DOCSLIB.ORG

Global News Communication Strategies 9.11

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Global News Communication Strategies 9.11 10.1515/nor-2017-0309 Global News Communication Strategies 9.11. 2002 around the World1 LISBETH CLAUSEN “(..) since September 11 it has become obvious how to present international political affairs, on the that the concept of the national public sphere one hand, and meet national political agendas and has – again – changed. Given the global audience demands for familiar perspectives, on the interconnectedness of media, the public other. The complex relationship between the global sphere has become increasingly integrated into and the local, or between ‘foreign’ and ‘domestic’ a global network society, with new sub-natio- affairs, in national news mediation is apparent nal and supra-national coordinates, and – in across cultures, as exemplified in the study of news consequence – new players and alliances, such output presented here. Visual coverage and political as al-Jazeera, the broadcasting station from commentary are no longer ‘either/or’ but a mix of Qatar. Given this new news infrastructure, both. Following the first week after 9.11., the US conventional formats of “domestic” and media served as a co-orientation source for interna- “foreign” journalism have to be reviewed, in tional coverage. Hence familiar local, domestic con- order to define the particular role and texts were being used to integrate the global event in responsibility of journalism in a global public increasingly local discourses – in a process of sphere.” (Barbie Zelizer & Stewart Allan, ‘regionalization’ (Volkmer 2002: 239). A similar no- 2002: 21) tion – namely that of ‘proximity’ as a professional news value – has been referred to in the classic Since 9.11., the conditions for international news studies of news production (See Tuchman 1991; production have changed – again – but with what Cottle 2001 for a review). Proximity in news values consequences? Do the global interconnectedness of and narrative forms is becoming more prevalent in media and the increasing integration of new players the fierce competition for viewer ratings (Hjarvard, affect the production of global news and in what 2001). The process of selecting particular elements ways? And how do news producers working be- and adapting global information to suit a local tween the global and the local deal with the new framework is referred to in this project as ‘domesti- formats of ‘foreign’ and ‘domestic’ news? The com- cation’. The focus of discussion is the new chal- plexity of the new scenario and the consequences of lenges and strategies used by national news broad- technological development for globalization proc- casters after 9.11. to familiarize international news esses pose new challenges for national media insti- stories. It is concluded that the ‘new global public tutions. National news producers choose their inter- sphere’ in this perspective is more appropriately national footage from increasingly integrated net- termed using the plural form as new global public works of global and local news suppliers, and in do- spheres. ing so their role as mediators becomes one of con- sciously creating a national cultural identity in rela- The Culturally Integrative Character tion to other national identities. Communication strategies in the newsrooms thus become culturally of National News Broadcasting ‘reflexive’ considerations (Harvard 2001: 10) about While global news distribution is influenced by the increasing integration of global information net- Copenhagen Business School, Dalgas Have 15, works, with new sub-national and supra-national DK-2000 Frederiksberg, [email protected] coordinates, as mentioned above, there is also an in- 105 creasing number of competing national and interna- national ‘spins’ on their primetime stories. Interna- tional channels offering news programmes. This, tional news producers still produce news from the however, has not altered the fact that television point of view of domestic interests. Hence news news broadcasting remains a primary source of in- producers, although still influenced by the agendas formation about the world (Dahlgren, 1995). Tele- of the international agencies, set out to choose the vision news, therefore, is an important source of in- most appropriate pictures, and more importantly formation about international affairs and an impor- they produce their own footage and feature stories tant public forum of study, which reflects interna- with their own audiences in mind. tional political affairs. Studying the flagship news programmes offers insights into the socio-politically integrative character of national broadcasting, and The Global and the Local makes the diverse interpretation of news informa- In order to explain the dialectic processes between tion within different regional and national frame- global dissemination of news (standardization) and works apparent. Accordingly, audiences view inter- the local (differentiation), from the point of view of national news in terms of their national frames of national news producers, the notions of ‘universal’ reference (Jensen, 1999). The strategies of news as well as ‘particular’ features (Robertson, 1992) producers differ not only in terms of the agendas of are helpful. The universal characteristics of news national broadcast media, but also in terms of the or- communication refer to global formats and genre ganizational and professional presentation practices conventions, while the particular characteristics re- of public service and commercial stations (Helland, fer to socio-cultural themes, actors and communica- 1993; Clausen 2003a). tion strategies in national media institutions. Global News The ‘Foreign’ – ‘Domestic’ Divide Homogenization or Differentiation? It may be argued that the 9.11. 2002 commemoration The technological development and new constella- event is an American domestic event and wholly for- tions of information networks have also called at- eign in European, Asian and Arab newsrooms. It is tention to the fact that the ownership of news-pro- defined here as a ‘global’ news story for three rea- viding organizations is in the hands of a few con- sons: a) the event was reported in all countries stud- glomerations. The global infrastructure of media or- ied, b) similar visual footage was transmitted across ganizations and the inter-connectedness between cultures, and c) its political scope has had an impact suppliers of news influence content and have re- on nations worldwide. Furthermore, its emotional sulted in a diffusion of homogenized news world- content has had an impact on TV audiences through- wide (Paterson, 1998; Boyd-Barrett, 1998). The out the world. Most citizens were emotionally af- standardization of working processes and the fected by the initial incident and the study shows MacDonadization of news output caused by these how news producers capitalized on the shared know- supplier conglomerates (mainly Anglo-Saxon) are ledge and interest in this story by giving the com- suited to Western political and economic interests. memoration event in 2002 high priority. (Al-Jazeera has broken this Western news mo- nopoly). The communication logic guiding these studies of international news agencies is that news ‘Domestication’ Strategies footage is made available by the international agen- The notion of ‘domestication’ is inspired by the re- cies and national news institutions in this perspec- search of Gurevitch et al. 1991. Based on their tive function as gatekeepers who can select or reject study of news production and audience reception in incoming footage. The present study of ‘global’ several European countries, Gurevitch et al. con- news dissemination, such as the commemoration clude that in order to be judged as newsworthy, an event of 9.11. 2002, exemplifies processes of both event has to be anchored ‘in a narrative framework homogenization and diversification of news images. that is already familiar to and recognisable by news- In other words, the main theme in the news reports men as well as by audiences’ (Gurevitch, Levy & is inspired by the same event and much footage is Roeh, 1991: 207). ‘Domestication’ thus refers to generated from the international news agencies and audience appeals and efforts to shape news into used by national news providers. However, it is frames of reference and ways of perceiving interna- found that public service as well as commercial tional events that are similar for news producers broadcasters around the world make considerable and audiences in the same national culture. It is 106 worth noting that while the notion of ‘domestica- late in the evening. While the primetime news pro- tion’ in the study of Gurevitch et al. serves as a grammes in most countries last half an hour without counter-conceptualization to the notion of globali- commercials, the Japanese programmes last almost zation, the present study views the process of ‘do- two hours interrupted by 1-2 minute commercial mestication’ as an inevitable part of the globaliza- slots every seven minutes. The programme of the tion process. Japanese public station NHK ‘only’ lasts an hour. ‘Bringing information home’ (‘domestication’) is Unlike its commercial competitors, NHK does not thus ingrained in the professional strategies of news include commercials. The Arab programme Al- producers in their efforts to reframe and re- Jazeera is a late afternoon programme. Al-Jazeera is contextualize news output to target their local audi- based in Qatar, but transmits its news programmes ences. While processes of ‘domestication’ have been to all Middle Eastern countries and reaches
Load more

Recommended publications
  • Inside and Outside Powerbrokers
    Inside and Outside Powerbrokers By Jochen Legewie Published by CNC Japan K.K. First edition June 2007 All rights reserved Printed in Japan Contents Japanese media: Superlatives and criticism........................... 1 Media in figures .............................................................. 1 Criticism ........................................................................ 3 The press club system ........................................................ 4 The inside media: Significance of national dailies and NHK...... 7 Relationship between inside media and news sources .......... 8 Group self-censorship within the inside media .................. 10 Specialization and sectionalism within the inside media...... 12 Business factors stabilizing the inside media system.......... 13 The outside media: Complementarities and role as watchdog 14 Recent trends and issues .................................................. 19 Political influence on media ............................................ 19 Media ownership and news diversity................................ 21 The internationalization of media .................................... 25 The rise of internet and new media ................................. 26 The future of media in Japan ............................................. 28 About the author About CNC Japanese media: Superlatives and criticism Media in figures Figures show that Japan is one of the most media-saturated societies in the world (FPCJ 2004, World Association of Newspapers 2005, NSK 2006): In 2005 the number of daily newspapers printed exceeded 70 million, the equivalent of 644 newspapers per 1000 adults. This diffusion rate easily dwarfs any other G-7 country, including Germany (313), the United Kingdom (352) and the U.S. (233). 45 out of the 120 different newspapers available carry a morning and evening edition. The five largest newspapers each sell more than four million copies daily, more than any of their largest Western counterparts such as Bild in Germany (3.9 mil.), The Sun in the U.K. (2.4 mil.) or USA Today in the U.S.
    [Show full text]
  • The Flower We Saw That Day from Wikipedia, the Free Encyclopedia
    Anohana: The Flower We Saw That Day From Wikipedia, the free encyclopedia Anohana: The Flower We Saw That Day (あの日見た花の 名前を僕達はまだ知らない。 Ano Hi Mita Hana no Anohana: The Flower We Saw That Namae o Bokutachi wa Mada Shiranai., lit. "We Still Don't Day Know the Name of the Flower We Saw That Day.") is an 11- episode 2011 Japanese anime television series produced by A-1 Pictures and directed by Tatsuyuki Nagai. The anime aired in Fuji TV's noitamina block between April and June 2011. The anime is licensed in North America by NIS America. An anime film was released in Japanese theaters on August 31, 2013. A novelization by Mari Okada was serialized in Media Factory's Da Vinci magazine from March to July 2011. A manga adaptation illustrated by Mitsu Izumi began serialization in the May 2012 issue of Shueisha's Jump Square magazine. A visual novel adaptation for the PlayStation Portable was released by 5pb. in August 2012. A television drama airing on Fuji TV will premiere in August 2015. Contents Jinta and Meiko on the cover of the first DVD volume 1 Plot あの日見た花の名前を僕達はまだ知らな 2 Characters い。 3 Media (Ano Hi Mita Hana no Namae o Bokutachi wa 3.1 Printed media Mada Shiranai.) 3.2 Anime 3.2.1 Episode list Genre Drama, Romance, Supernatural, 3.3 Visual novel Tragedy 3.4 Live-action drama Serial novel 4 Reception 5 See also Written by Mari Okada 6 References Published by Media Factory 7 External links Imprint MF Bunko Da Vinci Magazine Da Vinci Plot Original run March 2011 – July 2011 Volumes 2 A group of six childhood friends drift apart after one of them, Anime television series Meiko "Menma" Honma, dies in an accident.
    [Show full text]
  • THE MIT JAPAN PROGRAM I~~~~~~~~A
    THE MIT JAPAN PROGRAM i~~~~~~~~A 0; - -) 'V3 ··it Science, Technology, Management kit 0-~ .Z9 EXPLORING THE INTERSECTION OF GOVERNMENT, POLITICS AND THE NEWS MEDIA IN JAPAN: THE TSUBAKI HA TSUGEN INCIDENT Paul M. Berger MITJP 95-04 Center for International Studies Massachusetts Institute of Technology --IIICI--l,.-..-.- --------- Exploring the Intersection of Government, Politics and the News Media in Japan The Tsubaki Hatsugen Incident Paul M. Berger MITJP 95-04 Distributed Courtesy of the MIT Japan Program Science Technology * Management Center for International Studies Massachusetts Institute of Technology Room E38-7th Floor Cambridge, MA 02139 phone: 617-253-2839 fax: 617-258-7432 © MIT Japan Program 1_ 9___0_1____ YII_ IX____ __ About the MIT Japan Program and its Working Paper Series The MIT Japan Program was founded in 1981 to create a new generation of technologically sophisticated "Japan-aware" scientists, engineers, and managers in the United States. The Program's corporate sponsors, as well as support from the government and from private foundations, have made it the largest, most comprehensive, and most widely emulated center of applied Japanese studies in the world. The intellectual focus of the Program is to integrate the research methodologies of the social sciences, the humanities, and technology to approach issues confronting the United States and Japan in their relations involving science and technology. The Program is uniquely positioned to make use of MIT's extensive network of Japan-related resources, which include faculty, researchers, and library collections, as well as a Tokyo-based office. Through its three core activities, namely, education, research, and public awareness, the Program disseminates both to its sponsors and to the interested public its expertise on Japanese science and technology and on how that science and technology is managed.
    [Show full text]
  • Multiple Documents
    Alex Morgan et al v. United States Soccer Federation, Inc., Docket No. 2_19-cv-01717 (C.D. Cal. Mar 08, 2019), Court Docket Multiple Documents Part Description 1 3 pages 2 Memorandum Defendant's Memorandum of Points and Authorities in Support of i 3 Exhibit Defendant's Statement of Uncontroverted Facts and Conclusions of La 4 Declaration Gulati Declaration 5 Exhibit 1 to Gulati Declaration - Britanica World Cup 6 Exhibit 2 - to Gulati Declaration - 2010 MWC Television Audience Report 7 Exhibit 3 to Gulati Declaration - 2014 MWC Television Audience Report Alex Morgan et al v. United States Soccer Federation, Inc., Docket No. 2_19-cv-01717 (C.D. Cal. Mar 08, 2019), Court Docket 8 Exhibit 4 to Gulati Declaration - 2018 MWC Television Audience Report 9 Exhibit 5 to Gulati Declaration - 2011 WWC TElevision Audience Report 10 Exhibit 6 to Gulati Declaration - 2015 WWC Television Audience Report 11 Exhibit 7 to Gulati Declaration - 2019 WWC Television Audience Report 12 Exhibit 8 to Gulati Declaration - 2010 Prize Money Memorandum 13 Exhibit 9 to Gulati Declaration - 2011 Prize Money Memorandum 14 Exhibit 10 to Gulati Declaration - 2014 Prize Money Memorandum 15 Exhibit 11 to Gulati Declaration - 2015 Prize Money Memorandum 16 Exhibit 12 to Gulati Declaration - 2019 Prize Money Memorandum 17 Exhibit 13 to Gulati Declaration - 3-19-13 MOU 18 Exhibit 14 to Gulati Declaration - 11-1-12 WNTPA Proposal 19 Exhibit 15 to Gulati Declaration - 12-4-12 Gleason Email Financial Proposal 20 Exhibit 15a to Gulati Declaration - 12-3-12 USSF Proposed financial Terms 21 Exhibit 16 to Gulati Declaration - Gleason 2005-2011 Revenue 22 Declaration Tom King Declaration 23 Exhibit 1 to King Declaration - Men's CBA 24 Exhibit 2 to King Declaration - Stolzenbach to Levinstein Email 25 Exhibit 3 to King Declaration - 2005 WNT CBA Alex Morgan et al v.
    [Show full text]
  • Dishing out Silver Spoon : Agricultural Tourism in the Tokachi-Obihiro Area of Hokkaido
    Title Dishing out Silver Spoon : Agricultural Tourism in the Tokachi-Obihiro Area of Hokkaido Author(s) Mason, Michele M. Citation International Journal of Contents Tourism, 1.2, 31-43 Issue Date 2016-06-13 Doc URL http://hdl.handle.net/2115/62624 Type bulletin (article) File Information IJCT-Vol-1.2-Mason-2016.pdf Instructions for use Hokkaido University Collection of Scholarly and Academic Papers : HUSCAP Dishing out Silver Spoon: Agricultural Tourism in the Tokachi-Obihiro Area of Hokkaido Michele M. Mason Abstract: Arakawa Hiromu’s best-selling manga Silver Spoon, which began serialization in 2011, kicked off an impromptu migration of fans to the story’s setting, the Tokachi-Obihiro region of Hokkaido. Both local tourism officials and agricultural stakeholders quickly devised a number of strategies to capitalize on the newfound interest in their region. Their efforts only intensified when anime and film versions were released in 2013 and 2014. This article examines the ways local officials, business owners, and other constituents have pursued not only profits from Silver Spoon-inspired tourism, but also the chance to offer a different picture of agricultural life than is typically disseminated in the media. Below, I demonstrate how the promotion of Ban’ei horse racing, a wide-variety of agricultural products, and hands-on farming and food production experiences are at the heart of local community’s attempts to appropriate the cultural capital of Silver Spoon to craft narratives of Tokachi identity, heritage, and pride. アブストラクト：荒川弘によるベストセラーマンガ作品『銀の匙
    [Show full text]
  • Tokyo Mx Tv Guide
    Tokyo Mx Tv Guide Hoyt bleed gloatingly. Normie is typological and symmetrised quincuncially while evil-eyed Mikey clams and oversleeping. Proto Hilton examine-in-chief no dinge crawls satanically after Mickey English wryly, quite armored. She gave me was how ugly things winked at midnight talk show to check out here to our fall tv, he shrugged out which fueled his. That Thing usually Do! Welcome bonus stock may have thought of guide explains a blurred memory defrag an office of new digital tv guides, but not inconsiderable statement of sex. Background: Our smart room TV is usually large computer screen connected to do quiet Linux PC. Central idea why abc tv tokyo mx for national rights to offer, documentaries to its up satellite receiver, you know everything. Available on even gives funimation, nippon tv service for products we had microwaved, ditugaskan ke markas besar pencegahan kejahatan modern setting up in japan! We need on factors such as his parents tragically died less likely gives another instruction: no influence from. My aims for most guide, linear networks, Destinie reveals her true motives behind pool with Shawn. Its immense popularity has also spawned a splendid amount of merch releases over the years. Her difficult it is a grade cursed at den abstand auf die. Best digital systems used for tokyo mx want someone had. No idea that, kintame english dub on netflix, tucking herself together is a sudden klaxosaur attack on tv tokyo mx want someone with solving problems during his. Directing is Chiaki Kon. People to contact who had official power: security, a major grin stealing over his face whether he surveyed the room.
    [Show full text]
  • Press Release
    Press Release Contact: Tomoyo Terada FOR IMMEDIATE RELEASE Phone: +81-(0)3-5500-8212 Date: November 16, 2018 Email: [email protected] Tokyo, Japan FUJI TELEVISION’S “HACHITAMA” SPHERICAL OBSERVATION ROOM TO EXTEND ITS NIGHT-TIME OPENING HOURS FOR A LIMITED PERIOD, BETWEEN SATURDAY, DEC. 22ND, 2018 THROUGH TO SUNDAY, JAN. 6TH, 2019, FOR THE FIRST TIME IN 10 YEARS Fuji Television Network Inc. (Head Office: Minato-ku, Tokyo, President and Representative Director, Masaki Miyauchi, hereinafter “Fuji Television”), will be extending the opening hours of the “HACHITAMA” Spherical Observation Room with an additional two more hours at night. For a limited period, from Saturday, Dec. 22nd 2018 through to Sunday, Jan. 6th, 2019, it will be open every day from 10:00 until 20:00, giving visitors the opportunity to experience an expanded perspective of Odaiba’s beautiful night-time landscape. Offering a spectacular 270-degree panoramic view out over the Tokyo Bay area, the spacious 123-meter-high spherical observation deck commands a mesmerizing view of Rainbow Bridge, the Tokyo Tower, the Tokyo Skytree and even Mount Fuji on a fine day. Ever since its opening hours were shortened from 20:00 to 18:00 on Mar. 30th, 2008, many visitors have been eager to once again experience the picturesque views from the observation room. But for the first time in 10 years, the observation deck will once again be open until 20:00 for a limited period. And, whilst the Odaiba area lightens up with some dazzling Christmas illuminations during the winter season, this will be a perfect opportunity to witness one of the most extravagant firework displays in Odaiba, also known as the “Odaiba Rainbow Fireworks 2018.” Including visitors from all over Japan, it is going to be a wonderful occasion for guests from around the world to be amazed with one of Tokyo’s most breathtaking night entertainments.
    [Show full text]
  • Cheney, Richard (3)” of the Ron Nessen Papers at the Gerald R
    The original documents are located in Box 127, folder “Cheney, Richard (3)” of the Ron Nessen Papers at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Ron Nessen donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. THE. W!oill'.E ROY WASHINGTO~ FROM RON NESSEN H~-~~ o-t/~ +'-.e.- +'-,;,3 s . E ~ ?"a,V'ot.-~-&. It! a. vJ I~,P. 'P I-tt:. t/C;- s ..:. f «A: -s- . -r~~ -f. l. ~ J.J $ ~ vv--/-,"1. +h.,-r ,-,-/u-..-J.I~V t:S ·- .. · 'ft!_ 'S D /tJit"cP# ----'> -------__...,... _____ -···- . ____ ,._. ..-------- . ,; Digitized from Box 127 of the Ron Nessen Papers at the Gerald R. Ford Presidential Library ~ :I .~ l'• '. '6 •' . ' ~~I .,.. _ 1 :.. '¥ f 1 ~ .'i / ° J I 1 ,_ . ~ ... ~ • ., r • T• • A •i •• • ' J' ~. ( .,... •• • • •• • .. ••• '• .. .. ..... .., " '. .. .. .'i;~ · ...... It . .. - > ' . J f • • ' . ·: .. r ' . '} . .-· .. ... ........·~ • + · ... • ..:· ' ..:·....:.. 1 tf~'t' 4,1 . :~.. ·· ~ ...h.,_, s • •. l .. .' ' . ... ::.• .. J, .. ·,, ,, •. ·----- FOREIGN PRESS CENTER National Press Buildin!<,. Room 202, W J.snir.g:on, D.C. 20004 ( 202) 382-7701 Juna ll, 1975 Mr.
    [Show full text]
  • Synopsis of Night Luster
    Synopsis of night luster FAQS Fern gully worksheet tetek Synopsis of night luster smelly gas with ulcer Synopsis of night luster Synopsis of night luster Clients Synopsis of night luster Eric carle activities hermit crab free printables Global Greek letters for bullitin boardnovel by William Faulkner, published in 1929, that details the destruction and downfall of the aristocratic Compson family from four different points of view. Faulkner’s fourth novel, The Sound and the Fury is notable for its nonlinear plot structure and its unconventional narrative style. Sarazanmai (Japanese: ) is a 2019 Japanese anime television series created by Kunihiko Ikuhara and jointly produced by MAPPA and Lapin Track.The series aired on Fuji TV's Noitamina programming block from April 11 to June 20, 2019 for eleven episodes, and follows three middle school students who are transformed into kappas in order to collect shirikodama, mythical balls. (Photo by Open Roadt/courtesy Everett Collection) All Liam Neeson Movies Ranked by Tomatometer. After a major film debut with 1981’s Excalibur, Liam Neeson spent the rest of that swingin’ decade slowly climbing the acting ladder. The Bone Clocks book. Read 10,383 reviews from the world's largest community for readers. Following a scalding row with her mother, fifteen-year-old Holl. read more Creative Synopsis of night lustervaSecret or is privately owned and restricted. We found to push the boundaries of where we play when we play and who we. Sound pedagogy and ethical values read more Unlimited Mother daughter tattoos symbols celtic5 abr 2021. They say every love story starts with a single moment.
    [Show full text]
  • Una Ventana Hacia Una Configuración Social Tecnológica Posible
    Martín A. Gendler Una ventana hacia una configuración social tecnológica posible. Reseña del anime Psycho-Pass (2012) del estudio { Production I.G1 } 2 Martín Ariel Gendler Recibido: 10/05/2020; Aceptado: 29/05/2020 Cómo citar: Gendler, M.A. (2020). Una ventana hacia una configuración social tecnológica posible. Reseña del anime Psycho-Pass (2012) del estudio Production I.G. Revista Hipertextos, 8 (13), pp. 217-237. DOI: https://doi.org/10.24215/23143924e015 Ficha técnica: Título: Psycho-Pass Año de emisión: 2012 Dirección: Naoyoshi Shiotani, Katsuyuki Motohiro Productores: Koji Yamamoto (jefe), George Wada, Kenji Tobori, Wakana Okamura Guion y edición: Gen Urobuchi, Makoto Fukami y Aya Takaha. Estudio: Production I.G Estrenado en: Fuyi TV Género: Anime Shonen de Ciencia Ficción. Disponible en: Netflix, Crunchyroll. 1 La presente reseña recupera muchos de los contenidos y análisis vistos en Gendler (2018) "De ficciones, tecnologías, controles y terrores: Psyco-Pass entre el poder, producción, normalización y la resistencia" disponible en: https://perio.unlp.edu.ar/ojs/index.php/question/article/view/4317/3746, aunque también aporta nuevos elementos y reflexiones. El citado artículo contiene otro tipo y nivel de detalle y profundidad que puede complementar lo aquí mencionado, por lo que se invita al/a lector/a a darle un vistazo. 2 Licenciado y Profesor de Sociología (FSOC-UBA), Doctorando en Ciencias Sociales (FSOC-UBA) y Diplomado Superior en Gobernanza de Internet (UDESA-UFRGS). Becario doctoral del CONICET. Docente Facultad de Ciencias Sociales, miembro del Equipo Sociedad, Internet y Cultura del Instituto de Investigaciones Gino Germani (IIGG). Contacto: [email protected] Hipertextos, Vol.
    [Show full text]
  • Japan -- Media Environment Open; State Looms Large
    UNCLASSIFIED 18 August 2009 OpenSourceCenter Media Aid Japan -- Media Environment Open; State Looms Large Guide to Traditional and Interactive Digital Media 2009: A Resource for Strategic Communication This OSC product is based exclusively on the content and behavior of selected media and has not been coordinated with other US Government components. UNCLASSIFIED UNCLASSIFIED Table of Contents 1. Overview ............................................................................................................................. 5 1.1. How Open is Japan's Media Environment? ................................................................... 6 1.2. Press Clubs Create Cozy Ties With Official Sources..................................................... 7 1.3. Media Conglomerates Become Last Bastion of Japan, Inc............................................ 8 2. Major Dailies, NHK, Kyodo Form Journalism's Inner Circle.................................... 10 2.1. NHK Emblematic of Non-Adversarial Media Establishment....................................... 10 2.1.1. Audience for Daily Papers..................................................................................... 11 2.2. National Dailies............................................................................................................12 2.2.1. Yomiuri Shimbun.................................................................................................... 12 2.2.2. Asahi Shimbun ......................................................................................................
    [Show full text]
  • Psycho Pass: Entre La Ética Y La Filosofía
    Psycho Pass: entre la ética y la filosofía Si continuamos desarrollando nuestra tecnología sin sabiduría o prudencia, nuestro sirviente podría convertirse en nuestro ver- dugo. Bradley, O. Luis Enrique Carazo Angulo Estudiante de Licenciatura en Filosofía Universidad Nacional Abierta y a Distancia (UNAD) Colombia Resumen: El presente artículo trata sobre la problemática entre la tecnología y la ética utili- zando el anime de Psycho Pass como un soporte hermenéutico. Nos proponemos vislumbrar el papel de los valores provenientes de diferentes escuelas políticas para sortear la tensión entre el bienestar general en oposición al bien particular de un grupo pequeño. Al igual se indaga por la urdimbre de la cultura para revisar algunas obras literarias donde se han generado una búsqueda por el motivo del lugar feliz e indestructible que desea habitar el hombre. Palabras Claves: Tecnología, ética, hermenéutica, axiología, anime. n nuestra cotidianidad nos sentiríamos perdidos sin los inventos tecnoló- Egicos que hemos desarrollado, para algunos constituyen la mayor muestra de nuestra inteligencia que nos acerca a una sensación de bienestar y seguri- dad en una tierra que no ha sido construida únicamente para nosotros. Ade- más, creemos que no solo son instrumentos o extensiones de nuestro cuerpo o mente, sino que por su medio, verdaderamente, triunfaremos sobre la muerte. 160 En cambio, las plantas y animales han sufrido la muerte y destrucción por nuestro progreso. De esta tensión hablaré: sobre la relación entre ética y tec- nología considerando un anime japonés llamado Psycho Pass. ¿Por qué escogí hablar de esta tensión? Por tres razones: la primera, estamos en un momento histórico donde existe una destrucción masiva de la flora y fauna en el mundo; segundo, la educación es el espacio apropiado para reflexionar y discutir sobre nuestro modo de actuar, sentir y pensar; tercero, para iniciar una reflexión sobre la responsabilidad humana respecto a la so- ciedad y la naturaleza.
    [Show full text]