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Perspectives on the American Concert March in Music Education Robert Clark
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2009 Perspectives on the American Concert March in Music Education Robert Clark Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC PERSPECTIVES ON THE AMERICAN CONCERT MARCH IN MUSIC EDUCATION By ROBERT CLARK A Thesis submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Music Education Degree Awarded: Spring Semester, 2009 The members of the Committee approve the Thesis of Robert Henry Clark defended on March 30, 2009. __________________________ Steven Kelly Professor Directing Thesis __________________________ Patrick Dunnigan Committee Member __________________________ Christopher Moore Committee Member The Graduate School has verified and approved the above named committee members. ii ACKNOWLEDGEMENTS I would like to express my sincere appreciation to Dr. Bobby Adams, Jack Crew, Dr. James Croft, Joe Kreines, and Paula Thornton, who freely gave of their time, opinions, teaching methods, and wisdom to make the completion of this research study possible. They were as genuine, engaging, inspiring and generous as I had hoped…and more. It was my pleasure to get to know them all better. I would also like to thank my thesis committee, Dr. Steven Kelly, Dr. Patrick Dunnigan and Dr. Christopher Moore for dedicating the time and effort to review my research. I would especially like to thank Dr. Steven Kelly for his work in helping me refine this study, and am further appreciative to him for the guidance he has provided me throughout my undergraduate and graduate studies. -
Curriculum Vitae
Curriculum Vitae Lowell E. Graham 1058 Eagle Ridge El Paso, Texas 79912 Residence Work Home e-mail (915) 581-9741 (915) 747-7825 [email protected] Education Doctor of Musical Arts, Catholic University of America, 1977, Orchestral Conducting Graduate Studies in Music, University of Missouri at Kansas City, summers 1972 and 1973 Master of Arts, University of Northern Colorado, 1971, Clarinet Performance Bachelor of Arts, University of Northern Colorado, 1970, Music Education Military Professional Education Air War College, 1996 Air Command and Staff College, 1983 Squadron Officer School, 1977 Work Experience 2009 to Present Director of Orchestral Activities Music Director, UTEP Symphony Orchestra University of Texas at El Paso El Paso, Texas As the Director or Orchestral Activities I am responsible for the training and development of major orchestral ensembles at the university. I began a tradition of featuring faculty soloists as well as winners of the annual student Concerto Competition, now with an award offered by Olivas Music, providing the orchestra the opportunity to perform significant concerto literature as well as learning the art of accompanying. In 2012, I developed a new chamber orchestra called the “UTEP Virtuosi” focusing on significant string orchestra repertoire. I initiated a concert featuring music in movies and for stage in which that music is presented and integrated via multimedia with lectures and video. It has become the capstone event for the year featuring the artistry of faculty soloists and comments per classical music used in movies and music composed exclusively for that medium. Each year six performances are scheduled. Repertoire for each year covers all eras and styles. -
High School Band Required List
2021-2022 High School Band Required List Table of Contents Click on the links below to jump to that list Band Group I (Required) Group II (Required) Group III (Required) BAND 2021‐2022 ISSMA REQUIRED LIST HIGH SCHOOL Perform as published unless otherwise specified. OOP = Permanently Out of Print * = New Additions or Changes this year Approximate times indicated for most selections GROUP I (REQUIRED) Aegean Festival Overture Makris / Bader E.C. Schirmer 10:00 Aerial Fantasy Michael A. Mogensen Barnhouse 10:30 Al Fresco Karel Husa Associated Music 12:13 American Faces David R. Holsinger TRN 6:00 American Hymnsong Suite (mvts. 1 & 3 or mvts. 1 & 4) Dwayne Milburn Kjos 3:11 / 1:45 / 1:50 American Overture For Band Joseph Willcox Jenkins Presser 115‐40040 5:00 American Salute Gould / Lang Belwin / Alfred 4:45 And The Mountains Rising Nowhere Joseph Schwantner European American Music 12:00 And The Multitude With One Voice Spoke James Hosay Curnow 8:00 Angels In The Architecture Frank Ticheli Manhattan Beach 15:00 Apotheosis Kathryn Salfelder Kon Brio 5:45 Apotheosis Of This Earth Karel Husa Associated Music 8:38 Archangel Raphael Leaves A House Of Tobias Masanori Taruya Foster Music 9:00 Armenian Dances Part I Alfred Reed Sam Fox / Plymouth 10:30 Armenian Dances Part II Alfred Reed Barnhouse 9:30 Army Of The Nile (March) Alford or Alford / Fennell Boosey & Hawkes 3:00 Aspen Jubilee Ron Nelson Boosey & Hawkes 10:00 Asphalt Cocktail John Mackey Osti Music 6:00 Austrian Overture Thomas Doss DeHaske 10:20 Away Day A. -
International Trumpet Guild
L Journa of the International Trumpet Guild to promote communications among trumpet players around the world and to improveS.the artistic level of performance, teaching, and literature associated with the trumpet Vol. 8, No. 4 Anne F. Hardin, Editor May, 1984 Contents 2 From the President; From the Editor 3 General News, Michael Tunnell, Editor 11 An Innocent Abroad: Playing with a South American Orchestra by David Bannard 12 Masters of the Twentieth Century: Roger Dehnotte by Michel Laplace 16 Relaxation Techniques for Better Performance by Dr. Betty Scott 18 Follow-up Notes: “Homage to Pioneers” by Alvin Lowrey 19 Adolf Herseth: The Great Storyteller by Guido Frigerio 20 Beta Blockade and Stage Fright, Looking Back by Thomas A. Brantigan, DMA and Charles 0. Brantigan, MD 22 Record Reviews, Alvin Lowrey, Editor c 1983-1985 Officers President: Donald Bullock, School of Music, Western Michigan University, Kalamazoo, MI 49008 Vice President: Gordon Mathie, Crane School of Music, S.U.C., Potsdam, NY 13676 Secretary: Stephen Jones, School of Music, Western Michigan University, Kalamazoo, MI 49008 Treasurer: Bryan Goff, School of Music, Florida State University, Tallahassee, FL 32306 Past President: Charles Gorham, School of Music, Indiana University, Bloomington, IN 47405 Board of Directors Richard Burkart, Leonard Candelaria, Stephen Chenette, Vincent DiMartino, Timofei Dokschitzer, Bengt Eklund, Lloyd Geisler, Armando Ghitalla, Anthony Plog, Ray Sasaki, Charles Schlueter, Bobby Shew, Donald Tison, Michael Tunnel1 ITG Journal & Newsletter Staff Editor: Anne F. Hardin, Drawer 2025, Columbia, SC 29202 Assistant Editors: A. Keith Amstutz, Music Department, University of South Carolina, Columbia, SC 29208 H.M. Lewis, Music Department, Louisiana State University at Shreveport, Shreveport, LA 71115 Scott Sorenson, 1807 Second Avenue South No. -
VIDO MUSSO Discography Thanks to Daniel Gugolz, Bob Sunenblick and Leo T
VIDO MUSSO Discography Thanks to Daniel Gugolz, Bob Sunenblick and Leo T. Sullivan for Research Assistance Vido Musso, tenor saxophone on all tracks: Benny Goodman (cl) and His Orchestra: Pee Wee Erwin, Sterling Rose, Gordon Griffin, tpts; Red Ballard, Murray McEachern, trbs; Hymie Schertzer, Bill DePew, as; Dick Clark, Arthur Rollini, ts; Jess Stacy, pno; Alan Reuss, gtr; Harry Goodman, sb; Gene Krupa, dms; Fletcher Henderson, arr*; Jimmy Mundy, arr**; Helen Ward, vcl*** Hollywood, CA, August 21, 1936 97748-1 St. Louis Blues* Victor 25411 97750-1 Love Me or Leave Me* Victor 25406 97751-2 Bugle Call Rag Victor LP LPM-10022 Teddy Wilson (pno) and His Orchestra: Gordon Griffin, tpt; Benny Goodman, cl*; Alan Reuss, gtr; Harry Goodman, sb; Gene Krupa, dms; Lionel Hampton, vibes; Helen Ward (as Vera Lane), vcl**; Red Harper, vcl*** Los Angeles, August 24, 1936 LA-1158-A You Came To My Rescue*/** Brunswick 7739 LA-1159-A Here's Love In Your Eyes*/** - LA-1160-A You Turned The Tables On Me*** Brunswick 7736 LA-1161-A Sing, Baby, Sing*** - Benny Goodman (cl/as#) and His Orchestra: Gordon Griffin, Zeke Zarchy, Ziggy Elman, tpts; Red Ballard, Murray McEachern, trbs; Hymie Schertzer, Bill DePew, as; Arthur Rollini, ts; Jess Stacy, pno; Alan Reuss, gtr; Harry Goodman, sb; Gene Krupa, dms; Fletcher Henderson, arr*; Jimmy Mundy, arr**; Helen Ward, vcl*** New York City, October 7, 1936 0798-1 When a Lady Meets a Gentleman Down South*** Victor 25434 0799-1 You're Giving Me a Song and Dance*** - 02101-1 Organ Grinder's Swing Victor 25442 02102-1 Peter -
THE MARCEL BITSCH <I>VINGT ETUDES</I>
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Kentucky University of Kentucky UKnowledge Theses and Dissertations--Music Music 2012 LANGUAGE AS A PERFORMANCE PARAMETER: THE MARCEL BITSCH VINGT ETUDES Evan Benjamin Duke University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Duke, Evan Benjamin, "LANGUAGE AS A PERFORMANCE PARAMETER: THE MARCEL BITSCH VINGT ETUDES" (2012). Theses and Dissertations--Music. 2. https://uknowledge.uky.edu/music_etds/2 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained and attached hereto needed written permission statements(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine). I hereby grant to The University of Kentucky and its agents the non-exclusive license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless a preapproved embargo applies. -
Texas Bandmasters Association 2016 Convention/Clinic
The American March CLINICIAN: Lowell E. Graham, Col (ret.) USAF Texas Bandmasters Association 2016 Convention/Clinic JULY 21-24, 2016 HENRY B. GONZALEZ CONVENTION CENTER SAN ANTONIO, TEXAS “The American March” For the Texas Bandmasters Association By Lowell E. Graham, Col (ret.) USAF Professor of Music University of Texas at El Paso The American March THE OBVIOUS 1. Sir Donald Tovey identifies two basic types of rhythms – Speech and Body. I refer to these are music for the Brain and music for the Feet. 2. Marches are functional, physical and artistic. 3. Melody and articulation reigns supreme in marches. 4. Basic Types of Marches – Concert, Funeral or Dirge, Street (Military and Regimental), Quick Step and Circus (Screamers). PERFOMANCE ISSUES FOR ALL ENSEMBLES INTONATION 1. Tuners are good for one note only. Use your ears! 2. Intonation – tune unisons first, then octaves, then fifths. For the perception of good intonation, the bottom octave is perceived as correct as it is heard as the fundamental. Thirds will take care of themselves. 3. Ensembles play or sing in Pythagorean/Just tuning, not equal temperament. 4. Tuning Pitch (clarinet especially) – CO2 (Carbon Dioxide) content is greater when air flow begins making the pitch sharp for a moment until the air mixture stabilizes. PERFORMANCE PRACTICE 1. Articulate with more strength in quieter passages, not more legato or softer. 2. Attacks – Chewing the note, typically the first note of the piece. 3. Play full value – of course, if under a crescendo or diminuendo this does not apply. 4. Play rhythms as slowly as possible within the tempo to avoid compression. -
Rolling-Thunder.Pdf
YOUNG BAND ROLLING THUNDER Concert MARCH HENRY FILLMORE Arranged by CALVIN CUSTER INSTRUMENTATION 1 Conductor 5 1st B Trumpet 5 1st and 2nd C Flutes 5 2nd Bb Trumpet 2 Oboe 3 Horn bin F 5 1st B Clarinet 4 Trombone 5 2nd Bb Clarinet 2 Baritone 2 B Bassb Clarinet 2 Baritone Treble Clef 2 Bassoonb 4 Tuba 4 E Alto Saxophone 2 Mallet Percussion (Bells) 2 Bb Tenor Saxophone 4 Percussion (Snare Drum, 2 Eb Baritone Saxophone Bass Drum, Crash Cymbals) b proGRAM notes ROLLING THUNDER was written in 1916 by Henry Fillmore and has gained a reputation as one of the best known and best loved circus “Screamers”. Fillmore marked the tempo as FURIOUS with a metronome marking that is almost “out of sight”. It’s excitement as can only be generated by the big top and the three rings inside. Fillmore equals fun. Play the work in as brisk a fashion as is comfortable for the group… and most of all, have fun with it. Calvin Custer has transformed much of what was technically difficult in the original version to a more realistic level in this arrangement. The “tough stuff” is gone, but the great musical circus ex- citement is intact… and it remains a wonderful SCREAMER! Preview OnlyCalvin Custer LegalPlease note: Our bandUse and orchestra musicRequires is now being collated by an automatic Purchase high-speed system. The enclosed parts are now sorted by page count, rather than score order. We hope this will not present any difficulty for you in distributing the parts. Thank you for your understanding. -
Rick L. Pope Phonograph Record Collection 10 Soundtrack/WB/Record
1 Rick L. Pope Phonograph Record Collection 10 soundtrack/WB/record/archives 12 Songs of Christmas, Crosby, Sinatra, Waring/ Reprise/record/archives 15 Hits of Jimmie Rodgers/Dot / record/archives 15 Hits of Pat Boone/ Dot/ record/archives 24 Karat Gold From the Sound Stage , A Double Dozen of All Time Hits from the Movies/ MGM/ record/archives 42nd Street soundtrack/ RCA/ record/archives 50 Years of Film (1923-1973)/WB/ record set (3 records and 1 book)/archives 50 Years of Music (1923-1973)/WB/ record set (3 records and 1 book)/archives 60 years of Music America Likes Best vols 1-3/RCA Victor / record set (5 pieces collectively)/archives 60 Years of Music America Likes Best Vol.3 red seal/ RCA Victor/ record/archives 1776 soundtrack / Columbia/ record/archives 2001 A Space Oddyssey sound track/ MGM/ record/archives 2001 A Space Oddyssey sound track vol. 2 / MCA/ record/archives A Bing Crosby Christmas for Today’s Army/NA/ record set (2 pieces)/archives A Bing Crosby Collection vol. 1/ Columbia/record/archives A Bing Crosby Collection vol. 2/ Columbia/record/archives A Bing Crosby Collection vol. 3/ Columbia/record/archives A Bridge Too Far soundtrack/ United Artists/record/archives A Collector’s Porgy and Bess/ RCA/ record/archives A Collector’s Showboat/ RCA/ record/archives A Christmas Sing with Bing, Around the World/Decca/record/archives A Christmas Sing with Bing, Around the World/MCA/record/archives A Chorus Line soundtrack/ Columbia/ record/ archives 2 A Golden Encore/ Columbia/ record/archives A Legendary Performer Series ( -
Scholarly Publishing Services — UW Libraries
Co \'l\ ~ ~ d c\l' sL. ;;I~~ W&' ~~~R~~~~:~GTON 5--1 Paragons University of Washington Symphonic Band Dr. Steven Morrison, conductor University of Washington Wind Ensemble Timothy Salzman, conductor 7:30 PM March 7, 2017 Meany Theater UW MUSIC 2016-17 SEASON PROGRAM UNIVERSITY OF WASHINGTON SYMPHONIC BAND Or. Steven Morrison, conductor Moorside March (1927/1960)................~.;.{.!..1:......................... Gustav Holst (1874·1934), arr. Gordon Jacob (1895·1984) Z ~lity#-5 k.vmur :3 Chatterbox (2013) ..................................~.!.!.§. ......................................................................... Jason McChristian (b. 1979) Anita Kumar, conductor 1- r-ew-" M ~s k10 rnsc711 ~-. An Introduction to the Moon (2006) .....................12'z..Q!... ..? ......................................................................... Libby. Larsen (b. 1950) (:J ~Vf. ('#-5 morn >OY) -::;.. Entrance of the Gladiators (Thunder and Blazes) (1897/1910) .......... ~.:..?.1................................. Julius Fucik (1872·1916) arr. Louis·Philippe Laurendeau (1861-1916) UNIVERSITY OF WASHINGTON WIND ENSEMBLE Timothy Salzman, conductor \.. George Washington Bridge (1950) ..................'??.U.Q.......................................................... William Schuman (1910·1992) Shayna Stahl, conductor Redwood (201 0)..................................................&': .................................................................................z.. Ryan George (b. 1978) Doug Morin, conductor .3 re..wtvvt f::..S, S~ r2..w;.ti.-V\ -
Comparison Between J
Comparison between J. Haydn Trumpet Concerto in Eb and A. Arutiunian Trumpet Concerto in Ab By Neil Davidson Harrogate Grammar School Music A level project 1999 Contents Exposition of Aims History of the Haydn and Arutiunian Trumpet Concertos Joseph Haydn Alexander Arutiunian Rhythm Melody Texture / Timbre Form Conclusion Bibliography Appendices Timofei Dokshizer Interview with Arutiunian Comparison of the instruments of each orchestra The Keyed Eb Trumpet Russian Influences Programme Notes (HSO) 2 Exposition of Aims I have chosen to explore the two trumpet concerti by Joseph Haydn and Alexander Arutiunian because having played the trumpet for over nine years now I have discovered a particular interest in Russian brass music. I have seen John Wallace play the Arutiunian Trumpet concerto, accompanied by the Williams Fairey Brass Band in an arrangement by Roger Harvey at the Bridgewater Hall in Manchester last year. However, the Haydn trumpet concerto was my introduction to brass concertos and it was the first concerto I performed (2nd movement in 1998). I also intend to play the Arutiunian concerto for my A-level practical examination. The Haydn trumpet concerto is the most famous trumpet concerto written and is Haydn’s most well known concerto for any instrument so it serves as benchmark to contrast against the relatively modern and obscure Arutiunian concerto. I have studied Russian music as part of the Music A-level history syllabus and I enjoy the music of Oskar Bohme, Alexander Goedicke, Vassily Brandt, Alexandria Pakhmutova, and of course, Alexander Arutiunian. These are all Russian composers who made a significant contribution to the solo trumpet repertoire in the twentieth century. -
Cedar Falls Band Library, Status 9/28/11 Title Composer Arranger
Cedar Falls Band Library, status 9/28/11 Title Composer Arranger 12th Street Rag Bowman, E. L. 147th Field Artillery (band book #1) King, K. L. 1812 Overture Tschaikowsky Laurendeau, L. 20th Century (galop-xylophone) Stobbe, Wm. R. 20th Century March Losey, F. H. 22nd Regiment March Herbert, Victor 2nd Regiment Conn. N. G. March Reeves, D. W. 53rd Iowa N.G. March Fraser, C. A. St. Clare 80th Anniversary March Marsh, Ed Manuscript A. A. Harding March Mader, Carl A. A. Harding March Mader, Carl A.A.B.B. March Willcocks, G. H. Abdallah (band book #1) King, K. L. Abide With Me Monk, W. H. Briegel, G. F. Abu Hassan Overture von Weber, C. M. Rollinson, T. Aces of the Air (band book #2) King, K. L. Across the Danube Sousa, J. P. Adagio-Taratella Cavallini, Ernest Waln, George Adieu Lake, M. L. Adorable (waltz) Marion, G. Whiting Briegel, G. F. Adoration Borowski, F. Lake, M. L Africantus (4 perc) Brand, Morris Alan Age of Progress, The Goldman, Edwin Ah! Sweet Mystery of Life Herbert, Victor Trinkaus, J. G. Air Battle March, The Dalbey, C. W. Air Varie (solo for baritone) Harlow, Fred P. Akebond "Dawn" (Japanese Navy) Takayama, Min Akebono Al and Pal (solo for cornet) Short, T. V. Alameda Caneva, Ernest Alamo (band book #3) King, K. L. Alaska Overture Jones, Steven Album Leaf Wagner, Richard Johnson, C.W. Alexander's Rag Time Band Berlin, Irving Alfalfa Club March Howard, George Kepner, Fred Algeria (band book #3) King, K. L. All American March Crosby, Richard All I Owe Ioway Rodgers, Richard Leidzen, Erik Alla Barocco Gioyannini, Caesar Robinson, W.