Break Into Song: the Complete Lyrics of Michael Johnson
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TEDMANIA Central Library of Rochester and Monroe County · Historic Monographs Collection
Central Library of Rochester and Monroe County · Historic Monographs Collection TEDMANIA Central Library of Rochester and Monroe County · Historic Monographs Collection Central Library of Rochester and Monroe County · Historic Monographs Collection Central Library of Rochester and Monroe County · Historic Monographs Collection STEDMANIA JOHN HARRY STEDMAN Central Library of Rochester and Monroe County · Historic Monographs Collection My Electric Sweetheart. Written for Street Railway Association Banquet, Milwaukee, Wis., Oct. i8gj. I know a maid—a sweet surprise Of loveliness the essence, Whoever meets her sparkling eyes, She turns to incandescence. Softly, as melts the foam on "fizz," Her influence sinuating, Your watch don't know what time it is, She is so fascinating. I got a shock, when first we met, But knew not how to take her; Now I'm all right, I don't forget To wear my circuit-breaker. Her wit is keen, her brilliant mind Like playful thunderbolts; Who sparks this girl of mine will find He's struck five hundred volts. I long to be the "favorite"— I'll not to others yield, Yet it's no use to play for it When she "excites the field." Her tresses coiled with nicest care; Her switch great credit does her; How can you with my belle compare Some other fellow's buzzer. She's gentleness itself till crossed, But once lose her controller She blows her fuse, her head is lost, And then she's a high roller. Marvelously she flashes green When jealousies surprise her, But quickly glides to happy mean— She's got an equalizer. She's positive like other lov:s— How gentle her induction; Best handle her with rubber gloves, Or you'll invite destruction. -
The Schooltime Performance Series Nutcracker
teacher resource guide schooltime performance series the nutcracker National Ballet Theatre of Odessa about the meet the cultural A short history on ballet and promoting performance composer connections diversity in the dance form Prepare to be dazzled and enchanted by The Nutcracker, a Pyotr Ilyich Tchaikovsky (1840–1893) was an important Russian timeless and beloved ballet performance that is perfect for children composer who is famous for his romantic, melodic and emotional Ballet’s roots In the 20th century, ballet continued to evolve with the emergence of of all ages and adults who have grown up watching it during the musical works that are still popular and performed to this day. He Ballet has its roots in Italian Renaissance court pageantry. During notable figures, such as Vaslav Nijinsky, a male ballet dancer virtuoso winter holiday season. is known for his masterful, enchanting compositions for classical weddings, female dancers would dress in lavish gowns that reached their who could dance en pointe, a rare skill among male dancers, and George Balanchine, a giant in ballet choreography in America. The Nutcracker, held all over the world, varies from one production ballet, such as The Nutcracker, Swan Lake and The Sleeping Beauty. ankles and dance before a crowd of aristocrats, wealthy merchants, and company to another with different names for the protagonists, Growing up, he was clearly musically gifted; Tchaikovsky politically-connected financiers, such as the Medici family of Florence. Today, ballet has morphed to include many different elements, besides traditional and classical. Contemporary ballet is based on choreography, and even new musical additions in some versions. -
Nosa 3S an Angel Sow Epitaphs from Crawford County, Pennsylvania William B
Nosa 3s an Angel Sow Epitaphs from Crawford County, Pennsylvania William B. Moore and Stephen C. Davies Part 3 McCLURE CEMETERY Tis finished, so the Savior cried And meekly bowed his head and died Tis finished :Yes my race is run Mybattle fought, my victory won. —SOLOMON ENGELHAUPT (1792 1853) McDowell cemetery My children dear assemble here Thy mother's grave to see ! Not long ago Idwelt with you But soon you'll dwell with me. —MARGARET McDOWELL (1793 1819) God my Redeemer lives And ever from the skies Looks down and watches all my dust Tillhe shall bid me rise. —ALEXANDER McDOWELL 2nd (1813 1846) Now Ilay me down to sleep Ipray the Lord my soul to keep IfIshould die before Iwake Ipray the Lord my soul to take. —HARRIET EMELINEMcDOWELL (1847 1851) My Home is above For Iknow that my Redeemer liveth AndinHeaven there is rest Farewell dear Robert, thou hast been a kind Husband, an af- fectionate Son, a dear Father and a good Brother Beloved when living and bemoaned [when dead?] —ROBERT WILLCOX (1822 1852) 328 WILLIAMB. MOORE AND STEPHEN C. DAVIES JULY Friends so dear both far and near Ifyou come this way this marble slab Willtell you where beneathe Ilay. —WILSON MYERS (1832-1856) Is Jesus precious Oh yes Take good care of the children —MARGARET BEAR (1822-1858) Private Co. I2nd Pa. Cavalry Died at Brandy Station, Va. Jan. 18, 1864 He sweetly sleeps whydo we mourn His toils on earth are done His life is hid with Christ in God Tillhis Redeemer comes. -
Our Precarious Earth and Its Biosphere
I. The Environment 1 The Earth’s Biosphere: Our Life Support System Our common shared biosphere is our planet’s life support system, capturing light via photosynthesis, conserving energy and matter, and obeying the basic laws of physics and thermodynamics. These laws are fundamental, governing all occurrences in the universe. All biological systems must abide by them. We must function within their confines. In spite of the universality of these laws, problems arise because of humans and their activities. There are simply too many of us for our planet. We are consuming too many irreplaceable resources and causing long-lasting planetary damage. This last problem is tremendously enhanced by human greed and a disregard by many for the biosphere. When our numbers were much smaller, our impact could be absorbed. This is not so today. Because we operate within the confines of the universal laws, we cannot continue to squander resources as we have in the past. Consider the following question: How much damage is caused to the natural environment in order to make a profit from the sale of a consumable item? Consider that many of the consumables produced are dispensable and often of minimal value. Realize that valuable resources must be used for their production. Moreover, these products ultimately become waste that must be disposed of, often in a manner that harms the environment. Why allow the continuation of activities that damage our common life support system? We already know that much of this damage cannot be repaired without a human population decrease. Why allow an increase in our population, recognizing that the consequence will be immense human suffering? Why allow resource consumption, pollution and global warming when we know that their continuance will prevent us from solving global problems and meeting the immense challenges that lie before us? We behave as though we have no regard for future generations. -
Barbara Mandigo Kelly Peace Poetry Contest Winners
The Gathering by Ana Reisens Adult Category, First Place In the movie we sleep fearlessly on open planes because we cannot imagine any danger more tragic than those that have already passed. For weeks we have been arriving over the earth’s broken skin, over mountains and rivers, shaking the aching flagpoles from our shoulders. Now all the priests and imams and rabbis and shamans are gathered beside the others, teachers, brothers and kings and they’re sharing recipes and cooking sweet stories over fires. Suddenly we hear a voice calling from the sky or within – or is it a radio? – and it sings of quilts and white lilies as if wool and petals were engines. It’s a lullaby, a prayer we all understand, familiar like the scent of a lover’s skin. And as we listen we remember our grandmothers’ hands, the knitted strength of staying, how silence rises like warmth from a woven blanket. And slowly the lines begin to disappear from our skin and our memories spin until we’ve forgotten the I of our own histories and everyone is holy, everyone is laughing, weeping, singing, It’s over, come over, come in. And this is it, the story, an allegory, our movie – the ending and a beginning. The producer doesn’t want to take the risk. No one will watch it, he says, but we say, Just wait. All the while a familiar song plays on the radio and somewhere in a desert far away a soldier in a tank stops as if he’s forgotten the way. -
The Dakota Fairy Tales of L. Frank Baum
Copyright © 2000 by the South Dakota State Historical Society. All Rights Reserved. The Dakota Fairy Tales of La Frank Baum Mark I. West L, Frank Baum lived in Aberdeen, South Dakota, from Sep- tember 1888 until April 1891. During this period, he ran a store called Baum's Bazaar for a little over a year, and when that enterprise failed, he tried his hand at publishing a weekly newspaper named the Aberdeen Saturday Pioneer. Baum man- aged to keep the paper going until March 1891, but in the end, it, too, proved to be a financial failure. Feeling defeated, Baum left Aberdeen that April and moved to Chicago, where he even- tually achieved fame as a children's author. Even though Baum had little success as an Aberdeen businessman, the experiences he gained while living on the Dakota prairie provided him with material and insights that he would later draw upon in his sto- ries. The literary critics and biographers who have studied Baum are not in complete agreement as to how his Dakota years influenced his writings. Some critics argue that the opening scenes in The Wonderful Wizard of Oz (1900), which Baum places in Kansas, are really set in South Dakota. Michael Patrick Hearn takes this position in The Annotated Wizard ofOz, stat- ing that these scenes "are largely Baum's recollections of the great gray prairie of the Dakota Territory (now South Dakota)."' The historian Nancy Tystad Koupal takes a somewhat different 1. Hearn, Introduction, Notes, and Bibliography to Tbe Annotated Wizard of Oz York: Clarkson N. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Songs by Title
Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay -
Countrybreakout Chart Covering Secondary Radio Since 2002
COUNTRYBREAKOUT CHART COVERING SECONDARY RADIO SINCE 2002 Thursday, February 9, 2017 NEWS CHART ACTION MusicRow's Country Radio Meet & Greet New On The Chart —Debuting This Week ! Artist/song/label—chart pos. ! Sam Hunt/Body Like A Backroad/MCA Nashville— 41 ! Zac Brown Band/My Old Man/Southern Ground-Elektra—48 ! Keith Urban w/ Carrie Underwood/The Fighter/Capitol Nashville—53 ! Blake Shelton/Every Time I Hear That Song/Warner Bros— 61 ! Frankie Ballard/You’ll Accomp’ny Me/Warner Bros— 74 ! Jackie Lee/Getting Over You/Broken Bow—80 ! ! ! Greatest Spin Increase MusicRow's 15th Annual Country Radio Meet & Greet CountryBreakout Awards will be held Wednesday, Feb. 22. Featured performers are Rachael Artist/song/label—Spin Increase Turner (Rustic Records) and Alex Smith (Lila Records). For more, visit Sam Hunt/Body Like A Backroad/MCA Nashville—496 musicrow.com. Zac Brown Band/My Old Man/Southern Ground-Elektra—464 ! Lady Antebellum/You Look Good/Capitol Nashville— 372 Lady A To Announce ACM Awards Nominees Keith Urban w/ Carrie Underwood/The Fighter/Capitol Nashville—315 ! !Blake Shelton/Every Time I Hear That Song/Warner Bros—238 ! Most Added ! Artist/song/label—No. of Adds ! Zac Brown Band/My Old Man/Southern Ground-Elektra— 40 ! Sam Hunt/Body Like A Backroad/MCA Nashville—31 ! Keith Urban w/ Carrie Underwood/The Fighter/Capitol Nashville—27 ! Blake Shelton/Every Time I Hear That Song/Warner Bros—22 ! Lady Antebellum/You Look Good/Capitol Nashville—11 ! Easton Corbin/A Girl Like You/Mercury Nashville—11 ! Brett Young/In Case You Didn’t Know/BMLG— 6 ! Rachael Turner/Hurts Don’t It/Rustic Records— 6 ! Shane Owens/All The Beer In Alabama/AmeriMonte— 5 Lady Antebellum will appear live on CBS This Morning on Thursday, Feb. -
(Pdf) Download
Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air -
1 THOMPSON SQUARE Are You Gonna Kiss Me Or Not Stoney
TOP100 OF 2011 1 THOMPSON SQUARE Are You Gonna Kiss Me Or Not Stoney Creek 51 BRAD PAISLEY Anything Like Me Arista 2 JASON ALDEAN & KELLY CLARKSON Don't You Wanna Stay Broken Bow 52 RONNIE DUNN Bleed Red Arista 3 TIM MCGRAW Felt Good On My Lips Curb 53 THOMPSON SQUARE I Got You Stoney Creek 4 BILLY CURRINGTON Let Me Down Easy Mercury 54 CARRIE UNDERWOOD Mama's Song 19/Arista 5 KENNY CHESNEY Somewhere With You BNA 55 SUNNY SWEENEY From A Table Away Republic Nashville 6 SARA EVANS A Little Bit Stronger RCA 56 ERIC CHURCH Homeboy EMI Nashville 7 BLAKE SHELTON Honey Bee Warner Bros./WMN 57 TAYLOR SWIFT Sparks Fly Big Machine 8 THE BAND PERRY You Lie Republic Nashville 58 BILLY CURRINGTON Love Done Gone Mercury 9 MIRANDA LAMBERT Heart Like Mine Columbia 59 DAVID NAIL Let It Rain MCA 10 CHRIS YOUNG Voices RCA 60 MIRANDA LAMBERT Baggage Claim RCA 11 DARIUS RUCKER This Capitol 61 STEVE HOLY Love Don't Run Curb 12 LUKE BRYAN Someone Else Calling... Capitol 62 GEORGE STRAIT The Breath You Take MCA 13 CHRIS YOUNG Tomorrow RCA 63 EASTON CORBIN I Can't Love You Back Mercury 14 JASON ALDEAN Dirt Road Anthem Broken Bow 64 JERROD NIEMANN One More Drinkin' Song Sea Gayle/Arista 15 JAKE OWEN Barefoot Blue Jean Night RCA 65 SUGARLAND Little Miss Mercury 16 JERROD NIEMANN What Do You Want Sea Gayle/Arista 66 JOSH TURNER I Wouldn't Be A Man MCA 17 BLAKE SHELTON Who Are You When I'm.. -
Arlo Parks - Black Dog Episode 210
Song Exploder Arlo Parks - Black Dog Episode 210 Hrishikesh: You’re listening to Song Exploder, where musicians take apart their songs, and piece by piece, tell the story of how they were made. My name is Hrishikesh Hirway. Before this episode starts, I want to let you know that the song being discussed is about someone who is alive and well today, but was going through a period of depression and anxiety. Both the song and the interview allude to suicide, so please be careful before listening. If you’re thinking about suicide, or if you have a friend who is, or if you just need someone to talk to right now, you can get support by calling the National Suicide Prevention Lifeline at 1-800-273-TALK (8255) or by texting HOME to 741-741, which is the Crisis Text Line. If you’re outside of the U.S., check out the list of international hotlines at suicide.org. I’ll link to all of this on the Song Exploder website and in the episode show notes. (“Black Dog” by Arlo Parks) Hrishikesh: Arlo Parks is a singer and songwriter from London. In January 2021, she released her debut album, Collapsed in Sunbeams. It hit number three on the UK charts, and she won this year’s BRIT award for Breakthrough Artist. Last year, NME called her song “Black Dog” the year’s “most devastating song.” In this episode, she breaks down “Black Dog,” which she made with producer Gianluca Buccellati. Arlo: But I call him Luca. Hrishikesh: Here’s Arlo Parks on Song Exploder.