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Global Attractions Attendance Report COVER: © Disneyland at Disneyland Resort®, Anaheim, CA, U.S
2015 2015 Global Attractions Attendance Report COVER: © Disneyland at Disneyland Resort®, Anaheim, CA, U.S. CREDITS TEA/AECOM 2015 Theme Index and Museum Index: The Global Attractions Attendance Report Publisher: Themed Entertainment Association (TEA) Research: Economics practice at AECOM Editor: Judith Rubin Publication team: Tsz Yin (Gigi) Au, Beth Chang, Linda Cheu, Bethanie Finney, Kathleen LaClair, Jodie Lock, Sarah Linford, Erik Miller, Jennie Nevin, Margreet Papamichael, Jeff Pincus, John Robinett, Judith Rubin, Brian Sands, Will Selby, Matt Timmins, Feliz Ventura, Chris Yoshii ©2016 TEA/AECOM. All rights reserved. CONTACTS For further information about the contents of this report and about the Economics practice at AECOM, contact the following: John Robinett Chris Yoshii Senior Vice President, Americas Vice President, Asia-Pacific [email protected] [email protected] T +1 213 593 8785 T +852 3922 9000 Brian Sands, AICP Margreet Papamichael Vice President, Americas Director, EMEA [email protected] [email protected] T +1 202 821 7281 T +44 20 3009 2283 Linda Cheu aecom.com/economics Vice President, Americas [email protected] T +1 415 955 2928 For information about TEA (Themed Entertainment Association): Judith Rubin Jennie Nevin TEA Publications, PR & Social Media TEA Chief Operating Officer [email protected] [email protected] T +1 314 853 5210 T +1 818 843 8497 teaconnect.org 2015 2015 The definitive annual attendance study for the themed entertainment and museum industries. Published by the Themed Entertainment Association (TEA) and the Economics practice at AECOM. Global Attractions Attendance Report 3 CONTENTS THE BIG PICTURE 6 2015 THEME INDEX 22 The Americas 22 Asia-Pacific 42 Europe, Middle East and Africa (EMEA) 52 © Aquaventure Water Park, Dubai, U.A.E. -
Inbound to Costco Wholesale (Costco Selects Carrier and Pays Freight)
US STANDARD ROUTING / LOGISTICS INSTRUCTIONS Collect – Inbound to Costco Wholesale (Costco selects carrier and pays freight) This will serve as routing/logistics instructions when shipping your product to Costco Wholesale. These terms and conditions cannot be altered, changed, or deviated from without written consent from Costco. Deviations without prior approval from the Buyer, Traffic Department, or other authorized person will result in the issuance of chargeback’s, which will be deducted from your invoice. Routing will appear on Costco purchase orders in two ways: Routing Instructions - specifying a carrier will appear on some purchase orders. OR Call Traffic – The appropriate regional traffic department must be contacted (e-mail if possible) to determine routing (see Costco Regional Traffic / Logistics phone and fax list). Routing requests from the vendor to Costco Traffic should include: o Complete shipping facility name and address o PO Number o Type of load (pallet, slip, floor) o If palletized or slip-sheeted and whether or not product will double stack o Pieces, weight, and cube of the product (excluding pallet) and total weight and cube of entire shipment (including pallet weight and cube). o Date the merchandise will be ready for pick up Routing for Collect shipments requiring any “special handling” such as high cube, heavy haul, refrigerated, Keep-from-Freezing, Keep-from-Melting, ventilated trailers etc. should be verified with the traffic department regardless of the routing noted. All Costco Wholesale orders are considered “Shipper load and Count” The Vendor is responsible to ensure the order is properly packed and loaded to prevent any transit damage and tampering. -
The Strip: Las Vegas and the Symbolic Destruction of Spectacle
The Strip: Las Vegas and the Symbolic Destruction of Spectacle By Stefan Johannes Al A dissertation submitted in the partial satisfaction of the Requirements for the degree of Doctor of Philosophy in City and Regional Planning in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Nezar AlSayyad, Chair Professor Greig Crysler Professor Ananya Roy Professor Michael Southworth Fall 2010 The Strip: Las Vegas and the Symbolic Destruction of Spectacle © 2010 by Stefan Johannes Al Abstract The Strip: Las Vegas and the Symbolic Destruction of Spectacle by Stefan Johannes Al Doctor of Philosophy in City and Regional Planning University of California, Berkeley Professor Nezar AlSayyad, Chair Over the past 70 years, various actors have dramatically reconfigured the Las Vegas Strip in many forms. I claim that behind the Strip’s “reinventions” lies a process of symbolic destruction. Since resorts distinguish themselves symbolically, each new round of capital accumulation relies on the destruction of symbolic capital of existing resorts. A new resort either ups the language within a paradigm, or causes a paradigm shift, which devalues the previous resorts even further. This is why, in the context of the Strip, buildings have such a short lifespan. This dissertation is chronologically structured around the four building booms of new resort construction that occurred on the Strip. Historically, there are periodic waves of new casino resort constructions with continuous upgrades and renovation projects in between. They have been successively theorized as suburbanization, corporatization, Disneyfication, and global branding. Each building boom either conforms to a single paradigm or witnesses a paradigm shift halfway: these paradigms have been theorized as Wild West, Los Angeles Cool, Pop City, Corporate Modern, Disneyland, Sim City, and Starchitecture. -
Tilburg University Attraction Accountability Cornelis, P.C.M
Tilburg University Attraction accountability Cornelis, P.C.M. Publication date: 2011 Link to publication in Tilburg University Research Portal Citation for published version (APA): Cornelis, P. C. M. (2011). Attraction accountability: Predicting the unpredictable?!. NRIT Media. General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 26. sep. 2021 Attraction accountability Predicting the unpredictable?! Pieter C.M. Cornelis Attraction accountability Predicting the unpredictable?! Pieter C.M. Cornelis Colofon Attraction accountability: Predicting the unpredictable?! Pieter C.M. Cornelis Proefschrift Universiteit van Tilburg Dissertation Tilburg University Uitgever/Publisher: NRIT Media ISBN: 978-90-75923-66-7 © NRIT Media. Alle rechten voorbehouden. Niets van deze uitgave mag worden verveelvoudigd, opgeslagen in een geautomatiseerd gegevensbestand, of openbaar gemaakt, in enige vorm of op enige wijze, zonder voorafgaande toestemming van de uitgever. © NRIT Media. All rights reserved. No part of this publication may be produced, stored in a retrieval system, or transmitted, in any form or by any means, without prior permission of the publisher. -
Meetings Planners Guide
Convention Services and Catering Meeting Planner’s Guide INDEX Welcome to Bellagio ..................................................................................................Page 4 Fast Facts .....................................................................................................................Page 5 Hotel Contact Information ............................................................................................................. 6 Las Vegas Weather .......................................................................................................................... 6 “O™” by Cirque du Soleil ® ................................................................................................................. 6 The Art of Richard MacDonald Presented by Cirque du Soleil ® .................................................... 6 Fountains of BellagioTM ................................................................................................................... 6 Conservatory & Botanical Gardens ................................................................................................ 7 Promenade Shops ............................................................................................................................ 7 Other Shopping .............................................................................................................................. 7 Dining............................................................................................................................................. -
Walt Disney's EPCOT: Planning, Control, and a Great Big
Walt Disney’s EPCOT: Planning, Control, and A Great Big Beautiful Tomorrow By Joseph M. Neglia A Dissertation submitted to the Graduate SchoolNewark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of History Graduate Program in written under the direction of Professor Robert Snyder and approved by ________________________ ________________________ ________________________ ________________________ Newark, New Jersey May 2016 © 2016 Joseph M. Neglia ALL RIGHTS RESERVED Walt Disney’s EPCOT: Planning, Control, and A Great Big Beautiful Tomorrow By Joseph M. Neglia Dissertation Director: Prof. Robert Snyder Walt Disney made a career out of revolutionizing animation and filmmaking techniques, continuously pushing the boundaries of the art form while staying true to a vision of a familyfriendly finished product. This visionary zeal seemed to reach its zenith in 1955 with the opening of Disneyland, the world’s first fully themed amusement park that, in many ways, felt like a livable environment. By the 1960s, however, Disney had begun to once again grow restless, and turned his creative attentions to a much larger scale challenge: attempting to fix what was perceived as the “urban crisis” of the era in the United States. Building off the ideas, model concepts, and failures of previous urban planners, Disney sought to create a foolproof concept: design a futuristic city using technology and architectural techniques his team at WED Enterprises at learned at Disneyland, and build it on enough privately owned land that nobody could build an unwanted and unplanned development immediately beyond the city limits. The city was to be known as EPCOT (“Experimental Prototype Community of Tomorrow”), and it would be located in Orlando and Kissimmee, Florida. -
Global Attractions Attendance Report
Economics Global Attractions Attendance Report Credits TEA/AECOM 2013 Theme Index: The Global Attractions Attendance Report Publisher: Themed Entertainment Association (TEA) Executive Editor: Gene Jeffers Research: Economics practice at AECOM Editor: Judith Rubin Publication team: Natalia Bakhlina, Beth Chang, Linda Cheu, Alisa Cohen, Daniel Elsea, Global Gene Jeffers, Kathleen LaClair, Jodie Lock, Ben Martin, John Robinett, Judith Rubin, Brian Sands, Matt Timmins, Chris Yoshii Attractions ©2013 TEA/AECOM. All rights reserved. Attendance Contacts For information about TEA: Report Judith Rubin, [email protected], T: +1 314 853 5210 Gene Jeffers, [email protected], T: +1 818 843 8497 www.TEAconnect.org For information about AECOM’s Economics team and the report: John Robinett Chris Yoshii The definitive annual attendance study for the Senior Vice President, Economics Global Director, Asia themed entertainment and museum industries. [email protected] [email protected] T: +1 213 593 8785 T:+852 3922 8000 Published by the Themed Entertainment Association (TEA) and the Economics practice Natalia Bakhlina Brian Sands, AICP at AECOM. Associate Director, Europe Vice President, Economics + Planning [email protected] [email protected] T: +44 20 3009 2278 T: +1 202 821 7281 3 THE BIG PICTURE 7 List of figures page Optimism and economic recovery, 2012 THEME INDEX Asia starts to pull ahead of North Worldwide America, and Museums join the mix. 1 Top 10 theme park groups worldwide 13 2 Top 25 amusement/theme parks worldwide -
2016 Theme Index: the Global Attractions Attendance Report
GLOBAL ATTRACTIONS ATTENDANCE REPORT Cover: Crazy, Thermas Dos Laranjais, Olímpia, Brazil © Thermas Dos Laranjais CREDITS TEA/AECOM 2016 Theme Index and Museum Index: The Global Attractions Attendance Report The definitive annual attendance Publisher: Themed Entertainment Association (TEA) study for the themed entertainment Research: Economics practice at AECOM and museum industries. Editor: Judith Rubin Publication team: Tsz Yin (Gigi) Au, Beth Chang, Bryan Chen, Linda Cheu, Lucia Fischer, Marina Published by the Themed Hoffman, Olga Kondaurova, Kathleen LaClair, Shaojin Li, Sarah Linford, George Marling, Erik Miller, Entertainment Association (TEA) and Jennie Nevin, Margreet Papamichael, John Robinett, Judith Rubin, Brian Sands, William Selby, Matt Timmins, Feliz Ventura, Chris Yoshii the Economics practice at AECOM. ©2017 TEA/AECOM. All rights reserved. GLOBAL ATTRACTIONS CONTACTS For further information about the contents of this report and about the Economics practice at ATTENDANCE REPORT AECOM, contact the following: John Robinett Chris Yoshii Senior Vice President, Americas Vice President, Asia-Pacific [email protected] [email protected] T +1 213 593 8785 T +852 3922 9000 Brian Sands, AICP Margreet Papamichael Vice President, Americas Director, EMIA [email protected] [email protected] T +1 202 821 7281 T +44 20 3009 2283 Linda Cheu aecom.com/economics Vice President, Americas [email protected] T +1 415 955 2928 For information about TEA (Themed Entertainment Association): Judith Rubin Jennie Nevin TEA Publications, PR & Social Media TEA Chief Operating Officer [email protected] [email protected] T +1 314 853 5210 T +1 818 843 8497 TEAconnect.org CONTENTS THE BIG PICTURE 6 THE AMERICAS 22 ASIA-PACIFIC 38 EMEA 48 MUSEUMS 58 ABOUT THE STUDY 74 FREQUENTLY ASKED QUESTIONS 75 13.9% Universal Studios Hollywood, Universal City, California, attendance growth 2015–16 Credit: David Sprague/Universal Studios Hollywood. -
Fountains of Bellagio Learn New Dance to Hits by Famed DJ/Producer Tiesto
NEWS RELEASE Fountains of Bellagio Learn New Dance to Hits by Famed DJ/producer Tiesto 9/18/2014 Exclusive Three-Song Medley Unveiled Sept. 17 At Iconic Las Vegas Landmark LAS VEGAS, Sept. 18, 2014 /PRNewswire/ -- On Wednesday, September 17, the beat dropped and water soared when world-renowned DJ/producer Tiesto brought the iconic Fountains of Bellagio to life with a never-before- heard medley of three songs off his new album, A Town Called Paradise. "Footprints," "Rocky" and "Red Lights" serve as the soundtrack to the newest show choreographed by WET, the original fountain creators. To view the multimedia assets associated with this release, please click: http://www.multivu.com/players/English/7317051-fountains-of-bellagio-las-vegas-dance-to-hits-by-dj- producer-tiesto "Las Vegas is like my second home and I'm excited to leave a permanent mark on the city I love," said Tiesto. "The Fountains of Bellagio bring my songs to life in a new and dynamic way that I can't wait for my fans to experience." 1 The medley is the first compilation created specifically for the Fountains of Bellagio and the only show set to electronic dance music. This is also the first time a composer has collaborated with WET on show choreography for the Bellagio Fountains. Randy Morton, President and COO of Bellagio, said, "We're thrilled to have Tiesto contribute his talent to our very special Fountains. The collaboration of these two Las Vegas icons will introduce Bellagio to an entirely new audience." The show was taken from inception to completion by Peter Kopik, Executive Designer & Director of Choreography at WET, with Tiesto and Kopik spending time at the company's California studio as well as on site programming at Bellagio. -
GLOBAL ATTRACTIONS ATTENDANCE REPORT Cover Image: Chimelong Ocean Kingdom’S Journey of Lights Parade — Zhuhai, China Photo Courtesy of Miziker Entertainment
GLOBAL ATTRACTIONS ATTENDANCE REPORT Cover image: Chimelong Ocean Kingdom’s Journey Of Lights Parade — Zhuhai, China Photo courtesy of Miziker Entertainment CREDITS TEA/AECOM 2018 Theme Index and Museum Index: The Global Attractions Attendance Report Publisher: Themed Entertainment Association (TEA) Research: Economics practice at AECOM Editor: Judith Rubin Producer: Brian Sands Lead Designer: Matt Timmins Publication team: Tsz Yin (Gigi) Au, Beth Chang, Michael Chee, Linda Cheu, Celia Datels, Lucia Fischer, Marina Hoffman, Olga Kondaurova, Kathleen LaClair, Jodie Lock, Jason Marshall, Sarah Linford, Jennie Nevin, Nina Patel, John Robinett, Judith Rubin, Brian Sands, Matt Timmins, Feliz Ventura, Chris Yoshii ©2019 TEA/AECOM. All rights reserved. CONTACTS For further information about the contents of this report and about the Economics practice at AECOM, contact the following: John Robinett Chris Yoshii Senior Vice President – Economics Vice President – Economics, Asia-Pacific [email protected] [email protected] T +1 213 593 8785 T +852 3922 9000 Brian Sands, AICP Beth Chang Vice President / Director – Economics, Executive Director – Economics, GLOBAL ATTRACTIONS Americas Asia-Pacific ATTENDANCE REPORT [email protected] [email protected] T +1 202 821 7281 T +852 3922 8109 The definitive annual Linda Cheu Jodie Lock attendance study for the Vice President – Economics, Americas Associate – Economics, Asia-Pacific and EMEA [email protected] themed entertainment and [email protected] T +1 415 955 2928 T +852 3922 9000 museum industries. aecom.com/economics Published by the Themed Entertainment Association For information about TEA (Themed Entertainment Association): Judith Rubin Jennie Nevin (TEA) and the Economics TEA Director of Publications practice at AECOM. -
GLOBAL ATTRACTIONS ATTENDANCE REPORT Pandora — the World of Avatar, Disney’S Animal Kingdom at Walt Disney World Resort, Lake Buena Vista, FL, U.S
GLOBAL ATTRACTIONS ATTENDANCE REPORT Pandora — The World of Avatar, Disney’s Animal Kingdom at Walt Disney World Resort, Lake Buena Vista, FL, U.S. © Disney CREDITS TEA/AECOM 2017 Theme Index and Museum Index: The Global Attractions Attendance Report Publisher: Themed Entertainment Association (TEA) Research: Economics practice at AECOM Editor: Judith Rubin Publication team: Tsz Yin (Gigi) Au, Chloe Bian, Matthew Budd, Beth Chang, Linda Cheu, Lucia Fischer, Leonardo Giovanini, Gwyneth Gu, Marina Hoffman, Olga Kondaurova, Kathleen LaClair, Coralie Landry, Jason Marshall, Shaojin Li, Sarah Linford, Erik Miller, Jennie Nevin, Margreet Papamichael, John Robinett, Judith Rubin, Brian Sands, Matt Timmins, Feliz Ventura, Chris Yoshii ©2018 TEA/AECOM. All rights reserved. CONTACTS For further information about the contents of this report and about the Economics practice at AECOM, contact the following: John Robinett Chris Yoshii Senior Vice President, Americas Vice President, Asia-Pacific [email protected] [email protected] GLOBAL ATTRACTIONS T +1 213 593 8785 T +852 3922 9000 ATTENDANCE REPORT Brian Sands, AICP Margreet Papamichael Vice President, Americas Director, EMIA The definitive annual [email protected] [email protected] T +1 202 821 7281 T +44 7973 347843 attendance study for the Linda Cheu aecom.com/economics themed entertainment and Vice President, Americas museum industries. [email protected] T +1 415 955 2928 Published by the Themed For information about TEA (Themed Entertainment Association): Entertainment Association (TEA) and the Economics Judith Rubin Jennie Nevin TEA Publications, PR & Social Media TEA Chief Operating Officer practice at AECOM. [email protected] [email protected] T +1 314 853 5210 T +1 818 843 8497 TEAconnect.org CONTENTS THE BIG PICTURE 6 THE AMERICAS 22 ASIA-PACIFIC 38 EMEA 48 MUSEUMS 58 ABOUT THE STUDY 74 FREQUENTLY ASKED QUESTIONS 75 8.1% Parc Astérix, Plailly, Parc Astérix, Plailly, France France, attendance © Parc Astérix / (C) S. -
Lighting Themed Entertainment
LIGHTING THEMED ENTERTAINMENT : DESIGNING OUTSIDE OF TRADITIONAL THEATRE AND DANCE BY : MONIQUE ROCHELLE NORMAN , B.F.A. THESIS Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirments for the Degree of Master of Fine Arts The University of Texas at Austin May 2007 LIGHTING THEMED ENTERTAINMENT : DESIGNING OUTSIDE OF TRADITIONAL THEATRE AND DANCE APPROVED BY SUPERVISING COMMITTEE: SUPERVISOR AMARANTE LUCERO YACOV SHARIR WILLIAM S. BUSSEY LIGHTING THEMED ENTERTAINMENT : DESIGNING OUTSIDE OF TRADITIONAL THEATRE AND DANCE BY MONIQUE ROCHELLE NORMAN , M.F.A. The University of Texas at Austin, 2007 SUPERVISOR: Amarante Lucero This thesis asserts that there is an evolving demand for theatrically trained lighting designers within the themed entertainment industry. The methodology for this paper consisted of personal interviews, discussions, and extensive research, including historical references to the evolution of lighting in themed entertainment. It will become evident that there are innumerable venues and opportunities for theatrically trained lighting designers outside of traditional theatre and dance. The themed venues and topics presented in this work include; concerts, zoos, museums, retail, restaurants, theme parks and examples of designers in these industries. iii TABLE OF CONTENTS INTRODUCTION ................................................................................................1 Chapter 1: Concerts.................................................................................................4