Triennale, the Sigg Collection, and the Yokohama and Discourse, practice and the myth of Chinese enterprise, London Guangzhou Triennales. CAA Reviews, (pp. 1 - 20). New York, and New York, Routledge/Curzon, 2002, 192 pages, ISBN 0- United States of America: College Art Association. 7007-1583-5. Journal of Asian Pacific Communication, 15(2), Clark, J., Peleggi, M., Sabapathy, T. (2006). Eye of the 317-320. beholder: reception, audience, and practice of modern Asian art. Sydney: Wild Peony. 2004 Clark, J., Peleggi, M., Sabapathy, T. (2006). General Clark, J. (2004). Chinese And Thai Art Of The 1980S And introduction. In John Clark, maurizio Peleggi & T.K Sabpathy 1990S. Beijing Forum. University of Melbourne. (Eds.), Eye of the beholder: reception, audience, and practice of Clark, J. (2004). Chinese Artists In France. In Francis Alys, modern Asian art, (pp. 1-6). Sydney: Wild Peony. Gerardo Mosquera, Jean Fisher (Eds.), Over Here: Clark, J. (2006). La modernite a l'horizon: La culture populaire International Perspectives on Art and Culture, (pp. 210-233). dans le Japon des annees vingt. Edited by Jean-Jacques Cambridge, Massachusetts: The MIT Press. Tschudin and Claude Hamon. Editions Philippe Picquier, Arles, Clark, J. (2004). Food Stories. Gastronomica, 4 Spring(2), 43- 2004. 244 pages. $18.00. Journal of Japanese Studies, 32(1), 50. 165-169.