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Ralph W. Judd Collection on Cross-Dressing in the Performing Arts
http://oac.cdlib.org/findaid/ark:/13030/kt487035r5 No online items Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. ONE National Gay and Lesbian Archives 909 West Adams Boulevard Los Angeles, California 90007 Phone: (213) 741-0094 Fax: (213) 741-0220 Email: [email protected] URL: http://www.onearchives.org © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Finding Aid to the Ralph W. Judd Coll2007-020 1 Collection on Cross-Dressing in the Performing Arts Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Collection number: Coll2007-020 ONE National Gay and Lesbian Archives Los Angeles, California Processed by: Michael P. Palmer, Jim Deeton, and David Hensley Date Completed: September 30, 2009 Encoded by: Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Descriptive Summary Title: Ralph W. Judd collection on Cross-Dressing in the Performing Arts Dates: 1848-circa 2000 Collection number: Coll2007-020 Creator: Judd, Ralph W., 1930-2007 Collection Size: 11 archive cartons + 2 archive half-cartons + 1 records box + 8 oversize boxes + 19 clamshell albums + 14 albums.(20 linear feet). Repository: ONE National Gay and Lesbian Archives. Los Angeles, California 90007 Abstract: Materials collected by Ralph Judd relating to the history of cross-dressing in the performing arts. The collection is focused on popular music and vaudeville from the 1890s through the 1930s, and on film and television: it contains few materials on musical theater, non-musical theater, ballet, opera, or contemporary popular music. -
Purches Collection a to Z List of Principal Artists and Performers
Purches Collection A to Z List of Principal Artists and Performers Organization of this list: The principal performer is listed surname first in bold type with role/s in (parentheses); after the forward slash / any associated performers, or groups are listed; for groups using a pseudonym the 'real name’ / identity of group is shown in [square brackets] ; the original Cutter number (assigned to most performers who were primarily featured on the recordings) is listed on the far right hand side. A Aaronson, Irving (Bandleader) - A111 Abrams, Irwin (Bandleader) - A161 Adler, Larry (Harmonica) - A236 Adrian, Lou (Orchestra) / Eddy Howard (Vocal) Adrian's Ramblers (Danceband) / Adrian Rollini (Bandleader) Alamo, Tony (Vocal) / Sammy Kaye (Bandleader) Alberts, Al (Vocal) / The Four Aces (Vocal) Alexander, Archie (Bandleader) / George Barclay (Vocal) Les Allen (Vocal) Alexander, Jeff (Chorus, Choir)/ Bing Crosby (Vocal), Frank Sinatra (Vocal) Alfredo (Bandleader) - A391 Allen, Bob (Vocal) / Hai Kemp (Bandleader) Allen, Fred (Vocal)/ Bing Crosby (Vocal) Allen, Gracie (Comedienne)/ George Bums (Comedian) Allen, Henry 'Red' (Bandleader) - A425 Allen, Les (Vocal) - A427 Allen, Rosalie (Vocal) / Elton Brett (Vocal) Allen, Terry (Vocal) / Red Norvo (Bandleader) Alley, Ben (Vocal) All Star Band - A4412 All Star Orchestra - A4415 All Star Stompers - A4418 Alper, Rose (Vocal) / Joe Loss (Bandleader) Alston, Ovie (Vocal) / Claude Hopkins (Bandleader) Ambassador Trio, The (Vocal) / Gus Arnheim (Bandleader) Ambassadors, The (Danceband) - A491 Ambrose (Bandleader) -
"A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 Piano Solo | Twelfth 12Th Street Rag 1914 Euday L
Box Title Year Lyricist if known Composer if known Creator3 Notes # "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 piano solo | Twelfth 12th Street Rag 1914 Euday L. Bowman Street Rag 1 3rd Man Theme, The (The Harry Lime piano solo | The Theme) 1949 Anton Karas Third Man 1 A, E, I, O, U: The Dance Step Language Song 1937 Louis Vecchio 1 Aba Daba Honeymoon, The 1914 Arthur Fields Walter Donovan 1 Abide With Me 1901 John Wiegand 1 Abilene 1963 John D. Loudermilk Lester Brown 1 About a Quarter to Nine 1935 Al Dubin Harry Warren 1 About Face 1948 Sam Lerner Gerald Marks 1 Abraham 1931 Bob MacGimsey 1 Abraham 1942 Irving Berlin 1 Abraham, Martin and John 1968 Dick Holler 1 Absence Makes the Heart Grow Fonder (For Somebody Else) 1929 Lewis Harry Warren Young 1 Absent 1927 John W. Metcalf 1 Acabaste! (Bolero-Son) 1944 Al Stewart Anselmo Sacasas Castro Valencia Jose Pafumy 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Accidents Will Happen 1950 Johnny Burke James Van Huesen 1 According to the Moonlight 1935 Jack Yellen Joseph Meyer Herb Magidson 1 Ace In the Hole, The 1909 James Dempsey George Mitchell 1 Acquaint Now Thyself With Him 1960 Michael Head 1 Acres of Diamonds 1959 Arthur Smith 1 Across the Alley From the Alamo 1947 Joe Greene 1 Across the Blue Aegean Sea 1935 Anna Moody Gena Branscombe 1 Across the Bridge of Dreams 1927 Gus Kahn Joe Burke 1 Across the Wide Missouri (A-Roll A-Roll A-Ree) 1951 Ervin Drake Jimmy Shirl 1 Adele 1913 Paul Herve Jean Briquet Edward Paulton Adolph Philipp 1 Adeste Fideles (Portuguese Hymn) 1901 Jas. -
ABSTRACT “Where East Texas Dances”: the Cooper Club Of
ABSTRACT “Where East Texas Dances”: The Cooper Club of Henderson, Rusk County, and Popular Dance Bands, 1932-1942 Michelle Linsey Holland, M.A. Mentor: Thomas L. Charlton, Ph.D. A historical study of the Cooper Club in Henderson, Texas, which was open from 1932 to 1942, uncovers an exciting period in both American and East Texas history. Nationally, dance orchestras embarked on tours of the United States, playing one-night stands in small towns. Locally, the nightclub existed during the great East Texas oil boom. Under the management of owner Hugh Cooper, the Cooper Club became a staple for music lovers in East Texas who appreciated its elegant atmosphere and high caliber of entertainment. Local, regional, and national dance bands played one-night stands and brought to the oil field the latest in popular sweet music, swing, and jazz. The Cooper Club has significance and is deserving of scholarly research, for it shines light on the social and cultural history of Henderson, Texas, from 1932 to 1942, as well as the excitement of famous orchestras coming to a small town. "Where East Texas Dances": The Cooper Club of Henderson, Rusk County, and Popular Dance Bands, 1932-1942 Michelle Linsey Holland, A.A., B.A. A Thesis Approved by the American Studies Program Douglas R. Ferdon, Ph.D., Director Submitted to the Graduate Faculty of Baylor University in Partial Fulfillment of the Requirements for the Degree of Master of Arts Approved by the Thesis Committee Thomas L. Charlton, Ph.D., Chairperson Jean Ann Boyd, Ph.D. Douglas R. Ferdon, Ph.D. -
Johnson, Jay Cee (JC) Collection, 1896-1981
Jay Cee (J. C.) Johnson Collection (September 14, 1896-February 27, 1981) BIOGRAPHICAL NOTE Jay Cee (J. C.) Johnson, a Jazz and Pop composer, was often referred to as the “composer’s ‘composer.’” Johnson was born in Chicago, Illinois, on September 14, 1896, and died on Friday, February 27, 1981, at St. Luke’s Hospital in Manhattan (New York City), at the age of 84. He received early education in the Chicago Public School System. His mother, Ellen, and his father—who worked as a waiter on the railroad, was away from home most of the time—is unknown. J. C. expressed an interest in music at an early age, but his mother, who sang in the church choir, did not encourage her son to pursue a career in music. Later, while studying the violin, a friend began to give him piano lessons, and because of his attention dedication sounds better in learning to play, his mother decided that this would be his instrument of choice. At the age of 19, following the death of his mother, he moved to New York City, where he began to study piano with a man named Sam Patterson. Around 1920, he began to work as a session pianist, working with singers such as Ethel Waters, who sung in his first recorded hit titled “You Can’t Do What My Last Man Did,” and would go on to record many of his songs. Johnson would go on to compose more songs, including his first version of “Travel’ lin All Alone,” with Billie Holliday as vocalist (one of her first significant hit songs). -
Singers Fe- Even Toured with the Tex Beneke Jubilee Concerts Proved So Suc Ruccio Tagliavini, Bidu Sayao and D Ram a Tic Roles
.-yfrëyE«-’ 95 C A P IT O L NEWS CAPITOL N E W S PAGE 3 news Palladium Pacts New DeVol Band Published Monthly by CAPITOL PUBLICATIONS, INC. Sunset ond Vine, Holly wood 28, Colif. Printed in U. S. A. Helen O'Connell To Sing; Opening Here's That Man Again! Set For Nov. 14 W ith Helen O'Connell "It's like this," the man said, turning on his padded stool and pacted to handle the sing tapping his swizzle-stick on the long mahogany plank. "I see 'em ing chores with his new dance come and go. You remember Ace Brigode and his Virginians? band, Frank DeVol is rehearsing Al Katz and his Kittens? Fred Waring when he actually featured for a five-week run at the Holly a couple of native, unspoiled Pennsylvanians? wood Palladium commencing "Why, I can go back to the days when Freddy Martin wore a Nov. 14. The engagem ent, first to sailor's suit—it was at the Bossert Hotel in Brooklyn and the outfit be played by DeVol's new dance was known as 'Martin and his Mariners' and they aired clean out crew, will follow the current run of Ray Anthony's ork. to San Diego just as Paul Tremaine and his Lonely Acres gang broadcast from a chop suey joint on Broadway. Irving Aaronson's Still Keeps CBS Show "There will be 15 musicians in Commanders? Knew 'em well, Bud. Once roomed with Irv's first the band," DeVol said, "includ fiddle in Cleveland. ing men like Ray ConnifF, on trom "If you wanna get interspective seriously, Bud, I'll lay this on bone; Paul Smith at the piano; you. -
Radio Guide 31-12-27.Pdf
VoL 1 - No. 10 Chicago, III., Dec. 27, 1931 - Jan. 2, 1932 Price 5c Tulane-Trojan Heard on G. E. H our ((Lohengrin" to Football Game Be Presented in on Air Friday English Sunday • Word Picture of Annual Rose Bowl Damrosch Modernizes Wagner to Para.de Also to Be Given Aid America.n Audiences • • Two features of the Pasadena. Cali Walter Damrosch will continue hi. fornia Toutnament of Roses - the series of operatic broadcasts done in famous Rose Bowl Parade and the English when he presents the first act Tulane-Southern California football of Wagner's "Lohengrin" this Sunday game-will be visualized for radio at 12:15 p. m. over an NBC nation listeners over an NBC network and wide network and WMAQ. The pro WLS this Friday at 12:45 p. m. gram will be broadcast during the The parade will consist of hun Damrosch Symphonic Hour, and wiU dreds of gorgeous floats covered with be sung entirely in English. grasses, ferns, smilax, vines, palms, "I am determined to continue the roses, lilies and poinsettias from the fight, if fight it is, until both the gardens of California-to say nothing Metropolitan and Chicago opera of the host of lovely girls, the pick of houses adopt the English language for California beauty. the performance of all their operas," Following graphic word pictures of the dean of American directors said. the parade, the NBC announcers, Don "European countries long ago insisted Wilson and Don Thompson, will take on operl in the national tongue, with the radio audience to the Rose Bowl, the natural result that opera audiences where Tulane will line up against abroad fuUy enjoy the drama as well Southern California. -
HISTORICAL TRIVIA 1936-1940 Fulton County, Indiana
HISTORICAL TRIVIA 1936-1940 Fulton County, Indiana From The Rochester News-Sentinel Selected, copied and indexed by Wendell C. Tombaugh Special thanks to Jack K. Overmyer for suggesting the Title.. = = = = = = = = = = = BURTNETT, EARL Popular Orchestra Leader Died The News-Sentinel, Jan. 3, 1936 Earl Burtnett, popular orchestra leader, died in a Chicago hospital yesterday from peritonitis, which developed after an emergency operation for appendicitis. Burtnett’s home was in Harrisburg, Pa. He had composed a number of songs. Burtnett lead his band at the Colonial Hotel and Gardens during a dance several years ago. RURAL ELECTRIFICATION Class at Richland Center The News-Sentinel, Jan. 3, 1936 The Adult Educational class meeting next Monday evening at 7:00 o’clock in the Richland Center School building will study the possibilities of securing local rural electrification. These meetings are held each Monday evening and are sponsored by the State. There is no charge. The farm families of both Fulton and Marshall counties are invited. MEAT MARKET EQUIPMENT Purchased by Dale Bibler at Kewanna The News-Sentinel, Jan. 4, 1936 Dale Bibler, of Fulton, and a former resident of Kewanna, has purchased the meat market equipment in a store located at Kewanna from Woodson Nelson and has moved the equipment to Fulton. (1) BURTON METHODIST CHURCH Will Have Electric Lights The News-Sentinel, Jan. 4, 1936 Members of Burton Methodist Church west of this city are equipping the church with an electric light and power plant. BURKETT, LYMAN COUNTY SURVEYOR Named Highway Supt. The News-Sentinel, Jan. 7, 1936 The Fulton County commissioners at their meeting today named Lyman Burkett, county surveyor, as county highway superintendent for the coming year. -
Inside Facts of Stage and Screen (January 25, 1930)
— PRICE 10 CENTS ONLY THEATRICAL NEWSPAPER ON THE PACIFIC COAST ESTABLISHED 1924 EDITED BY JACK JOSEPHS Entered Second Class Vol. XI as Matter, April 29, 1927, at Post- Published Every Saturday at 800-801 Warner Bros. Down- office, Los Angeles, Calif,, Saturday, January 25, 1930 under Act of March 3, 1879. town BuildiM-, 401 West Seventh St., Los Angeles, Calif. No. 4 MEETING HELD ON NEW FILM CONTRACT; REPORT PROGRESS * Lone of COSTS WOULD BOOSI LEGIT An effort is being made by The long-heralded new standard many of the astute show observ- contract for picture players was ers to determine exactly what is understood to be “hot” this week. the cause of the general failure While semi-official sources de- of shows to make money in the clared it to be still in the “forma- legitimate field. Aside from the tive” stage, a meeting of framers Duffy theatres, all of the houses of the new document was held at have generally found it tough sledding during the past year. the Roosevelt Hotel Tuesday night Some ascribe it to the bad at the supper hour, and reports shows, but all of the losing shows emanating therefrom were that have not been bad and some of “progress had been made.” them, went into the red despite Principal the fact that business seemed to feature of the proposed be flourishing. new contract, it is reported, is a It is just a matter of arithmetic, limitation of the hours of work say some of those who have per week for freelance players, dropped rolls of various propor- with provisions for overtime tions in the game. -
A Catalog of Music Rolls for Wurlitzer Military Band
A CATALOG OF MUSIC ROLLS FOR WURLITZER MILITARY BAND ORGANS PLAYING THE STYLE 150 ROLL Compiled by Matthew O. Caulfield Revised most recently May 17, 2016 THIS CATALOG IS A SMALL MONUMENT TO FARNY R. WURLITZER (1883-1972) AND THE ARTISANS OF THE RUDOLPH WURLITZER COMPANY WHO CREATED THE ORGANS AND THE MUSIC WE CHERISH If you are searching for a particular bit of Wurlitzer history or musical information and do not find it on this website, please email me with your question. It would be a pleasure to try to answer it. For a complete catalog of style 165 rolls and an illustrated description of how Wurlitzer rolls were made, see my catalog at wurlitzer-rolls.com CONTENTS PRELIMINARY NOTE: On Wurlitzer's roll-issuing practices for the style 150 series. ROLL SCALE for the style 150 band organ PART 1: Rolls 10023-10380, for the early (short-roll) tracker frame. This style roll was discontinued in August 1925. PART 2: Rolls 13005-13268 for the long-roll tracker frame. Begun probably in late 1913 and issued to the end of Wurlitzer's roll business in 1945. PART 3: Rolls 13269-13314,issued by the Allan Herschell Company in 1946 and then by the T.R.T. Manufacturing Company until the mid 1960's. PART 4: Rolls issued by Play-Rite Music Rolls, Inc., and others (sequentially numbered rolls first, followed by unnumbered rolls, here given serial numbers for convenience) PART 5: Tune index. Alphabetical list of all tunes in this catalog. PRELIMINARY NOTE: ON WURLITZER'S ROLL-ISSUING PRACTICES FOR THE STYLE 150 SERIES Early Wurlitzer organs were built with a roll frame capable of handling only a roll about four or five tunes in length.