The Importance of Photographic Gelatin
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Holography Split-Beam Transmission Hologram
Physics 331A Experiment 8 HOLOGRAPHY Revised 16 May 2005. When a hologram is made, a coherent beam of light is divided so that one beam (the reference beam) falls directly onto a piece of photographic film and another beam (the object beam) is formed from the light that is scattered by an object and falls onto the same piece of film. When the two beams are recombined in this way, they make an interference pattern which is recorded on the film. If the film is illuminated with coherent light, the light will be diffracted as if by a diffraction grating, giving rise to a diffraction pattern containing the zeroth and first orders. The first order reproduces the full wavefront of the light scattered from the original object and gives a 3D virtual image of the object for the light transmitted through the film and a 3D real image for the light reflected from the film. The purpose of this experiment is to investigate the properties of holograms by 1) making a transmission hologram of actual objects and observing its optical characteristics, and 2) making a diffraction grating by combining two beams of light in order to examine the holographic process in its simplest form. REFERENCES 1. Lipson, Optical Physics (3rd ed.), pp. 363-370. 2. M. Fran¸con, Holography, pp. 17-23, 29-36. (especially for understanding the diffraction grating) 3. M. Parker Givens, \Introduction to Holography," Am. J. Phys. 35, 1056 (1967). 4. J. E. Kasper and S. A. Feller, The Complete Book of Holograms: How they work and how to make them. -
Session Outline: History of the Daguerreotype
Fundamentals of the Conservation of Photographs SESSION: History of the Daguerreotype INSTRUCTOR: Grant B. Romer SESSION OUTLINE ABSTRACT The daguerreotype process evolved out of the collaboration of Louis Jacques Mande Daguerre (1787- 1851) and Nicephore Niepce, which began in 1827. During their experiments to invent a commercially viable system of photography a number of photographic processes were evolved which contributed elements that led to the daguerreotype. Following Niepce’s death in 1833, Daguerre continued experimentation and discovered in 1835 the basic principle of the process. Later, investigation of the process by prominent scientists led to important understandings and improvements. By 1843 the process had reached technical perfection and remained the commercially dominant system of photography in the world until the mid-1850’s. The image quality of the fine daguerreotype set the photographic standard and the photographic industry was established around it. The standardized daguerreotype process after 1843 entailed seven essential steps: plate polishing, sensitization, camera exposure, development, fixation, gilding, and drying. The daguerreotype process is explored more fully in the Technical Note: Daguerreotype. The daguerreotype image is seen as a positive to full effect through a combination of the reflection the plate surface and the scattering of light by the imaging particles. Housings exist in great variety of style, usually following the fashion of miniature portrait presentation. The daguerreotype plate is extremely vulnerable to mechanical damage and the deteriorating influences of atmospheric pollutants. Hence, highly colored and obscuring corrosion films are commonly found on daguerreotypes. Many daguerreotypes have been damaged or destroyed by uninformed attempts to wipe these films away. -
Digital Camera Functions All Photography Is Based on the Same
Digital Camera Functions All photography is based on the same optical principle of viewing objects with our eyes. In both cases, light is reflected off of an object and passes through a lens, which focuses the light rays, onto the light sensitive retina, in the case of eyesight, or onto film or an image sensor the case of traditional or digital photography. The shutter is a curtain that is placed between the lens and the camera that briefly opens to let light hit the film in conventional photography or the image sensor in digital photography. The shutter speed refers to how long the curtain stays open to let light in. The higher the number, the shorter the time, and consequently, the less light gets in. So, a shutter speed of 1/60th of a second lets in half the amount of light than a speed of 1/30th of a second. For most normal pictures, shutter speeds range from 1/30th of a second to 1/100th of a second. A faster shutter speed, such as 1/500th of a second or 1/1000th of a second, would be used to take a picture of a fast moving object such as a race car; while a slow shutter speed would be used to take pictures in low-light situations, such as when taking pictures of the moon at night. Remember that the longer the shutter stays open, the more chance the image will be blurred because a person cannot usually hold a camera still for very long. A tripod or other support mechanism should almost always be used to stabilize the camera when slow shutter speeds are used. -
Film Camera That Is Recommended by Photographers
Film Camera That Is Recommended By Photographers Filibusterous and natural-born Ollie fences while sputtering Mic homes her inspirers deformedly and flume anteriorly. Unexpurgated and untilled Ulysses rejigs his cannonball shaming whittles evenings. Karel lords self-confidently. Gear for you need repairing and that film camera is photographers use our links or a quest for themselves in even with Film still recommend anker as selections and by almost immediately if you. Want to simulate sunrise or sponsored content like walking into a punch in active facebook through any idea to that camera directly to use film? This error could family be caused by uploads being disabled within your php. If your phone cameras take away in film photographers. Informational statements regarding terms of film camera that is recommended by photographers? These things from the cost of equipment, recommend anker as true software gizmos are. For the size of film for street photography life is a mobile photography again later models are the film camera that is photographers stick to. Bag check fees can add staff quickly through long international flights, and the trek on entire body from carrying around heavy gear could make some break down trip. Depending on your goals, this concern make digitizing your analog shots and submitting them my stock photography worthwhile. If array passed by making instant film? Squashing ever more pixels on end a sensor makes for technical problems and, in come case, it may not finally the point. This sounds of the rolls royce of london in a film camera that is by a wide range not make photographs around food, you agree to. -
Basic Sensitometry and Characteristics of Film Basic Sensitometry and Characteristics of Film
BASIC SENSITOMETRY AND CHARACTERISTICS OF FILM BASIC SENSITOMETRY AND CHARACTERISTICS OF FILM BASIC PHOTOGRAPHIC SENSITOMETRY Sensitometry is the science behind the art of filmmaking. It is the measurement of a film’s characteristics. These measurements are expressed in numeric and chart form to convey how a film will react to the amount of light, the type of lighting, the amount of exposure, the type of developer, the amount of development, and how all these factors interact. In most cases, a cinematographer doesn’t need a great depth of technical information to use motion picture films—using the right film speed and the right process will suKce. On the other hand, having a basic understanding of film sensitometry will help you in tasks as simple as film selection to as complicated as communicating the mood of a challenging scene. THE CHARACTERISTIC CURVE At the heart of sensitometry is the characteristic curve. The characteristic curve plots the amount of exposure against the density achieved by that exposure: 3.0 2.8 2.6 2.4 Shoulder 2.2 2.0 1.8 Y Straight Line T 1.6 I S 1.4 N E D 1.2 1.0 Base-Plus-Fog or 0.8 Gross-Fog Density 0.6 Toe 0.4 0.2 0.0 3.0 2.0 1.0 0.0 1.0 2.0 LOG EXPOSURE To create a characteristic curve, we first need some densities to plot, and they come from a sensitometric tablet exposed onto the film. Commonly called a step tablet, this highly calibrated tool consists of 21 equally spaced intervals of grey. -
Reproducibility of Silver-Silver Halide Electrodes
U. S. DEPARTMENT OF COMMERCE NATIONAL BUREAU OF STANDARDS RESEARCH PAPER RP1183 Part of Journal of Research of the National Bureau of Standards, Volume 22, March 1939 REPRODUCIBILITY OF SILVER.SILVER HALIDE ELECTRODES 1 By John Keenan Taylor and Edgar Reynolds Smith ABSTRACT Tests of the reproducibility in potential of the electrolytic, thermal-electrolytic, and thermal types of silver-silver chloride, silver-silver bromide, and silver-silver iodide electrodes, in both acid and neutral solutions, are reported. All of these silver-silver halide electrodes show an aging effect, such that freshly prepared electrodes behave as cathodes towards electrodes previously aged in the solution. They are not affected in potential by exposure to light, but the presence of oxygen disturbs the potentials of the silver-silver chloride and silver-silver bromide elec trodes in acid solutions, and of the silver-silver iodide electrodes in both acid and neutral solutions. Except in the case of the silver-silver iodide electrodes, of which the thermal-electrolytic type seems more reliable than the electrolytic or the thermal type, the equilibrium potential is independent of the type, within about 0.02 mv. CONTENTS Page I. Introduetion_ __ _ _ _ __ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __ _ _ _ _ _ __ _ _ _ _ _ _ _ _ _ _ _ 307 II. Apparatus and materials_ _ _ _ _ _ _ _ _ _ _ _ _ __ __ _ _ ___ _ _ ____ _ _ _ _ ___ _ _ _ _ 308 III. -
Holographic Photochemistry, a Summary
Holographic photochemistry, a summary MAS 450/854 Introduction In holography class, we use “silver halide” plates exclusively as our photosensitive medium. “Silver halide” (sometimes referred to as AgH) is a term that includes silver chloride (AgCl) and, most commonly and also for our plates, silver bromide (AgBr). These plates are coated with an emulsion of gelatin (animal renderings, just like Jelloª) in which is suspended grains of silver halide crystals. These silver halide grains are sensitive to light. When a plate is exposed to light, a photons from the light source stream through the emulsion. Once in a while, a photon bumps into a silver grain. If a certain number of photons hit a grain, a small site of metallic silver is formed on that grain. Think of this site as being a mark on a silver halide grain. The chances of a grain being marked depends on the size (surface area) of the grain, the amount of light, and the length of exposure. In holographic emulsions, the grains are very fine (have a small surface area) in order to reproduce small fringes, so they aren’t very likely to be marked and thus such emulsions aren’t very sensitive. Collectively, the marked grains form a “latent” image: an invisible yet recorded pattern in the emulsion. Developers All of our plate processing begins with development. Developers are responsible for turning marked silver grains completely to metallic silver, which looks black when it is very small. Developers “amplify” the effect of exposure and make pho- tography as we know it possible. -
ARTS 2356 Photography I ASSIGNMENT: PHOTOGRAMS DUE
ARTS 2356 Photography I ASSIGNMENT: PHOTOGRAMS DUE: Assignment: Photograms Photography is often associated with “reality” or the capturing of “reality”. For a beginning photographer, the significance of this assignment is to experience the photographic medium without the distraction of this familiar association between photography and “reality.” A photogram consists of a photographic print or image being made without the traditional use of a negative. A photogram is made by placing any two or three dimensional object or objects between a light source and light-sensitive photographic paper. A wide range of values and details may be achieved with this process depending on the nature (shape, opacity, reflective quality texture, etc.) of the objects used. While making photograms all elements of design (composition, form, line, value, etc.) should be considered. For this assignment you will make several photograms on 8x10 paper. Use the images of landscapes/environments/place and still-lifes that you have collected in your journal as a guide for your photograms. You may choose to emulate an individual image directly or use combinations of the images to build a new composition. You may find it helpful to make simplified sketches of the original images. Study the images and sketches in your journal, giving consideration to the following: value (lights/darks), line, shape, pattern, texture, and composition. Collect objects considering their physicals properties such as shape, contour, reflective quality, texture, and opacity and how you think light will react... reflect and/or pass-through these objects. Please do not bring liquids or fine powdery/grainy/gritty substances to use for your photogram assignment.. -
Evolution of Photography: Film to Digital
University of North Georgia Nighthawks Open Institutional Repository Honors Theses Honors Program Fall 10-2-2018 Evolution of Photography: Film to Digital Charlotte McDonnold University of North Georgia, [email protected] Follow this and additional works at: https://digitalcommons.northgeorgia.edu/honors_theses Part of the Art and Design Commons, and the Fine Arts Commons Recommended Citation McDonnold, Charlotte, "Evolution of Photography: Film to Digital" (2018). Honors Theses. 63. https://digitalcommons.northgeorgia.edu/honors_theses/63 This Thesis is brought to you for free and open access by the Honors Program at Nighthawks Open Institutional Repository. It has been accepted for inclusion in Honors Theses by an authorized administrator of Nighthawks Open Institutional Repository. Evolution of Photography: Film to Digital A Thesis Submitted to the Faculty of the University of North Georgia In Partial Fulfillment Of the Requirements for the Degree Bachelor of Art in Studio Art, Photography and Graphic Design With Honors Charlotte McDonnold Fall 2018 EVOLUTION OF PHOTOGRAPHY 2 Acknowledgements I would like thank my thesis panel, Dr. Stephen Smith, Paul Dunlap, Christopher Dant, and Dr. Nancy Dalman. Without their support and guidance, this project would not have been possible. I would also like to thank my Honors Research Class from spring 2017. They provided great advice and were willing to listen to me talk about photography for an entire semester. A special thanks to my family and friends for reading over drafts, offering support, and advice throughout this project. EVOLUTION OF PHOTOGRAPHY 3 Abstract Due to the ever changing advancements in technology, photography is a constantly growing field. What was once an art form solely used by professionals is now accessible to every consumer in the world. -
Photodecomposition and Luminescence of Silver Halides
IS&T's 1999 PICS Conference Photodecomposition and Luminescence of Silver Halides Vitaliy M. Belous, Nina A. Orlovskaya, Alexander Yu. Akhmerov, Irina G. Zenkevich and Sergey A. Zhukov Research Institute of Physics, Odessa State University, Odessa, Ukraine Abstract the case of microcrystals of photographical emulsions they can be localized by a surface layer of gelatin adsorbed on Photodecomposition of silver halides occurs into silver and MC. halogen. Impurity centers appearing at this process influence Some products of photochemical decomposition of sil- on the luminescent and photographic properties of silver ha- ver halides can be centers of luminescence at low tempera- lide. It was shown that created under light absorption iodine, tures or influence the luminescent properties of silver halides. bromine and bromiodine (BrI) mole-cules determines typical Therefore luminescent method can be used for the study of luminescent bands. The same centers are able to localize elec- photochemical decomposition of silver halides.3,4 tron and create addi-tional recombination channel which act on the rise kinetics of different luminescence bands (green 1. Luminescence of Some Products of Silver emission in AgBrI and orange emission in AgBr), and deter- Halides Photochemical Decomposition mines the effect of “luminescence fatigue”. Localized by io- dine and bromiodine (BrI) molecules electrons during heat- Low temperature luminescence of silver halides can be ob- ing of a samples can be neutralized by movable silver ions. served in the wide range of wavelengths. At this condition This effect inhibit recombination of holes with these elec- emission in the same spectral region can be caused by lumi- trons which conditions ionic mechanism of quench-ing of lu- nescent centers of different nature. -
Intro to Digital Photography.Pdf
ABSTRACT Learn and master the basic features of your camera to gain better control of your photos. Individualized chapters on each of the cameras basic functions as well as cheat sheets you can download and print for use while shooting. Neuberger, Lawrence INTRO TO DGMA 3303 Digital Photography DIGITAL PHOTOGRAPHY Mastering the Basics Table of Contents Camera Controls ............................................................................................................................. 7 Camera Controls ......................................................................................................................... 7 Image Sensor .............................................................................................................................. 8 Camera Lens .............................................................................................................................. 8 Camera Modes ............................................................................................................................ 9 Built-in Flash ............................................................................................................................. 11 Viewing System ........................................................................................................................ 11 Image File Formats ....................................................................................................................... 13 File Compression ...................................................................................................................... -
REDISCOVER the WORLD of ANALOG PHOTOGRAPHY Rollei Cinestill Revolog Cinestill Rollei
CHOICES We carry the world’S LARGEST SELECTION of black & white and color film in almost every format that you can imagine! Take a sneak peek at some cool choices inside or check out our huge selection online. Check it out! www.FreestylePhoto.Biz Rollei CineStill Revolog PRSRT STD U.S. POSTAGE PAID PHOTO & IMAGING SUPPLIES FREESTYLE 5124 Sunset Boulevard Hollywood, CA 90027 800.292.6137 FreestylePhoto.Biz REDISCOVER THE WORLD OF WORLD THE REDISCOVER ANALOG PHOTOGRAPHY ANALOG NEW AGAIN! NEW 800.292.6137 PHOTO & IMAGING & PHOTO | FreestylePhoto.Biz SUPPLIES © Trevor Masid Trevor © What a unique time period to be a photographer ! Everyone is taking pictures. We document every event, and even non-events, T? in an instant. Our cell phones have more photographs taken with them than WHA calls made. The amount of photography produced is the greatest it has ever … From a Paintcan been in any time period. Social media has opened up an entire new world with LegacyPro Paintcan and a whole new generation of photographers. Pinhole Camera (page 7) THE JOURNEY IS ANALOG! So, what are we doing producing an Analog Catalog? … With a box with Ars Imago Lab Box (page 22) Thanks to all of the above, the interest in photography has increased as a whole. So why not go back to our roots! Living in this online world has not only created a new generation interested in experimentation, but also a renewed passion for the arts in its many facets…old and new! This has led to a boom in new and one-of-a-kind film stocks, a resurgence in all formats, and a desire for alternative processes and hand-made images.