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Klipsun Magazine, 1996, Volume 26, Issue 06-September

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Klipsun Magazine, 1996, Volume 26, Issue 06-September Western Washington University Western CEDAR Klipsun Magazine Western Student Publications 9-1996 Klipsun Magazine, 1996, Volume 26, Issue 06 - September Stephanie Thomson Western Washington University Follow this and additional works at: https://cedar.wwu.edu/klipsun_magazine Part of the Higher Education Commons, and the Journalism Studies Commons Recommended Citation Thomson, Stephanie, "Klipsun Magazine, 1996, Volume 26, Issue 06 - September" (1996). Klipsun Magazine. 174. https://cedar.wwu.edu/klipsun_magazine/174 This Issue is brought to you for free and open access by the Western Student Publications at Western CEDAR. It has been accepted for inclusion in Klipsun Magazine by an authorized administrator of Western CEDAR. For more information, please contact [email protected]. Editor’s Note Klipsun n the past few years, Klipsun has offered issues with assorted themes, such as politics, consumerism, women’s issues and rela­ W Washington University tionships. When the other editors and I sat down to select which Iarticles we wanted to run in this issue, we realized three stories shared VOLUME 26, ISSUE 6 a common theme — they all related to the performing arts. EDITOR: Stephanie Thomson MANAGING EDITOR: Heather Wlslet Jeremy Stiles gives us a sample of an ordinary open mic night STORY EDITORS: Collin Coyne at a downtown Bellingham bar, where performers with visions of star­ Wendy Gross PHOTOGRAPHY EDITOR: Tim Klein dom come together with performers who don’t have the same aspira­ LAYOUT COORDINATOR: Loc Nguyen tions but do share a love for music. illustrator: Kelly Jacksoii Wendy Gross spent time at Seattle’s O.K. Hotel interviewing STAFF WRITERS several Northwest poets prior to writing her article on spoken word Shelby Benny Joanna Cerar performances. Her story, which begins on page 14, captures both the Kristin Connolly Brett Davis spirit of the spoken word scene and the passion these artists have for Quincy Hanson their craft. Jennifer Hayes Jason W Hickman Similarly, Collin Coyne spins a local angle with a detailed Suann Landis account of what happened when the spoken word scene came to Jody Lindstrom Stephanie Moore Western in May. Rachel Morrow Finally, on page 21, Brian Olson chronicles the evolution of Brian Olson Annie Pierce an Afro-Cuban percussionist named Matt McCarter. A Fairhaven gradu­ Karl Schweizer ate, McCarter was inspired by a Grateful Dead show in 1991. Since Craig Scott Jeremy Stiles then, he has been honing his natural talent for drumming and also adviser: Carolyn Dale been sharing his skills with students. BUSINESS manager: Teari Brown It’s hard not to be envious of these performers because they Klipsun is a student publication distributed have all found something in their lives that makes getting out of bed free of charge twice a quarter. each day worth it. Not only do they have an outlet to express them­ ‘'Klipsun^ is a Lummi word meaning selves, but they do so in a way others can enjoy. “beautiful sunset.” Klipsun Magazine is I’d like to say we should all be so lucky, but if everyone had printed on 50 percent recycled paper, 10 percent post-consumer waste. We as much talent as some of these performers do, who would be left to encourage you to share this magazine with appreciate it? a friend and then recycle it. Klipsun Magazine is located in College Hall 137, Western Washington University, Bellingham, WA 98225. Thanks for reading, ©September 1996 Thanks to Laurie Rossman, Margaret Loudon, Ron Bailey and all the print plant staff 2 KLIPSUN ^ i!i«kui,)sun.*kliDsyn ^kl LUOS Lin. rn ^ khr Iff if Welcome to the soup kitchen 4 Volunteers dish out warm food and friendship. # V- hi By Shelby Benny l.bli!: ^ I • Kiiphun ^ iviiphun ^ KJiphun ^ Kiipsiui ^ Kiipsua ^ Kyp^^u.n ^ Kiifj ^ u i n' w ? I: ■•; ^ i s n ? Vvj n n ^ n i ^ kh!)s> ^ ® ^ khh?sh=-i ^ ^ '^^lir)s= mi ^ uUf rn )snrm ^ H’ ) : Search dogs — 7 I f Man’s best friend is an invaluable member of Bellingham’s Search and Rescue team. By Joanna Cerar i i-i * !\ ipsipsiin * kiipsun ^ klipsun ® kiipsuii ^ klipsim klipsi.ni ^ k 'iC S ’ *k ips 1.1; !> # % , ♦ kij|')\]in ♦ khiv.siin * Khnsi # Ir lir'KI -n •k i|')> * I," h..in * !\ 1 pt THE PERFORMING ARTS ♦k SliU. *k hi" Word association —14 :lin * u ..y -'S Seattle’s O.K. Hotel is a haven for spoken word performers and fans. 'sUll *k IDS A By Wendy Gross *k .Ips >iui * *k -ips Also — Spoken word comes to campus. ^ .Iv ’A By Collin Coyne '.UO® irv iim^ * k .ips No experience necessary — 19 >un ® The Beech House Pub welcomes locals to step into the spotlight on open mic nights. *k.J.ps ■^iin ^ •k U'S By Jeremy Stiles * k pv iim^ ii'v■ Finding the rhythm and following the beat 21 0./ i i i « *k. J.|)S Fairhaven graduate Matt McCarter emerges as a top-notch Afro-Cuban percussionist. ') y j *k JDSX. By Brian Olson * k ips klipsun * khiSiiM ^ klipsun ^ klipsun ^ k.iipsuo ^ klipsun ^ klipsun. ^ kiioson. * klipf msun* Kiipsun* klipsim« skpMm * klipsun *Idipsun ^ klipsim ^ kli.psim ^ klirjsim ^ klipsun ^ klipf i n # Ipf I ^ Ik i 1 s c.; \ 1 n ^ l< \ i r klipsun * k uHun * klipsun klipsun * klipsun ^ kli klipsun • ivlipsim • klipsim ^ klipsim * klipsun * kli Mission control — 11 klipsun*kimNun^^lipsllr^f 'p'U.,.*.J< Mormon missionaries spread the word in Bellingham. klipsim * Kdpsi P' v lipbun * L U * -slu 'rn;, ^: By Quincy Hanson klipsun *k ::'^un* Ahjmm * mij* <1:® ^l klipsun * KiipMin * Alipsun * k UHim*ykpsm *yup“' n ~ iU-"y A A ' ' klipsun* kimsim * -\hpsui' * yii[^vin » l' l'=fK5 m*:m; ♦klipsim ♦klipsun *kiif)sun ♦k ubmi The vertically liberated — 26 Hang gliding may look like a breeze, but it’s not for everyone. * klipsuni. * klipsim ♦klipsun ♦kl'Dsrm By Jennifer Hayes 1 •kSUb. '1 # 11 • '.i,; 1 r ^ KllOSUn *f^ d ^':"Sm S ' '' S- ^ *k / n ♦ k -'' .iV.i insii! ^ 'S! < n ^ * ‘ Cover illustration by Kelly Jackson. Back cover photo by Tim Klein. SEPTEMBER 1996 3 JLA Jl,s the rain pelted my “Whatever. I think that face and the wind whipped I’ll start on the salad and we’d my hair skyward, I smiled better get some meat loaf thinking of the afternoon that in too,” Mary Johnston, lay ahead of me. No talk shows 44, responded. or time spent with friends. Vekved and Johnston Instead, I had chosen to stood in the spacious, immacu­ volunteer by serving food to lately clean kitchen where the the homeless. food preparation for The Inn I walked through the gate University Ministry’s Soup in the cyclone fencing that led Kitchen takes place. to a large parking lot and Johnston and Vekved tease found my way to a heavy-look­ each other as they begin to pre­ ing metal door. pare the meal to be served to A little bit nervous about approximately 60 people later the adventure ahead of me, I that afternoon. quietly pulled the door open, “I’ve always heard about hoping to check out what was the soup kitchen, but I didn’t inside before anyone spotted get involved until October of me. Stepping out of the rain ‘95. The only way I can and through the door, I was describe what it’s like to greeted by a sudden rush work here is addictive. It’s defi­ of warmth and the sound nitely addictive,” Vekved said. of laughter. “You know, seeing the “What should we serve same people over and over today? I’m thinking some then getting to know them kind of tomatoey-type soup and week after week. I mean, some kind of potatoes,” said really getting to know them — Western student Kristin Vekved. where they came from, why 4 KLIPSUN hey're here and where they're “People should know that “This is what I can’t figure out. going. It's definitely addictive,” there’s young people who care. We People will make or pay money for she said, as she emptied all need to realize that just because a birdhouse or a doghouse. They’ll a can of stewed tomatoes into a someone is homeless doesn’t make make shelters for animals, but they large pot. them less of a person - they’re won’t take the time to build shelters real people, too. They’re people, for humans. People are sticking up not throw-aways,” Rieck said for animals who don’t have voices, D very seriously. but they won’t stick up for people JL-^efmitely addictive, said From looking around the whose voices have been taken away Johnston with a laugh. She pushes room, it’s evident that the due to circumstances they may not her short blond hair behind an ear volunteers care about the people understand,” JC said. as she explains how she became they are serving. involved with the soup kitchen. Since the time of my arrival, “I used to think when I saw 11 other individuals have arrived in people on the street that they must the kitchen full of energy and have problems and that’s why they purpose, even though slightly were there, but now I realize that’s wind-blown and damp from the not always true. rain outside. “I got involved with the soup All of them are anxious to help kitchen through a friend who told and have begun work by refilling me about it. They were always bowls with coffee, cocoa and tea, short-staffed when the college stu­ setting the six long tables with dents left for vacations, so I was eight place settings per table and recruited and here I am.” placing dishes on trays to send The Inn’s soup kitchen is through the industrial dishwasher.
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