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Aniplex of America Announces Mobile Game Magia Record: Puella Magi Madoka Magica Side Story English Release in U.S
FOR IMMEDIATE RELEASE APRIL 19, 2019 Aniplex of America Announces Mobile Game Magia Record: Puella Magi Madoka Magica Side Story English Release in U.S. and Canada ©Magica Quartet/Aniplex, Magia Record Partners Unravel the mysteries of Kamihama City with this brand new Magical Girl RPG! SANTA MONICA, CA (APRIL 19, 2019) – Aniplex of America is thrilled to announce that the English version of hit mobile game, Magia Record: Puella Magi Madoka Magica Side Story will be coming to the U.S. and Canada this summer. Based on the popular anime series that revolutionized the magical girl genre, the highly anticipated mobile game is developed by f4samurai, whose past projects include mobile games Ange Vierge Girls Battle and Hortensia Saga, which reached 9 million users in Asia. At their industry panel at Sakura-Con in Seattle, Washington, Aniplex of America welcomed producers Masaki Sato of f4samurai and Yusuke Toyama of Aniplex, who introduced one of the central characters of the mobile game, Iroha Tamaki, voiced by Momo Asakura from High School Fleet, Kaguya-sama: Love is War, and FAIRY TAIL. Initially released in Japan in 2017, Magia Record: Puella Magi Madoka Magica Side Story brings you a brand-new Magical Girl story from the creative team behind the immensely popular Puella Magi Madoka Magica anime series. In addition to the opening animation, which was done by SHAFT (MONOGATARI Series, March comes in like a lion), the mobile game features the work of Gekidan Inucurry (Doroinu), who handles the designs for the Witches, as well as aokiume, who served as the original character designer for the anime series and contributed over ten new designs for the game. -
The Flower We Saw That Day the Movie- on Blu-Ray and DVD
FOR IMMEDIATE RELEASE May 24, 2014 Aniplex of America to Release Anohana -The Flower We Saw That Day The Movie- on Blu-ray and DVD © ANOHANA PROJECT The Movie that Melted the Hearts of Millions is Coming This Summer! SANTA MONICA, CA (May 24, 2014) –Aniplex of America announced earlier today their plans to release Anohana -The Flower We Saw That Day The Movie- on both Blu-ray and DVD on July 15th. This movie adaptation of the popular original anime series will be featured in a Collectors’ Edition (Blu-ray, DVD & CD Combo Set), Standard Edition Blu-ray, and Standard Edition DVD. Pre-orders for all SKUs will begin on May 27th and will be available in the U.S., Canada, Central and South Americas. Aniplex of America has screened the Anohana-The Flower We Saw That Day The Movie- across North America including 28 U.S. and 35 Canadian theaters this past January and the film proved to be extremely popular as numerous showings were sold out and many requests for additional screenings from fans in various cities continued to come in. In Anohana -The Flower We Saw That Day The Movie-, fans can once again join the members of the Super Peace Busters as they gather to remember their dear friend Menma one year after their emotional reunion. The story beautifully incorporates highlights from the TV series as well as demonstrating Jinta and the rest of the group slowly coming to terms with their past and looking toward their futures together. The film is sure to be a heartwarming experience for both fans that are new to Anohana and fans that have followed the TV series alike. -
Inside and Outside Powerbrokers
Inside and Outside Powerbrokers By Jochen Legewie Published by CNC Japan K.K. First edition June 2007 All rights reserved Printed in Japan Contents Japanese media: Superlatives and criticism........................... 1 Media in figures .............................................................. 1 Criticism ........................................................................ 3 The press club system ........................................................ 4 The inside media: Significance of national dailies and NHK...... 7 Relationship between inside media and news sources .......... 8 Group self-censorship within the inside media .................. 10 Specialization and sectionalism within the inside media...... 12 Business factors stabilizing the inside media system.......... 13 The outside media: Complementarities and role as watchdog 14 Recent trends and issues .................................................. 19 Political influence on media ............................................ 19 Media ownership and news diversity................................ 21 The internationalization of media .................................... 25 The rise of internet and new media ................................. 26 The future of media in Japan ............................................. 28 About the author About CNC Japanese media: Superlatives and criticism Media in figures Figures show that Japan is one of the most media-saturated societies in the world (FPCJ 2004, World Association of Newspapers 2005, NSK 2006): In 2005 the number of daily newspapers printed exceeded 70 million, the equivalent of 644 newspapers per 1000 adults. This diffusion rate easily dwarfs any other G-7 country, including Germany (313), the United Kingdom (352) and the U.S. (233). 45 out of the 120 different newspapers available carry a morning and evening edition. The five largest newspapers each sell more than four million copies daily, more than any of their largest Western counterparts such as Bild in Germany (3.9 mil.), The Sun in the U.K. (2.4 mil.) or USA Today in the U.S. -
View / Open Hirao Oregon 0171N 11721.Pdf
BINDING A UNIVERSE: THE FORMATION AND TRANSMUTATIONS OF THE BEST JAPANESE SF (NENKAN NIHON SF KESSAKUSEN) ANTHOLOGY SERIES by AKIKO HIRAO A THESIS Presented to the Department of East Asian Languages and Literatures and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Arts September 2016 THESIS APPROVAL PAGE Student: Akiko Hirao Title: Binding a Universe: The Formation and Transmutations of the Best Japanese SF (Nenkan Nihon SF Kessakusen) Anthology Series This thesis has been accepted and approved in partial fulfillment of the requirements for the Master of Arts degree in the Department of East Asian Languages and Literatures by: Alisa Freedman Chairperson Glynne Walley Member and Scott L. Pratt Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded September 2016. ii © 2016 Akiko Hirao This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs (United States) License. iii THESIS ABSTRACT Akiko Hirao Master of Arts Department of East Asian Languages and Literatures September 2016 Title: Binding a Universe: The Formation and Transmutations of the Best Japanese SF (Nenkan Nihon SF Kessakusen) Anthology Series The annual science fiction anthology series The Best Japanese SF started publication in 2009 and showcases domestic writers old and new and from a wide range of publishing backgrounds. Although representative of the second golden era of Japanese science fiction in print in its diversity and with an emphasis on that year in science fiction, as the volumes progress the editors’ unspoken agenda has become more pronounced, which is to create a set of expectations for the genre and to uphold writers Project Itoh and EnJoe Toh as exemplary of this current golden era. -
Aniplex Online Fest 2021 Returns This Summer Announcing First Round of Programming Line-Up
To view or embed the Aniplex Online Fest 2021 commercial via YouTube, please visit: https://youtu.be/WIgyVu38ULg FOR IMMEDIATE RELEASE MAY 27, 2021 Aniplex Online Fest 2021 Returns this Summer Announcing First Round of Programming Line-Up Dive into the world of anime as the online event hosted by Aniplex returns! SANTA MONICA, CA (MAY 27, 2021) – Aniplex of America is thrilled to announce the return of Aniplex Online Fest 2021 on Saturday, July 3, 2021 (PDT). After the successful inaugural event in July 2020, which welcomed over 800,000 viewers from all over the world, Aniplex Online Fest is scheduled to feature programming from popular Aniplex shows, performances from the biggest musical acts, and more, streaming worldwide for free this summer. Aniplex Online Fest 2021 is also proud to reveal the main visual illustrated by Saki Takahashi and the first round of the programming line-up, which includes Demon Slayer: Kimetsu no Yaiba, Sword Art Online the Movie -Progressive- Aria of a Starless Night, Fate/Grand Order ANIME PROJECT, and Puella Magi Madoka Magica 10th Anniversary Project x Magia Record: Puella Magi Madoka Magica Side Story. For more information on Aniplex Online Fest 2021, visit: https://aniplex-online-fest.com/en/ ABOUT [ ANIPLEX ONLINE FEST 2021 ] Event Name: Aniplex Online Fest 2021 Date: Saturday July 3, 2021, 6 PM – Midnight (PDT)* Organizer: Aniplex Inc. Co-sponsored by: Sony Music Entertainment (Japan) Inc. Streaming: YouTube Cost: Free Website: https://aniplex-online-fest.com/en/ *Streaming time is subject to change. -
Yuuna and the Haunted Hot Springs Premiering on Crunchyroll This July!
FOR IMMEDIATE RELEASE June 20, 2018 Yuuna and the Haunted Hot Springs Premiering on Crunchyroll This July! ©TADAHIRO MIURA/SHUEISHA, YURAGISONOYUNASAN COMMITTEE A slightly sexy hot springs and ghost love comedy! SANTA MONICA, CA (June 20, 2018) – On the Aniplex Live! show on Facebook, Aniplex of America announced that the hilarious and sexy love comedy, Yuuna and the Haunted Hot Springs, will be premiering on Crunchyroll, the world’s largest destination for anime and manga in the world, this summer. Based on a popular manga by Tadahiro Miura and published by SHUEISHA, the supernatural series centers around a psychic Kogarashi Fuyuzora who is curiously described as being very “hands on.” Through a series of unfortunate events, he finds himself in need of a cheap room to rent and finds one at a hot springs inn with some ghostly residents called the Yuragi Inn. Voiced by popular voice actor Yuki Ono from GRANBLUE FANTASY The Animation and VALVRAVE the Liberator, Kogarashi encounters a voluptuous ghost named Yuuna, voiced by newcomer Miyuri Shimabukuro in her breakout role. Other cast members include Eri Suzuki (Monster Strike the Animation, Nanana’s Buried Treasure), Rie Takahashi (Fate/Grand Order – First Order-, KonoSuba –God’s blessing on this wonderful world!), Ai Kakuma (ALDNOAH.ZERO, The Asterisk War), Mikako Komatsu, (Eromanga Sensei, Nisekoi), and Anzu Haruno from BLEND-S. The series will be directed by Tsuyoshi Nagasawa (Kyo no Gononi, Nyaruko: Crawling With Love!) with character design by Kyoko Taketani (Pókemon the Movie: Black –Victini and Reshiram, Oreca Battle). Animation production will be handled by XEBEC (Love Hina, BanG Dream!, To Love-Ru) featuring music by Tomoki Kikuya of Nisekoi, BLEND- S, and Eromanga Sensei fame. -
Collaborative Creativity, Dark Energy, and Anime's Global Success
Collaborative Creativity, Dark Energy, and Anime’s Global Success ◆特集*招待論文◆ Collaborative Creativity, Dark Energy, and Anime’s Global Success 協調的創造性、ダーク・エナジー、アニメの グローバルな成功 Ian Condry Associate Professor, Comparative Media Studies, Massachusetts Institute of Technology コンドリー・イアン マサチューセッツ工科大学比較メディア研究准教授 In this essay, I give an overview of some of the main ideas of my new book The Soul of Anime: Collaborative Creativity and Japan’s Media Success Story. Drawing on ethnographic research, including fieldwork at Madhouse, as well as a historical consideration of the original Gundam series, I discuss how anime can be best understood in terms of platforms for collaborative creativity. I argue that the global success of Japanese animation has grown out of a collective social energy that operates across industries—including those that produce film, television, manga (comic books), and toys and other licensed merchandise—and connects fans to the creators of anime. For me, this collective social energy is the soul of anime. 本論文において、拙著『アニメのダーク・エナジー:協調的創造性と日本のメディアの成功例』 における中心的なアイデアの紹介を行う。アニメを制作する企業マッドハウスにおけるフィール ドワークを含む、人類学的な研究を行うとともに、オリジナルの『ガンダム』シリーズに関する 歴史的な考察をふまえて、協調的創造性のプラットフォームとしてアニメを位置付けることがで きるかどうか検討する。日本アニメのグローバルな成功は、映画、テレビ、漫画、玩具、そして その他のライセンス事業を含めて、アニメファンと創作者をつなぐ集団的なソーシャル・エナジー に基づいていると主張する。このような集団的なソーシャル・エナジーがアニメの精神であると 著者は考えている。 Keywords: Media, Popular Culture, Globalization, Japan, Ethnography Acknowledgements: Thank you to Motohiro Tsuchiya for including me in this project. I think “Platform Lab” is an excellent rubric because I believe media should be viewed as a platform of participation rather than content for consumption. I view scholarship the same way. My anime research was supported by the Japan Foundation, the US National Science Foundation, and the Japan Society for the Promotion of Science. I have also received generous funding from, MIT, Harvard, Yale, and the Fulbright program. -
Protoculture Addicts #61
Sample file CONTENTS 3 ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ PROTOCULTURE ✾ PRESENTATION ........................................................................................................... 4 STAFF WHAT'S GOING ON? ANIME & MANGA NEWS .......................................................................................................... 5 Claude J. Pelletier [CJP] — Publisher / Manager VIDEO & MANGA RELEASES ................................................................................................... 6 Martin Ouellette [MO] — Editor-in-Chief PRODUCTS RELEASES .............................................................................................................. 8 Miyako Matsuda [MM] — Editor / Translator NEW RELEASES ..................................................................................................................... 10 MODEL NEWS ...................................................................................................................... 47 Contributors Aaron Dawe Kevin Lilliard, James S. Taylor REVIEWS Layout LIVE-ACTION ........................................................................................................................ 15 MODELS .............................................................................................................................. 46 The Safe House MANGA .............................................................................................................................. 54 Cover PA PICKS ............................................................................................................................ -
THE MIT JAPAN PROGRAM I~~~~~~~~A
THE MIT JAPAN PROGRAM i~~~~~~~~A 0; - -) 'V3 ··it Science, Technology, Management kit 0-~ .Z9 EXPLORING THE INTERSECTION OF GOVERNMENT, POLITICS AND THE NEWS MEDIA IN JAPAN: THE TSUBAKI HA TSUGEN INCIDENT Paul M. Berger MITJP 95-04 Center for International Studies Massachusetts Institute of Technology --IIICI--l,.-..-.- --------- Exploring the Intersection of Government, Politics and the News Media in Japan The Tsubaki Hatsugen Incident Paul M. Berger MITJP 95-04 Distributed Courtesy of the MIT Japan Program Science Technology * Management Center for International Studies Massachusetts Institute of Technology Room E38-7th Floor Cambridge, MA 02139 phone: 617-253-2839 fax: 617-258-7432 © MIT Japan Program 1_ 9___0_1____ YII_ IX____ __ About the MIT Japan Program and its Working Paper Series The MIT Japan Program was founded in 1981 to create a new generation of technologically sophisticated "Japan-aware" scientists, engineers, and managers in the United States. The Program's corporate sponsors, as well as support from the government and from private foundations, have made it the largest, most comprehensive, and most widely emulated center of applied Japanese studies in the world. The intellectual focus of the Program is to integrate the research methodologies of the social sciences, the humanities, and technology to approach issues confronting the United States and Japan in their relations involving science and technology. The Program is uniquely positioned to make use of MIT's extensive network of Japan-related resources, which include faculty, researchers, and library collections, as well as a Tokyo-based office. Through its three core activities, namely, education, research, and public awareness, the Program disseminates both to its sponsors and to the interested public its expertise on Japanese science and technology and on how that science and technology is managed. -
Multiple Documents
Alex Morgan et al v. United States Soccer Federation, Inc., Docket No. 2_19-cv-01717 (C.D. Cal. Mar 08, 2019), Court Docket Multiple Documents Part Description 1 3 pages 2 Memorandum Defendant's Memorandum of Points and Authorities in Support of i 3 Exhibit Defendant's Statement of Uncontroverted Facts and Conclusions of La 4 Declaration Gulati Declaration 5 Exhibit 1 to Gulati Declaration - Britanica World Cup 6 Exhibit 2 - to Gulati Declaration - 2010 MWC Television Audience Report 7 Exhibit 3 to Gulati Declaration - 2014 MWC Television Audience Report Alex Morgan et al v. United States Soccer Federation, Inc., Docket No. 2_19-cv-01717 (C.D. Cal. Mar 08, 2019), Court Docket 8 Exhibit 4 to Gulati Declaration - 2018 MWC Television Audience Report 9 Exhibit 5 to Gulati Declaration - 2011 WWC TElevision Audience Report 10 Exhibit 6 to Gulati Declaration - 2015 WWC Television Audience Report 11 Exhibit 7 to Gulati Declaration - 2019 WWC Television Audience Report 12 Exhibit 8 to Gulati Declaration - 2010 Prize Money Memorandum 13 Exhibit 9 to Gulati Declaration - 2011 Prize Money Memorandum 14 Exhibit 10 to Gulati Declaration - 2014 Prize Money Memorandum 15 Exhibit 11 to Gulati Declaration - 2015 Prize Money Memorandum 16 Exhibit 12 to Gulati Declaration - 2019 Prize Money Memorandum 17 Exhibit 13 to Gulati Declaration - 3-19-13 MOU 18 Exhibit 14 to Gulati Declaration - 11-1-12 WNTPA Proposal 19 Exhibit 15 to Gulati Declaration - 12-4-12 Gleason Email Financial Proposal 20 Exhibit 15a to Gulati Declaration - 12-3-12 USSF Proposed financial Terms 21 Exhibit 16 to Gulati Declaration - Gleason 2005-2011 Revenue 22 Declaration Tom King Declaration 23 Exhibit 1 to King Declaration - Men's CBA 24 Exhibit 2 to King Declaration - Stolzenbach to Levinstein Email 25 Exhibit 3 to King Declaration - 2005 WNT CBA Alex Morgan et al v. -
Dishing out Silver Spoon : Agricultural Tourism in the Tokachi-Obihiro Area of Hokkaido
Title Dishing out Silver Spoon : Agricultural Tourism in the Tokachi-Obihiro Area of Hokkaido Author(s) Mason, Michele M. Citation International Journal of Contents Tourism, 1.2, 31-43 Issue Date 2016-06-13 Doc URL http://hdl.handle.net/2115/62624 Type bulletin (article) File Information IJCT-Vol-1.2-Mason-2016.pdf Instructions for use Hokkaido University Collection of Scholarly and Academic Papers : HUSCAP Dishing out Silver Spoon: Agricultural Tourism in the Tokachi-Obihiro Area of Hokkaido Michele M. Mason Abstract: Arakawa Hiromu’s best-selling manga Silver Spoon, which began serialization in 2011, kicked off an impromptu migration of fans to the story’s setting, the Tokachi-Obihiro region of Hokkaido. Both local tourism officials and agricultural stakeholders quickly devised a number of strategies to capitalize on the newfound interest in their region. Their efforts only intensified when anime and film versions were released in 2013 and 2014. This article examines the ways local officials, business owners, and other constituents have pursued not only profits from Silver Spoon-inspired tourism, but also the chance to offer a different picture of agricultural life than is typically disseminated in the media. Below, I demonstrate how the promotion of Ban’ei horse racing, a wide-variety of agricultural products, and hands-on farming and food production experiences are at the heart of local community’s attempts to appropriate the cultural capital of Silver Spoon to craft narratives of Tokachi identity, heritage, and pride. アブストラクト:荒川弘によるベストセラーマンガ作品『銀の匙 -
Manga Vision: Cultural and Communicative Perspectives / Editors: Sarah Pasfield-Neofitou, Cathy Sell; Queenie Chan, Manga Artist
VISION CULTURAL AND COMMUNICATIVE PERSPECTIVES WITH MANGA ARTIST QUEENIE CHAN EDITED BY SARAH PASFIELD-NEOFITOU AND CATHY SELL MANGA VISION MANGA VISION Cultural and Communicative Perspectives EDITED BY SARAH PASFIELD-NEOFITOU AND CATHY SELL WITH MANGA ARTIST QUEENIE CHAN © Copyright 2016 Copyright of this collection in its entirety is held by Sarah Pasfield-Neofitou and Cathy Sell. Copyright of manga artwork is held by Queenie Chan, unless another artist is explicitly stated as its creator in which case it is held by that artist. Copyright of the individual chapters is held by the respective author(s). All rights reserved. Apart from any uses permitted by Australia’s Copyright Act 1968, no part of this book may be reproduced by any process without prior written permission from the copyright owners. Inquiries should be directed to the publisher. Monash University Publishing Matheson Library and Information Services Building 40 Exhibition Walk Monash University Clayton, Victoria 3800, Australia www.publishing.monash.edu Monash University Publishing brings to the world publications which advance the best traditions of humane and enlightened thought. Monash University Publishing titles pass through a rigorous process of independent peer review. www.publishing.monash.edu/books/mv-9781925377064.html Series: Cultural Studies Design: Les Thomas Cover image: Queenie Chan National Library of Australia Cataloguing-in-Publication entry: Title: Manga vision: cultural and communicative perspectives / editors: Sarah Pasfield-Neofitou, Cathy Sell; Queenie Chan, manga artist. ISBN: 9781925377064 (paperback) 9781925377071 (epdf) 9781925377361 (epub) Subjects: Comic books, strips, etc.--Social aspects--Japan. Comic books, strips, etc.--Social aspects. Comic books, strips, etc., in art. Comic books, strips, etc., in education.