This is a repository copy of Curatorial ‘Translations’: The Case of Marcel Duchamp’s Green Box. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/130509/ Version: Accepted Version Article: Stainforth, E and Thompson, G (2016) Curatorial ‘Translations’: The Case of Marcel Duchamp’s Green Box. Journal of Curatorial Studies, 5 (2). pp. 238-255. ISSN 2045-5836 https://doi.org/10.1386/jcs.5.2.238_1 This is an author produced version of a paper published in the Journal of Curatorial Studies. Uploaded in accordance with the publisher's self-archiving policy. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing
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[email protected] https://eprints.whiterose.ac.uk/ ELIZABETH STAINFORTH University of Leeds GLYN THOMPSON University of Leeds Curatorial ‘Translations’: The Case of Marcel Duchamp’s Green Box [Facing page, Fig. 1] The Bride and the Bachelors Duchamp with Cage, Cunningham, Rauschenberg and Johns (2013), installation view. Photo: © Felix Clay 2013, courtesy of the Barbican Art Gallery.