Publications for John Clark 2021 2020 2019

Publications for John Clark 2021 Bangkok, Thailand: Bangkok Art Biennale. Clark, J., Suwannakudt, P. (2021). A History of Phaiboon Suwannakudt (1925-1982). Journal of The Siam Society, 109(1), 1-36. Clark, J. (2019). Park Seo-Bo in Historical and Comparative Perspective. Park Seo-Bo: The Untiring Endeavorer, (pp. 91 - 112). Seoul, Korea, Republic of (South): National Museum of <ul style="display: flex;"><li style="flex:1">Modern and Contemporary Art (Seoul, South Korea). </li><li style="flex:1">Clark, J. (2021). Las Bienales Asiaticas Contemporaneas: </li></ul>Algunas Conclusiones. In Danne Ojeda and Ruben de la Nuez (Eds.), Trazos discontinuos. Antologia critica sobre las bienales 2018 de arte en Asia Pacifico, (pp. 197-223). Leiden: Almenara. Clark, J. (2018). A Personal Poetics: Latiff Mohidin and his Clark, J., Sabapathy, T. (2021), The Asian Modern: John Clark in Conversation with T.K. Sabapathy. Conversation. <a <a href="/goto?url=https://www.youtube.com/watch?v=4TkSKRIBxOM&fea" target="_blank">href="https://www.youtube.com/watch?v=4TkSKRIBxOM&fea </a>ture=share&fbclid=IwAR2jQbBNqhTyOseMQT2vBD8LZp8Zk DH7JyXdMzbQLSWCP8wyBmOF2UwX8w4">[More Information]</a> Pago Pago series. In Shabbir Hussain Mustafa and Catherine David (Eds.), Latiff Mohidin: Pago Pago (1960-1969), (pp. 198- 210). Singapore: National Gallery Singapore. Clark, J. (2018). Contemporary Art and the Contemporary Art Museum: Shanghai and Its Biennale. Yishu: A journal of Chinese Contemporary Art, 17(1), 8-29. 2020 Clark, J. (2018). Japanese Modern and Contemporary Art: An Art-Historical Field. Art History, 41(4), 596-791. <a <a href="/goto?url=http://dx.doi.org/10.1111/1467-8365.12393">[More" target="_blank">href="http://dx.doi.org/10.1111/1467-8365.12393">[More </a>Information]</a> Clark, J. (2020). 'Tradition' in Modern Thai Art. Southeast of Now: Directions in Contemporary and Modern Art in Asia, 4(2), 39-89. <a <a href="/goto?url=http://dx.doi.org/10.1353/sen.2020.0007">[More" target="_blank">href="http://dx.doi.org/10.1353/sen.2020.0007">[More </a>Information]</a> Clark, J. (2018). Negotiating Change in Recent Southeast Asian Art. Southeast of Now: Directions in Contemporary and Modern Art in Asia, 2(1), 43-92. <a <a href="/goto?url=http://dx.doi.org/10.1353/sen.2018.0002">[More" target="_blank">href="http://dx.doi.org/10.1353/sen.2018.0002">[More </a>Information]</a> Clark, J. (2020). A Thai Novel: From the Inside? On Veeraporn Nitiprapha, 'The Blind Earthworm in the Labyrinth', 2013, translation 2018. Journal of The Siam Society, 108(1), 25-38. <a <a href="/goto?url=https://so06.tci-" target="_blank">href="https://so06.tci- </a>thaijo.org/index.php/pub_jss/article/view/241794">[More Information]</a> Clark, J. (2018). The archive in time, temporal processes in the history of the Asian modern. Archival Turn: East Asian Contemporary Art and Taiwan (1960-1989), Taipei, Taiwan: Taipei Fine Arts Museum. Clark, J. (2020). Behind the Painting: Xu Bing's Hybrid Landscapes. In Sarah E. Fraser and Yu-Chieh Li (Eds.), Xu Bing: Beyond the Book from the Sky, (pp. 109-114). Singapore: <a href="/goto?url=http://dx.doi.org/10.1007/978-981-15-3064-" target="_blank">Springer. <a href="http://dx.doi.org/10.1007/978-981-15-3064- </a>7_8">[More Information]</a> Clark, J. (2018). Time Processes in the History of the Asian Modern. In Dan Karlholm, Keith Moxey (Eds.), Time in the History of Art: Temporality, Chronology and Anachrony, (pp. 45-61). New York: Routledge. <a <a href="/goto?url=http://dx.doi.org/10.4324/9781315229409-4">[More" target="_blank">href="http://dx.doi.org/10.4324/9781315229409-4">[More </a>Information]</a> Clark, J. (2020). Book review: 'Very Bangkok: In the City of the Senses' by Philip Cornwel-Smith, Bangkok: River Books, 2020. Journal of The Siam Society, 108(2), 237-241. 2017 Clark, J. (2020). Multiple Modernities: An Art History of 'The Asian Modern'. Humanities Australia, 11, 38-46. <a <a href="/goto?url=https://www.humanities.org.au/issue-item/humanities-" target="_blank">href="https://www.humanities.org.au/issue-item/humanities- </a>australia-no-11-2020/">[More Information]</a> Clark, J. (2017). Colonial Art as a Space of the Asian Modern. In Low Sze Wee, Patrick D Flores (Eds.), Charting Thoughts: Essays on Art in Southeast Asia, (pp. 44-59). Singapore: National Gallery Singapore. Ker, Y., Chotpradit, T., O'Connor, S., Soon, S., Abdullah, S., Nelson, R., Campos, P., Taylor, N., Mahamood, M., Chua, L., Clark, J., et al (2020). Teaching the History of Modern and Contemporary Art of Southeast Asia. Southeast of Now: Directions in Contemporary and Modern Art in Asia, 4(1), 101- <a href="/goto?url=http://dx.doi.org/10.1353/sen.2020.0005">[More" target="_blank">203. <a href="http://dx.doi.org/10.1353/sen.2020.0005">[More </a>Information]</a> Clark, J. (2017). Jun T. Lai in the 1980s and 1990s. Jun T. Lai: Wonderland, (pp. 36 - 39). Taichung, Taiwan: National Taiwan Museum of Fine Arts. Clark, J. (2017). Modern Art in Southeast Asia [reprint]. In Furuich Yasuko (Eds.), The Japan Foundation Asia Center Art Studies. Volume 3: Shaping the History of Art in Southeast Asia, (pp. 20-23). Tokyo: The Japan Foundation. Clark, J. (2020). The Asian Modern. Singapore: National Gallery Singapore. <a <a href="/goto?url=https://www.nationalgallery.sg/discover-" target="_blank">href="https://www.nationalgallery.sg/discover- </a>learn/publications/research-titles/The-Asian-Modern">[More Information]</a> Clark, J. (2017). Review of A Career of Japan: Baron Raimund von Stillfried and Early Yokohama Photography, by Luke Gartlan. Australian and New Zealand Journal of Art, 17(2), 261- 264. <a <a href="/goto?url=http://dx.doi.org/10.1080/14434318.2017.1450070">[Mor" target="_blank">href="http://dx.doi.org/10.1080/14434318.2017.1450070">[Mor </a>e Information]</a> 2019 Clark, J. (2019). Around the sides of the modern. Life Pilgrimages, (pp. 198 - 202). Hong Kong, Hong Kong (SAR of China): brownie publishing. 2016 Clark, J. (2016). Asian Art History in Australia: Its Functions and Audience. Australian and New Zealand Journal of Art, 16(2), 202-217. <a Clark, J. (2019). Meanwhile, snapshots across the river. 1st Bangkok Art Biennale 'Beyond Bliss' 2018, (pp. 412 - 417). <a href="/goto?url=http://dx.doi.org/10.1080/14434318.2016.1237929">[Mor" target="_blank">href="http://dx.doi.org/10.1080/14434318.2016.1237929">[Mor </a>e Information]</a> <a href="/goto?url=http://arthistoriography.wordpress.com/10-jun-" target="_blank">href="http://arthistoriography.wordpress.com/10-jun- </a>2014/">[More Information]</a> Clark, J. (2016). Building a Collection: Chinese Prints at the University of Sydney. In Stephen Whiteman, Minerva Inwald, Bingqing Wei, John Clark (Eds.), Floating Time: Chinese Prints, 1954-2002, (pp. 25-35). Sydney: Power Publications. Clark, J. (2014). Japan and Modern Asian Art. Journal of Fine Arts, 1(2), 49-80. Clark, J. (2014). The Worlding of the Asian Modern. In Michelle Antoinette, Caroline Turner (Eds.), Contemporary Asian Art and Exhibitions: Connectivities and World-making, (pp. 67-88). Canberra: ANU Press. <a <a href="/goto?url=http://dx.doi.org/10.22459/caae.11.2014.04">[More" target="_blank">href="http://dx.doi.org/10.22459/caae.11.2014.04">[More </a>Information]</a> Clark, J. (2016). John Young: Painting Simulacra and a Reenvisaged History. In Wu Hung (Eds.), Zhang Dali: Permanence and Impermanence, (pp. 134-151). Beijing: China Nationality Art Photograph Publishing House. Clark, J. (2016). Parallel Modernities: Approaching Modernity in Asia Outside Europe and America. In Sarah Lee, Sara Siew (Eds.), Reframing Modernism, (pp. 239-245). Singapore: National Gallery Singapore. Clark, J. (2014). Trajectories of the National: Xu Beihong and Arthur Kampf in Inter-Asian Comparison. In Wang Wenjuan (Eds.), Globalisation and Ethnicisation: Xu Beihong Art Research and Development in 21st Century China, (pp. 405- 424). Beijing: Chinese Peoples University Press. Clark, J. (2016). Review of Contemporary Chinese Art, A History 1970sï¿½2000s, by Wu Hung. Australian and New Zealand Journal of Art, 16(1), 106-108. <a 2013 <a href="/goto?url=http://dx.doi.org/10.1080/14434318.2016.1173618">[Mor" target="_blank">href="http://dx.doi.org/10.1080/14434318.2016.1173618">[Mor </a>e Information]</a> Clark, J. (2013). [Book review] Hans Belting, 'Florence and Baghdad: Renaissance Art and Arab Science'. Australian and New Zealand Journal of Art, 13, 185-189. Clark, J. (2016). Su Xinping. In Stephen Whiteman, Minerva Inwald, Bingqing Wei, John Clark (Eds.), Floating Time: Chinese Prints, 1954-2002, (pp. 99-117). Sydney: Power Publications. Clark, J. (2013). Asian Artists as Long-Distance Cultural Specialists in the Formation of Modernities. In Fuyubi Nakamura, Morgan Perkins, Olivier Krischer (Eds.), Asia through Art and Anthropology: Cultural Translation Across Borders, (pp. 19-32). London: Bloomsbury Academic, imprint of Bloomsbury. <a Clark, J. (2016). The Endogenous and the Exogenous Interface in Globalism: The Case of China and Thailand. In Hiroki Azuma (Eds.), Genron 3: Escape from Postwar Japanese Art, (pp. 212-232). Japan: Genron. <a href="/goto?url=http://dx.doi.org/10.5040/9781474214032.ch-" target="_blank">href="http://dx.doi.org/10.5040/9781474214032.ch- </a>001">[More Information]</a> Clark, J. (2016). The life and the work: Australian art biography. In Jaynie Anderson, Christopher R. Marshall, Andrew Yip (Eds.), The Legacies of Bernard Smith: Essays on Australian Art, History and Cultural Politics, (pp. 178-189). Sydney: Power Publications. Clark, J. (2013). Here we go Asian again. ORIENTing: Ian Fairweather in Western Australian Collections and With or Without You, (pp. 45 - 48). Perth, Australia: Lawrence Wilson Art Gallery. Clark, J. (2013). Jumaadi's Artwork. The Figural Poetry of 2015 Jumaadi, (pp. 40 - 43). Jakarta, Indonesia: Art:1. Clark, J. (2015). Canon-Making and Curating in Recent Asian Art. Journal of Fine Arts, 2(2), 33-93. Clark, J. (2013). Modernities of Japanese Art. Leiden: Brill. <a <a href="/goto?url=https://brill.com/view/title/22207?rskey=wnO1rC&result" target="_blank">href="https://brill.com/view/title/22207?rskey=wnO1rC&result </a>=1">[More Information]</a> Clark, J. (2015). Moral Tales, Now with Humor and Maybe Redemption. In A. Bergmann, S-L Hertel, J. Noth, A. Papist- Matsuo, W. Schrape (Eds.), Elegant Gathering in a Scholar's Garden: Studies in East Asian Art in Honor of Jeong-hee Lee- Kalisch, (pp. 287-291). Wiemar: Verlag und Datenbank fÃ¼r Geisteswissenschaften. Clark, J. (2013). Presenting the Self: Pictorial and Photographic Discourses in Nineteenth-century Dutch Indies and Siam. Ars Orientalis, 43, 66-81. Clark, J. (2013). The Elephant and The Ant: Chinese and Thai Art in the 1980s and 1990s. In Parul D Mukherji, Naman P Ahuja, Kavita Singh (Eds.), InFlux: Contemporary Art in Asia, (pp. 20-35). New Delhi: Sage Publications India Pvt. Ltd. Clark, J., Chen, W. (2015). Questions of Contemporary Discourse and Its Development in the Work of Araya Rasdjarmrearnsook. Xiandai Meishu, 176, 35-47. <a <a href="/goto?url=http://www.tfam.museum/Research/PublishingDetail.aspx" target="_blank">href="http://www.tfam.museum/Research/PublishingDetail.aspx </a>?ddlLang=en-us&id=983">[More Information]</a> Clark, J. (2013). The Endogenous-Exogenous Interface in Globalism: The Case of China and Thailand. In Hans Belting, Andrea Buddensieg, Peter Weibel (Eds.), The Global Contemporary and the Rise of New Art Worlds, (pp. 193-201). Karlsruhe, Germany: ZKM Publications. 2014 Clark, J. (2014). [Book Review] '"Avant-Garde" Art Groups in China, 1979â€“1989: The Stars - The Northern Art Group - The Pond Association - Xiamen Dada: A Critical Polylogue' by Paul Gladston. The China Journal, 72, 223-225. 2012 Clark, J. (2012). Modern and Contemporary Chinese Art: Main Issues. In Birgit Hopfener, Franziska Koch, Jeong-hee Lee- Kalisch, Juliane Noth (Eds.), Negotiating Difference: Contemporary Chinese Art in the Global Context, (pp. 33-47). Weimar: VDG Weimar. Clark, J. (2014). Alms to Stray Dogs and Other Stories: Araya Rasdjarmrearnsook in Conversation with John Clark. Art Monthly Australia, 268, 34-41. Clark, J., Veal, C. (2014). Araya Rasdjarmrearnsook: Storytellers of the Town. 4A Centre for Contemporary Asian Art; ANU Drill Hall Gallery, Sydney, Australia: 4A Centre for Contemporary Asian Art. Clark, J. (2012). Okakura Tenshin and Aesthetic Nationalism. In Rimer, J. Thomas (Eds.), Since Meiji: Perspectives on the Japanese Visual Arts, 1868-2000, (pp. 212-256). Honolulu: University of Hawaii Press. Clark, J. (2014). Is the Modernity of Chinese Art Comparable?: An Opening of a Theoretical Space. Journal of Art Historiography, 10. <a Clark, J. (2012). The Southeast Asian Modern: Three Artists. In Nora A. Taylor, Boreth Ly (Eds.), Modern and Contemporary Southeast Asian Art: An Anthology, (pp. 15-32). New York, United States: Cornell University Press. International Symposium: Globalization, localization, and Japanese studies in the Asia-Pacific region, Kyoto, Japan: International Research Center for Japanese Studies. 2011 Clark, J. (2011). 'Asian Art' and Australia. In Anderson, Jaynie (Eds.), The Cambridge Companion to Australian Art, (pp. 217- 230). Cambridge: Cambridge University Press. Clark, J. (2010). Modernities of Chinese Art. Leiden: Brill. <a <a href="/goto?url=https://brill.com/view/title/17889">[More" target="_blank">href="https://brill.com/view/title/17889">[More </a>Information]</a> Clark, J. (2011). An "Australian" creative space: where is Australian-Asian Art now? Contemporary Visual Art + Culture: Broadsheet, 40(2), 90-95. Clark, J. (2010). Setouchi art matters. Asian Art News 20(5), Volume 20 Issue 5, (pp. 50 - 54). Hong Kong, China (excludes SARs and Taiwan Province): Asian Art News. Clark, J. (2011). Charusu Waaguman, saikÃ´. Kindai Gasetsu, 20(4), 12-35. Clark, J. (2010). Taiwan in Venice. Taiwan Pavilion at the Venice Biennale: A Retrospective 1995-2007, (pp. 117 - 121). Taipei, Taiwan: Taipei Fine Arts Museum. Clark, J. (2011). Icon and Image in Modern Thai Art: A Preliminary Exploration. Contemporary Aesthetics, 3(Special), 1-31. Clark, J. (2010). The intractable wall and Asia. Contemporary Visual Art + Culture: Broadsheet 39(2), volume 39 Issue 2, (pp. 102 - 105). Adelaide, Australia: Contemporary Art Centre of South Australia (CACSA). Clark, J. (2011), Modern and Contemporary Asian Art: A Working Bibliography. <a <a href="/goto?url=http://sydney.edu.au/arts/art_history_film/documents/Clar" target="_blank">href="http://sydney.edu.au/arts/art_history_film/documents/Clar </a>k_Bibliography.pdf">[More Information]</a> Clark, J. (2010). Wirgman, Charles. The Oxford Dictionary of National Biography. Oxford: Oxford University Press. Clark, J. (2011). Open and closed discourses of Modernity in Asian Art. In Melissa Chiu, Benjamin Genocchio (Eds.), Contemporary Art in Asia: A Critical Reader, (pp. 27-45). United States of America: The MIT Press. 2009 Clark, J. (2009). Beyond the National, inside the Global: New Identity Strategies in Asian Art in the Twenty-First Century. 32nd International Congress in the History of Art 2008, Australia: The Miegunyah Press. Clark, J. (2011). Un Paris changeant: la capitale mondiale de l'art vue par les artistes venus de Chine (et de quelques autres pays d'Asie). Artistes chinois a Paris, (pp. 10 - 19). Paris, France: Paris Musees. Clark, J. (2009). Margo Machida, Unsettled Visions: Contemporary Asian American artists and the social imaginary. Asian Art News, 19(6), 120. 2010 Clark, J. (2009). Political expression and the recent Chinese landscape painting of Ding Fang. emaj: electronic Melbourne art journal, 4, 1-23. Clark, J. (2010). [Book review] Art in China 2/e, Oxford University Press, edited by C. Clunas. Asian Art News, 20(2), 100-100. Berghuis, T., Clark, J., Butler, R., Cruickshank, A. (2009). The Asia Pacific Triennial: an interview. Broadsheet, 38.4, (pp. 235 - 239). Adelaide, Australia: Contemporary Art Centre of South Australia (CACSA). Clark, J. (2010). A distant view. In James Elkins, Zhivka Valiavicharska and Alice Kim (Eds.), Art and globalization. University Park, PA: Pennsylvania State University Press. Clark, J. (2010). Art in Beijing 1981 & 1990. In John A Clark (Eds.), Modernities of Chinese Art, (pp. 19-27). Leiden: Brill. Clark, J. (2009). Zhi Jiang Dahai [For Jiang Dahai]. Jiang Dahai: Xuanchang / StringField, (pp. 109 - 110). Beijing, China (excludes SARs and Taiwan Province): Jinri Meishuguan. Clark, J. (2010). Asia's invisible [?] modernism. In Peking University Research Centre for Aesthetics and Aesthetic Education (Eds.), What is Chinese Contemporary Art?, (pp. 438- 459). Chengdu: Sichuan Meishu Chubanshe. 2008 Clark, J. (2008), Modern Asian art: the contemporary as a site in the absence of history. Clark, J. (2010). Asian Modernities: Chinese and Thai Art Compared, 1980 to 1999. Sydney, Australia: Power Publications. <a <a href="/goto?url=https://shop.powerpublications.com.au/products/test-" target="_blank">href="https://shop.powerpublications.com.au/products/test- </a>5">[More Information]</a> Clark, J. (2008). Modernities in art: how are they "other"? In Kitty Zijlmans and Wilfried van Damme (Eds.), World art studies: exploring concepts and approaches, (pp. 401-418). Amsterdam: Valiz. Clark, J. (2010). Beauty of Distance: postmortems John Clark. Contemporary Visual Art + Culture: Broadsheet 39(3), volume 39 issue 3, (pp. 207 - 207). Adelaide, Australia: Contemporary Art Centre of South Australia (CACSA). Jones, C., Clark, J. (2008). Nationalism and Internationalism in Modern Art. In Sarvepalli Gopal, Sergei L.Tikhvinsky (Eds.), History of Humanity: Scientific and Cultural Developement: Volume VII The Twentieth Century, (pp. 408-446). Paris, France: UNESCO Publishing. Clark, J. (2010). Biennials as structures for the writing of art history: the Asian perspective. In Elena Filipovic, Marieke van Hal, Solveig Ovstebo (Eds.), The Biennial Reader, (pp. 164- 183). Ostfildern, Germany: Hatje Cantz Verlag. 2007 Clark, J. (2007). Art In The Present Tense. Asian Art News 17(6), (pp. 110 - 117). Hong Kong, Afghanistan: Asian Art Press. Clark, J. (2010). Chinese modern artists in postwar France, 1980s and 1990s. In John A Clark (Eds.), Modernities of <ul style="display: flex;"><li style="flex:1">Chinese Art, (pp. 187-209). Leiden: Brill. </li><li style="flex:1">Clark, J., McCallum, P., Maxwell, I. (2007). Australian Arts: </li></ul>Where the Bloody Hell Are You? Australian Arts in an International Context: Proceedings of a Symposium held at University of Sydney on 8 December 2006. Australian Arts in an International Context: Symposium held at University of Sydney, Sydney: Sydney University Press. Clark, J. (2010). Fiona Tan: coming home. Art and Australia 47(4), volume 47 issue 4, (pp. 685 - 685). Sydney (Paddington), Australia: Art and Australia Pty Ltd. Clark, J. (2010). Japanese Contemporary Art and Globalization: Largely Seen from Participation in the Venice Biennale. Clark, J. (2007). Beyond Euramerica. In Peter Weibel/Andrea Buddensieg (Eds.), Contemporary art and the museum: a global perspective, (pp. 66-78). Ostfildern: Hatje Cantz Verlag. <a href="/goto?url=http://dx.doi.org/10.1353/jjs.2006.0005">[More" target="_blank">href="http://dx.doi.org/10.1353/jjs.2006.0005">[More </a>Information]</a> Clark, J. (2007). Concluding Remarks 2. 27th International Symposium. Traditional Japanese Arts and Crafts in the 21st Century, Fukui Japan: International Research Center for Japanese Studies. Clark, J. (2006). Luis Chan: A Hong Kong Modernist. In Jack Lee (Eds.), From Reality to Fantasy: the Art of Luis Chan, (pp. 112-116). Hong Kong: Asian Art Archive. Clark, J. (2006). Okakura Tenshin and Aesthetic Nationalism. Clark, J. (2007). Global Intentions. Asian Art News, 17, (pp. 77 - East Asian History, 29(June), 1-38. 81). Hong Kong, Hong Kong (SAR of China): Asian Art News. Clark, J. (2006). The discursive space of Asian Cubism. The Japan Foundation International Symposium 2005, Tokyo: The Japan Foundation. Clark, J. (2007). Histories of the Asian "New": Biennales and Contemporary Asian Art. In Vishakha N Desai (Eds.), Asian Art History in the 21st Century, (pp. 229-249). United States: Yale University Press. Clark, J. (2006). What Modern and Contemporary Asian Art is [or is not]: the view from MoMA and the view from Asia. In John Clark, Maurizio Peleggi, and T.K. Sabapathy (Eds.), Eye of the beholder : reception, audience, and practice of modern Asian Art, (pp. 297-317). Sydney: Wild Peony Pty Ltd. Clark, J. (2007). Hybridity in Asian art now. Journal of Korean

Publications for John Clark 2021 2020 2019

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