ROMAN CONCEPTIONS of TWINS in the AUGUSTAN SUCCESSION By
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The Imperial Cult and the Individual
THE IMPERIAL CULT AND THE INDIVIDUAL: THE NEGOTIATION OF AUGUSTUS' PRIVATE WORSHIP DURING HIS LIFETIME AT ROME _______________________________________ A Dissertation presented to the Faculty of the Department of Ancient Mediterranean Studies at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy _____________________________________________________ by CLAIRE McGRAW Dr. Dennis Trout, Dissertation Supervisor MAY 2019 The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled THE IMPERIAL CULT AND THE INDIVIDUAL: THE NEGOTIATION OF AUGUSTUS' PRIVATE WORSHIP DURING HIS LIFETIME AT ROME presented by Claire McGraw, a candidate for the degree of doctor of philosophy, and hereby certify that, in their opinion, it is worthy of acceptance. _______________________________________________ Professor Dennis Trout _______________________________________________ Professor Anatole Mori _______________________________________________ Professor Raymond Marks _______________________________________________ Professor Marcello Mogetta _______________________________________________ Professor Sean Gurd DEDICATION There are many people who deserve to be mentioned here, and I hope I have not forgotten anyone. I must begin with my family, Tom, Michael, Lisa, and Mom. Their love and support throughout this entire process have meant so much to me. I dedicate this project to my Mom especially; I must acknowledge that nearly every good thing I know and good decision I’ve made is because of her. She has (literally and figuratively) pushed me to achieve this dream. Mom has been my rock, my wall to lean upon, every single day. I love you, Mom. Tom, Michael, and Lisa have been the best siblings and sister-in-law. Tom thinks what I do is cool, and that means the world to a little sister. -
The Chief Turning Point in the Long Course
C H A P T E R 4 T R L he chief turning point in the long course At the same time his social reforms, aimed chie y at of Roman history came in 31 BCE , with the the upper classes, were intended to return his subjects nal collapse of the Roman Republic, and to traditional family values. Laws provided tax breaks its replacement by an Imperial system of for large families and penalized couples who did not Tgovernment. Augustus, the rst emperor, was faced produce children and those who remained unmar- with the task of restoring peace. During his long reign, ried. Adultery became a crime against the state. the spread of economic prosperity produced a hard- Yet despite the success of Augustus’s political and working middle class, loyal to the central government. economic policies, it is doubtful if his moral reform- ing zeal met with more than polite attention. His own daughter and granddaughter, both named Julia, were notorious for their scandalous affairs. To make matters worse, one of the lovers of his daughter Julia was a son of the Emperor’s old enemy, Mark Antony, whose defeat and suicide in 31 BCE had brought the Republic crashing down. Whatever his personal feel- ings, duty compelled Augustus to banish Julia to a remote Mediterranean island. A few years later he had to nd another distant location for the banishment of his granddaughter. He hushed up the details of both scandals, but there was much gossip. Augustus himself created a personal image of ancient Roman frugality and morality, although on his death-bed he gave a clue as to his own more com- plex view of his life. -
1 APAH Daily Calendar 2020 21
APAH CALENDAR 2020 - 21 AP ART HISTORY *subject to constant change CALENDAR & OVERVIEW SUGGESTED SUMMER WORK: KHAN ACADEMY APAH250 IMAGES - APAH WEBSITE LINKS www.pinerichland.org/art BROWSING / SELF - QUIZ *click on APArtHistory tab on Left menu SUMMER SUGGESTED SUMMER WORK: VTHEARLE SUMMER LEARNING FILMS: Expanding upon APAH250 works and deepening RESOURCES VIA PRHS SITE context surrounding works DAILY CLASS READINGS - TO BE DONE BEFORE CLASS *Readings before class: QUIZ: G= Gardner’s Art Through the Ages I will evaluate your retention of class materials periodically in the form of a (DIGITAL EBOOK) POP QUIZ. K= Khan Academy (WEBSITE) Methods may vary: i.e. ‘Plickers’ / Google Quiz They will have a lower relative point value... Aka ‘The Fat these are designed to help guide my instruction ‘APAH 250 Stack’ FORMATIVE (forming understanding) vs. SUMMATIVE (sum end result) CARDS’TIMELINE (hallway) FRQ SIMULATION ESSAY WRITINGS: 3 PER QUARTER = 12 TOTAL FLASH CARDS Details on assignments to follow ‘TIMELINE FLASH CARDS’ for each piece in the 250 IMAGE SET will act GAME (WAR) as Instructional tools to help students learn the material FIELD TRIP (?) ‘HANDS ON’ STUDIO PROJECTS ~$15-$20 FREE CARDS! APRIL, 2021 -More info to come when possible or appropriate ANALYSIS ‘UNIT TESTS’ based on roughly 30 images each METHODS SUMMATIVE Assessment of learning in Units ‘CONCEPT MAPS’ for each piece in the 250 $94 IMAGE SET will act as Instructional tools to VISUAL help students learn the material ‘AP ART HISTORY EXAM’ THURS MAY 6, 2021 12PM shared via -
Calendar of Roman Events
Introduction Steve Worboys and I began this calendar in 1980 or 1981 when we discovered that the exact dates of many events survive from Roman antiquity, the most famous being the ides of March murder of Caesar. Flipping through a few books on Roman history revealed a handful of dates, and we believed that to fill every day of the year would certainly be impossible. From 1981 until 1989 I kept the calendar, adding dates as I ran across them. In 1989 I typed the list into the computer and we began again to plunder books and journals for dates, this time recording sources. Since then I have worked and reworked the Calendar, revising old entries and adding many, many more. The Roman Calendar The calendar was reformed twice, once by Caesar in 46 BC and later by Augustus in 8 BC. Each of these reforms is described in A. K. Michels’ book The Calendar of the Roman Republic. In an ordinary pre-Julian year, the number of days in each month was as follows: 29 January 31 May 29 September 28 February 29 June 31 October 31 March 31 Quintilis (July) 29 November 29 April 29 Sextilis (August) 29 December. The Romans did not number the days of the months consecutively. They reckoned backwards from three fixed points: The kalends, the nones, and the ides. The kalends is the first day of the month. For months with 31 days the nones fall on the 7th and the ides the 15th. For other months the nones fall on the 5th and the ides on the 13th. -
CJ-Online, 2018.10.02 BOOK REVIEW the Dancing Lares And
CJ-Online, 2018.10.02 BOOK REVIEW The Dancing Lares and the Serpent in the Garden: Religion at the Roman Street Cor- ner. By HARRIET I. FLOWER. Princeton, NJ and Oxford, UK: Princeton University Press, 2017. Pp. xiii + 394. Hardcover, $45.00. ISBN 978-0-691-17500-3. s the most thorough and modern treatment of the lares to date, Flower’s book examines the identity and characteristics of these deities, their roles as “gods of place,” the many spaces dedicated to them in households and Aneighborhoods and the ways in which Romans of varying gender and social sta- tus cultivated them. Drawing upon a wide array of sources, ranging from anti- quarian debates about the lares to paintings and inscriptions, Flower reconstructs the cult of the lares in Rome while also examining Pompeii and Delos as compar- ative case studies. This well-organized and comprehensive study is divided into four main parts, focusing on the nature of the lares, places associated with these deities, celebrations for them and their role in Augustan religious reform. In Part 1, “Lar(es) / Genius and Juno / Snake(s),” Flower discusses the char- acteristics of the lares, arguing for the theory that they were “gods of place” rather than for the leading alternative that they were spirits of deceased ancestors. Im- portant literary case studies in this section include Plautus’s Aulularia as the only instance of a lar in a speaking role, Cato’s descriptions of how both the vilicus and vilica cultivated the lar on a farm, and an exacting philological study of the term lar in Latin literature. -
Roman Religion
4 Roman Religion 1. “By pietas and fides the Romans Reached TheiR PResent eminence” the strength of Rome rested on a number of foundations. Among these were its extraordinarily vital political culture and its capacity to sustain warfare for extended periods of time. Previous chapters have emphasized these features, but in this chapter and the next, focus shifts to less obvious sources of Rome’s strength, namely the special character of its society whose dual foundations were the household and the civic religion of the city. Roman Religiosity during the period of the Republic, outsiders were struck by the religiosity of the Romans. In the second century b.c., Polybius, a Greek statesman and historian who lived much of his adult life in Rome, claimed that it was “scrupulous fear of the gods that kept the Roman commonwealth together” (6.56). A century or so later another expatriate Greek, Dionysius of Halicarnassus, was also impressed by the concern of Romans for religion. Writing about the second king of Rome, dionysius noted that as a result of Numa’s activities, Rome possessed more religious observances than any other city “Greek or non-Greek, even among those who thought of themselves as most god- fearing” (2.63). Needless to say, Romans themselves promoted the belief that fidelity to their oaths and treaties and their general reverence for the gods explained their imperial success. “the gods look kindly on these qualities, for it was by pietas and fides that Romans reached their present eminence” declared the consul Q. Marcius Philippus in 169 b.c. -
Roman Domestic Religion : a Study of the Roman Lararia
ROMAN DOMESTIC RELIGION : A STUDY OF THE ROMAN LARARIA by David Gerald Orr Thesis submitted to the Faculty of the Graduate School of the University of Maryland in partial fulfillment of the requirements fo r the degree of Master of Arts 1969 .':J • APPROVAL SHEET Title of Thesis: Roman Domestic Religion: A Study of the Roman Lararia Name of Candidate: David Gerald Orr Master of Arts, 1969 Thesis and Abstract Approved: UJ~ ~ J~· Wilhelmina F. {Ashemski Professor History Department Date Approved: '-»( 7 ~ 'ii, Ii (, J ABSTRACT Title of Thesis: Roman Domestic Religion: A Study of the Roman Lararia David Gerald Orr, Master of Arts, 1969 Thesis directed by: Wilhelmina F. Jashemski, Professor This study summarizes the existing information on the Roman domestic cult and illustrates it by a study of the arch eological evidence. The household shrines (lararia) of Pompeii are discussed in detail. Lararia from other parts of the Roman world are also studied. The domestic worship of the Lares, Vesta, and the Penates, is discussed and their evolution is described. The Lares, protective spirits of the household, were originally rural deities. However, the word Lares was used in many dif ferent connotations apart from domestic religion. Vesta was closely associated with the family hearth and was an ancient agrarian deity. The Penates, whose origins are largely un known, were probably the guardian spirits of the household storeroom. All of the above elements of Roman domestic worship are present in the lararia of Pompeii. The Genius was the living force of a man and was an important element in domestic religion. -
Imperial Image Prescribed Sources: Study Notes 2
Open University Department of Classical Studies Resources for A-Level Classical Civilisation Imperial Image Prescribed Sources: Study Notes 2 Prima Porta Statue Propertius Elegies 3.4 (War and Peace) Propertius Elegies 3.11 (Woman’s Power) Propertius Elegies 3.12 (Chaste and Faithful Galla) Propertius Elegies 4.6. (The Temple of Palatine Apollo) Ovid Metamorphoses 15.745-870 Suetonius Life of Augustus The Forum of Augustus Coin: Octavian/Restorer of laws and rights Coin: Augustus/Comet Coin: Augustus/Gaius and Lucius Caesar Imperial Image Augustus of Prima Porta (Statue) Context: Parthia: What?: Statue of Augustus. • Decoration includes a depiction of the return of When?: c. 20 BC. the Parthian standards. Where?: Found at Villa of Livia at Prima Porta. • Crassus lost these legionary standards to the Material: Marble (may have been a copy of a bronze statue Parthians in 53 BC. 40,000 Roman soldiers were set up elsewhere in Rome). killed. Height: 2.08 metres. • Tiberius negotiated the return of the standards in 20 BC. • The return of the standards was presented as Parthia submitting to Roman control, but Parthia remained an independent state. Stance/Posture: At the Feet: • Standing statue of a male. • Adjacent to the right leg is a cupid riding a • The figure appears young and athletic. dolphin. • Musculature is defined in the arms, legs and • This addition gave stability to the statue. breastplate. • The dolphin recalls Venus’ birth from the sea. • The pose and weight distribution echoes the • Venus was the mother of Aeneas, an ancestor of Doryphoros statue type, an embodiment of the Julian clan. -
A Theoretical Framework for Informal 3D Rendered Analysis of the Roman Lararium from Apollonia-Arsuf
Open Archaeology 2021; 7: 499–518 Research Article Kelly Gillikin Schoueri*, Marcio Teixeira-Bastos A Theoretical Framework for Informal 3D Rendered Analysis of the Roman Lararium from Apollonia-Arsuf https://doi.org/10.1515/opar-2020-0148 received December 4, 2020; accepted May 31, 2021 Abstract: Digital reconstruction and visualization of archaeological sites are beneficial not only for public edification and admiration, but they can also significantly contribute to the site interpretation process. By going beyond basic modeling scenarios, one can apply 3D analyses for accurately testing visibility and lighting parameters, among other aspects. Based on the results of these tests, further insights can be extrapolated about the lived experience of culturally specific ancient peoples. The case of a Roman “villa” at Apollonia-Arsuf in Israel presents the opportunity to apply these informal techniques to a household shrine, or niche-style lararium, found within the building in order to ascertain sightline visibility based on the architectural plan and visual impact as a result of artificial illumination from ceramic lamps. This paper also considers how photorealistic visualizations aid in phenomenological areas of research through sensory archaeology and sense of place, which in turn encourages reflection on the political, social, and religious meanings of the built environment. When we combine the power and diverse applications of 3D visualiza- tion technology with decades of research about Roman architecture, culture, religion, and social norms, the result is a step closer to recreating archaeological remnants and, in turn, understanding the ancient experience. Keywords: 3D visualization, visibility analysis, illumination, sensory archaeology, Roman Israel 1 Introduction Within the archaeology community, there has been an unspoken division between the creation and use of 3D models based on 3D surveys (photogrammetry, terrestrial laser scanning, image-based 3D modeling, etc.) versus 3D models created from computer graphic modeling software. -
The Origin of the Cult of the Lares
THE ORIGIN OF THE CULT OF THE LARES BY GORDON LAING In a recent number of the American Journal of Archaeology' Miss Margaret Waites revives she controversy in regard to the origin of the cult of the Lares. Adopting in substance the view held by Samter, De-Marchi, Rohde, von Domaszewski and others, she traces it to the worship of the Lar familiaris, in whom she recognizes "a good spirit, closely attached in each case to a'p'articular family, to its dwelling and to the territory immediately suIrrounding the house." The worship of this spirit, she argues, "contains many features which seem to point to a chthonic cult and which imply that the Lar was originally worshiped as the spirit of the ancestor who had founded the family and still watched with devotion over the fortunes of his descendants. " One's immediate reaction on reading this article is that among all the theories of cult origins that die hard, this ancestor theory of the worship of the Lares has one of the first places. It is probably as old as Plautus, certainly goes as far back as Varro, and has the support of other Roman writers; it has established itself in the commentaries on many Latin authors, is found in more than one dictionary of antiquities, and is defended even by those specialists in Roman religion and folklore whom I have mentioned above. Within recent years, to be sure, its prestige has suffered in no inconsiderable degree through the opposition of Wissowa in his article in Roscher's Lexicon, in his volume Religion und Kultus der Romer, his discussion in the Archiv fur Religionswissenschaft,2and in other places. -
Demeter Malophoros and Zeus Meilichios in Selinus
Journal of Ancient History 2019; 7(1): 62–110 Allaire B. Stallsmith* A Divine Couple: Demeter Malophoros and Zeus Meilichios in Selinus https://doi.org/10.1515/jah-2018-0019 Abstract: This paper concerns a collection of rough-hewn flat stelae excavated from the precinct of Zeus Meilichios in Selinus, Sicily between 1915 and 1926, a majority with two heads or busts, one male and one female, carved at their tops. These crudely fashioned idols are unique in their iconography. They combine the flat inscribed Punic stela with the Greek figural tradition, with some indigenous features. Their meaning is totally obscure – especially since they lack any literary reference. No comparable monuments have been found in ancient Mediterranean cult. The twin stelae were often set up above a collection of burnt rodent and bird bones, ashes, lamps, broken and burnt pottery and terracotta figurines, as a mem- orial of a sacrifice. The stelae were the objects of a gentilicial cult, similar to that posited for the inscribed “Meilichios stones” with which they shared the Field of Stelae of Zeus Meilichios. The theory advanced here interprets these diminutive stelae (average height 30 cm) as the objects of domestic cult. It was customary in many parts of the ancient Mediterranean, from the Bronze Age down to the Ro- man period, to venerate household or family gods who protected the health and the wealth of the family. They were thought to embody the spirits of the ancestors and could at times be identified with the gods of the state religion. This divine couple whose effigies were dedicated in the Field of Stelae over a period of four centuries, into the third century, cannot be claimed as Greek or Punic deities. -
The Purpose of Religious Festivals in Ancient Rome
Constructing the Past Volume 12 Issue 1 Article 13 5-15-2011 Don’t Fear the Reaper: The Purpose of Religious Festivals in Ancient Rome Emily A. Susina Illinois Wesleyan University, [email protected] Follow this and additional works at: https://digitalcommons.iwu.edu/constructing Recommended Citation Susina, Emily A. (2011) "Don’t Fear the Reaper: The Purpose of Religious Festivals in Ancient Rome," Constructing the Past: Vol. 12 : Iss. 1 , Article 13. Available at: https://digitalcommons.iwu.edu/constructing/vol12/iss1/13 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by editorial board of the Undergraduate Economic Review and the Economics Department at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. Don’t Fear the Reaper: The Purpose of Religious Festivals in Ancient Rome Abstract This paper discusses the way the political leaders of Rome during the periods of the late Republic and early Empire used religious festivals as a way of gaining and maintaining power among