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Vasari's Castration of Caelus: Invention and Programme
VASARI’S CASTRATION OF CAELUS: INVENTION AND PROGRAMME GIORGIO VASARI: The “CASTRAZIONE DEL CIELO FATTA DA SATURNO” [1558], in: Ragionamento di Giorgio Vasari Pittore Aretino fatto in Firenze sopra le invenzioni delle storie dipinte nelle stanze nuove nel palazzo ducale Con lo Illustrissimo Don Francesco De’ Medici primo genito del Duca Cosimo duca di Fiorenza, Firenze, Biblioteca della Galleria degli Uffizi (Manoscritto 11) and COSIMO BARTOLI: „CASTRATIONE DEL CIELO“, 1555, in: “Lo Zibaldone di Giorgio Vasari”, Arezzo, Casa Vasari, Archivio vasariano, (Codice 31) edited with an essay by CHARLES DAVIS FONTES 47 [10 February 2010] Zitierfähige URL: http://archiv.ub.uni-heidelberg.de/artdok/volltexte/2010/894/ urn:nbn:de:bsz:16-artdok-8948 1 PREFACE: The Ragionamenti of Giorgio Vasari, describing his paintings in the Palazzo Vecchio in Florence, the Medici ducal palace, is a leading example of a sixteenth-century publication in which the author describes in extenso his own works, explicating the inventions and, at times, the artistry that lie behind them, as well as documenting the iconographic programme which he has followed. Many of the early surviving letters by Vasari follow a similar intention. Vasari began working in the Palazzo Vecchio in 1555, and he completed the painting of the Salone dei Cinquecento in 1565. Vasari had completed a first draft of the Ragionamenti in 1558, and in 1560 he brought it to Rome, where it was read by Annibale Caro and shown to Michelangelo (“et molti ragionamenti fatte delle cose dell’arte per poter finire quel Dialogo che già Vi lessi, ragionando lui et io insieme”: Vasari to Duke Cosimo, 9 April 1560). -
Open Master Thesis Hungli Wang 071720.Pdf
Choose an item. The Pennsylvania State University The Graduate School CHARACTERIZATION OF MICROBIAL DYNAMICS AND VOLATILE METABOLOME CHANGES DURING FERMENTATION OF CHAMBOURCIN GRAPES IN TWO PENNSYLVANIA REGIONS A Thesis in Food Science by Hung Li Wang © 2020 Hung Li Wang Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Science August 2020 The thesis of THEHung LiPURDUE Wang was UNIVERSITY reviewed and approved GRADUATE by the following: SCHOOL Josephine Wee STATEMENT OF COMMITTEE APPROVAL Assistant Professor of Food Science Thesis Advisor Helene Hopfer Assistant Professor of Food Science Darrell W. Cockburn Assistant Professor of Food Science Robert F. Roberts Professor of Food Science Head of the Department of Food Science Approved by: Dr. ii ABSTRACT Numerous studies have indicated that the wine microbiome could generate various volatile compounds which could lead to distinguishing and different wine characteristics. However, little research regarding the wine microbiome is investigating specific microorganisms and their role within the entire microbial community under a more comprehensive sampling method. Thus, in this study we conducted direct sampling from Central and Northeast PA wineries instead of using lab-scale production to study the effect of the wine microbiome on the wine metabolome. Resulting grape and wine samples were characterized by next-generation sequencing and headspace-solid phase microextraction-gas chromatography-mass spectrometry (HS-SPME-GC-MS). Collectively, the innovative sampling and experimental techniques provided a high-resolution picture of microbial dynamics and the resulting wine volatile profiles. Overall, we illustrated how microbial diversity and relative abundance of specific microorganisms change as fermentation progressed. Also, various wine volatile metabolites that are formed during the different fermentation stages were identified. -
Saturn As the “Sun of Night” in Ancient Near Eastern Tradition ∗
Saturn as the “Sun of Night” in Ancient Near Eastern Tradition ∗ Marinus Anthony van der Sluijs – Seongnam (Korea) Peter James – London [This article tackles two issues in the “proto-astronomical” conception of the planet Saturn, first attested in Mesopotamia and followed by the Greeks and Hindus: the long-standing problem of Saturn’s baffling association with the Sun; and why Saturn was deemed to be “black”. After an extensive consideration of explanations offered from the 5th century to the 21st, as well as some new “thought experiments”, we suggest that Saturn’s connection with the Sun had its roots in the observations that Saturn’s course appears to be the steadiest one among the planets and that its synodic period – of all the planets – most closely resembles the length of the solar year. For the black colour attributed to Saturn we propose a solution which is partly lexical and partly observational (due to atmospheric effects). Finally, some thoughts are offered on the question why in Hellenistic times some considered the “mock sun” Phaethon of Greek myth to have been Saturn]. Keywords: Saturn, planets, Sun, planet colour. 1. INTRODUCTION Since the late 19th century scholars have been puzzled by a conspicuous peculiarity in the Babylonian nomenclature for the planet Saturn: a number of texts refer to Saturn as the “Sun” ( dutu/20 or Šamaš ), instead of its usual astronomical names Kayam ānu and mul UDU.IDIM. 1 This curious practice was in vogue during the period c. 750-612 BC 2 and is not known from earlier periods, with a single possible exception, discussed below. -
Official Journal of the European Communities No L 214/ 1
16 . 8 . 80 Official Journal of the European Communities No L 214/ 1 I (Acts whose publication is obligatory) COMMISSION REGULATION (EEC) No 2164/80 of 8 August 1980 amending for the seventh time Regulation ( EEC) No 1608/76 laying down detailed rules for the description and presentation of wines and grape musts THE COMMISSION OF THE EUROPEAN on an additional label placed in the same field of COMMUNITIES , vision as the other mandatory information ; Having regard to the Treaty establishing the European Economic Community, Whereas the nominal volume of containers with a volume of not less than 5 ml and not more than 10 1 suitable for putting up wines and grape musts which Having regard to Council Regulation (EEC) No are the subject of intra-Community trade is governed 337/79 of 5 February 1979 on the common organi by Council Directive 75/ 106/EEC of 19 December zation of the market in wine ('), as last amended by 1974 on the approximation of the laws of the Regulation (EEC) No 1988 / 80 (2 ), and in particular Member States relating to the making-up by volume Article 54 ( 5) thereof, of certain prepackaged liquids (8 ), as amended by Directive 79/ 1005 /EEC ( 9); whereas it is necessary, Whereas Council Regulation ( EEC) No 355 /79 of first, to adjust Regulation (EEC) No 1608 /76 in line 5 February 1979 laying down general rules for the with the amendments to that Directive and , secondly, description , and presentation of wines and grape in order to enable the wines and grape musts already musts (■'), as amended by Regulation (EEC) No -
Elicitation of Grapevine Defense Responses Against Plasmopara Viticola , the Causal Agent of Downy Mildew
Elicitation of grapevine defense responses against Plasmopara viticola , the causal agent of downy mildew Dissertation zur Erlangung des Doktorgrades (Dr. rer. nat.) der Naturwissenschaftlichen Fachbereiche der Justus-Liebig-Universität Gießen Durchgeführt am Institut für Phytopathologie und Angewandte Zoologie Vorgelegt von M.Sc. Moustafa Selim aus Kairo, Ägypten Dekan: Prof. Dr. Peter Kämpfer 1. Gutachter: Prof. Dr. Karl-Heinz Kogel 2. Gutachterin: Prof. Dr. Tina Trenczek Dedication / Widmung I. DEDICATION / WIDMUNG: Für alle, die nach Wissen streben Und ihren Horizont erweitern möchten bereit sind, alles zu geben Und das Unbekannte nicht fürchten Für alle, die bereit sind, sich zu schlagen In der Wissenschaftsschlacht keine Angst haben Wissen ist Macht **************** For all who seek knowledge And want to expand their horizon Who are ready to give everything And do not fear the unknown For all who are willing to fight In the science battle Who have no fear Because Knowledge is power I Declaration / Erklärung II. DECLARATION I hereby declare that the submitted work was made by myself. I also declare that I did not use any other auxiliary material than that indicated in this work and that work of others has been always cited. This work was not either as such or similarly submitted to any other academic authority. ERKLÄRUNG Hiermit erklare ich, dass ich die vorliegende Arbeit selbststandig angefertigt und nur die angegebenen Quellen and Hilfsmittel verwendet habe und die Arbeit der anderen wurde immer zitiert. Die Arbeit lag in gleicher oder ahnlicher Form noch keiner anderen Prufungsbehorde vor. II Contents III. CONTENTS I. DEDICATION / WIDMUNG……………...............................................................I II. ERKLÄRUNG / DECLARATION .…………………….........................................II III. -
Ancient Rome
HISTORY AND GEOGRAPHY Ancient Julius Caesar Rome Reader Caesar Augustus The Second Punic War Cleopatra THIS BOOK IS THE PROPERTY OF: STATE Book No. PROVINCE Enter information COUNTY in spaces to the left as PARISH instructed. SCHOOL DISTRICT OTHER CONDITION Year ISSUED TO Used ISSUED RETURNED PUPILS to whom this textbook is issued must not write on any page or mark any part of it in any way, consumable textbooks excepted. 1. Teachers should see that the pupil’s name is clearly written in ink in the spaces above in every book issued. 2. The following terms should be used in recording the condition of the book: New; Good; Fair; Poor; Bad. Ancient Rome Reader Creative Commons Licensing This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. You are free: to Share—to copy, distribute, and transmit the work to Remix—to adapt the work Under the following conditions: Attribution—You must attribute the work in the following manner: This work is based on an original work of the Core Knowledge® Foundation (www.coreknowledge.org) made available through licensing under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. This does not in any way imply that the Core Knowledge Foundation endorses this work. Noncommercial—You may not use this work for commercial purposes. Share Alike—If you alter, transform, or build upon this work, you may distribute the resulting work only under the same or similar license to this one. With the understanding that: For any reuse or distribution, you must make clear to others the license terms of this work. -
Roman Gods and Goddesses
History Romans History | LKS2 | Romans | Gods and Goddesses | Lesson 5 Aim • I can understand what religious beliefs the Romans had and know about some of the gods and goddesses that they worshipped. SuccessSuccess Criteria • IStatement can explain 1 Lorem the different ipsum dolor elements sit amet of Roman, consectetur religion. adipiscing elit. • IStatement can tell you 2 the names of some of the main Roman gods and • Sub statement goddesses and write about what they represented to the Roman people. Roman Religion In the earlier Roman times, the Roman people believed in many different gods and goddesses whom they believed controlled different aspects of their lives. They did not have a central belief system of their own as such, but rather borrowed gods, rituals and superstitions from a number of sources and adapted them to suit their own needs. The Romans believed in good and bad omens and they performed many rituals in the hope of receiving good luck. Prayer and sacrifice was important and the Romans held festivals every month to honour the gods. They would worship their gods and goddesses at temples. Elements of Religion Read through the Roman religion information text. Discuss the words below with your partner and work out what they mean. You can use dictionaries to help you. Why did the Romans have/do these things? omen prayer ritual superstition sacrifice festivals worship Roman Gods and Goddesses The Romans had lots of gods and goddesses. Many of their gods and goddesses are the same as the Greek gods, but with different names. They make things very confusing! We are going to look at some of the more popular Roman gods and goddesses. -
TinkerIng Gods
THE NGY REVIEW, 16 Dec. 2018 Tinkering Gods The Plot of Paul Harding’s novel, Tinkers : Characters as Metaphors for the Gods in Greek and Roman Mythology by C. Omaña Villanueva Paul Harding was a drummer in a rock band on tour of Europe when he made the choice to write. He had always been a prolific reader, but during one of his road trips between gigs he read a title that seemed to encompass all of humanity. His band broke up and it was then and there that he decided to write. He signed up for a summer writing workshop at Skidmore College and his teacher, Marilynne Robinson, steered him toward the Iowa Writers’ Workshop (Harding, interview). In his first book, Tinkers, Harding describes the inner workings of the death of an old man. But in doing so, Harding uses such formidable descriptions and symbolic language that his work can be interpreted in multiple ways. Here, I propose that the three main characters of Harding’s prose, George, his father Howard, and the minister (the unnamed father of Howard), can be interpreted as metaphors for the gods, Cronus/Saturn, Uranus/Caelus, and Hermes/Mercury of Greek and Roman Mythology. THE NGY REVIEW (16 Dec. 2018) ・Omaña Villanueva What does the reader do with the plot of this book? It is a story that made “absolutely” all agents avoid taking on the book (Harding, interview). What is the appeal for the reader? Regarding plot in general, Bell states that “the one thing you will have no matter how lousy” is plot. -
Saturn Devouring His Son – Goya & Rubens
1 Classical Arts Universe - CAU Saturn Devouring His Son – Goya & Rubens Saturn is a Roman mythological figure who has inspired several artists throughout the world. Apart from literature and writings, many artists took the story of Saturn to interpret visually through their works. Peter Paul Rubens and Francisco Goya are the finest examples of taking the cannibalistic nature of Saturn and interpret it through their paintings. Both the paintings are called as Saturn Devouring His Son and both are horrific yet true to the nature of Saturn. The Myth of Saturn Saturn was born to Caelus [the sky god] and mother earth. He was frustrated by the tyrannical rule of his Father and defeats him to become the chief deity for the world. One day he listens to a prophecy that a child born to him will dethrone him. Saturn was married to the goddess of fertility – Ops and he devoured every new born the moment they were born. He devours Ceres, Veritas, Vesta, Pluto, Neptune and Juno. Ops concerned about losing another child - hides her sixth born Jupiter and gives Saturn a stone wrapped in clothing. Saturn believes that he ate the child; however, he survives and dethrones his Father as predicted in the prophecy. Saturn leaves to Latium and introduces to the people the methods of agriculture. It was believed to be the time of the Golden Age for Latium when Saturn ruled. The myth of Saturn is similar to that of the Greek myth of Cronus; but, the major difference is the addition of the Golden Age by the Romans giving Saturn a superior place amongst the Roman deities. -
Calendar of Roman Events
Introduction Steve Worboys and I began this calendar in 1980 or 1981 when we discovered that the exact dates of many events survive from Roman antiquity, the most famous being the ides of March murder of Caesar. Flipping through a few books on Roman history revealed a handful of dates, and we believed that to fill every day of the year would certainly be impossible. From 1981 until 1989 I kept the calendar, adding dates as I ran across them. In 1989 I typed the list into the computer and we began again to plunder books and journals for dates, this time recording sources. Since then I have worked and reworked the Calendar, revising old entries and adding many, many more. The Roman Calendar The calendar was reformed twice, once by Caesar in 46 BC and later by Augustus in 8 BC. Each of these reforms is described in A. K. Michels’ book The Calendar of the Roman Republic. In an ordinary pre-Julian year, the number of days in each month was as follows: 29 January 31 May 29 September 28 February 29 June 31 October 31 March 31 Quintilis (July) 29 November 29 April 29 Sextilis (August) 29 December. The Romans did not number the days of the months consecutively. They reckoned backwards from three fixed points: The kalends, the nones, and the ides. The kalends is the first day of the month. For months with 31 days the nones fall on the 7th and the ides the 15th. For other months the nones fall on the 5th and the ides on the 13th. -
Mendelova Univerzita V Brně Zahradnická Fakulta V Lednici
Mendelova univerzita v Brně Zahradnická fakulta v Lednici Metanol ve víně Bakalářská práce Vedoucí diplomové práce Vypracoval Ing. Michal Kumšta Petr Popelka DiS Lednice 2015 1 2 3 4 Jméno a příjmení: Petr Popelka DiS Název bakalářské práce: Methanol ve víně Pracoviště: Ústav vinohradnictví a vinařství Vedoucí diplomové práce: Ing. Michal Kumšta Rok obhajoby bakalářské práce: 2015 Abstrakt: Bakalářská práce se zabývá výskytem a obsahem metanolu ve víně. V práci je popsán výskyt metanol, jeho výskyt použití, a metody jeho zjišťování. Rovněž jsou zde popsány odrůdy s jeho výskytem. Klíčová slova: metanol, chromatografie, interspecifické odrůdy, Abstract:the bachleor thesis deals with instance and content of metanol in wine. There is described it’s instance and content, methods of using and there is described the chromatographicmethods. At the end of the wor kthere are described interspecifics warieties of wine. Keywords:methanol, chromatography, interspecifics warieties of wine 5 Obsah SEZNAM TABULEK A OBRÁZKŮ 7 SEZNAM TABULEK 7 1. ÚVOD 8 2. CÍL PRÁCE 9 3. LITERÁRNÍ ČÁST 10 3.1 Metanol 10 3.1.1 Výroba 10 3.1.2 Rozpoznání metanolu 11 3.1.3 Chemické reakce metanolu 17 3.1.4 Výskyt v přírodě 18 3.1.5 Metabolismus a fyziologické působení 18 3.1.6 První pomoc 20 3.1.7 Případy otrav 20 3.1.8 Použití 20 4. METANOL A VÍNO 22 4.1.1 Interspecifické odrůdy révy a metanol 22 4.1.2 Interspecifické křížení 25 4.1.3 Využití interspecifických odrůd 26 4.1.4 Historie interspecifických odrůd na území ČR 28 4.3 Kvalita vín z interspecifických odrůd 29 4.3.1 Popis interspecifických odrůd 31 5. -
Growing Grapes for Fun Or Profit
History of Minnesota Grape Growing Marvin & Linda Seppanen Garvin Heights Vineyards, LLC www.ghvwine.com History of Minnesota Grape Growing What Grapes Grow in Minnesota? Pre 18th Amendment January 16, 1920 Post 22nd Amendment December 5, 1933 Modern era post 1943 July 18, 2007 Garvin Heights Vineyards, LLC 2 What Grapes Grow in Minnesota? Yes: Midwest wild grapes Vitis riparia Marginal: northeast US native Vitis labrusca Concord and Niagara No: European wine grape Vitis vinifera Riesling, Chardonnay, Cabernet Sauvignon, Pinot Noir, Merlot and Gamay Yes: Cold Climate Hybrids (combinations of the above) Pre 1943 Elmer Swenson University of Minnesota Other grape varieties July 18, 2007 Garvin Heights Vineyards, LLC 3 Pre 18th Amendment January 16, 1920 Early Minnesota Grape History Louis Suelter A. W. Latham Early University of Minnesota Dr. M.J. Dorsey Other Cold Climate Researchers Early History: Louis Suelter Starting in 1870 Louis Suelter a German homesteader living in Carver, MN developed at least 15 grape varieties Beta, Suelter, Monitor, and Dakota “I have produced several new types of vine through hybrid breeding, which will bring forth a completely new revolution in winegrowing, for as far north as the wild vines will thrive, my hybrids will flourish also, for they are just as hardy all winter in the great coldness in the northern part of America as the wild growing riparia. They require no protection …” “Grape Research in Minnesota” by Penelope Krosch in Agricultural History,1988 July 18, 2007 Garvin Heights Vineyards, LLC 5 Early History: A. W. Latham Born on Massachusetts Bay, 1845 Came to Minneapolis in 1865 Started a nursery in 1870 with five acres allocated to grape culture.