Curriculum Vitae
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Intimations of Dido and Cleopatra in Some Contemporary Portrayals of Elizabeth I
Digital Kenyon: Research, Scholarship, and Creative Exchange Faculty Publications Classics Spring 1999 Intimations of Dido and Cleopatra in Some Contemporary Portrayals of Elizabeth I Clifford Weber Kenyon College, [email protected] Follow this and additional works at: https://digital.kenyon.edu/classics_pubs Part of the Classics Commons Recommended Citation Weber, Clifford, "Intimations of Dido and Cleopatra in Some Contemporary Portrayals of Elizabeth I" (1999). Faculty Publications. Paper 10. https://digital.kenyon.edu/classics_pubs/10 This Article is brought to you for free and open access by the Classics at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in Faculty Publications by an authorized administrator of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. Intimations of Dido and Cleopatra in Some Contemporary Portrayals of Elizabeth I Author(s): Clifford Weber Source: Studies in Philology, Vol. 96, No. 2 (Spring, 1999), pp. 127-143 Published by: University of North Carolina Press Stable URL: http://www.jstor.org/stable/4174634 . Accessed: 08/10/2014 15:03 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of North Carolina Press is collaborating with JSTOR to digitize, preserve and extend access to Studies in Philology. -
History by Analogy: Cato the Younger and Caesar in Livy's Account
History by Analogy: Cato the Younger and Caesar in Livy’s Account of the Second Punic War Thomas E. Strunk Abstract: Although Livy’s account of the late Republic has been lost to modern readers and with it Livy’s interpretation of events surrounding the lives of Cato the Younger and Julius Caesar, whom the Periochae confirm figured prominently in the books covering the late Republic. Yet Cato and Caesar are not wholly absent from Livy’s surviving works. The outlines of Cato’s character can be seen in Hanno, the Carthaginian senator who plays a prominent role in opposing Hannibal during the Second Punic War. There are also a number of interesting parallels between Hannibal and Caesar. When placed alongside one another the similarities between each pair of senator and general reveals an analogous paradigm. Livy’s construction of the relationship between Hanno and Hannibal closely resembles the contentious relationship between Cato and Caesar, suggesting that Livy used the analogous historical framework of Cato and Caesar to build his narrative of the discord between Hanno and Hannibal. Livy’s history by analogy reveals the policies and behaviors that put to ruin the power of Carthage and destroyed the Roman Republic. Keywords: Cato the Younger, Caesar, Livy, Hanno, Hannibal, Punic Wars Although Livy’s account of the late Republic has been lost to modern readers, Cato the Younger and Caesar no doubt figured prominently in the books covering the late Republic.1 The Periochae, abbreviated as they are, confirm that Livy touched upon many of the moments in the lives of Caesar and Cato discussed by other writers, such as Plutarch, Dio, and Appian. -
The Wolf in Virgil Lee Fratantuono
The Wolf in Virgil Lee Fratantuono To cite this version: Lee Fratantuono. The Wolf in Virgil. Revue des études anciennes, Revue des études anciennes, Université Bordeaux Montaigne, 2018, 120 (1), pp.101-120. hal-01944509 HAL Id: hal-01944509 https://hal.archives-ouvertes.fr/hal-01944509 Submitted on 23 Sep 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Copyright ISSN 0035-2004 REVUE DES ÉTUDES ANCIENNES TOME 120, 2018 N°1 SOMMAIRE ARTICLES : Milagros NAVARRO CABALLERO, María del Rosario HERNANDO SOBRINO, À l’ombre de Mommsen : retour sur la donation alimentaire de Fabia H[---]la................................................................... 3 Michele BELLOMO, La (pro)dittatura di Quinto Fabio Massimo (217 a.C.): a proposito di alcune ipotesi recenti ................................................................................................................................ 37 Massimo BLASI, La consecratio manquée de L. Cornelius Sulla Felix ......................................... 57 Sophie HULOT, César génocidaire ? Le massacre des -
Cicero in Catilīnam (To Accompany “Cicero Denounces Catiline in the Senate,” Wheelock’S Chapter 11)
Cicero in Catilīnam (to accompany “Cicero denounces Catiline in the senate,” Wheelock’s chapter 11) In 63 B.C., Marcus Tullius Cicero won the consulship, the highest office in the Roman republic. One of the men whom he defeated in the election was a charismatic nobleman named Lucius Sergius Catilīna – Catiline. Born on 108 B.C. (and thus two years older than Cicero), Catiline came from a recently undistinguished and impoverished patrician family, the Sergiī. Like all Roman politicians, Catiline pursued a political career as a means of securing reputation and wealth. From its beginning, however, Catiline’s pursuit was marked by a desperation greater than that which burdened most Roman noblemen, primarily because of the decline in recent decades of his family’s prestige and fiscal security. For Catiline, obtaining the highest offices of the Roman state was both a birthright and a practical necessity. After doing his military service in the 80s and 70s, Catiline won a praetorship, the second highest office in the republic, in 68. Upon completing his term of office, Catiline served as a governor in Africa for two years. When he set out for his term as governor, Catiline’s prospects for winning a consulship in the near future must have been promising, but when he returned from Africa in 66, he was prosecuted for acts of extortion during his governorship. Although he was acquitted of this charge, the legal proceedings prevented Catiline from standing for the consulship in 65 and 64, so in 63 he made a frantic grab for the office. In this election he was defeated by Cicero. -
Virgil, Aeneid 11 (Pallas & Camilla) 1–224, 498–521, 532–96, 648–89, 725–835 G
Virgil, Aeneid 11 (Pallas & Camilla) 1–224, 498–521, 532–96, 648–89, 725–835 G Latin text, study aids with vocabulary, and commentary ILDENHARD INGO GILDENHARD AND JOHN HENDERSON A dead boy (Pallas) and the death of a girl (Camilla) loom over the opening and the closing part of the eleventh book of the Aeneid. Following the savage slaughter in Aeneid 10, the AND book opens in a mournful mood as the warring parti es revisit yesterday’s killing fi elds to att end to their dead. One casualty in parti cular commands att enti on: Aeneas’ protégé H Pallas, killed and despoiled by Turnus in the previous book. His death plunges his father ENDERSON Evander and his surrogate father Aeneas into heart-rending despair – and helps set up the foundati onal act of sacrifi cial brutality that caps the poem, when Aeneas seeks to avenge Pallas by slaying Turnus in wrathful fury. Turnus’ departure from the living is prefi gured by that of his ally Camilla, a maiden schooled in the marti al arts, who sets the mold for warrior princesses such as Xena and Wonder Woman. In the fi nal third of Aeneid 11, she wreaks havoc not just on the batt lefi eld but on gender stereotypes and the conventi ons of the epic genre, before she too succumbs to a premature death. In the porti ons of the book selected for discussion here, Virgil off ers some of his most emoti ve (and disturbing) meditati ons on the tragic nature of human existence – but also knows how to lighten the mood with a bit of drag. -
A Fork in the Road: the Catilinarian Conspiracy's Impact
A Fork in the Road: The Catilinarian Conspiracy‘s Impact on Cicero‘s relationships with Pompey, Crassus` and Caesar Jeffrey Larson History 499: Senior Thesis June 13, 2011 © Jeffrey Larson, 2011 1 But concerning friendship, all, to a man, think the same thing: those who have devoted themselves to public life; those who find their joy in science and philosophy; those who manage their own business free from public cares; and, finally, those who are wholly given up to sensual pleasures — all believe that without friendship life is no life at all. .1 The late Roman Republic was filled with crucial events which shaped not only the political environment of the Republic, but also altered the personal and political relationships of the individuals within that Republic. Four of the most powerful, and most discussed, characters of this time are Marcus Tullius Cicero (106 BC – 43 BC), Gnaeus Pompeius Magnus (106 BC – 48 BC), Marcus Licinius Crassus (c. 115 BC – 53 BC), and Gaius Julius Caesar (c. 100 BC – 44 BC). These men often crossed paths and some even had close friendships with each other. Other than Pompeius, better known as Pompey, all the aforementioned individuals were involved, or reportedly involved, in one event which had profound effects on the personal and political relationships of all four individuals. This event is known as the Catilinarian Conspiracy of 63 BC. The Catilinarian Conspiracy was a pivotal episode in the politics of the Late Roman Republic that damaged both the political and personal relationships of Cicero, Pompey, Crassus, and Caesar. Politics in the Roman Republic was dominated by a small number of members of the senatorial class. -
Cicero a Study of Gamesmanship in the Late
CICERO A STUDY OF GAMESMANSHIP IN THE LATE REPUBLIC A Thesis Presented to the faculty of the Department of History California State University, Sacramento Submitted in partial satisfaction of the requirements for the degree of MASTER OF ARTS in History by Eugene H. Boyd FALL 2018 © 2018 Eugene H. Boyd ALL RIGHTS RESERVED ii CICERO A STUDY OF GAMESMAN SHIP IN THE LATE REPUBLIC A Thesis by Eugene H. Boyd Approved by: __________________________________, Committee Chair Nikolaos Lazaridis, PhD. __________________________________, Second Reader Jeffrey Brodd, PhD. ____________________________ Date iii Student: Eugene H. Boyd I certify that this student has met the requirements for format contained in the University format manual, and that this thesis is suitable for shelving in the Library and credit is to be awarded for the thesis. __________________________Graduate Coordinator ___________________ Jeffrey Wilson, PhD Date Department of History iv Abstract of CICERO A STUDY OF GAMESMANSHIP IN THE LATE REPUBLIC by Eugene H. Boyd Roman politics during the final decades of the Late Republic was a vicious process of gamesmanship wherein lives of people, their families and friends were at the mercy of the gamesmen. Cicero’s public and political gamesmanship reflects the politics, class and ethnic biases of Roman society and how random events impacted personal insecurities. ______________________ _, Committee Chair Nikolaos Lazaridis, PhD. ____________________________ Date v ACKNOWLEDGEMENTS The process of obtaining a Master’s degree, I have found, is not an independent, isolated experience. Citing a contemporary adage, “It takes a village.” Truer words have never by spoken. To that end, I would like to recognize in the most warmly and thankful manner, the people in my “village” who helped me through the graduate study program and eventual master’s degree. -
Professor of Classics and Comparative Literature ADDRESS
1 CURRICULUM VITAE: JOSEPH DUFFIELD REED 8 February 2018 POSITION: Professor of Classics and Comparative Literature ADDRESS: Department of Classics [email protected] Brown University [email protected] Macfarlane House 48 College Street Providence, RI 02912 EDUCATION: B.A. magna cum laude, Classics (Greek and Latin), May 1987, Yale College A.M., Classics, June 1991, Stanford University Non-degree, Keble College, Oxford, Fall 1991 Ph.D., Classics, June 1993, Stanford University FIELDS OF SCHOLARLY INTEREST: Special fields: Augustan poetry, Greek bucolic poetry, Adonis myth and cult General fields: Roman poetry, Hellenistic poetry, early modern Latin poetry ACADEMIC HONORS AND AWARDS: Friedrich Solmsen Fellow, Institute for Research in the Humanities, University of Wisconsin at Madison (1996-97) Mellon Postdoctoral Teaching-Research Fellow, Andrew D. White Center for the Humanities, Cornell University (1997-98) Fellow of the Fondazione Lorenzo Valla (since 2007) Director’s Guest, Civitella Ranieri (June 2016) TEACHING: Stanford University Teaching Fellow, Classics, 1991-93 The Ohio State University Instructor, Classics, 1993-96 Cornell University Mellon Teaching-Research Fellow, 1997-98 Hutton Assistant Professor, Classics, 1998-2001 2 The University of Michigan Assistant Professor of Greek and Latin, 2001-07 Associate Professor of Greek and Latin, 2007-09 Brown University Professor of Classics, from 2009 Professor of Comparative Literature, from 2010 Undergraduate teaching includes intermediate and advanced courses on Herodotus, Greek bucolic, Lucretius, Cicero, Catullus, Virgil, Horace, Ovid, Seneca; lecture courses on Roman Civilization, Greek and Roman literature, mythology, ancient epic, ancient novel; beginning Greek and Latin (including intensive courses) Graduate teaching includes seminars on Catullus, Virgil, Ovid, Latin Love Elegy, Hellenistic poetry, Bucolic poetry, the epyllion; Latin literature survey; Greek and Latin prose composition Dissertation Committees (Chair): K. -
Discontents at Rome: 63 B.C. by E. H. Campbell
Discontents at Rome: 63 B.C. By E. H. Campbell Second Edition 2 © E. H. Campbell 2006, 2007 Inopibus Press: Seattle [email protected] 3 To Dr. Paul Dixon 4 Away from these he adds also the abodes of Hell, The high gates of Dis, the penalties of sin, And thee, Catiline, hanging on a frowning cliff, And trembling at the faces of the Furies; Far apart, the good, and Cato giving them laws. Aeneid 8.666-670. 5 If it were possible to present the same subject matter in one form and in no other, one might have reason to think it gratuitous to weary one’s hearers by speaking again in the same manner as his predecessors; but since oratory is of such a nature that it is possible to discourse on the same subject matter in many different ways—to represent the great as lowly or invest the little with grandeur, to recount the things of old in a new manner or set forth events of recent date in an old fashion—it follows that one must not shun subjects upon which others have spoken before, but must try to speak better than they. For the deeds of the past are, indeed, an inheritance common to us all; but the ability to make proper use of them at the appropriate time, to conceive the right sentiments about them in each instance, and set them forth in finished phrase, is the peculiar gift of the wise. Panegyricus 7-10. 6 Chronology Foundation of Rome (753 B.C.) Lucius Junius Brutus (509 B.C.) Thucydides (460-455 B.C. -
Is the Aeneid a Celebration of Empire— Or a Critique?
10/10/2018 Is the Aeneid a Celebration of Empire—or a Critique? | The New Yorker Books October 15, 2018 Issue Is the Aeneid a Celebration of Empire— or a Critique? By mythologizing the Romans’ Trojan origins, Virgil turned a story about losers into an epic about winners. By Daniel Mendelsohn Even in his lifetime, Virgil was revered as the greatest poet of the age. DEA / G. Dagli Orti / De Agostini / Getty 0:00 / 36:46 Audio: Listen to this article. To hear more, download the Audm iPhone app. https://www.newyorker.com/magazine/2018/10/15/is-the-aeneid-a-celebration-of-empire-or-a-critique 1/16 10/10/2018 Is the Aeneid a Celebration of Empire—or a Critique? | The New Yorker ince the end of the rst century A.D., people have been playing a game with a certain book. In this game, you open the book to a random spot and place your nger on S the text; the passage you select will, it is thought, predict your future. If this sounds silly, the results suggest otherwise. The rst person known to have played the game was a highborn Roman who was fretting about whether he’d be chosen to follow his cousin, the emperor Trajan, on the throne; after opening the book to this passage— I recognize that he is that king of Rome, Gray headed, gray bearded, who will formulate The laws for the early city . —he was condent that he’d succeed. His name was Hadrian. Through the centuries, others sought to discover their fates in this book, from the French novelist Rabelais, in the early sixteenth century (some of whose characters play the game, too), to the British -
VIRGIL, AENEID – Context
VIRGIL, AENEID – Context Virgil, the preeminent poet of the Roman Empire, was born Publius Vergilius Maro on October 15, 70 B.C. , near Mantua, a city in northern Italy. The son of a farmer, Virgil studied in Cremona, then in Milan, and finally in Rome. Around 41 B.C. , he returned to Mantua to begin work on his Eclogues, which he published in 37 B.C. Soon afterward, civil war forced him to flee south to Naples, where seven years later he finished his second work, the Georgics, a long poem on farming. At this time, Virgil's writing gained him the recognition of the public, wealth from patrons, and the favor of the emperor. Virgil lived at the height of the first age of the Roman Empire, during the reign of the emperor Octavian, later known as Augustus. Before Augustus became emperor, though, internal strife plagued the Roman government. During Virgil's youth, the First Triumvirate—Julius Caesar, Pompey, and Crassus—governed the Roman Republic. Crassus was killed around 53 B.C. , and Caesar initiated civil war against Pompey. After defeating Pompey, Caesar reigned alone until the Ides of March in 44 B.C. , when Brutus and Cassius, two senators, assassinated him. Civil war erupted between the assassins and the Second Triumvirate—Octavian, Antony, and Lepidus. By 36 B.C. only Octavian and Antony remained, and they began warring against each other. At the Battle of Actium in 31 B.C. , Octavian defeated Antony and his ally Cleopatra of Egypt, finally consolidating power in himself alone. Four years later, he assumed the title Augustus. -
Reading Aeneas' Shield
READING AENEAS’ SHIELD John L. Penwill One of the more obvious examples of Virgil’s use of Homeric intertextuality in the Aeneid is the ekphrastic description of Aeneas’ shield that occupies the last 100 lines or so of Book 8.1 It might of course be possible to object at the outset that this isn’t necessarily obvious at all, in that the scenes depicted on Aeneas’ shield on the face of it bear little or no resemblance to those depicted on Achilles’; in place of Homer’s generic descriptions of human life in its various aspects we have scenes from Roman history culminating in the Battle of Actium and Augustus’ lordship over the entire human race. But given that we are now two-thirds of the way through a poem replete with Homeric allusion, that the circumstances of each shield’s manufacture (goddess mother appealing to the craftsman god to make new armour for her son) are closely parallel (though not by any means identical, as we shall see), and that in each case the shield constitutes a prelude to a new and final phase of the hero’s role in each epic makes the Homeric intertext inescapable. The fact that the scenes depicted are so radically different is something that we are of course expected to notice—as so often when Virgil em- ploys Homeric allusion, it is differences that engender meaning—but we cannot notice them or respond appropriately to them unless we are already programmed to see Iliad 18 as the key text. As indeed we are.