Life of Denman Thompson
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WEEK ONLY, Commencing To-Morrow Evening, April 7
CHICAGO THE TRIBUNE; SUNDAY, APRIL 6, 1879—SIXTEEN PAGES 9 ffl 100 ABE COBBS till ASCEBTAI MAT THIS PACE COST BY APFLTHS AT T 1 601 HFFH OF MBITS mm HAYEELT’S THEATRE—ONE WEEK ONLY, Commencing To-Morrow Evening, April 7. Ilplk ipii lAM A |«| f A BftK m E NM >|i 0 PSO D AS H M N 1 Jjjgglil ! i||j|i J||m||| ||g%| Bapa pgsa W#M m p|i fig lliiifmof p|| |||| ||||i 1111 PIS ilisL^Jli^ p|i I |j| mWk ii gy«sL JR*J# lit&fi-® iSswil&wt|||ij l|Bj bJ||||£ asiS|Li BJsliPLjHH &pkjggf -JiiwJiiPs_Js|iL Jggii jigii JOSrfTf lir yM Mr. Thompson succeeded in pleasing New York City thirteen consecu- tive weeks this season, San Francisco eight consecutive weeks, Boston four consecutive weeks. Look into the matter quietly before purchasing your ticket. Don’t you think he can please you? FEW- n-ew toke: oiraisrioisns- From tlie Sew York Herald of Soyemlber 11, 1878. JOSHUA WHITCOMB, YANKEE FARMER, AT THE LYCEUM THEATRE. They gave out gilt-edged programmes at the Lyceum Theatre last evening to celebrate the 70th performance, excluding matinees, of the piece which forma the setting for Mr. DENMAN THOMPSON’S delineation of an old Yankee fanner, yclept Joshua Whitcomb. People have recently been finding out that such a piece was running over there, where pieces have never run of late years, except into the ground. Aman would say to you, “Have you seen Uncle Josh?” You would reply in the negative. Straightway he would broaden into a grin—the grin of tickled recollection—and say, “Go." “What is he like; what is the piece about?” “Oh, never mind about the piece and the plot, and all that critical flummery that keeps a man asking himself if he ought to laugh; just go and roar at him; he’s a Yankee farmer.” After a week or two a man stops you in the streetand says, “Do you know that Bergh has been laughing?” Having seen that Knight of the Itueful Countenance rise in the Court of Special Sessions to demand thepunishment of the father ot a half-starved family, who was working a horse with a sore ear, an “unheard-of cruelty. -
Appendix: Famous Actors/ Actresses Who Appeared in Uncle Tom's Cabin
A p p e n d i x : F a m o u s A c t o r s / Actresses Who Appeared in Uncle Tom’s Cabin Uncle Tom Ophelia Otis Skinner Mrs. John Gilbert John Glibert Mrs. Charles Walcot Charles Walcott Louisa Eldridge Wilton Lackaye Annie Yeamans David Belasco Charles R. Thorne Sr.Cassy Louis James Lawrence Barrett Emily Rigl Frank Mayo Jennie Carroll John McCullough Howard Kyle Denman Thompson J. H. Stoddard DeWolf Hopper Gumption Cute George Harris Joseph Jefferson William Harcourt John T. Raymond Marks St. Clare John Sleeper Clarke W. J. Ferguson L. R. Stockwell Felix Morris Eva Topsy Mary McVicker Lotta Crabtree Minnie Maddern Fiske Jennie Yeamans Maude Adams Maude Raymond Mary Pickford Fred Stone Effie Shannon 1 Mrs. Charles R. Thorne Sr. Bijou Heron Annie Pixley Continued 230 Appendix Appendix Continued Effie Ellsler Mrs. John Wood Annie Russell Laurette Taylor May West Fay Bainter Eva Topsy Madge Kendall Molly Picon Billie Burke Fanny Herring Deacon Perry Marie St. Clare W. J. LeMoyne Mrs. Thomas Jefferson Little Harry George Shelby Fanny Herring F. F. Mackay Frank Drew Charles R. Thorne Jr. Rachel Booth C. Leslie Allen Simon Legree Phineas Fletcher Barton Hill William Davidge Edwin Adams Charles Wheatleigh Lewis Morrison Frank Mordaunt Frank Losee Odell Williams John L. Sullivan William A. Mestayer Eliza Chloe Agnes Booth Ida Vernon Henrietta Crosman Lucille La Verne Mrs. Frank Chanfrau Nellie Holbrook N o t e s P R E F A C E 1 . George Howard, Eva to Her Papa , Uncle Tom’s Cabin & American Culture . http://utc.iath.virginia.edu {*}. -
The Theatrical Career of John E. Owens (1823-1886)
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1982 The Theatrical Career of John E. Owens (1823-1886). Thomas Arthur Bogar Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Bogar, Thomas Arthur, "The Theatrical Career of John E. Owens (1823-1886)." (1982). LSU Historical Dissertations and Theses. 3791. https://digitalcommons.lsu.edu/gradschool_disstheses/3791 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1.The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the Film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. -
Downing, Denman Thompson,/ Seabrooke, Madam Schumann
'W "flats." the highest point in the village Marie Tavary, Laura Shirmer Maple- People on the hillsides heard and enjoyed son, Frank Daniels, James T. Powers, and included about all the best vocalists those concerts. Children were enchanted Pauline Thomas Q. brass- Hall, Seabrooke, in the town 'and county. It performed with such a thing as their popular Francis Wilson, Camille D'Arville, Lillian and Gilbert & Sullivan's then fresh band into the clouds sang going up seemingly Russell, Delia Fox, Jeff au DeAngelis, Edna and famous light operas to crowded to render sweet music for people down on in' May, Alice Neilsen, Hattie Williams, Sam diences Wilgus Hall and later in the the earth. Bernard, Jerome Sykes, Henry Clay Lyceum. Soloists and chorus were worthy One of the delightful pastimes of the Barnabee, W. H. MacDonald, Lulu of any stage in any city. Mr. Storms's men singers was their frequent serenades Glaser, Mabelle Gilman, Walter Jones, splendid bass voice was the most popular of friends after midnight. Those Sere Grace Van Marie of New York and Studdiford, Cahill, basses in Central Mrs. nades are fresh in some memories and Rogers Brothers, Fritzi Mont Atwater's soprano has been for years Scheff, many still treasured by people now living in gomery & Stone, Eva Tanguay, Frank among the best. this and elsewhere. Our musicians city Lalor, Louise Gunning, Anna Held. Traveling opera and theatrical com and singers were never stingy, with their Gertrude Raymond Hitch panies all declared for years that the Hoffman, music in those faraway years. In the ( cock, Julia Donald Lyceum orchestra was far better than Sanderson, Brian, forties and fifties they gave elaborate Weber & Fields, Florence Webber, Elsie any other that they found in any city, concerts and published the programs Janis, Four Cohans, Marguerite large or small. -
A Historical Who's Who of Vermont Theatre George B
University of Vermont ScholarWorks @ UVM Center for Research on Vermont Occasional Papers Research Centers and Institutes 1991 A historical who's who of Vermont theatre George B. Bryan Follow this and additional works at: https://scholarworks.uvm.edu/crvocc Recommended Citation Bryan, George B., "A historical who's who of Vermont theatre" (1991). Center for Research on Vermont Occasional Papers. 19. https://scholarworks.uvm.edu/crvocc/19 This Article is brought to you for free and open access by the Research Centers and Institutes at ScholarWorks @ UVM. It has been accepted for inclusion in Center for Research on Vermont Occasional Papers by an authorized administrator of ScholarWorks @ UVM. For more information, please contact [email protected]. OCCASIONAL PAPER #13 CENTER FOR RESEARCH ON VERMONT UNIVERSITY OF VERMONT BURLINGTON, VERMONT 05405 802/656-4389 A HISTORICAL WHO'S WHO OF VERMONT THEATRE by George B. Bryan Department of Theatre University of Vermont C. I 0 1991 by the University of Vermont. All rights reserved ISBN 0-944277-21-7 The Center for Research on Vermont University of Vermont Burlington, VT 05405 802/656-4389 TABLE OF CONTENTS Foreword v Theatre and Drama in Vermont: An Overview 1 Introduction to the Directory 17 Abbreviations Used in the Directory 19 The Directory 21 About the Author 77 iii FOREWORD The Center for Research on Vermont is delighted to again be issuing an Occasional Paper for its Vermont and nationwide readers. This time it is our special pleasure to publish materials of the Center's Director, Dr. George B. Bryan of the University of Vermont's Department of Theatre. -
American Vaudeville As Ritual
University of Kentucky UKnowledge Theatre History Theatre and Performance Studies 1965 American Vaudeville as Ritual Albert F. McLean Jr. Transylvania University Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation McLean, Albert F. Jr., "American Vaudeville as Ritual" (1965). Theatre History. 3. https://uknowledge.uky.edu/upk_theatre_history/3 American Vaudeville as Ritual This page intentionally left blank American Vaudeville as Ritual UNIVERSITY OF KENTUCKY PRESS Copyright © 1965 by Th e University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, Th e Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offi ces: Th e University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com Cataloging-in-Publication Data is available from the Library of Congress ISBN 978-0-8131-3429-1 (pbk.: alk. paper) Th is book is printed on acid-free paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials. Manufactured in the United States of America. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, prim bleedthrough, substandard margins, and improper alignm ent can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are mi«mg pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note wiD indicate the deletion. Oversize materials (e.g^ maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerogr&phically in this copy. Higher quality 6" 9x" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. A Bed & Howell information Company 300 North Zeet> Road. Ann Ardor Ml 48106-1346 USA 313-761-4700 000.521-0600 CARTOON THEATRICALS FROM 1896 TO 1927: GUS HILL S CARTOON SHOWS FOR THE AMERICAN ROAD THEATRE A DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Mark David Winchester, B.A., M.A. -
HOMER FARNHAM EMENS New York City Where in 1915 She Was Given a License to Teach Free-Hand in Volney, New York
381 1900 [ED 536, Sheet 14A]; U.S. Census of 1910 [ED 88, Sheet 11A]. / 9. CVRI, Santa Barbara County, 1924; Oxnard Daily Courier, April 20, 1925, p.2. / 10. CPC, June 24, 1927, p.9; Perry/Polk 1930, pp.431, 531. / 11. CVRI, Monterey County, 1930. / 12. U.S. Census of 1930 [ED 27-21, Sheet 5A]. / 13. CPC: June 24, 1927, p.9; December 14, 1928, p.12; December 27, 1929, p.20. / 14. Appendix 4. / 15. ARG, October 1927, p.7; CPC, August 17, 1928, p.4; BDG, August 23, 1928, p.7; SFC, September 9, 1928, p.D-7; CPC, July 12, 1929, p.6; AAA: 26, 1929, p.59; 27, 1930, p.60. / 16. CPC, October 3, 1930, p.9. / 17. CRM, March 7, 1928, p.7; CPC, March 9, 1928, p.7. / 18. CPC, January 11, 1929, p.3. / 19. CPC, March 15, 1929, p.6. / 20. CRM: May 1, 1930, p.12; June 30, 1930, p.12; CPC, May 2, 1930, p.5; SFC, May 18, 1930, p.D-5. / 21. CRM, July 24, 1930, p.7. / 22. CRM: September 13, 1930, p.2; September 18, 1930, p.2; CPC, Sept. 19, 1930, p.11; Falk, p.1041; Hughes, p.351; Jacobsen, p.994. / 23. CRM: March 12, 1931, p.7; March 19, 1931, p.10; CPC, March 27, 1931, p.7. SYBIL DAVIS EMERSON (1892-1980) was born on April 4th in Worcester, Massachusetts. In 1910 she resided in Columbus, Ohio, with her parents, grandmother and younger sister.1 Her father, William, was the manager of a company that produced envelopes. -
An Historical Study of the Theatre in Charlotte, North Carolina, from 1873-1902
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1970 An Historical Study of the Theatre in Charlotte, North Carolina, From 1873-1902. Rupert T. Barber Jr Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Barber, Rupert T. Jr, "An Historical Study of the Theatre in Charlotte, North Carolina, From 1873-1902." (1970). LSU Historical Dissertations and Theses. 1820. https://digitalcommons.lsu.edu/gradschool_disstheses/1820 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. 71-6540 BARBER, Jr., Rupert T., 1932- AN HISTORICAL STUDY OF THE THEATRE IN CHARLOTTE, NORTH CAROLINA, FROM 1873- 1902. The Louisiana State University and Agricultural and Mechanical College, Ph.D., 1970 Theater University Microfilms, Inc., Ann Arbor, Michigan THIS DISSERTATION HAS BEEN MICROFILMED EXACTLY AS RECEIVED AN HISTORICAL STUDY OF THE THEATRE IN CHARLOTTE, NORTH CAROLINA, FROM 1873-1902 A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Speech by Rupert T. Barber, Jr. B.S., Louisiana State University, 1954 M.A., Columbia University, 1958 August, 1970 to pay fur the THURSDAY, JANUARY 13TH. ho world ■-- to:— .o:--- M nrmlight 1'nrewcll Appearance, this scaiori of the and Liver reerlessti’e.m uf the American fltayo, onied inure I ifilie pro- t, hut there w MISS KATIE PUTKAM, icted with aftor about 10 or such as —AKP nr.R— nliil polei'incn The first Ilnliilu il UNRIVALED COMEDY COMPANY. -
WELCOME NEW HAMPSHIRE MOTHERS® Hr Jjfu I H Ampsh
WELCOME NEW HAMPSHIRE MOTHERS ®hr JJfui Ham pshire VOL. 31. Issue Z 413 UNIVERSITY OF NEW HAMPSHIRE, DURHAM, NEW HAMPSHIRE, MAY 16, 1941. PRICE, THREE CENTS 700 Students Will Faces to the Sun” is Present Pageant University Holds Open on Memorial Field Successful on Radio Prexy to Open Program; House for Mothers’ Day by Richard Dent Dearborn’s Prize Winning Seaside County Invites Episodes Will Depict W. A. A. Executive Board Exhibits and Displays Play Highlighted by Students to Participate History of University Formally Assumes Office Feature of Anniversary Young citizens of Rockingham One of the largest spectacles ever Year Celebration Excellent Acting to take place on campus will go on to The members, old and new, of the Elwyn Dearborn’s “Faces to the County invite the students of the Uni morrow afternoon at 2:00 when nearly Women’s Athletic Association Execu The figurative doors of Durham have Sun,” first prize winning play in the versity of New Hampshire to attend 700 undergraduates will present the tive Board recently held their annual stood wider open than usual this year dramatic contest sponsored by the the ceremonies in observance of “Na- eight-episode historical pageant, “Ben meeting at Miss Evans’ apartment to in celebration of the university’s seven Freshman Class was given a powerful * jamin Thompson’s Vision”, written formally turn the duties over to the ty-fifth anniversary, but tomorrow they tional Citizenship Day” at the town new officers. will be specially decorated and gar premiere by Mike and Dial Thursday hall in Exeter on May 18 at 3:00 P.M. -
NOW Readyciin "Cfrotff of GOEP," (Straight Mesh.)
Central Library of Rochester and Monroe County · Historic Theater Collection J-Q^gCDTT PUBLISHER,. WAKKANTED i* U KJK L. C. LANGIE, OIsTE "W IE E IKI, -DEALER IN— COMMENCING MONDAY, JAN. 14th, 1881, COAL. SUPERIOR QUALITY AT LOWEST PRICES. And Saturday Matinee, 0FFI0E-154 East Main Street, Cor. East Avenue. The only flavor in this Cigar is that given by a 7ASSS—Alexander St. Canal Bridge, * 2 North Ave., near S. 2. 'secret combination of the finest Pure Havana Of properly re-handled. xro DRUGS. n affidavit backs this assertion." NOW READYciin "CfrOTff OF GOEP," (Straight Mesh.) Under CORINTHIAN ACADEMY of MUSIC. SWEET, DELICATE AND MILD!! This Cigarette is made from the finest and most costly THE NEXT ATTRACTION, leaf from that region of Virginia particularly adapted for Oysters and Game Served in their Season growing tobacco for Cigarettes. Our long experience in RKGULAK OINXKK FROM 12 to 2:30 P. M. manufacturing enables us to secure the most suitable kinds of tobacco, and thus present this superior article, with the FIRST-CLASS IMPORTED full assurance THAT ITS EQUAL HAS NEVER BEFORE BEEN Harry Minor's Comedy Company j OFFERED. A higher grade Cigarette can not be produced. WINKS, LIQUORS AND CIGARS. We call particular attention to the superior quality of our MONDAY AND TUESDAY, JAN. 21st and 22d. old brands of Cigarettes. They can not be surpassed. ED. APPEL, Proprietor. Twelve First Prize Medals. »«••••»»•••»••••••• ••••••««•••»•••««•*•«*»•»•••• Fearless Tobacco Worki. WM. S. K1MBALL A CO MAOKfE <5c CO., S3 STATE S'JEEET. Great Piano, Organ and Music Palace. FOSTER'S >= BILLIAED POOL - HALL LARGEST, CHEAPEST.