Office of Tax Policy Research Family Tree – Volume 6
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Yale university press Fall/Winter 2020 Marcus Carey Batchelor Bate Under the Red White A Little History of The Art of Solitude Radical Wordsworth and Blue Poetry Hardcover Hardcover Hardcover Hardcover 978-0-300-25093-0 978-0-300-16964-5 978-0-300-22890-8 978-0-300-23222-6 $23.00 $35.00 $26.00 $25.00 Unwin/Tipling Delbanco Leibovitz Campbell Flights of Passage Why Writing Matters Stan Lee Year of Peril Hardcover Hardcover Hardcover Hardcover 978-0-300-24744-2 978-0-300-24597-4 978-0-300-23034-5 978-0-300-23378-0 $40.00 $26.00 $26.00 $30.00 Van Engen Reynolds Taylor Musonius Rufus City on a Hill Allah Sons of the Waves That One Should Hardcover Hardcover Hardcover Disdain Hardships 978-0-300-22975-2 978-0-300-24658-2 978-0-300-24571-4 Hardcover $30.00 $30.00 $30.00 978-0-300-22603-4 $22.00 RECENT GENERAL INTEREST HIGHLIGHTS Yale university press FALL/WINTER 2020 GENERAL INTEREST 01 JEWISH LIVES® 24 MARGELLOS WORLD REPUBLIC OF LETTERS 26 SCHOLARLY AND ACADEMIC 56 PAPERBACK REPRINTS 73 ART + ARCHITECTURE A 1 front cover illustration: Via Roma, Genoa, Italy, ca. 1895. From Stories for the Years, page 28 “This book is superb, utterly FROM TAKE ARMS AGAINST A SEA OF TROUBLES: convincing, and absolutely invigorating. Bloom’s final argument with mortality What you read and how deeply you read matters almost as much as how you ultimately has a rejuvenating love, work, exercise, vote, practice charity, strive for social justice, cultivate effect upon the reader, kindness and courtesy, worship if you are capable of worship. -
Reading Guide: Queen of Fashion: What Marie Antoinette Wore to the Revolution Caroline Weber (2006)
Reading Guide: Queen of Fashion: What Marie Antoinette Wore to the Revolution Caroline Weber (2006) 1. In Queen of Fashion, Caroline Weber has a very specific argument. What is her argument, and do you think she supports it well? Why or why not? 2. Do you agree with the portrait the author presents of Marie Antoinette? Is it a fair portrait? Why or why not? 3. After reading this book, do you have a different impression of the legendary French queen? Do you sympathize with her? Why or why not? 4. In the chapter Stripped and the chapter Black, Weber correlates Marie Antoinette’s life with the mythical character Medea. Do you agree with her parallel? Why or why not? 5. Often, Marie Antoinette was seen as usurping the role of the King’s mistress, rather than playing the traditional part of the Queen. Why was this, and do you think this was a fair judgment by her contemporaries? 6. Why was there so much disapproval of Marie Antoinette’s donning of the gaulle, by both the royalty and the commoners, it was adopted as revolutionarily appropriate attire? 7. As a whole, how much of a role do you believe clothing played in the French Revolution? MFAH Rienzi and Bayou Bend Book Club January 2012 [email protected] 713.639.7800 About Caroline Weber Caroline Weber is an associate professor of French and Comparative Literature at Barnard College, Columbia University. She has also taught at Yale University and the University of Pennsylvania. In addition to her books, she also has had articles published in the New York Times, The Washington Post, Bookforum, and Vogue.1 Also by Caroline Weber If you liked Queen of Fashion, you may also like: Terror and Its Discontents: Suspect Worlds in Revolutionary France (2003)| A revealing look at the reign of terror through the eyes of its contemporary figures. -
Yale Department of French Fall 2015
yale department of french fall 2015 GREETINGS IT WAS AN “ANNÉE MARQUANTE”— international conference on “The Bazin in the best and worst sense: PATRICK Era: French Postwar Journals and the FROM THE MODIANO’s Nobel Prize in November, the Politics of Popular Culture.” (See program Charlie Hebdo and Hyper Cacher attacks here.) One of the highlights of the event CHAIR in January, and now, as we go to press, the was the screening of a rare print of Nicole terror of November 13, which has split Verdrès’s film La vie commence demain— our world violently into a before and after. featuring Gide, Sarte, and Le Corbusier Fluctuat nec mergitur. playing themselves! Here on campus, in the fall of 2014, The year was particularly rich in MAURICE SAMUELS kindly stepped in as lectures—some of them responding acting chair during my leave, and when we met again at the start of spring semester, it was to gather together as a department in a meeting to discuss the January events and the French demonstrations that followed. Being in a French Department took on a new meaning for most of us, suddenly called upon by students and by colleagues across the campus to make sense of “laïcité,” French satire, Republicanism. As I wrote this chair’s message, our colleague PATRICK WEIL had just published Le Sens de la République, giving new meaning to old CONTINUED ON PAGE 2 notions and opening up fresh debates. In late February DUDLEY ANDREW and YUE ZHUO organized a brilliant CAN A 3D PRINTER INTERPRET LITERATURE? In the fall of 2014, MORGANE CADIEU organized a an object that Vladimir Nabokov famously characterized as collaboration between the French Department and the Center virtually impossible to picture: Charles Bovary’s hat. -
The Society of Fellows and Heyman Center for the Humanities
The Society of Fellows and Heyman Center for the Humanities Annual Report 2018–2019 The Society of Fellows and Heyman Center for the Humanities Mail Code 5700 Columbia University 2960 Broadway New York, NY 10027 Phone: (212) 854-8443 Fax: (212) 662-7289 [email protected] www.societyoffellows.columbia.edu By FedEx or UPS: The Society of Fellows and Heyman Center for the Humanities 74 Morningside Drive Heyman Center, First Floor East Campus Residential Center Columbia University The Lionel Trilling Seminar: Lydia Davis on “Arles” New York, NY 10027 Posters courtesy of designers Amelia Saul and Sean Boggs Page 59: Women MAs, Trinity College, Dublin, courtesy of the Mistress and Fellows, Girton College, Cambridge Contents Report From the Chair and Thursday Lectures Series 21 the Executive Director 5 Fall 2018: Fellows’ Talks 23 Members of the 2018–2019 Governing Board 8 Spring 2019: Guest Lectures on “Observation and Obfuscation” 27 Forty-Fourth Annual Fellowship Competition 9 SOF/Heyman Event Highlights 31 Fellows in Residence 2018–2019 11 Joelle M. Abi-Rached 12 SOF/Heyman Series and Workshops 45 JM Chris Chang 13 Politics of the Present 46 Christopher M. Florio 14 13/13 Critique & Praxis 49 Ardeta Gjikola 15 Explorations in the Medical Humanities 49 Arden Hegele 16 New Books in the Arts and Sciences 51 Whitney Laemmli 17 New Books in the Society of Fellows 57 Rachel Nolan 18 Heyman Center Fellows 2018–2019 59 María González Pendás 19 Alumni Fellows News 63 Alumni Fellows Directory 64 2018–2019 Fellows at the annual year-end Spring gathering (from left): JM Chris Chang (2018–2021), Arden Hegele (2016–2019), Rachel Nolan (2018–2019), María González Pendás (2016–2019), Whitney Laemmli (2016–2019), Joelle M.