Yale Department of French Fall 2015
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Continuing Professional Education in Open Access
Continuing Professional Education in Open Access. A French-German Survey Achim Oßwald, Joachim Schöpfel, Bernard Jacquemin To cite this version: Achim Oßwald, Joachim Schöpfel, Bernard Jacquemin. Continuing Professional Education in Open Access. A French-German Survey. LIBER Quarterly. The journal of the Association of European Research Libraries, LIBER, the Association of European Research Libraries., 2016, 26 (2), pp.43-66. 10.18352/lq.10158. hal-01367898 HAL Id: hal-01367898 https://hal.univ-lille.fr/hal-01367898 Submitted on 17 Sep 2016 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. A. Oßwald et al., Continuing Professional Education in Open Access Continuing Professional Education in Open Access a French-German Survey ¹Achim Oßwald ²Joachim Schöpfel, ²Bernard Jacquemin ¹Technische Hochschule Köln / Technology, Arts, Sciences, DE ²GERiiCO, Université de Lille, FR ¹[email protected] ²{Joachim.Schopfel,Bernard.Jacquemin}@univ-lille3.fr While open access (OA) has become a significant part of scientific communication and academic publishing, qualification issues have been out of focus in the OA community until recent years. Based on findings about the qualification for OA within university-based programs in France and Germany the authors surveyed continuing professional education activities regarding OA in both countries in the years 2012-2015. -
Coco Chanel's Comeback Fashions Reflect
CRITICS SCOFFED BUT WOMEN BOUGHT: COCO CHANEL’S COMEBACK FASHIONS REFLECT THE DESIRES OF THE 1950S AMERICAN WOMAN By Christina George The date was February 5, 1954. The time—l2:00 P.M.1 The place—Paris, France. The event—world renowned fashion designer Gabriel “Coco” Cha- nel’s comeback fashion show. Fashion editors, designers, and journalists from England, America and France waited anxiously to document the event.2 With such high anticipation, tickets to her show were hard to come by. Some mem- bers of the audience even sat on the floor.3 Life magazine reported, “Tickets were ripped off reserved seats, and overwhelmingly important fashion maga- zine editors were sent to sit on the stairs.”4 The first to walk out on the runway was a brunette model wearing “a plain navy suit with a box jacket and white blouse with a little bow tie.”5 This first design, and those that followed, disap- 1 Axel Madsen, Chanel: A Woman of her Own(New York: Henry Holt and Company, 1990), 287. 2 Madsen, Chanel: A Woman of her Own, 287; Edmonde Charles-Roux, Chanel: Her Life, her world-and the women behind the legend she herself created, trans. Nancy Amphoux, (New York: Alfred A. Knopf, Inc., 1975), 365. 3 “Chanel a La Page? ‘But No!’” Los Angeles Times, February 6, 1954. 4 “What Chanel Storm is About: She Takes a Chance on a Comeback,” Life, March 1, 1954, 49. 5 “Chanel a La Page? ‘But No!’” 79 the forum pointed onlookers. The next day, newspapers called her fashions outdated. -
Trade Mark Decisions (O/223/17)
O-223-17 TRADE MARKS ACT 1994 IN THE MATTER OF APPLICATION NO. 3139335 BY COCO’S LIBERTY LTD TO REGISTER THE TRADE MARK Coco’s Liberty IN CLASS 14 AND IN THE MATTER OF OPPOSITION THERETO UNDER NO. 406269 BY CHANEL LIMITED Background and pleadings 1) Coco’s Liberty Ltd (“the applicant”) applied to register under no 3139335 the mark “Coco’s Liberty” in the UK on 5 December 2015. It was accepted and published in the Trade Marks Journal on 18 December 2015 in respect of the following list of goods: Class 14: Jewellery, precious stones; Jewellery being articles of precious metals; Jewellery being articles of precious stones; Jewellery chain of precious metal for anklets; Jewellery chain of precious metal for necklaces; Jewellery coated with precious metal alloys; Jewellery coated with precious metals; Jewellery containing gold; Jewellery fashioned from bronze; Jewellery fashioned from non-precious metals; Jewellery fashioned of precious metals; Jewellery fashioned of semi-precious stones; Jewellery for personal adornment; Jewellery for personal wear; Jewellery in non-precious metals; Jewellery in semi-precious metals; Jewellery incorporating diamonds; Jewellery incorporating precious stones; Jewellery made from gold; Jewellery made from silver; Jewellery made of bronze; Jewellery made of non-precious metal; Jewellery made of precious metals; Jewellery made of precious stones; Jewellery made of semi-precious materials; Jewellery products; Jewellery rope chain for anklets; Jewellery rope chain for bracelets; Jewellery rope chain for necklaces; Jewellery plated with precious metals; Jewellery; Jewellery in precious metals; Jewellery of precious metals; Jewellery boxes. 2) Chanel Limited (“the opponent”) opposes the mark on the basis of section 5(2)(b), of the Trade Marks Act 1994 (“the Act”). -
Product Placement in Movie Industry
www.pwc.com/it 2012 Product Placement in Movie Industry Strategic Insights & Fashion Apparel Case Studies Agenda Page 1 Product Placement Overview in the Movie Industry 1 2 Product Placement in Movie Industry – Fashion Apparel 10 Case studies Section 1 Product Placement Overview in the Movie Industry PwC 1 Section 1 – Product Placement Overview in the Movie Industry PwC Strategy advises fashion clients in defining their marketing strategies There is a multiplicity of channels/means from which consumers can receive messages • Fashion shows Brand Awareness Seasonal • Media (TV, magazine, etc.) Exhibitions Instruments • • Catalogues • Sponsorships • … Customer Fidelisation • Showrooms • Corporate Magazines Institutional • Testimonials Instruments • … Product Sales increase Placement • Product Placements Emotional • Star Endorsements Lifestyle activities instruments • Global Reach • Shopping experience • … • Web site, social network, blog • Trunk Shows Stimulate a Relational • Word of mouth (co-marketing) Reaction instruments • Events • … PwC 2 Section 1 – Product Placement Overview in the Movie Industry How to reach a captive and involved audience? Product placement is a way of promoting a company or a product by using movies and other types of media to advertise the product or company. Product placements are often established by an agreement between a product manufacturer and the media company, in which the media company receives economic benefit. The Product Visual Placement - the (Placed product or brand) product, service, or logo can -
Pablo Picasso, Published by Christian Zervos, Which Places the Painter of the Demoiselles Davignon in the Context of His Own Work
PRESS KIT PICASSO 1932 Exhibition 10 October 2017 to 11 February 2018 ANNÉE ÉROTIQUE En partenariat avec Exposition réalisée grâce au soutien de 2 PICASSO 1932 ANNÉE ÉROTIQUE From 10 October to the 11 February 2018 at Musée national Picasso-Paris The first exhibition dedicated to the work of an artist from January 1 to December 31, the exhibition Picasso 1932 will present essential masterpieces in Picassos career as Le Rêve (oil on canvas, private collection) and numerous archival documents that place the creations of this year in their context. This event, organized in partnership with the Tate Modern in London, invites the visitor to follow the production of a particularly rich year in a rigorously chronological journey. It will question the famous formula of the artist, according to which the work that is done is a way of keeping his journal? which implies the idea of a coincidence between life and creation. Among the milestones of this exceptional year are the series of bathers and the colorful portraits and compositions around the figure of Marie-Thérèse Walter, posing the question of his works relationship to surrealism. In parallel with these sensual and erotic works, the artist returns to the theme of the Crucifixion while Brassaï realizes in December a photographic reportage in his workshop of Boisgeloup. 1932 also saw the museification of Picassos work through the organization of retrospectives at the Galerie Georges Petit in Paris and at the Kunsthaus in Zurich, which exhibited the Spanish painter to the public and critics for the first time since 1911. The year also marked the publication of the first volume of the Catalog raisonné of the work of Pablo Picasso, published by Christian Zervos, which places the painter of the Demoiselles dAvignon in the context of his own work. -
Teacher's Notes
For readers aged 4+ | 9781847807717 | Hardback | £9.99 Lots of the activities and discussion topics in these teacher’s notes are deliberately left open to encourage pupils to develop independent thinking around the book. This will help pupils build confidence in their ability to problem solve as individuals and also as part of a group. Little People, BIG DREAMS | teacher’s notes notes BIG DREAMS | teacher’s Little People, 1 Little People, BIG DREAMS Teachers’ Notes © 2018 Frances Lincoln Children’s Books. All Rights Reserved. Written by Eva John. www.quartoknows.com The Front Cover What do you think Coco Chanel’s big dream might have been? Do you know anything about Coco Chanel? The Blurb Does the blurb suggest that your idea about Coco’s big dream was correct? Check your understanding of the following words and phrases: • orphanage • cabaret singer • seamstress • fashion designer • style icon If you are not quite sure, you could consult with friends, use a dictionary, or read the book to see if you can work it out for yourself. The Endpapers What effect does looking at the end papers have on you? Why do you think the illustrator decided on this design? This is the story of a young girl called Gabrielle. When she was little, Gabrielle lived in an orphanage. What is an orphanage? Who do you think ran the orphanage? What sort of childhood do you imagine Gabrielle had there? Little People, BIG DREAMS | teacher’s notes notes BIG DREAMS | teacher’s Little People, notes BIG DREAMS | teacher’s Little People, 2 Little People, BIG DREAMS Teachers’ Notes © 2018 Frances Lincoln Children’s Books. -
Improving the Chances of Success of Its ANR Project Thanks to Open Science
Improving the chances of success of its ANR project thanks to Open Science Guide produced by the Research Data Working Group of the GTSO-Couperin April 2020 Version 1 DOI: 10.5281/zenodo.3749577 About the authors Romain Féret (ORCID ID: 0000-0002-1527-1482) is in charge of research data management and Open Access at the Library of the University of Lille. Since 2017, he has regularly supported the writing of grant proposals for ANR and H2020 projects. He also follows several ANR and H2020 on-going projects. He pilots the Working Group on Research Data of the GTSO-Couperin and represents the University of Lille in OpenAIRE. Laetitia Bracco (ORCID ID: 0000-0002-2939-9110) is data librarian at the Library of the University of 2 Lorraine. She supports PhD students and researchers in the management of research data and she produces data visualization for the monitoring of Open Science in her institution. Cécile Arènes (ORCID ID: 0000-0002-1839-3530) is data librarian at the library of Sorbonne Université. She is in charge of research data management and digital humanities. She assists researchers to write their data management plans and trains researchers and PhD students in open science. Stéphanie Cheviron is data librarian in charge of research data management at the Library of the University of Strasbourg since 2015. She's also functional project manager in charge of the development of scientific databases with researchers. Since 2019, she follows ANR and H2020 projects. Élise Lehoux (ORCID ID: 0000-0003-2929-6768) is project manager “Scientific and Technical Information and Research Data” at the University of Paris. -
Une Saison Picasso
UNE SAISON PICASSO ROUEN 1er AVRIL – 11 SEPTEMBRE 2017 DOSSIER PÉDAGOGIQUE RÉALISÉ PAR LE SERVICE DES PUBLICS ET LE SERVICE ÉDUCATIF DE LA RÉUNION DES MUSÉES MÉTROPOLITAINS musees-rouen-normandie.fr UNE SAISON PICASSO DOSSIER PÉDAGOGIQUE SOMMAIRE Dossier pédagogique réalisé par le service des publics et le service éducatif de la réunion des Musées Métropolitains 03 ÉDITO 04 BOISGELOUP, L’ATELIER NORMAND DE PICASSO — MUSÉE DES BEAUX-ARTS 09 FICHE ŒUVRE : PABLO PICASSO, Minotaure et cheval, 15 avril 1935 11 FICHE ŒUVRE : PABLO PICASSO, Figure assise dans un fauteuil rouge, fin janvier 1932 14 PICASSO SCULPTURES CÉRAMIQUES — MUSÉE DE LA CÉRAMIQUE 15 FICHE ŒUVRE : PABLO PICASSO, Colombe, 1953 18 GONZÁLEZ – PICASSO : UNE AMITIÉ DE FER — MUSÉE LE SECQ DES TOURNELLES 19 FICHE ŒUVRE : JULIO GONZÁLEZ, Femme à la corbeille, 1934 22 BIOGRAPHIES PICASSO – GONZÁLEZ 25 BIBLIOGRAPHIE 26 INFORMATIONS PRATIQUES 2 RÉUNION DES MUSÉES MÉTROPOLITAINS PICASSO, CE NORMAND… Peu de gens le savent, Picasso a résidé et travaillé pendant cinq années en Normandie, dans son château de Boisgeloup, près de Gisors. Jusqu’ici, aucun ouvrage, aucune exposition n’avaient été consacrés à cette période intensément créative, qui s’étend de 1930 à 1935, et voit Picasso pratiquer particulièrement la sculpture, mais aussi la peinture, le dessin, la gravure, la photographie avant de s’adonner à l’écriture. La Normandie, par ailleurs, n’avait encore jamais accueilli une exposition significative dédiée au grand maître du XXe siècle. Pour réparer ces lacunes, nous avons imaginé une véritable Saison Picasso, et réuni les meilleurs partenaires pour déployer pas moins de trois expositions dans autant de musées différents. -
Victor Hugo's Paris J-Term Course in Paris, France, 2019
Victor Hugo’s Paris J-Term course in Paris, France, 2019 (ISHU 3720) BIS Program, School of Continuing and Professional Studies December 28, 2018-January 10, 2019 Syllabus DRAFT NB: Details may change because of specialists’ availability, site openings, weather or text availability. Program Director & Instructor: Marva Barnett Professor Emeritus (formerly professor at the UVA Center for Teaching Excellence and in the Drama and French Departments) Important Contact Info Marva Barnett’s cell in France: US cell: TBA Assistant’s US cell in France: TBA “To study in Paris is to be born in Paris!” « Étudier à Paris, c’est être né à Paris! » ― Victor Hugo, Les Misérables I, 3, ii “Whoever contemplates the depths of Paris is seized with vertigo. Nothing is more fantastic, nothing is more tragic, nothing is more superb.” « Qui regarde au fond de Paris a le vertige. Rien de plus fantasque, rien de plus tragique, rien de plus superbe. » ― Victor Hugo, Introduction to Paris-Guide, Part III, 1867 “To stray is human; to saunter is Parisian.” « Errer est humain, flâner est parisien. » ― Victor Hugo, Les Misérables III, 4, i Note: To get Hugo’s joke, you need to understand the French pun. “Errer” means both “to err” and “to stray, or get lost” and “errer est humain“ is as familiar as our “to err is human.” Course Description: One might argue, as slate.fr has, that Victor Hugo is Paris. A great Romantic poet and world-renowned novelist and social-justice fighter, Victor Hugo dominated nineteenth-century Paris. Students taking this BIS-affiliated J-Term course, “Victor Hugo’s Paris” will explore the City of Lights from literary, historical, artistic, biographical and cultural perspectives. -
Prickly but Puppyish in San Francisco 5 Artists in 'Energy That Is All
enthusiasm and prickly negativity. Though not a collective, they shared enough to warrant a group label, and as they became celebrated in San Francisco and Prickly but Puppyish in San Francisco beyond, the critic Glen Helfand’s coinage stuck: the 5 Artists in ‘Energy That Is All Around: Mission Mission School. School’ By Ken Johnson April 24, 2014 Chris Johanson’s “The Inside of a Mind” from the early 1990s. Courtesy of the artist, Collection of Mariallidia Marcotulli, Bolinas, Calif. Youth, they say, is wasted on the young, but it wasn’t on the five artists featured in “Energy That Is All Around: Mission School,” an exhibition at the Grey Art Gallery that bristles infectiously with youthful urgency. An untitled work by Margaret Kilgallen from 2000. Estate of Margaret Kilgallen and Ratio 3, San Francisco The artists — Chris Johanson, Margaret Kilgallen, Barry McGee, Alicia McCarthy and Ruby Neri — were Organized by the independent curator Natasha Boas for all born between 1967 and 1970 and came of age while the San Francisco Art Institute, where it appeared last living in San Francisco’s Mission District when it was year, the exhibition presents nearly 130 paintings, still a low-rent neighborhood, in the 1990s on the eve of drawings and sculptures dating from roughly 1990 to the first dot-com boom. Mr. McGee, Ms. McCarthy and 2013. Works by the five are intermixed throughout so Ms. Neri were students at and then graduates of the San that at first it’s hard to tell which are whose without a Francisco Art Institute, while Ms. -
Paris & London Architecture & Urbanism Program Suggested
Paris & London Architecture & Urbanism Program Suggested Activities in Paris Summer 2018 Use this list of other temporary exhibits, events, and lesser-known museums around Paris to explore other activities on your own based on your areas of interest. …And don’t forget to check out the Facebook page for Boston University Study Abroad– Paris for info about events, exhibits, cinema, and visits going on during your stay in Paris! Picasso: History of the Guernica Celebrating the 80th anniversary of the creation of one of Picasso’s most famous and exceptional paintings, the National Picasso Museum in Paris in partnership with the Queen Sophia National Museum has dedicated an entire exhibit to the history of the Guernica. Painted in 1937, this monumental work of art became an iconic symbol of both anti-fascism and peace. Artists, historians, and intellectuals have been debating its true meaning since its creation. This singular exhibit traces Picasso’s artistic journey through the ‘30s and how the Spanish civil war impacted his work. (Inspirelle.com) When: Through July 29 Tues-Fri 10:30am-6pm Sat-Sun 9:30am-6pm Where: Musée Picasso Paris 5 rue de Thorigny 75003 Paris Metro: Saint Paul (line 1) or Saint-Sébastien-Froissant or Chemin Vert (both line 8) Cost: 11€ with passport and student card (may be free if your visa is longer), free 1st Sun of the month Website: http://www.museepicassoparis.fr/exposition-guernica/ Champs-Elysées Film Festival This annual film festival showcases American and French independent films for a week with premieres, conferences, after parties, and live music. -
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Yale university press Fall/Winter 2020 Marcus Carey Batchelor Bate Under the Red White A Little History of The Art of Solitude Radical Wordsworth and Blue Poetry Hardcover Hardcover Hardcover Hardcover 978-0-300-25093-0 978-0-300-16964-5 978-0-300-22890-8 978-0-300-23222-6 $23.00 $35.00 $26.00 $25.00 Unwin/Tipling Delbanco Leibovitz Campbell Flights of Passage Why Writing Matters Stan Lee Year of Peril Hardcover Hardcover Hardcover Hardcover 978-0-300-24744-2 978-0-300-24597-4 978-0-300-23034-5 978-0-300-23378-0 $40.00 $26.00 $26.00 $30.00 Van Engen Reynolds Taylor Musonius Rufus City on a Hill Allah Sons of the Waves That One Should Hardcover Hardcover Hardcover Disdain Hardships 978-0-300-22975-2 978-0-300-24658-2 978-0-300-24571-4 Hardcover $30.00 $30.00 $30.00 978-0-300-22603-4 $22.00 RECENT GENERAL INTEREST HIGHLIGHTS Yale university press FALL/WINTER 2020 GENERAL INTEREST 01 JEWISH LIVES® 24 MARGELLOS WORLD REPUBLIC OF LETTERS 26 SCHOLARLY AND ACADEMIC 56 PAPERBACK REPRINTS 73 ART + ARCHITECTURE A 1 front cover illustration: Via Roma, Genoa, Italy, ca. 1895. From Stories for the Years, page 28 “This book is superb, utterly FROM TAKE ARMS AGAINST A SEA OF TROUBLES: convincing, and absolutely invigorating. Bloom’s final argument with mortality What you read and how deeply you read matters almost as much as how you ultimately has a rejuvenating love, work, exercise, vote, practice charity, strive for social justice, cultivate effect upon the reader, kindness and courtesy, worship if you are capable of worship.