View PDF of Lecture

Total Page:16

File Type:pdf, Size:1020Kb

View PDF of Lecture WILLIAM R. AND ERLYN J. GOULD DISTINGUISHED LECTURE ON TECHNOLOGY AND THE QUALITY OF LIFE Tenth Annual Address Fountains: Using Technology to Create Happiness, Joy and Pleasure by Mark Fuller Chairman and Chief Executive Officer WET Design J. WILLARD MARRIOTT LIBRARY UNIVERSITY OF UTAH . 2001 Fountains: Using Technology to Create Happiness, Joy and Peace Mark Fuller Chairman and Chief Executive Officer WET Design William R. and Erlyn J. Gould Auditorium J. Willard Marriott Library University of Utah November 14, 2001 About the Gould Endowment T" TT 7" illiam R. and Erlyn J. Gould f/f/ established an endowment V W in their names in 1992 in support of the activities conducted within the Utah Science, En­ gineering, and Medical Archives of the J. Willard Marriott Library. In addition to supporting the archives, the endowment also funds the annual William R. and Erlyn J. Gould Distinguished Lecture on Technology and the Quality of Life. These annual lectures focus on technical and environ­ mental topics, and how they relate to society as a whole. William R. Gould, one of the world's leading engineers, business­ Erlyn and William Gould men, and entrepreneurs, has named the Marriott Library as repository of record for his professional and personal papers spanning more than forty years. As with many of the donors of collections housed in the Utah Science Archives, extensive oral history interviews have been conducted with Mr. Gould, as a supplement to his collection. Through support by the Gould Endowment of the Gould Distinguished Lecture series, William and Erlyn have expressed their desire to share with the public their hope for the future: that through a more complete understanding of technology and its application, perhaps the humanity of which we are all a part may find a stronger path to greater social potential. In their support of the Marriott Library, the Utah Science Archives, and the Gould Distinguished Lecture series, William and Erlyn Gould have estab­ lished a durable marker by which we may more easily find our way. BO GOULD DISTINGUISHED LECTURE on TECHNOLOGY AND THE QUALITY OF LIFE Mission Statement he William R. and Erlyn J. Gould Distinguished Lecture T on Technology and the Quality of Life was inaugurated in October, 1992, at the University of Utah J. Willard Marriott Library. In establishing the lecture series, William and Erlyn Gould both recognized the critical need for continuing public education about issues regarding modern technology and its impact on our daily lives. Inherent to the advantage of technology is the importance of understanding the ramifications and responsibilities that accom­ pany modern scientific discovery. Only through continuing public education can scientific fact and social philosophy be successfully merged. This lecture series is intended to provide a forum for the discus­ sion of problems, issues, experiences, and successful case histories of the regeneration and preservation of our communities through the application of modern technology. It is hoped that an increased awareness of obligation in the public trust will emerge among practitioners of technology as they BO address the very important environmental and life-deteriorating problems facing society today. Through interaction between technologists and opinion leaders in communities that are the benefactors of their efforts, a syner­ gism can develop through which society may see great benefit in the long-term future. With this lecture series, it is intended that a dialogue be opened between the technologist, the philosopher, the humanist, the private citizen, and all who may wish to assert an active voice in our collective future. In such an atmosphere of mutual interest and understanding, no one group will be singled out for exclusion or be blamed for society's ills; rather, through understanding, discourse, and public education the positive direction of our future may be shaped. The Marriott Library's mission is to provide information resources that support the scholarship, teaching, and research programs the University of Utah offers to students, faculty, and citizens of the state. In this light, this annual lecture will strive toward providing a greater public understanding of technology and the social potential that can be cultivated. In conjunction with the Utah Science, Engineering, and Medi­ cal Archives program of the Marriott Library, this lecture series will provide the means of bridging the many disciplines of technol­ ogy while meeting the needs of the public in understanding its rich and diverse technological heritage. BO FOUNTAINS: USING TECHNOLOGY TO CREATE HAPPINESS, JOY AND PLEASURE It is rny pleasure today to introduce our speaker, Mark Fuller, the co-founder of WET Design of Universal City, California. I'm especially pleased to be introducing an individual who was associated here at the University of Utah as an undergraduate pursuing a Bachelor of Science Honors Degree in Engineering. Following his undergraduate work here, Mark continued his graduate studies at Stanford University where he received a Masters Degree in Engineering and Product Design. It was during these early studies that Mark began to develop the interest and knowledge necessary to set a foundation for his later accomplishments. His Honor's Degree Senior thesis focused on, and I quote: Axisymmetric Laminar Fluid Flow, or for the rest of us The Creation of an Arch of Rapidly Flowing Water That Gives the Appearance of Being Motionless. Following his training at Stanford, Mark joined the Walt Disney Company where he created and implemented more than five hundred special effects and water projects for both the Epcot Center and Walt Disney World in Orlando, Florida. Perhaps Mark's signature project at Disney's Epcot Center is the Leapfrog Fountain, which created streams of water several feet long playfully leapfrogging from planter to planter in an orchestrated pattern. I hope some of you have seen it. It's fascinating. A Dallas commercial developer approached Mark to design a fountain for an I. M. Pei project, the result being Fountain Place.The success of this endeavor indicated to Mark the possibility of creating his own company to design such water projects. The result was WET [Water Entertainment Technologies] Design. Through theincorporation of his engineering and design background, and ingenuity, Mark has introduced technology that allows for energy savings of eighty percent or more, and a reduction in project costs of fifty percent in high-end fountain design. Through his own creativity, Mark has found a way to combine engineering and technology to influence the quality of life, and to enhance our sense of environmental art. Our own local examples of Mark's work are the recently inaugurated Olympic Fountain on the Olympic Legacy Plaza in Gateway, and the "as yet" unveiled cauldron which is going to be the signature for the 2002 Winter Olympic Games. It will be unveiled in Rice Eccles Stadium sometime in February. Mark is a most appropriate individual to be giving this year's tenth anniversary lecture of The William R. and Erlyn J. Gould Distinguished Lecture on Technology and the Quality of Life. Please join me in welcoming University of Utah alum, Mark Fuller. /. Bernard Machen, President, University of Utah BO Thank you Bernie. I was feeling a little nervous, as I often do before these presentations, until the moment when you invited everybody to sit on the floor. In my company we have a lot of conference rooms, but I frequently surprise people by sitting on the floor. I just think better that way. If I may, let me begin with a word frequently used in my profession's vocabulary: "saturated." We live today in a society that is saturated with technology. Many, perhaps most, of us will go home this afternoon and switch on something like CNN. And in the current news we will see the demonic side of technology as it has brought forth the ability to create weapons of mass destruction. In a non-sinister, but nevertheless pretty invasive exposure to technology, most of us will likely be the recipients this Christmas of yet another appliance; its front covered with a placard of buttons—each one, when pushed, revealing a spiraling nest of menus, one of which inevitably leads to the inexorable and undecipherable error message. In contrast, I'd like to share with you an image of what I consider to be technology at its finest. You don't see technology—but it's there. Technology unseen is aiding and abetting, silendy and supportively, the simple joy of being alive. I have spent my professional life working with one of the most common and simple, yet multifaceted substances on the planet: water— and, with the help of technology, enticing from that water a sense of joy, entertainment, and even amazement as it is coaxed to display its inherent properties, properties which it shields from us everyday. Sometimes we develop grand, exuberant displays with water. At other times in our work with this wonderful medium of water we employ the tools of technology to make it highly approachable and enjoyable on a very intimate, personal scale. BO H -ft" -•"•''"' i fl1 r% , j> .4 '.. These kids are playing in "high-tech" fountains. In their play they are bringing, by their very presence, a sense of joy into spaces that technology alone would leave much less friendly. This is a bank plaza. The owner was seeking to transform the space in front of this bank building into a place that would be inviting and would, therefore, become populated with people. In this otherwise purely commercial district, the result of this is that kids come from around the neighborhood. The parents and grandparents come to see the kids. All enjoy the child-play and the water- play of the many patterns and water forms—assisted by the unseen technology direcdy beneath.
Recommended publications
  • Global Attractions Attendance Report COVER: © Disneyland at Disneyland Resort®, Anaheim, CA, U.S
    2015 2015 Global Attractions Attendance Report COVER: © Disneyland at Disneyland Resort®, Anaheim, CA, U.S. CREDITS TEA/AECOM 2015 Theme Index and Museum Index: The Global Attractions Attendance Report Publisher: Themed Entertainment Association (TEA) Research: Economics practice at AECOM Editor: Judith Rubin Publication team: Tsz Yin (Gigi) Au, Beth Chang, Linda Cheu, Bethanie Finney, Kathleen LaClair, Jodie Lock, Sarah Linford, Erik Miller, Jennie Nevin, Margreet Papamichael, Jeff Pincus, John Robinett, Judith Rubin, Brian Sands, Will Selby, Matt Timmins, Feliz Ventura, Chris Yoshii ©2016 TEA/AECOM. All rights reserved. CONTACTS For further information about the contents of this report and about the Economics practice at AECOM, contact the following: John Robinett Chris Yoshii Senior Vice President, Americas Vice President, Asia-Pacific [email protected] [email protected] T +1 213 593 8785 T +852 3922 9000 Brian Sands, AICP Margreet Papamichael Vice President, Americas Director, EMEA [email protected] [email protected] T +1 202 821 7281 T +44 20 3009 2283 Linda Cheu aecom.com/economics Vice President, Americas [email protected] T +1 415 955 2928 For information about TEA (Themed Entertainment Association): Judith Rubin Jennie Nevin TEA Publications, PR & Social Media TEA Chief Operating Officer [email protected] [email protected] T +1 314 853 5210 T +1 818 843 8497 teaconnect.org 2015 2015 The definitive annual attendance study for the themed entertainment and museum industries. Published by the Themed Entertainment Association (TEA) and the Economics practice at AECOM. Global Attractions Attendance Report 3 CONTENTS THE BIG PICTURE 6 2015 THEME INDEX 22 The Americas 22 Asia-Pacific 42 Europe, Middle East and Africa (EMEA) 52 © Aquaventure Water Park, Dubai, U.A.E.
    [Show full text]
  • Inbound to Costco Wholesale (Costco Selects Carrier and Pays Freight)
    US STANDARD ROUTING / LOGISTICS INSTRUCTIONS Collect – Inbound to Costco Wholesale (Costco selects carrier and pays freight) This will serve as routing/logistics instructions when shipping your product to Costco Wholesale. These terms and conditions cannot be altered, changed, or deviated from without written consent from Costco. Deviations without prior approval from the Buyer, Traffic Department, or other authorized person will result in the issuance of chargeback’s, which will be deducted from your invoice. Routing will appear on Costco purchase orders in two ways: Routing Instructions - specifying a carrier will appear on some purchase orders. OR Call Traffic – The appropriate regional traffic department must be contacted (e-mail if possible) to determine routing (see Costco Regional Traffic / Logistics phone and fax list). Routing requests from the vendor to Costco Traffic should include: o Complete shipping facility name and address o PO Number o Type of load (pallet, slip, floor) o If palletized or slip-sheeted and whether or not product will double stack o Pieces, weight, and cube of the product (excluding pallet) and total weight and cube of entire shipment (including pallet weight and cube). o Date the merchandise will be ready for pick up Routing for Collect shipments requiring any “special handling” such as high cube, heavy haul, refrigerated, Keep-from-Freezing, Keep-from-Melting, ventilated trailers etc. should be verified with the traffic department regardless of the routing noted. All Costco Wholesale orders are considered “Shipper load and Count” The Vendor is responsible to ensure the order is properly packed and loaded to prevent any transit damage and tampering.
    [Show full text]
  • The Strip: Las Vegas and the Symbolic Destruction of Spectacle
    The Strip: Las Vegas and the Symbolic Destruction of Spectacle By Stefan Johannes Al A dissertation submitted in the partial satisfaction of the Requirements for the degree of Doctor of Philosophy in City and Regional Planning in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Nezar AlSayyad, Chair Professor Greig Crysler Professor Ananya Roy Professor Michael Southworth Fall 2010 The Strip: Las Vegas and the Symbolic Destruction of Spectacle © 2010 by Stefan Johannes Al Abstract The Strip: Las Vegas and the Symbolic Destruction of Spectacle by Stefan Johannes Al Doctor of Philosophy in City and Regional Planning University of California, Berkeley Professor Nezar AlSayyad, Chair Over the past 70 years, various actors have dramatically reconfigured the Las Vegas Strip in many forms. I claim that behind the Strip’s “reinventions” lies a process of symbolic destruction. Since resorts distinguish themselves symbolically, each new round of capital accumulation relies on the destruction of symbolic capital of existing resorts. A new resort either ups the language within a paradigm, or causes a paradigm shift, which devalues the previous resorts even further. This is why, in the context of the Strip, buildings have such a short lifespan. This dissertation is chronologically structured around the four building booms of new resort construction that occurred on the Strip. Historically, there are periodic waves of new casino resort constructions with continuous upgrades and renovation projects in between. They have been successively theorized as suburbanization, corporatization, Disneyfication, and global branding. Each building boom either conforms to a single paradigm or witnesses a paradigm shift halfway: these paradigms have been theorized as Wild West, Los Angeles Cool, Pop City, Corporate Modern, Disneyland, Sim City, and Starchitecture.
    [Show full text]
  • Tilburg University Attraction Accountability Cornelis, P.C.M
    Tilburg University Attraction accountability Cornelis, P.C.M. Publication date: 2011 Link to publication in Tilburg University Research Portal Citation for published version (APA): Cornelis, P. C. M. (2011). Attraction accountability: Predicting the unpredictable?!. NRIT Media. General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 26. sep. 2021 Attraction accountability Predicting the unpredictable?! Pieter C.M. Cornelis Attraction accountability Predicting the unpredictable?! Pieter C.M. Cornelis Colofon Attraction accountability: Predicting the unpredictable?! Pieter C.M. Cornelis Proefschrift Universiteit van Tilburg Dissertation Tilburg University Uitgever/Publisher: NRIT Media ISBN: 978-90-75923-66-7 © NRIT Media. Alle rechten voorbehouden. Niets van deze uitgave mag worden verveelvoudigd, opgeslagen in een geautomatiseerd gegevensbestand, of openbaar gemaakt, in enige vorm of op enige wijze, zonder voorafgaande toestemming van de uitgever. © NRIT Media. All rights reserved. No part of this publication may be produced, stored in a retrieval system, or transmitted, in any form or by any means, without prior permission of the publisher.
    [Show full text]
  • Meetings Planners Guide
    Convention Services and Catering Meeting Planner’s Guide INDEX Welcome to Bellagio ..................................................................................................Page 4 Fast Facts .....................................................................................................................Page 5 Hotel Contact Information ............................................................................................................. 6 Las Vegas Weather .......................................................................................................................... 6 “O™” by Cirque du Soleil ® ................................................................................................................. 6 The Art of Richard MacDonald Presented by Cirque du Soleil ® .................................................... 6 Fountains of BellagioTM ................................................................................................................... 6 Conservatory & Botanical Gardens ................................................................................................ 7 Promenade Shops ............................................................................................................................ 7 Other Shopping .............................................................................................................................. 7 Dining.............................................................................................................................................
    [Show full text]
  • ​Walt Disney's EPCOT: Planning, Control, and a Great Big
    Walt Disney’s EPCOT: Planning, Control, and A Great Big Beautiful Tomorrow ​ By Joseph M. Neglia A Dissertation submitted to the Graduate School­Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of History Graduate Program in written under the direction of Professor Robert Snyder and approved by ________________________ ________________________ ________________________ ________________________ Newark, New Jersey May 2016 © 2016 Joseph M. Neglia ALL RIGHTS RESERVED Walt Disney’s EPCOT: Planning, Control, and A Great Big Beautiful Tomorrow By Joseph M. Neglia Dissertation Director: Prof. Robert Snyder Walt Disney made a career out of revolutionizing animation and filmmaking techniques, continuously pushing the boundaries of the art form while staying true to a vision of a family­friendly finished product. This visionary zeal seemed to reach its zenith in 1955 with the opening of Disneyland, the world’s first fully themed amusement park that, in many ways, felt like a livable environment. By the 1960s, however, Disney had begun to once again grow restless, and turned his creative attentions to a much larger scale challenge: attempting to fix what was perceived as the “urban crisis” of the era in the United States. Building off the ideas, model concepts, and failures of previous urban planners, Disney sought to create a foolproof concept: design a futuristic city using technology and architectural techniques his team at WED Enterprises at learned at Disneyland, and build it on enough privately owned land that nobody could build an unwanted and unplanned development immediately beyond the city limits. The city was to be known as EPCOT (“Experimental Prototype Community of Tomorrow”), and it would be located in Orlando and Kissimmee, Florida.
    [Show full text]
  • Global Attractions Attendance Report
    Economics Global Attractions Attendance Report Credits TEA/AECOM 2013 Theme Index: The Global Attractions Attendance Report Publisher: Themed Entertainment Association (TEA) Executive Editor: Gene Jeffers Research: Economics practice at AECOM Editor: Judith Rubin Publication team: Natalia Bakhlina, Beth Chang, Linda Cheu, Alisa Cohen, Daniel Elsea, Global Gene Jeffers, Kathleen LaClair, Jodie Lock, Ben Martin, John Robinett, Judith Rubin, Brian Sands, Matt Timmins, Chris Yoshii Attractions ©2013 TEA/AECOM. All rights reserved. Attendance Contacts For information about TEA: Report Judith Rubin, [email protected], T: +1 314 853 5210 Gene Jeffers, [email protected], T: +1 818 843 8497 www.TEAconnect.org For information about AECOM’s Economics team and the report: John Robinett Chris Yoshii The definitive annual attendance study for the Senior Vice President, Economics Global Director, Asia themed entertainment and museum industries. [email protected] [email protected] T: +1 213 593 8785 T:+852 3922 8000 Published by the Themed Entertainment Association (TEA) and the Economics practice Natalia Bakhlina Brian Sands, AICP at AECOM. Associate Director, Europe Vice President, Economics + Planning [email protected] [email protected] T: +44 20 3009 2278 T: +1 202 821 7281 3 THE BIG PICTURE 7 List of figures page Optimism and economic recovery, 2012 THEME INDEX Asia starts to pull ahead of North Worldwide America, and Museums join the mix. 1 Top 10 theme park groups worldwide 13 2 Top 25 amusement/theme parks worldwide
    [Show full text]
  • 2016 Theme Index: the Global Attractions Attendance Report
    GLOBAL ATTRACTIONS ATTENDANCE REPORT Cover: Crazy, Thermas Dos Laranjais, Olímpia, Brazil © Thermas Dos Laranjais CREDITS TEA/AECOM 2016 Theme Index and Museum Index: The Global Attractions Attendance Report The definitive annual attendance Publisher: Themed Entertainment Association (TEA) study for the themed entertainment Research: Economics practice at AECOM and museum industries. Editor: Judith Rubin Publication team: Tsz Yin (Gigi) Au, Beth Chang, Bryan Chen, Linda Cheu, Lucia Fischer, Marina Published by the Themed Hoffman, Olga Kondaurova, Kathleen LaClair, Shaojin Li, Sarah Linford, George Marling, Erik Miller, Entertainment Association (TEA) and Jennie Nevin, Margreet Papamichael, John Robinett, Judith Rubin, Brian Sands, William Selby, Matt Timmins, Feliz Ventura, Chris Yoshii the Economics practice at AECOM. ©2017 TEA/AECOM. All rights reserved. GLOBAL ATTRACTIONS CONTACTS For further information about the contents of this report and about the Economics practice at ATTENDANCE REPORT AECOM, contact the following: John Robinett Chris Yoshii Senior Vice President, Americas Vice President, Asia-Pacific [email protected] [email protected] T +1 213 593 8785 T +852 3922 9000 Brian Sands, AICP Margreet Papamichael Vice President, Americas Director, EMIA [email protected] [email protected] T +1 202 821 7281 T +44 20 3009 2283 Linda Cheu aecom.com/economics Vice President, Americas [email protected] T +1 415 955 2928 For information about TEA (Themed Entertainment Association): Judith Rubin Jennie Nevin TEA Publications, PR & Social Media TEA Chief Operating Officer [email protected] [email protected] T +1 314 853 5210 T +1 818 843 8497 TEAconnect.org CONTENTS THE BIG PICTURE 6 THE AMERICAS 22 ASIA-PACIFIC 38 EMEA 48 MUSEUMS 58 ABOUT THE STUDY 74 FREQUENTLY ASKED QUESTIONS 75 13.9% Universal Studios Hollywood, Universal City, California, attendance growth 2015–16 Credit: David Sprague/Universal Studios Hollywood.
    [Show full text]
  • Fountains of Bellagio Learn New Dance to Hits by Famed DJ/Producer Tiesto
    NEWS RELEASE Fountains of Bellagio Learn New Dance to Hits by Famed DJ/producer Tiesto 9/18/2014 Exclusive Three-Song Medley Unveiled Sept. 17 At Iconic Las Vegas Landmark LAS VEGAS, Sept. 18, 2014 /PRNewswire/ -- On Wednesday, September 17, the beat dropped and water soared when world-renowned DJ/producer Tiesto brought the iconic Fountains of Bellagio to life with a never-before- heard medley of three songs off his new album, A Town Called Paradise. "Footprints," "Rocky" and "Red Lights" serve as the soundtrack to the newest show choreographed by WET, the original fountain creators. To view the multimedia assets associated with this release, please click: http://www.multivu.com/players/English/7317051-fountains-of-bellagio-las-vegas-dance-to-hits-by-dj- producer-tiesto "Las Vegas is like my second home and I'm excited to leave a permanent mark on the city I love," said Tiesto. "The Fountains of Bellagio bring my songs to life in a new and dynamic way that I can't wait for my fans to experience." 1 The medley is the first compilation created specifically for the Fountains of Bellagio and the only show set to electronic dance music. This is also the first time a composer has collaborated with WET on show choreography for the Bellagio Fountains. Randy Morton, President and COO of Bellagio, said, "We're thrilled to have Tiesto contribute his talent to our very special Fountains. The collaboration of these two Las Vegas icons will introduce Bellagio to an entirely new audience." The show was taken from inception to completion by Peter Kopik, Executive Designer & Director of Choreography at WET, with Tiesto and Kopik spending time at the company's California studio as well as on site programming at Bellagio.
    [Show full text]
  • GLOBAL ATTRACTIONS ATTENDANCE REPORT Cover Image: Chimelong Ocean Kingdom’S Journey of Lights Parade — Zhuhai, China Photo Courtesy of Miziker Entertainment
    GLOBAL ATTRACTIONS ATTENDANCE REPORT Cover image: Chimelong Ocean Kingdom’s Journey Of Lights Parade — Zhuhai, China Photo courtesy of Miziker Entertainment CREDITS TEA/AECOM 2018 Theme Index and Museum Index: The Global Attractions Attendance Report Publisher: Themed Entertainment Association (TEA) Research: Economics practice at AECOM Editor: Judith Rubin Producer: Brian Sands Lead Designer: Matt Timmins Publication team: Tsz Yin (Gigi) Au, Beth Chang, Michael Chee, Linda Cheu, Celia Datels, Lucia Fischer, Marina Hoffman, Olga Kondaurova, Kathleen LaClair, Jodie Lock, Jason Marshall, Sarah Linford, Jennie Nevin, Nina Patel, John Robinett, Judith Rubin, Brian Sands, Matt Timmins, Feliz Ventura, Chris Yoshii ©2019 TEA/AECOM. All rights reserved. CONTACTS For further information about the contents of this report and about the Economics practice at AECOM, contact the following: John Robinett Chris Yoshii Senior Vice President – Economics Vice President – Economics, Asia-Pacific [email protected] [email protected] T +1 213 593 8785 T +852 3922 9000 Brian Sands, AICP Beth Chang Vice President / Director – Economics, Executive Director – Economics, GLOBAL ATTRACTIONS Americas Asia-Pacific ATTENDANCE REPORT [email protected] [email protected] T +1 202 821 7281 T +852 3922 8109 The definitive annual Linda Cheu Jodie Lock attendance study for the Vice President – Economics, Americas Associate – Economics, Asia-Pacific and EMEA [email protected] themed entertainment and [email protected] T +1 415 955 2928 T +852 3922 9000 museum industries. aecom.com/economics Published by the Themed Entertainment Association For information about TEA (Themed Entertainment Association): Judith Rubin Jennie Nevin (TEA) and the Economics TEA Director of Publications practice at AECOM.
    [Show full text]
  • GLOBAL ATTRACTIONS ATTENDANCE REPORT Pandora — the World of Avatar, Disney’S Animal Kingdom at Walt Disney World Resort, Lake Buena Vista, FL, U.S
    GLOBAL ATTRACTIONS ATTENDANCE REPORT Pandora — The World of Avatar, Disney’s Animal Kingdom at Walt Disney World Resort, Lake Buena Vista, FL, U.S. © Disney CREDITS TEA/AECOM 2017 Theme Index and Museum Index: The Global Attractions Attendance Report Publisher: Themed Entertainment Association (TEA) Research: Economics practice at AECOM Editor: Judith Rubin Publication team: Tsz Yin (Gigi) Au, Chloe Bian, Matthew Budd, Beth Chang, Linda Cheu, Lucia Fischer, Leonardo Giovanini, Gwyneth Gu, Marina Hoffman, Olga Kondaurova, Kathleen LaClair, Coralie Landry, Jason Marshall, Shaojin Li, Sarah Linford, Erik Miller, Jennie Nevin, Margreet Papamichael, John Robinett, Judith Rubin, Brian Sands, Matt Timmins, Feliz Ventura, Chris Yoshii ©2018 TEA/AECOM. All rights reserved. CONTACTS For further information about the contents of this report and about the Economics practice at AECOM, contact the following: John Robinett Chris Yoshii Senior Vice President, Americas Vice President, Asia-Pacific [email protected] [email protected] GLOBAL ATTRACTIONS T +1 213 593 8785 T +852 3922 9000 ATTENDANCE REPORT Brian Sands, AICP Margreet Papamichael Vice President, Americas Director, EMIA The definitive annual [email protected] [email protected] T +1 202 821 7281 T +44 7973 347843 attendance study for the Linda Cheu aecom.com/economics themed entertainment and Vice President, Americas museum industries. [email protected] T +1 415 955 2928 Published by the Themed For information about TEA (Themed Entertainment Association): Entertainment Association (TEA) and the Economics Judith Rubin Jennie Nevin TEA Publications, PR & Social Media TEA Chief Operating Officer practice at AECOM. [email protected] [email protected] T +1 314 853 5210 T +1 818 843 8497 TEAconnect.org CONTENTS THE BIG PICTURE 6 THE AMERICAS 22 ASIA-PACIFIC 38 EMEA 48 MUSEUMS 58 ABOUT THE STUDY 74 FREQUENTLY ASKED QUESTIONS 75 8.1% Parc Astérix, Plailly, Parc Astérix, Plailly, France France, attendance © Parc Astérix / (C) S.
    [Show full text]
  • Lighting Themed Entertainment
    LIGHTING THEMED ENTERTAINMENT : DESIGNING OUTSIDE OF TRADITIONAL THEATRE AND DANCE BY : MONIQUE ROCHELLE NORMAN , B.F.A. THESIS Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirments for the Degree of Master of Fine Arts The University of Texas at Austin May 2007 LIGHTING THEMED ENTERTAINMENT : DESIGNING OUTSIDE OF TRADITIONAL THEATRE AND DANCE APPROVED BY SUPERVISING COMMITTEE: SUPERVISOR AMARANTE LUCERO YACOV SHARIR WILLIAM S. BUSSEY LIGHTING THEMED ENTERTAINMENT : DESIGNING OUTSIDE OF TRADITIONAL THEATRE AND DANCE BY MONIQUE ROCHELLE NORMAN , M.F.A. The University of Texas at Austin, 2007 SUPERVISOR: Amarante Lucero This thesis asserts that there is an evolving demand for theatrically trained lighting designers within the themed entertainment industry. The methodology for this paper consisted of personal interviews, discussions, and extensive research, including historical references to the evolution of lighting in themed entertainment. It will become evident that there are innumerable venues and opportunities for theatrically trained lighting designers outside of traditional theatre and dance. The themed venues and topics presented in this work include; concerts, zoos, museums, retail, restaurants, theme parks and examples of designers in these industries. iii TABLE OF CONTENTS INTRODUCTION ................................................................................................1 Chapter 1: Concerts.................................................................................................4
    [Show full text]