Tensegrity Structures
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Tensegrity Systems in Nature and Their Impacts on the Creativity of Lightweight Metal Structures That Can Be Applied in Egypt
Design and Nature V 41 Tensegrity systems in nature and their impacts on the creativity of lightweight metal structures that can be applied in Egypt W. M. Galil Faculty of Applied Arts, Helwan University, Egypt Abstract The search for integrated design solutions has been the designer’s dream throughout the different stages of history. Designers have tried to observe natural phenomena and study biological structure behaviour when exploring creation within nature. This can happen through trying to follow an integrated approach for an objects’ behaviour in biological nature systems. Donald E. Ingber, a scientist, confirmed this by his interpretation of the power that affects cell behaviour. This interpretation was proved through physical models called “the Principle of Tensegrity”. It is an interpreting principle for connectivity within a cell that represents the preferred structural system in biological nature. “Tensegrity” ensures the structural stability arrangement for its components in order to reduce energy economically and get a lower mass to its minimum limit by local continuous tension and compression. The aim of this research is to monitor “Tensegrity” systems in biological nature with a methodology for use and formulation in new innovative design solutions. This research highlighted the way of thinking about the principle of “Tensegrity” in nature and its adaptation in creating lightweight metal structural systems. Such systems have many functions, characterized by lightweight and precise structural elements and components. Moreover, a methodology design has been proposed on how to benefit from Tensegrity systems in biological nature in the design of lightweight metal structures with creative application in Egypt. Keywords: Tensegrity, lightweight structure, design in nature. -
Kinematic Analysis of a Planar Tensegrity Mechanism with Pre-Stressed Springs
KINEMATIC ANALYSIS OF A PLANAR TENSEGRITY MECHANISM WITH PRE-STRESSED SPRINGS By VISHESH VIKAS A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE UNIVERSITY OF FLORIDA 2008 1 °c 2008 Vishesh Vikas 2 Vakratunda mahakaaya Koti soorya samaprabhaa Nirvighnam kurume deva Sarva karyeshu sarvadaa. 3 TABLE OF CONTENTS page LIST OF TABLES ..................................... 5 LIST OF FIGURES .................................... 6 ACKNOWLEDGMENTS ................................. 7 ABSTRACT ........................................ 8 CHAPTER 1 INTRODUCTION .................................. 9 2 PROBLEM STATEMENT AND APPROACH ................... 12 3 BOTH FREE LENGTHS ARE ZERO ....................... 17 3.1 Equilibrium Analysis .............................. 17 3.2 Numerical Example ............................... 19 4 ONE FREE LENGTH IS ZERO .......................... 21 4.1 Equilibrium Analysis .............................. 21 4.2 Numerical Example ............................... 24 5 BOTH FREE LENGTHS ARE NON-ZERO .................... 28 5.1 Equilibrium Analysis .............................. 28 5.2 Numerical Example ............................... 31 6 CONCLUSION .................................... 36 APPENDIX A SHORT INTRODUCTION TO THEORY OF SCREWS ............. 37 B SYLVESTER MATRIX ............................... 40 REFERENCES ....................................... 44 BIOGRAPHICAL SKETCH ................................ 45 4 LIST OF TABLES -
Bucky Fuller & Spaceship Earth
Ivorypress Art + Books presents BUCKY FULLER & SPACESHIP EARTH © RIBA Library Photographs Collection BIOGRAPHY OF RICHARD BUCKMINSTER FULLER Born in 1895 into a distinguished family of Massachusetts, which included his great aunt Margaret Fuller, a feminist and writer linked with the transcendentalist circles of Emerson and Thoreau, Richard Buckminster Fuller Jr left Harvard University, where all the Fuller men had studied since 1740, to become an autodidact and get by doing odd jobs. After marrying Anne Hewlett and serving in the Navy during World War I, he worked for his architect father-in-law at a company that manufactured reinforced bricks. The company went under in 1927, and Fuller set out on a year of isolation and solitude, during which time he nurtured many of his ideas—such as four-dimensional thinking (including time), which he dubbed ‘4D’—and the search for maximum human benefit with minimum use of energy and materials using design. He also pondered inventing light, portable towers that could be moved with airships anywhere on the planet, which he was already beginning to refer to as ‘Spaceship Earth’. Dymaxion Universe Prefabrication and the pursuit of lightness through cables were the main characteristics of 4D towers, just like the module of which they were made, a dwelling supported by a central mast whose model was presented as a single- family house and was displayed in 1929 at the Marshall Field’s department store in Chicago and called ‘Dymaxion House’. The name was coined by the store’s public relations team by joining the words that most often appeared in Fuller’s eloquent explanations: dynamics, maximum, and tension, and which the visionary designer would later use for other inventions like the car, also called Dymaxion. -
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UC Irvine UC Irvine Previously Published Works Title Towards a performative aesthetics of interactivity Permalink https://escholarship.org/uc/item/6w42d6p2 Author Penny, SG Publication Date 2011-12-01 License https://creativecommons.org/licenses/by/4.0/ 4.0 Peer reviewed eScholarship.org Powered by the California Digital Library University of California The Fibreculture Journal DIGITAL MEDIA + NETWORKS + TRANSDISCIPLINARY CRITIQUE issue 19 2011: Ubiquity issn: 1449 1443 FCJ-132 Towards a Performative Aesthetics of Interactivity Simon Penny University of California, Irvine Introduction As I write this, at the end of 2010, it is sobering to reflect on the fact that over a couple of decades of explosive development in new media art (or ‘digital multimedia’ as it used to be called), in screen based as well as ‘embodied’ and gesture based interaction, the aesthetics of interaction doesn’t seem to have advanced much. At the same time, interaction schemes and dynamics which were once only known in obscure corners of the world of media art research/ creation have found their way into commodities from 3D TV and game platforms (Wii, Kinect) to sophisticated phones (iPhone, Android). While increasingly sophisticated theoretical analyses (from Manovich, 2002 to Chun, 2008 to Hansen, 2006, more recently Stern, 2011 and others) have brought diverse perspectives to bear, I am troubled by the fact that we appear to have ad- vanced little in our ability to qualitatively discuss the characteristics of aesthetically rich interac- tion and interactivity and the complexities of designing interaction as artistic practice; in ways which can function as a guide to production as well as theoretical discourse. -
Buckminster Fuller Playboy Interview
Buckminster Fuller the Playboy interview February 1972 a cesc publication Buckminster Fuller - the 1972 Playboy Interview ©1972 Playboy cesc publications, P.O. Box 232, Totnes, Devon TQ9 9DD England Page 2 of 19 Buckminster Fuller - the 1972 Playboy Interview ©1972 Playboy a candid conversation with the visionary architect/inventor/philosopher R. BUCKMINSTER FULLER PLAYBOY: Is there a single statement you could make than the others and that makes him a challenge to the that would express the spirit of your philosophy? speediest and most powerful, and there’s a fight between the two and the one wins disseminates the FULLER: I always try to point one thing out: if we do species. The others can just go hump.’ more with less, our resources are adequate to take care of everybody. All political systems are founded Imagine how this happened with man - man in great on the premise that the opposite is true. We’ve been ignorance, born with hunger, born with the need to assuming all along that failure was certain, that our regenerate, not knowing whether or not he’ll survive. universe was running down and it was strictly you or He begins by observing that the people who eat roots me, kill or be killed as long as it lasted. But now, in and berries very often get poisoned by them, and he our century, we’ve discovered that man can be a sees that the animals that don’t eat those things don’t success on his planet, and this is the great change that get poisoned. -
Brochure Exhibition Texts
BROCHURE EXHIBITION TEXTS “TO CHANGE SOMETHING, BUILD A NEW MODEL THAT MAKES THE EXISTING MODEL OBSOLETE” Radical Curiosity. In the Orbit of Buckminster Fuller September 16, 2020 - March 14, 2021 COVER Buckminster Fuller in his class at Black Mountain College, summer of 1948. Courtesy The Estate of Hazel Larsen Archer / Black Mountain College Museum + Arts Center. RADICAL CURIOSITY. IN THE ORBIT OF BUCKMINSTER FULLER IN THE ORBIT OF BUCKMINSTER RADICAL CURIOSITY. Hazel Larsen Archer. “Radical Curiosity. In the Orbit of Buckminster Fuller” is a journey through the universe of an unclassifiable investigator and visionary who, throughout the 20th century, foresaw the major crises of the 21st century. Creator of a fascinating body of work, which crossed fields such as architecture, engineering, metaphysics, mathematics and education, Richard Buckminster Fuller (Milton, 1895 - Los Angeles, 1983) plotted a new approach to combine design and science with the revolutionary potential to change the world. Buckminster Fuller with the Dymaxion Car and the Fly´s Eye Dome, at his 85th birthday in Aspen, 1980 © Roger White Stoller The exhibition peeps into Fuller’s kaleidoscope from the global state of emergency of year 2020, a time of upheaval and uncertainty that sees us subject to multiple systemic crises – inequality, massive urbanisation, extreme geopolitical tension, ecological crisis – in which Fuller worked tirelessly. By presenting this exhibition in the midst of a pandemic, the collective perspective on the context is consequently sharpened and we can therefore approach Fuller’s ideas from the core of a collapsing system with the conviction that it must be transformed. In order to break down the barriers between the different fields of knowledge and creation, Buckminster Fuller defined himself as a “Comprehensive Anticipatory Design Scientist,” a scientific designer (and vice versa) able to formulate solutions based on his comprehensive knowledge of universe. -
The Cybernetic Brain
THE CYBERNETIC BRAIN THE CYBERNETIC BRAIN SKETCHES OF ANOTHER FUTURE Andrew Pickering THE UNIVERSITY OF CHICAGO PRESS CHICAGO AND LONDON ANDREW PICKERING IS PROFESSOR OF SOCIOLOGY AND PHILOSOPHY AT THE UNIVERSITY OF EXETER. HIS BOOKS INCLUDE CONSTRUCTING QUARKS: A SO- CIOLOGICAL HISTORY OF PARTICLE PHYSICS, THE MANGLE OF PRACTICE: TIME, AGENCY, AND SCIENCE, AND SCIENCE AS PRACTICE AND CULTURE, A L L PUBLISHED BY THE UNIVERSITY OF CHICAGO PRESS, AND THE MANGLE IN PRAC- TICE: SCIENCE, SOCIETY, AND BECOMING (COEDITED WITH KEITH GUZIK). THE UNIVERSITY OF CHICAGO PRESS, CHICAGO 60637 THE UNIVERSITY OF CHICAGO PRESS, LTD., LONDON © 2010 BY THE UNIVERSITY OF CHICAGO ALL RIGHTS RESERVED. PUBLISHED 2010 PRINTED IN THE UNITED STATES OF AMERICA 19 18 17 16 15 14 13 12 11 10 1 2 3 4 5 ISBN-13: 978-0-226-66789-8 (CLOTH) ISBN-10: 0-226-66789-8 (CLOTH) Library of Congress Cataloging-in-Publication Data Pickering, Andrew. The cybernetic brain : sketches of another future / Andrew Pickering. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-226-66789-8 (cloth : alk. paper) ISBN-10: 0-226-66789-8 (cloth : alk. paper) 1. Cybernetics. 2. Cybernetics—History. 3. Brain. 4. Self-organizing systems. I. Title. Q310.P53 2010 003’.5—dc22 2009023367 a THE PAPER USED IN THIS PUBLICATION MEETS THE MINIMUM REQUIREMENTS OF THE AMERICAN NATIONAL STANDARD FOR INFORMATION SCIENCES—PERMA- NENCE OF PAPER FOR PRINTED LIBRARY MATERIALS, ANSI Z39.48-1992. DEDICATION For Jane F. CONTENTS Acknowledgments / ix 1. The Adaptive Brain / 1 2. Ontological Theater / 17 PART 1: PSYCHIATRY TO CYBERNETICS 3. -
Journal of Sociocybernetics
JOURNAL OF SOCIOCYBERNETICS Volume 7 Number 1 Summer 2009 Official Journal of the Research Committee on Sociocybernetics (RC51) of the International Sociological Association i ii JOURNAL OF SOCIOCYBERNETICS www.unizar.es/sociocybernetics/ Editor Karl-Heinz Simon Co-Editors Barry Gibson Juan Aguado Editorial Board Eva Buchinger, Wien Felix Geyer, Amsterdam Magdalena A. Kalaidjieva, Sofia Tuomo Kuosa, Helsinki Chaime Marcuello, Zaragossa Vessela Misheva, Stockholm The JOURNAL OF SOCIOCYBERNETICS (ISSN 1607-8667) is an electronic journal published biannually--Spring/Summer and Fall/Winter--by the Research Committee on Sociocybernetics of the International Sociological Association. MANUSCRIPT submissions should be sent electronically (in MSWord or Rich Text File format) to each of the editors: Karl-Heinz Simon ([email protected]), Barry Gibson ([email protected]) and Juan Aguado ([email protected]). In general, please follow the Chicago Manuel of Style; citations and bibliography should follow the current journal style (APA). Normally, articles should be original texts of no more than 6000 words, although longer articles will be considered in exceptional circumstances. The Jour- nal looks for submissions that are innovative and apply principles of General Systems Theory and Cybernetics to the social sciences, broadly conceived. COPYRIGHT remains the property of authors. Permission to reprint must be obtained from the authors and the contents of JoS cannot be copied for commercial purposes. JoS does, however, reserve the right to future reproduction of articles in hard copy, portable document format (.pdf), or HTML editions of JoS. iii SOCIOCYBERNETICS traces its intellectual roots to the rise of a panoply of new ap- proaches to scientific inquiry beginning in the 1940's. -
Second Order Cybernetics 31/08/2008 10:08
SECOND ORDER CYBERNETICS 31/08/2008 10:08 Search Print this chapter Cite this chapter SECOND ORDER CYBERNETICS Ranulph Glanville, CybernEthics Research, UK and Royal Melbourne Institute of Technology University, Australia Keywords: actor, analogy, argument, automata, autopoiesis, behavior, biology, Black_Box, causality, circularity, coding, cognition, communication, computation, concept, consciousness, control, conversation, cybernetics, description, design, distinction, ecology, education, environment, epistemology, error, ethics, feedback, form, function, generosity, goal, homeostasis, idea, identity, individual, information, interaction, internet, knowing, language, learning, logic, management, mathematics, meaning, mechanism, memory, meta-, metaphor, moment, mutualism, network, object, observe, organizational_closure, oscillation, person, phenomenon, philosophical, physics, positivist, (post-)_modernism, praxis, process, program, psychology, purpose, quality, reality, reason, recursion, relative, responsibility, science, second_order_cybernetics, (self-)_reference, semiotics, social, structure, subject, support, system, theory, thinking, time, truth, understanding, variety, whole_(and_part) Contents 1. Introduction: What Second Order Cybernetics is, and What it Offers 2. Background—the Logical Basis for Second Order Cybernetics 3. Second Order Cybernetics—Historical Overview 4. Theory of Second Order Cybernetics 5. Praxis of Second Order Cybernetics 6. A Note on Second Order Cybernetics and Constructivism 7. Cybernetics, Second Order -
Tensegrity Structures and Their Application to Architecture
Tensegrity Structures and their Application to Architecture Valentín Gómez Jáuregui Tensegrity Structures and their Application to Architecture “Tandis que les physiciens en sont déjà aux espaces de plusieurs millions de dimensions, l’architecture en est à une figure topologiquement planaire et de plus, éminemment instable –le cube.” D. G. Emmerich “All structures, properly understood, from the solar system to the atom, are tensegrity structures. Universe is omnitensional integrity.” R.B. Fuller “I want to build a universe” K. Snelson School of Architecture Queen’s University Belfast Tensegrity Structures and their Application to Architecture Valentín Gómez Jáuregui Submitted to the School of Architecture, Queen’s University, Belfast, in partial fulfilment of the requirements for the MSc in Architecture. Date of submission: September 2004. Tensegrity Structures and their Application to Architecture I. Acknowledgments I. Acknowledgements In the month of September of 1918, more or less 86 years ago, James Joyce wrote in a letter: “Writing in English is the most ingenious torture ever devised for sins committed in previous lives.” I really do not know what would be his opinion if English was not his mother tongue, which is my case. In writing this dissertation, I have crossed through diverse difficulties, and the idiomatic problem was just one more. When I was in trouble or when I needed something that I could not achieve by my own, I have been helped and encouraged by several people, and this is the moment to say ‘thank you’ to all of them. When writing the chapters on the applications and I was looking for detailed information related to real constructions, I was helped by Nick Jay, from Sidell Gibson Partnership Architects, Danielle Dickinson and Elspeth Wales from Buro Happold and Santiago Guerra from Arenas y Asociados. -
The First Rigidly Clad "Tensegrity" Type Dome, the Crown Coliseum, Fayetteville, North Carolina
The First Rigidly Clad "Tensegrity" Type Dome, The Crown Coliseum, Fayetteville, North Carolina Paul A. Gossen, Dpl. Ing., P.E.1, David Chen, M.Sc.1, and Eugene Mikhlin, PhD.2: 1 Principals of Geiger Gossen Hamilton Liao Engineers P.C. 2 Project Engineer at Geiger Gossen Hamilton Liao Engineers P.C. Abstract This paper presents the first known "Tensegrity" type, Cabledome, structure with rigid roof built for the Crown Coliseum, Fayetteville, North Carolina, USA, a 13,000 seat athletic venue. Recently completed by the authors, the structure clear spans 99.70 m (327 ft.) employing a conventional rigid secondary structure of joists and metal deck. The structural design addresses cladding of the relatively flexible primary dome structure with rigid panels. The design combines the advantages of the Cabledome system with conventional construction. This project demonstrates the utility of tensegrity type domes in structures where tensile membrane roofs may not be appropriate or economical. The authors discuss the behavior, the unique design and the realization of this structure. 1. Introduction A number of long span "Tensegrity" dome type structures have been realized in the previous decade pursuant to the inventions of R. Buckminster Fuller (Fuller) and David H. Geiger (Geiger). These structures have demonstrated structural efficiency in many long-span roof applications. While these domes can be covered with a variety of roof systems, all the tensegrity domes built to date have been clad with tensioned membranes. As a consequence of the sparseness of the Cabledome network, these structures are less than determinate in classical linear terms and have a number of independent mechanisms or inextensional modes of deformation (Pelegrino). -
How Cybernetics Connects Computing, Counterculture, and Design
Walker Art Center — Hippie Modernism: The Struggle for Utopia — Exhibit Catalog — October 2015 How cybernetics connects computing, counterculture, and design Hugh Dubberly — Dubberly Design Office — [email protected] Paul Pangaro — College for Creative Studies — [email protected] “Man is always aiming to achieve some goal language, and sharing descriptions creates a society.[2] and he is always looking for new goals.” Suddenly, serious scientists were talking seriously —Gordon Pask[1] about subjectivity—about language, conversation, and ethics—and their relation to systems and to design. Serious scientists were collaborating to study Beginning in the decade before World War II and collaboration. accelerating through the war and after, scientists This turn away from the mainstream of science designed increasingly sophisticated mechanical and became a turn toward interdisciplinarity—and toward electrical systems that acted as if they had a purpose. counterculture. This work intersected other work on cognition in Two of these scientists, Heinz von Foerster and animals as well as early work on computing. What Gordon Pask, took an interest in design, even as design emerged was a new way of looking at systems—not just was absorbing the lessons of cybernetics. Another mechanical and electrical systems, but also biological member of the group, Gregory Bateson, caught the and social systems: a unifying theory of systems and attention of Stewart Brand, systems thinker, designer, their relation to their environment. This turn toward and publisher of the Whole Earth Catalog. Bateson “whole systems” and “systems thinking” became introduced Brand to von Foerster.[3] Brand’s Whole Earth known as cybernetics. Cybernetics frames the world in Catalog spawned a do-it-yourself publishing revolution, terms of systems and their goals.