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International Trumpet Guild
L Journa of the International Trumpet Guild to promote communications among trumpet players around the world and to improveS.the artistic level of performance, teaching, and literature associated with the trumpet Vol. 8, No. 4 Anne F. Hardin, Editor May, 1984 Contents 2 From the President; From the Editor 3 General News, Michael Tunnell, Editor 11 An Innocent Abroad: Playing with a South American Orchestra by David Bannard 12 Masters of the Twentieth Century: Roger Dehnotte by Michel Laplace 16 Relaxation Techniques for Better Performance by Dr. Betty Scott 18 Follow-up Notes: “Homage to Pioneers” by Alvin Lowrey 19 Adolf Herseth: The Great Storyteller by Guido Frigerio 20 Beta Blockade and Stage Fright, Looking Back by Thomas A. Brantigan, DMA and Charles 0. Brantigan, MD 22 Record Reviews, Alvin Lowrey, Editor c 1983-1985 Officers President: Donald Bullock, School of Music, Western Michigan University, Kalamazoo, MI 49008 Vice President: Gordon Mathie, Crane School of Music, S.U.C., Potsdam, NY 13676 Secretary: Stephen Jones, School of Music, Western Michigan University, Kalamazoo, MI 49008 Treasurer: Bryan Goff, School of Music, Florida State University, Tallahassee, FL 32306 Past President: Charles Gorham, School of Music, Indiana University, Bloomington, IN 47405 Board of Directors Richard Burkart, Leonard Candelaria, Stephen Chenette, Vincent DiMartino, Timofei Dokschitzer, Bengt Eklund, Lloyd Geisler, Armando Ghitalla, Anthony Plog, Ray Sasaki, Charles Schlueter, Bobby Shew, Donald Tison, Michael Tunnel1 ITG Journal & Newsletter Staff Editor: Anne F. Hardin, Drawer 2025, Columbia, SC 29202 Assistant Editors: A. Keith Amstutz, Music Department, University of South Carolina, Columbia, SC 29208 H.M. Lewis, Music Department, Louisiana State University at Shreveport, Shreveport, LA 71115 Scott Sorenson, 1807 Second Avenue South No. -
VIDO MUSSO Discography Thanks to Daniel Gugolz, Bob Sunenblick and Leo T
VIDO MUSSO Discography Thanks to Daniel Gugolz, Bob Sunenblick and Leo T. Sullivan for Research Assistance Vido Musso, tenor saxophone on all tracks: Benny Goodman (cl) and His Orchestra: Pee Wee Erwin, Sterling Rose, Gordon Griffin, tpts; Red Ballard, Murray McEachern, trbs; Hymie Schertzer, Bill DePew, as; Dick Clark, Arthur Rollini, ts; Jess Stacy, pno; Alan Reuss, gtr; Harry Goodman, sb; Gene Krupa, dms; Fletcher Henderson, arr*; Jimmy Mundy, arr**; Helen Ward, vcl*** Hollywood, CA, August 21, 1936 97748-1 St. Louis Blues* Victor 25411 97750-1 Love Me or Leave Me* Victor 25406 97751-2 Bugle Call Rag Victor LP LPM-10022 Teddy Wilson (pno) and His Orchestra: Gordon Griffin, tpt; Benny Goodman, cl*; Alan Reuss, gtr; Harry Goodman, sb; Gene Krupa, dms; Lionel Hampton, vibes; Helen Ward (as Vera Lane), vcl**; Red Harper, vcl*** Los Angeles, August 24, 1936 LA-1158-A You Came To My Rescue*/** Brunswick 7739 LA-1159-A Here's Love In Your Eyes*/** - LA-1160-A You Turned The Tables On Me*** Brunswick 7736 LA-1161-A Sing, Baby, Sing*** - Benny Goodman (cl/as#) and His Orchestra: Gordon Griffin, Zeke Zarchy, Ziggy Elman, tpts; Red Ballard, Murray McEachern, trbs; Hymie Schertzer, Bill DePew, as; Arthur Rollini, ts; Jess Stacy, pno; Alan Reuss, gtr; Harry Goodman, sb; Gene Krupa, dms; Fletcher Henderson, arr*; Jimmy Mundy, arr**; Helen Ward, vcl*** New York City, October 7, 1936 0798-1 When a Lady Meets a Gentleman Down South*** Victor 25434 0799-1 You're Giving Me a Song and Dance*** - 02101-1 Organ Grinder's Swing Victor 25442 02102-1 Peter -
THE MARCEL BITSCH <I>VINGT ETUDES</I>
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Kentucky University of Kentucky UKnowledge Theses and Dissertations--Music Music 2012 LANGUAGE AS A PERFORMANCE PARAMETER: THE MARCEL BITSCH VINGT ETUDES Evan Benjamin Duke University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Duke, Evan Benjamin, "LANGUAGE AS A PERFORMANCE PARAMETER: THE MARCEL BITSCH VINGT ETUDES" (2012). Theses and Dissertations--Music. 2. https://uknowledge.uky.edu/music_etds/2 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained and attached hereto needed written permission statements(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine). I hereby grant to The University of Kentucky and its agents the non-exclusive license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless a preapproved embargo applies. -
Rick L. Pope Phonograph Record Collection 10 Soundtrack/WB/Record
1 Rick L. Pope Phonograph Record Collection 10 soundtrack/WB/record/archives 12 Songs of Christmas, Crosby, Sinatra, Waring/ Reprise/record/archives 15 Hits of Jimmie Rodgers/Dot / record/archives 15 Hits of Pat Boone/ Dot/ record/archives 24 Karat Gold From the Sound Stage , A Double Dozen of All Time Hits from the Movies/ MGM/ record/archives 42nd Street soundtrack/ RCA/ record/archives 50 Years of Film (1923-1973)/WB/ record set (3 records and 1 book)/archives 50 Years of Music (1923-1973)/WB/ record set (3 records and 1 book)/archives 60 years of Music America Likes Best vols 1-3/RCA Victor / record set (5 pieces collectively)/archives 60 Years of Music America Likes Best Vol.3 red seal/ RCA Victor/ record/archives 1776 soundtrack / Columbia/ record/archives 2001 A Space Oddyssey sound track/ MGM/ record/archives 2001 A Space Oddyssey sound track vol. 2 / MCA/ record/archives A Bing Crosby Christmas for Today’s Army/NA/ record set (2 pieces)/archives A Bing Crosby Collection vol. 1/ Columbia/record/archives A Bing Crosby Collection vol. 2/ Columbia/record/archives A Bing Crosby Collection vol. 3/ Columbia/record/archives A Bridge Too Far soundtrack/ United Artists/record/archives A Collector’s Porgy and Bess/ RCA/ record/archives A Collector’s Showboat/ RCA/ record/archives A Christmas Sing with Bing, Around the World/Decca/record/archives A Christmas Sing with Bing, Around the World/MCA/record/archives A Chorus Line soundtrack/ Columbia/ record/ archives 2 A Golden Encore/ Columbia/ record/archives A Legendary Performer Series ( -
Comparison Between J
Comparison between J. Haydn Trumpet Concerto in Eb and A. Arutiunian Trumpet Concerto in Ab By Neil Davidson Harrogate Grammar School Music A level project 1999 Contents Exposition of Aims History of the Haydn and Arutiunian Trumpet Concertos Joseph Haydn Alexander Arutiunian Rhythm Melody Texture / Timbre Form Conclusion Bibliography Appendices Timofei Dokshizer Interview with Arutiunian Comparison of the instruments of each orchestra The Keyed Eb Trumpet Russian Influences Programme Notes (HSO) 2 Exposition of Aims I have chosen to explore the two trumpet concerti by Joseph Haydn and Alexander Arutiunian because having played the trumpet for over nine years now I have discovered a particular interest in Russian brass music. I have seen John Wallace play the Arutiunian Trumpet concerto, accompanied by the Williams Fairey Brass Band in an arrangement by Roger Harvey at the Bridgewater Hall in Manchester last year. However, the Haydn trumpet concerto was my introduction to brass concertos and it was the first concerto I performed (2nd movement in 1998). I also intend to play the Arutiunian concerto for my A-level practical examination. The Haydn trumpet concerto is the most famous trumpet concerto written and is Haydn’s most well known concerto for any instrument so it serves as benchmark to contrast against the relatively modern and obscure Arutiunian concerto. I have studied Russian music as part of the Music A-level history syllabus and I enjoy the music of Oskar Bohme, Alexander Goedicke, Vassily Brandt, Alexandria Pakhmutova, and of course, Alexander Arutiunian. These are all Russian composers who made a significant contribution to the solo trumpet repertoire in the twentieth century. -
Sound the Trumpet:How to Blow Your Own Horn (No Reviews Yet)
Here’s What Others Have to Say About Sound the Trumpet:How to Blow Your Own Horn (no reviews yet) IranTrumpetSo, here’s the free E-book. Hope you enjoy it and find it useful. It won’t be available for purchase until it’s finished, and it’s not quite finished. I’m still working on the listening, repertoire, and Players Chapters (CH 2, CH 18, and CH 21) and a few other odds and ends. If you can help me out with suggestions or corrections, I’d be very grateful. Please E-mail [email protected]. If you do use this book and are able to contribute, there will be a donation button added to the web site soon (www.QuestionsInk.com/Books/tptbook.html). All donations will be used to defray printing costs. I sincerely hope you find this book useful and enjoyable. MANY THANKS! Jonathan Harnum IranTrumpet Sound the Trumpet IranTrumpetHow to Blow Your Own Horn The trumpet on the front cover is a Monette Bb trumpet. Monette trumpets are one of the most well-crafted horns on the planet. Learn more at: www.Monette.net To my teachers who took what was given; who gave what cannot be taken. Thank You! And Special Thanks to: My wonderful Michelle, Doris and Russ Riemann, Dave and Kathy Harnum, Andrea Harnum, my students and their parents, and Hank and Ana Hartman at Matanuska Music in Wasilla, Alaska. Sound the Trumpet: How to Blow Your Own Horn Published by Questions, Ink A Music Education Business www.QuestionsInk.com IranTrumpetCopyright © 2004 Questions, Ink. -
Historical Trumpet Discography Is a Continuation of Asst
Online article from the International Trumpet Guild ® Journal to promote communications among trumpet players around the world and to improve the artistic level of performance, teaching, and literature associated with the trumpet HIS TORICAL TRUMPET DISCOGRAPHY EDITED BY JOSEPH BOWMAN October 2009 • Online article The International Trumpet Guild ® (ITG) is the copyright owner of all data contained in this file. ITG gives the individual end-user the right to: • Download and retain an electronic copy of this file on a single workstation that you own • Transmit an unaltered copy of this file to any single individual end-user, so long as no fee, whether direct or indirect is charged • Print a single copy of pages of this file • Quote fair use passages of this file in not-for-profit research papers as long as the ITGJ, date, and page number are cited as the source. The International Trumpet Guild ® prohibits the following without prior writ ten permission: • Duplication or distribution of this file, the data contained herein, or printed copies made from this file for profit or for a charge, whether direct or indirect • Transmission of this file or the data contained herein to more than one individual end-user • Distribution of this file or the data contained herein in any form to more than one end user (as in the form of a chain letter) • Printing or distribution of more than a single copy of the pages of this file • Alteration of this file or the data contained herein • Placement of this file on any web site, server, or any other database or device that allows for the accessing or copying of this file or the data contained herein by any third party, including such a device intended to be used wholly within an institution. -
1944 Parlophone Rhythm Style Catalogue
\n\ HIM!MIX OF PREFACE By the Author. This fourth (1944) edition of the Parlophone "Rhythm-Style" Booklet Includes all new records Issued In the Parlophone " Rhythm-Style " and other jazz and swing music Series up to and including December, 1943. Also added to It are the Bessie Smith Memorial Album and a number of titles previously in the Columbia " Super-Swing Music " Series, but recently transferred to the Parlophone ** Swing " Series. (See " Swing " Series, Nos. 5 to 62, inclusive, on pages 37. 38 and 39). Another departure concerns records withdrawn from the catalogue. Not only are details given of all records deleted from the catalogue between January, 1942 and January. 1944. so that those possessing copies of them may verify their " per• sonnels " ; In addition, for the same reason, records deleted from the catalogue between January, 19-10. and December, 1941, which, because of their unavailability, were erased rom ths 1942 edition of this Booklet, have been reinstated In this new 1944 edition. These deletions are Identified In both the main numerical and Index to Titles sections by a black spot (• ) printed In the main section in front of the Artistes' names and In the Index to Titles section following the catalogue numbers. There are two more Innovations: Firstly, many hitherto unavailable recording dates of early recordings have been traced out and are now given for the first time. Secondly, for the benefit of those wishing to ascertain at a glance the various com• binations with which the various musicians have recorded, and the approximate periods during which they were members of, or (in the case of " pick-up " groups) recorded with, the said combinations, this information has been provided (where known) In the index to Artistes section. -