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Ottoman Ceramics in European Contexts 373
ottoman ceramics in european contexts 373 F~L~Z YEN~ØEH~RL~O²LU OTTOMAN CERAMICS IN EUROPEAN CONTEXTS Since the early periods of human history, ceramics ceramics start from the fourteenth century. Examples have been an important part of material culture, are abundant in Italy between then and the present either consumed as functional objects necessary for day; in Holland they are evident in Delft production of everyday—including ritual—use, or appreciated as the seventeenth and eighteenth centuries; they occur works of art because of their aesthetic value. Within the in France and England in the nineteenth century, in Mediterranean region, where layers and layers of pottery central Europe between the seventeenth and twentieth have accumulated through the ages, ceramics are crucial centuries, and in Moscow during the first decades of references of intercourse between cultures and societ- the twentieth century. The causes of this large distri- ies, leading to an understanding of social systems and bution were of course various and changed according trade relations as well as the diffusion of fashions and to country and circumstance. Sometimes the European tastes. Where archival documentation fails, archeological ceramics were direct copies and imitations of original evidence or collections of ceramics provide the path to examples; sometimes the original features were rein- understanding specific interaction between cultures. terpreted and recreated in a different production tech- Being portable yet fragile commodities, ceramics could nique; sometimes the circulation of both the originals be transported from one country or region to another, and their reproductions generated new and hybrid sty- cutting across cultural boundaries. -
Cladding in Architecture: Its Projection Towards New Technologies from a Retrospective View
CASTELLÓN (SPAIN) CLADDING IN ARCHITECTURE: ITS PROJECTION TOWARDS NEW TECHNOLOGIES FROM A RETROSPECTIVE VIEW (1) M.C. Vacca, (2) J. Avellaneda (1) PhD student of Architecture – Architectural Buildings Universidad Politécnica de Cataluña, Barcelona, Spain (2) Doctor of Architecture – Architectural Buildings I Universidad Politécnica de Cataluña, Barcelona, Spain 1 CASTELLÓN (SPAIN) 1. PRESENTANTION This paper is based on the doctoral thesis, directed by Doctor Jaume Avellaneda Diaz-Grande and prepared for the Universidad Politécnica de Cataluña, by the architect María Celina Vacca entitled “The Cladding of Architectural Surfaces with Ceramic Tiles – a Comparative Study of the Evolution of Materials, Manufacturing Techniques and Installation in the Main Production Centres in Spain and Other Countries from the Industrial Revolution to the Present”. The primary reason for writing this thesis is to identify the role of ceramics in the history of Spanish architecture. Based on the Spanish-Arab tradition and passed on over the centuries, the industry started with the first earthenware tiles made in Malaga in the XIIIth century, then in Manises in the XVth century and in Catalonia in the XIXth century. It was in that century that Spain was recognized throughout Europe as the country with the longest historical tradition in this material. This is why this thesis focuses on studying ceramics in the period from the Industrial Revolution to the present day from the perspective of new trends and technological advances in the manufacture, installation, -
Cersaie Product Review Architectural Products
www.cstdmag.com | WINTER 2015 Cersaie Product Review Architectural Products www.msistone.com Floor to Ceiling Tile... Take your tile style up a notch with a seamless design approach combining natural stone, porcelain tile, and glass mosaic to complete this stunning kitchen. By bringing the very best surfacing products to you, MSI transforms dreams into realities with over 70 million sq. ft. of flooring, countertop, wall tile, and hardscape products. Floor: Focus Graphite Porcelain Backsplash: Mochachino Hexagon Countertop: River White Granite Atlanta • Baltimore • Boston • Chicago • Charlotte • Dallas • Dulles • Edison, NJ • Houston • Kansas City Minneapolis • Northern CA • North Hollywood • Orange, CA • Phoenix • South Florida • Seattle • Toronto, Canada FOR ULTIMATE PROTECTION AGAINST STAINS, TRUST FUSION PRO. ¡¡Unsurpassed Stain Resistance ¡¡Never Needs Sealing ¡¡Easy to Spread and Clean ¡¡Ultimate Color Consistency CUSTOM’s unique single component formula installs quickly, won’t shade, Patented 8,349,068, 8,357,238, 8,876,966 mottle or effloresce and delivers exceptional stain resistance without ever needing to be sealed. Accept no substitute. Ask about Fusion Pro today. CustomBuildingProducts.com Available at The Home Depot 800-272-8786 and tile distributors nationwide. It’s a work of ART, live your life in STONE. ABC stone New York 718.389.8360 Long Island 516.997.9412 LILAC AMAZONITE ABCworldwidestone.com marble limestone sandstone artisan mosaic exterior french flooring granite travertine quartzite semi-precious landscape stone -
An Introduction to Islamic Archaeology Archaeology Islamic To
13064 eup Milwright:layout 9/2/09 12:33 Page 1 AN INTRODUCTION AN INTRODUCTION TO ISLAMIC ARCHAEOLOGY TO ISLAMIC ARCHAEOLOGY AN INTRODUCTION TO ISLAMIC ARCHAEOLOGY In the beginning was the Qur’an,- the first book of Islam and also the first book of Arabic literature. Occasioned by the need to understand and interpret the word of God, and the teachings of the Prophet Muh. ammad, Muslims made an inventory and study of their tradition. This involved the collection, transmission and instruction of the sacred text, of the words and deeds of Muh. ammad, and also of poetry, from both before and after the rise of Islam – indeed of all matters regarded as pertinent to the proper and scholarly study of the tradition. This activity, which began in the last third of the seventh century, relied predominantly on aural study with a master, that is, on oral communication between teacher and student, although writing was already an integral part of this process. In the present work Gregor Schoeler explains how Muslim scholarship evolved from aural to read. The result was the genesis of one of the richest literatures of late antiquity and the early middle ages, as is clear from the widespread dissemination of scholarship through writing and the attendant proliferation of books. Gregor Schoeler is Professor and Chair of Islamic Studies in the Orientalisches Seminar at the University of Basel. His many publications include The Oral and the Written in Early Islam (2006). Shawkat M. Toorawa is Associate Professor of Arabic Literature and Islamic Studies at Cornell University. He is the author of Ibn Abi Tahir Tayfur and Arabic Writerly Culture (2005). -
Masterpieces from the Department of Islamic Art in the Metropolitan Museum of Art
MASTERPIECES from the Department of Islamic Art in The Metropolitan Museum of Art EDITED BY Maryam D. Ekhtiar, Priscilla P. Soucek, Sheila R. Canby, and Navina Najat Haidar The Metropolitan Museum of Art, New York Distributed by Yale University Press, New Haven and London This catalogue is published in conjunction with the reopening of the Galleries for Copyright © 2011 by The Metropolitan Museum of Art, New York the Art of the Arab Lands, Turkey, Iran, Central Asia, and Later South Asia on November 1, 2011. First printing, 2011 This publication is made possible through the generous support of Sharmin and All rights reserved. No part of this publication may be reproduced or transmitted in Bijan Mossavar-Rahmani. any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in Published by The Metropolitan Museum of Art, New York writing from the publishers. Mark Polizzotti, Publisher and Editor in Chief Gwen Roginsky, Associate Publisher and General Manager of Publications The Metropolitan Museum of Art Peter Antony, Chief Production Manager 1000 Fifth Avenue Michael Sittenfeld, Managing Editor New York, New York 10028 Robert Weisberg, Assistant Managing Editor metmuseum.org Edited by Cynthia Clark and Margaret Donovan Distributed by Designed by Bruce Campbell Yale University Press, New Haven and London Bibliography by Penny Jones yalebooks.com/art Production by Jennifer Van Dalsen yalebooks.co.uk Map by Anandaroop Roy Floor plans by Brian Cha -
Islamic Ceramics, Indelible Creations: Assessing and Preserving the Scripps Collection Josephine Ren
Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2019 Islamic Ceramics, Indelible Creations: Assessing and Preserving the Scripps Collection Josephine Ren Recommended Citation Ren, Josephine, "Islamic Ceramics, Indelible Creations: Assessing and Preserving the Scripps Collection" (2019). Scripps Senior Theses. 1353. https://scholarship.claremont.edu/scripps_theses/1353 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. Ren 1 TABLE OF CONTENTS Acknowledgements……………………………………………...………………………2 Introduction……………………………………………………………………………...3 Chapter 1. Surveying the Scripps Islamic Ceramics…………………………………….9 Condition Reports, Formal Analyses, and Contextual Backgrounds Appendix 1……………………………………………………………………………...39 Figures Chapter 2. Ethics, Problems, and Proposals for Future Collections Care……………...64 Preventive Conservation and Prioritization of Certain Wares Appendix 2……………………………………………………………………………...80 Figures Conclusion……………………………………………………………………………....87 Bibliography…………………………………………………………………………….90 Ren 2 ACKNOWLEDGEMENTS I wish to begin by thanking my readers for all their time, mental energy, and support in overseeing this project. These colleges are fortunate to have you and your expertise. Professor Blessing has been key -
Comment Language in Ceramics
October 1995 1 Spencer L. Davis...Publisher and Acting Editor Ruth C. Butler......................... Associate Editor Kim Nagorski..........................Assistant Editor Tess Galvin..............................Assistant Editor Lisa Politz............................ Editorial Assistant Randy Wax....................................Art Director Mary Rushley.....................Circulation Manager Mary E. May.......Assistant Circulation Manager Connie Belcher..................Advertising Manager Editorial, Advertising and Circulation Offices 1609 Northwest Boulevard Post Office Box 12788 Columbus, Ohio 43212-0788 (614) 488-8236 FAX (614) 488-4561 Ceramics Monthly {ISSN 0009-0328) is published monthly except July and August by Professional Publications, Inc., 1609 Northwest Boulevard, Columbus, Ohio 43212-0788. Second Class post age paid at Columbus, Ohio. Subscription Rates: One year $22, two years $40, three years $55. Add $10 per year for subscrip tions outside the U.S.A. In Canada, add GST (registration number R123994618). Change of Address:Please give us four weeks advance notice. Send the magazine address label as well as your new address to: Ceramics Monthly, Circulation Department, Post Office Box 12788, Columbus, Ohio 43212-0788. Contributors: Manuscripts, announcements, news releases, photographs, color transparencies (including 35mm slides), graphic illustrations and digital TIFFor EPSimages are welcome and will be considered for publication. Mail submis sions to Ceramics Monthly, Post Office Box 12788, Columbus, Ohio 43212-0788. -
Cross- Cultural Exchange Between the Islamic World and Europethrough 10Th-12Thcenturies A.H/16Th-18Thcenturies A.D (Iznik Cerami
Journal of the General Union of Arab Archaeologists Volume 4 Issue 2 issue 2 Article 1 2019 Cross- Cultural Exchange Between the Islamic World and Europethrough 10th-12thcenturies A.H/16th-18thcenturies A.D (Iznik ceramic and Italian maiolica as a case study) Dr.Boussy Zidan Associate professor of Islamic History and Archaeology - Faculty of Tourism and Hotels - Suez Canal University, [email protected] Follow this and additional works at: https://digitalcommons.aaru.edu.jo/jguaa Part of the History Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Zidan, Dr.Boussy (2019) "Cross- Cultural Exchange Between the Islamic World and Europethrough 10th-12thcenturies A.H/16th-18thcenturies A.D (Iznik ceramic and Italian maiolica as a case study)," Journal of the General Union of Arab Archaeologists: Vol. 4 : Iss. 2 , Article 1. Available at: https://digitalcommons.aaru.edu.jo/jguaa/vol4/iss2/1 This Article is brought to you for free and open access by Arab Journals Platform. It has been accepted for inclusion in Journal of the General Union of Arab Archaeologists by an authorized editor. The journal is hosted on Digital Commons, an Elsevier platform. For more information, please contact [email protected], [email protected], [email protected]. Zidan: Cross- Cultural Exchange Between the Islamic World and Europethro (JOURNAL OF The General Union OF Arab Archaeologists (5 ـــــــــــــــــــــــــــــــــــــــــــــــــ Cross- Cultural Exchange Between the Islamic World and Europethrough10th-12thcenturies A.H/16th- 18thcenturies A.D (Iznik ceramic and Italian maiolica as a case study) Dr.Boussy Muhammad Hussein Zidan Abstract: This paper deals with themes of exchange in ceramic production, between the Islamic world, presented by Iznik in Turkey, and Italy in Europe. -
Islamic & Indian
Islamic & Indian Art London 3 April 2020 Islamic & Indian Art Department Beatrice Campi Head of Department [email protected] A special acknowledgment to our Intern, Ghislaine Howard. Online Bidding Chiswick Opening Hours Saleroom, Viewings & Valuations Monday to Friday 10am – 6pm 1 Colville Road, London W3 8BL Saturday to Sunday 11am – 5pm +44 (0)20 8992 4442 Bid online with Chiswick Live to benefit from South Kensington Opening Hours Chiswick Auctions’ standard buyer’s premium Showroom & Selected Highlights Monday to Friday 10am – 6pm terms with no additional surcharges. 127 Fulham Road, London SW3 6RT Saturday to Sunday – Closed except for events +44 (0)20 3949 7130 invaluable.co.uk General Enquiries Please note there is a 5% +VAT surcharge for [email protected] using this service. +44 (0)20 8992 4442 chiswickauctions.co.uk Telephone Bidding +44 (0)20 8992 4442 Please note that requests for telephone bids should be submitted 12 hours before the start time of the auction. Bidding [email protected] 2 Islamic & Indian Art Friday 3 April 2020, 1pm Selected Highlights at South Kensington Thursday 12 March - Wednesday 25 March, 10am - 6pm Please note that the showroom is closed Saturday and Sunday. Full Sale & Viewing at Chiswick Saturday 28 March, 11am - 5pm Sunday 29 March, 11am - 5pm Monday 30 March, 10am - 6pm Tuesday 31 March, 10am - 6pm Wednesday 1 April, 10am - 6pm Thursday 2 April, 10am - 6pm Friday 3 April, 10am - 1pm Buyer’s Premium The buyer shall pay Chiswick Auctions Ltd. a premium on the hammer price of 25% +VAT on that commission. -
From International Timurid to Ottoman: a Change of Taste in Sixteenth-Century Ceramic Tiles
GULRU NECIPOGLU FROM INTERNATIONAL TIMURID TO OTTOMAN: A CHANGE OF TASTE IN SIXTEENTH-CENTURY CERAMIC TILES Before Iznik reached its undisputed position of promi tiles such as the ones transferred by the Grand Vizier nence in the production ofunderglaze painted architec Riistem Pasha from another bath to the Yeni Kaphca tural tile revetments around 1550, Ottoman buildings Baths of Bursa restored in 960 (1552-53), suggesting were decorated by a technically and stylistically varied that the manufacture of tile revetments on a large scale repertoire of tiles characterized by a Turco-Iranian had not yet begun." "international Timurid" taste. Fifteenth-century Otto Extensive tile decoration appears for the first time in man tile revetments can be ascribed to immigrant the Yesil mosque and tomb complex of Mehmed I in craftsmen from Iran working with local assistants. I Fol Bursa, built between 1419 and 1424 to commemorate lowing them were a group attached to a hitherto un the restoration of Ottoman rule following a dynastic known ceramics workshop in Istanbul, headed by one crisis caused by Timur's defeat of Bayezid I in 1402. of the Tabrizi master craftsmen whom Selim I had The "Masters ofTabriz" who signed the tilework were brought to his capital following a victory over the Safa supervised by the court designer Ali ibn Ilyas Ali, vids in 1514. Identifying the output of that workshop, known as "na~~iiI (All," who was responsible for coor which was responsible for making the tile revetments dinating the decorative program, which consisted of for most of the imperial Ottoman buildings commis tilework, wall painting, woodwork, and stone carving." sioned up to the early 1550's, has important implica The sixteenth-century Ottoman biographer Taskoprii tions for understanding the subsequent revolution in liizade states that the designer Ali, a native of Bursa, taste and technology pioneered in Iznik. -
Iznik Delights from the Ottoman World at Christie's
For Immediate Release 20 January 2005 Contact: Karon Read +44 (0) 207 389 2964 [email protected] IZNIK DELIGHTS FROM THE OTTOMAN WORLD AT CHRISTIE’S Iznik Pottery - The Vincent Bulent Collection 26 April 2005 Christie’s King Street London – A brilliant collection of Iznik pottery, the most extensive to be offered in London since the second World War, leads Christie’s Islamic sales in April 2005. With almost all of the pieces dating from the most important period of production in the 16th century, the collection comprises over 80 vessels and is estimated to realise in excess of £1.3 million. Chosen for the brilliance of design and colour, the collection also features some of the most impressive blue and white Iznik dishes ever made. With prices ranging from £1,200 to £150,000, the collection will have wide appeal. Interest in works of art from Turkey is ever increasing as this week sees the opening of the exhibition, Turks: a Journey of a Thousand Years 600-1600, at London’s Royal Academy of Arts. The painted wares from Iznik represent the apogee of technical and aesthetic achievement of Islamic ceramic production. Manufactured at Iznik, south-east of Istanbul in north-west Anatolia (Asian Turkey), this pottery has been prized in both Europe and the Orient since production began in the late 15th century. The Vincent Bulent Collection has been formed with an eye to the long tradition of collecting; of particular interest were vessels with a long provenance, chosen for the design and vibrancy of colour. It includes pieces from almost all the great collections of Iznik Page 1 of 3 formed since the 19th century - British and French collections of the 19th centruy; Alexandrine collections of the first half of the 20th century, as well as Amercian and Arab collections. -
Investigation of the Whitening Composition for the Porcelain Stoneware Tiles N
Vol. 127 (2015) ACTA PHYSICA POLONICA A No. 4 Proceedings of the 4th International Congress APMAS2014, April 24-27, 2014, Fethiye, Turkey Investigation of the Whitening Composition for the Porcelain Stoneware Tiles N. T. Selli* Eczacibasi Building Products Co. VitrA Innovation Center Bozuyuk/Bilecik, Turkey A synthetic whitening composition is proposed as a whitening agent of porcelain tile body with a certain amount for the turning the body colour into whiteness. Active component used in the agent is zirconium silicate and this component is aected by the market speculation.This situation increases considerably the production costs. For these reasons an alternative whitening composition is required. The aim of the study is to prepare new whitening composition without zirconium silicate, with controlling crystalline phases in the porcelain stoneware tile, and to carry out characterization studies (such as XRD, SEM and EDX) and to correlate the whiteness value and the amount and type of crystalline phases in the porcelain tiles. DOI: 10.12693/APhysPolA.127.1202 PACS: 81.05.Je 1. Introduction the production in case there is any problem in shipping. Besides, zirconium silicate, which is used in the whitener, There has been an increase in the production of ce- has a variable price, since it is the most aected product ramic coating materials around the world. Turkey ranks by the market speculations. Due to the above reasons, in as the third in Europe and ninth in the world, when it the present study, the subject of the project is to develop comes to the production of coating materials (oor tiles, alternative raw material compositions having whitening wall tiles, porcelain tiles and decoration products), with eect, to replace zirconium silicate, and hence to lower a production capacity of about 400 million m2/year [1].