Letters of British Authors, 1770-1915
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Re-Categorizing Great Britain's Medieval Architecture: a Lesson In
Re-Categorizing Great Britain’s Medieval Architecture: A Lesson in Nineteenth-Century Visual Taxonomy by Courtney Skipton Long A.B., Mount Holyoke College, 2007 M.A., University of Pittsburgh, 2009 Submitted to the Graduate Faculty of The Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2016 UNIVERSITY OF PITTSBURGH The Dietrich School of Arts and Sciences This dissertation was presented by Courtney Skipton Long It was defended on April 14, 2016 and approved by Ryan McDermott, Assistant Professor, Department of English Josh Ellenbogen, Associate Professor, Department of History of Art and Architecture Kirk Savage, Professor, Department of History of Art and Architecture Dissertation Advisor: Christopher Drew Armstrong, Associate Professor, Department of History of Art and Architecture ii Copyright © by Courtney Skipton Long 2016 iii Re-Categorizing Great Britain’s Medieval Architecture: A Lesson in Nineteenth-Century Visual Taxonomy Courtney Skipton Long, Ph.D. University of Pittsburgh, 2016 This dissertation explores the intersections of architectural history and natural science in the first half of the nineteenth century in Great Britain. Examining a set of seven British architectural historians between 1800 and 1850, an alternate approach to our contemporary understanding of Nineteenth Century architectural history writing is offered through an analysis of visual representations showing change over time. Each chapter confronts shifting notions about the developmental progress of biological and architectural species presented by some of the renowned theorists of natural science and architectural history from the eighteenth and nineteenth centuries. The theories about change over time from Carl Linnaeus, Jean-Baptiste Lamarck, Charles Lyell, and Charles Darwin, to name a few, are offered in order to contextualize pictorial arrangements of visual knowledge showing change over time in architectural histories of medieval British ecclesiastical buildings. -
Heritage Churches in the Niagara Region: an Essay on the Interpretation of Style Malcolm Thurlby
Document generated on 09/28/2021 7:11 a.m. Journal of the Society for the Study of Architecture in Canada Le Journal de la Société pour l'étude de l'architecture au Canada Heritage Churches in the Niagara Region: An Essay on the Interpretation of Style Malcolm Thurlby Volume 43, Number 2, 2018 URI: https://id.erudit.org/iderudit/1058039ar DOI: https://doi.org/10.7202/1058039ar See table of contents Publisher(s) SSAC-SEAC ISSN 2563-8696 (digital) Explore this journal Cite this article Thurlby, M. (2018). Heritage Churches in the Niagara Region: An Essay on the Interpretation of Style. Journal of the Society for the Study of Architecture in Canada / Le Journal de la Société pour l'étude de l'architecture au Canada, 43(2), 67–95. https://doi.org/10.7202/1058039ar Copyright © SSAC-SEAC, 2019 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ ANALYSIS | ANALYSE HERITAGE CHURCHES IN THE NIAGARA REGION: AN ESSAY ON THE INTERPRETATION OF STYLE1 MALCOLM THURLBY, PH.D., F.S.A., teaches MALCOLM THURLBY art and architectural history at York University, Toronto. His research concentrates on Romanesque and Gothic architecture and sculpture from the eleventh to the thirteenth century, and nineteenth-century Canadian his paper is an expanded ver- architecture. -
Introduction: Reproducing Englishness 1 in Pursuit of An
Notes Introduction: Reproducing Englishness 1. Samuel Taylor Coleridge, “The Nightingale,” in Wordsworth and Coleridge: Lyrical Ballads, eds. R. L. Brett and A. R. Jones (London and New York: Routledge, 1991), pp. 84–8, ll. 49–59. 2. Susan Buck-Morss’s The Dialectics of Seeing: Walter Benjamin and the Arcades Project elaborates upon Walter Benjamin’s “dialectical image,” the notion that the juxtaposition of contradictory images or of contradictions within a single image can itself be pedagogical; see especially, “Natural History: Fossil” (Cambridge, MA: The MIT Press, 1991). 3. G. R. Hibbard, “The Country House Poem of the Seventeenth Century,” Journal of the Warburg and Courtauld Institutes 19, no. 1/2 (January–June, 1956): 159–74. 4. Thomas Hardy, “Memories of Church Restoration,” in Public Voice: The Essays, Speeches, and Miscellaneous Prose, ed. Michael Millgate (Oxford: Oxford University Press, 2001), p. 253. 5. Walter Scott, “Lay of the Last Minstrel,” in The Complete Works of Sir Walter Scott; with a Biography and His Last Additions and Illustrations, vol. 1 (New York: Connor and Cooke, 1833), p. 324. 1 In Pursuit of an English Style: The Allure of Gothic 1. Thomas Rickman, An Attempt to Discriminate the Styles of Architecture in England, From the Conquest to the Reformation: With a Sketch of the Grecian and Roman Orders, ed. John Henry Parker, 7th edn (London: John Henry Parker, 1848), p. 37. 2. Robert Willis, Report of a Survey of the Dilapidated Portions of Hereford Cathedral in the Year 1841 (London: Minet, 1842). 3. John Ruskin, The Seven Lamps of Architecture (1849; reprint, London: Century, 1988), p. -
Alt Context 1861-1896
1861 – Context – 168 Agnes Martin; or, the fall of Cardinal Wolsey. / Martin, Agnes.-- 8o..-- London, Oxford [printed], [1861]. Held by: British Library The Agriculture of Berkshire. / Clutterbuck, James Charles.-- pp. 44. ; 8o..-- London; Slatter & Rose: Oxford : Weale; Bell & Daldy, 1861. Held by: British Library Analysis of the history of England, (from William Ist to Henry VIIth,) with references to Hallam, Guizot, Gibbon, Blackstone, &c., and a series of questions / Fitz-Wygram, Loftus, S.C.L.-- Second ed.-- 12mo.-- Oxford, 1861 Held by: National Library of Scotland An Answer to F. Temple's Essay on "the Education of the World." By a Working Man. / Temple, Frederick, Successively Bishop of Exeter and of London, and Archbishop of Canterbury.-- 12o..-- Oxford, 1861. Held by: British Library Answer to Professor Stanley's strictures / Pusey, E. B. (Edward Bouverie), 1800-1882.-- 6 p ; 22 cm.-- [Oxford] : [s.n.], [1861] Notes: Caption title.-- Signed: E.B. Pusey Held by: Oxford Are Brutes immortal? An enquiry, conducted mainly by the light of nature into Bishop Butler's hypotheses and concessions on the subject, as given in part 1. chap. 1. of his "Analogy of Religion." / Boyce, John Cox ; Butler, Joseph, successively Bishop of Bristol and of Durham.-- pp. 70. ; 8o..-- Oxford; Thomas Turner: Boroughbridge : J. H. & J. Parker, 1861. Held by: British Library Aristophanous Ippes. The Knights of Aristophanes / with short English notes [by D.W. Turner] for the use of schools.-- 56, 58 p ; 16mo.-- Oxford, 1861 Held by: National Library of Scotland Arnold Prize Essay, 1861. The Christians in Rome during the first three centuries. -
The Invisible Text: Reading Between the Lines of Frank Wills’S Treatise, Ancient English Ecclesiastical Architecture
THE INVISIBLE TEXT: READING BETWEEN THE LINES OF FRANK WILLS’S TREATISE, ANCIENT ENGLISH ECCLESIASTICAL ARCHITECTURE A Thesis Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Master of Arts by Elizabeth Ann McFarland August 2007 © 2007 Elizabeth Ann McFarland ABSTRACT The English-born Anglican ecclesiastical architect and writer, Frank Wills (1822- 1857), was a pioneering transmitter of ecclesiological Gothic Revival church architecture in Canada and the United States, yet he remains a relatively unknown figure in architectural historiography. This study examines the principal blind-spots in Wills’s architectural career with the aim of inferring explanations for the existence of these obstacles, together with their impact on his position among his peers as a leading ecclesiological architect and writer in North America both then and now. These blind-spots, represented by three unelaborated or untold stories relating to interconnected aspects of Frank Wills’s design career (architectural, liturgical, and professional), are revealed through a ‘reading between the lines’ of his architectural treatise, Ancient English Ecclesiastical Architecture and Its Principles, Applied to the Wants of the Church at the Present Day. In a comparison of what is currently known about the architect to the content of his book, an ‘invisible text’ is rendered visible by missing or incomplete material. Additional writings by Frank Wills on his architectural theory are examined through the organ of the New York Ecclesiological Society, the New York Ecclesiologist, as are his critical reviews of his peers’ church designs. Reviews of Wills’s own work and reputation are examined through the English Ecclesiological Society’s journal, the Ecclesiologist, together with other contemporary religious and architectural publication. -
The Founders of the Oxford Architectural Society
The Founders of the Oxford Architectural Society Peter Howell Summary The Oxford Architectural Society, a progenitor of the Oxford Architectural and Historical Society (OAHS), was founded in 1839 by a group of university men and Oxford citizens. Their aim was to spread knowledge of ‘correct’ Gothic architecture among men who were, or soon would be, clergymen. It was the first society of its kind, shortly followed by the Cambridge Camden Society, and especially in its first twenty years had an incalculable influence on church building and restoration not only in Britain but also in the colonies. Less polemical than the Cambridge society, it weathered religious controversies more easily. he founders of the Oxford Architectural Society were a group of Oxford University members Tand other local men who came together to establish a society for the study and promotion of Gothic architecture, and especially of Gothic church architecture. Founded in February 1839, the Society (officially known until 1848 as the Oxford Society for Promoting the Study of Gothic Architecture) was the earliest of its kind in the country.1 The Society’s formation came at a time of widespread interest in medieval antiquities, and when the movement towards a more Catholic theology and worship – a movement closely associated with Oxford – was well under way. On 22 April 1831, for example, Revd Richard Hurrell Froude of Oriel College had read a paper to the Oxford Ashmolean Society on ‘Church Architecture’ in which he had referred to the ‘Gothic, or rather Catholic, style’. -
The Trinitarian Theology of John Henry Newman's Parochial And
THE CATHOLIC UNIVERSITY OF AMERICA The Trinitarian Theology of John Henry Newman‘s Parochial and Plain Sermons: 1833-1843 A DISSERTATION Submitted to the Faculty of the School of Theology of Religious Studies Of The Catholic University of America In Partial Fulfillment of the Requirements For the Degree Doctor of Philosophy © Copyright All Rights Reserved Vinh Bao Luu-Quang Washington, D.C. 2010 The Trinitarian Theology of John Henry Newman‘s Parochial and Plain Sermons: 1833-1843 Vinh Bao Luu-Quang, Ph.D. Director: John T. Ford, S.T.D. John Henry Cardinal Newman (1801-1890) is well known for his Parochial and Plains Sermons, which were delivered between 1828 and 1843; these sermons have usually been treated as resources for spirituality, while their theological content has rarely been analyzed, even though these sermons have a noteworthy theological basis. In particular, although Newman never wrote a treatise specifically discussing the Trinity, he frequently preached on the Trinity during his Anglican years in a way that was scriptural, theological, and pastoral. Newman was also one of the leaders of the Oxford Movement, which was launched in order to promote the renewal of the Church of England and so ―withstand the Liberalism of the day.‖ During the decade of Newman‘s involvement in the Oxford Movement (1833-43), when Tractarian theology seemed to be gaining widespread acceptance among Anglicans, Newman‘s first principle was dogma and the defense of ―fundamental doctrines‖— particularly the doctrine of the Trinity. This dissertation examines Newman‘s Trinitarian theology in his Parochial and Plain Sermons during the first decade of the Oxford Movement (1833 to 1843) in relation to his personal theological development.