Environmental Social Governance 2020
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The Czech Republic: on Its Way from Emigration to Immigration Country
No. 11, May 2009 The Czech Republic: on its way from emigration to immigration country Dušan Drbohlav Department of Social Geography and Regional Development Charles University in Prague Lenka Lachmanová-Medová Department of Social Geography and Regional Development Charles University in Prague Zden ěk Čermák Department of Social Geography and Regional Development Charles University in Prague Eva Janská Department of Social Geography and Regional Development Charles University in Prague Dita Čermáková Department of Social Geography and Regional Development Charles University in Prague Dagmara Dzúrová Department of Social Geography and Regional Development Charles University in Prague Table of contents List of Tables .............................................................................................................................. 3 List of Figures ............................................................................................................................ 4 Introduction ................................................................................................................................ 6 1. Social and Migration Development until 1989 ...................................................................... 7 1.1. Period until the Second World War ................................................................................ 7 1.2. Period from 1945 to 1989 .............................................................................................. 10 2. Social and Migration Development in the Period -
Los Bridgerton, La Serie Más Vista De Toda La Historia De Netflix
Image not found or type unknown www.juventudrebelde.cu Image not found or type unknown Los Bridgerton tendrá segunda temporada. Autor: Fotograma de la película Publicado: 28/01/2021 | 11:16 am Los Bridgerton, la serie más vista de toda la historia de Netflix La plataforma digital asegura que, según sus estadísticas, 82 millones de cuentas las visto a 28 días de su estreno, superando a otros fenómenos de popularidad del servicio «streaming» como The Witcher, Lupin, Gambito de Dama o incluso Stranger Things Publicado: Jueves 28 enero 2021 | 11:23:36 am. Publicado por: Juventud Rebelde Netflix aseguró este miércoles en un comunicado de prensa que Los Bridgerton, el último éxito televisivo de Shonda Rhimes, ha sido visto por 82 millones de cuenta en sus primeros 28 días tras su fantástico estreno en las Navidades, lo que la posiciona como la serie más vista en la historia del gigante digital. En el caso de los datos de audiencia de Netflix es recomendable andar con pies de plomo, ya que el método que usa la plataforma para definir un visionado resulta muy controvertido: basta con que un usuario vea un contenido concreto durante dos minutos para que se contabilice, advierte la agencia Efe, aunque reconoce que, por muy dudoso que sea la manera de Netflix a la hora de presentar sus éxitos, Los Bridgerton se ha situado por encima de otros fenómenos como del servicio de «streaming» como The Witcher, Lupin, Gambito de Dama o incluso Stranger Things. La semana pasada, Netflix confirmó que habrá una segunda temporada de Los Bridgerton por medio de la misteriosa narradora de la serie, Lady Whistledown. -
Strategies in an Arts Program for Adults with Atypical Communication
STRATEGIES IN AN ARTS PROGRAM FOR ADULTS WITH ATYPICAL COMMUNICATION STRATEGIES AND ADAPTATIONS IN AN ARTS PROGRAM FOR ADULTS WITH ATYPICAL COMMUNICATION A Master’s Degree Thesis by Christina Lukac to Moore College of Art & Design In partial fulfillment of the requirements for the degree of MA in Art Education with an Emphasis in Special Populations Philadelphia, PA August 2017 Accepted: ________________________________ Lauren Stichter | Graduate Program Director Masters in Art Education with an Emphasis in Special Populations STRATEGIES IN AN ARTS PROGRAM FOR ADULTS WITH ATYPICAL ii COMMUNICATION Abstract The purpose of this study was to observe and implement strategies and adaptations in an arts program for adults with atypical communication due to developmental and intellectual disabilities. This study was conducted in the field using an action research approach with triangulated methods of data collection including semi- structured interviews, participant observations, and artwork analysis. While research was conducted in two different art programs with similar populations, the main site of study was at SpArc Service’s Cultural Arts Center located in Philadelphia, Pennsylvania. The secondary site was at Center for Creative Works located in Wynnewood, Pennsylvania. The data collected between these sites produced common trends in strategies and adaptations that are used in the art room. Individual case studies conducted at SpArc Services allowed strategies to be implemented and documented in the art room. When implementing these findings, I saw how these strategies supported the participant’s goals as outlined in their Individual Outcome Summary. While working with the individual participants, areas of art making included textiles, mixed-media materials, and pop culture references. -
As Writers of Film and Television and Members of the Writers Guild Of
July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C. -
Dragon Con Progress Report 2021 | Published by Dragon Con All Material, Unless Otherwise Noted, Is © 2021 Dragon Con, Inc
WWW.DRAGONCON.ORG INSIDE SEPT. 2 - 6, 2021 • ATLANTA, GEORGIA • WWW.DRAGONCON.ORG Announcements .......................................................................... 2 Guests ................................................................................... 4 Featured Guests .......................................................................... 4 4 FEATURED GUESTS Places to go, things to do, and Attending Pros ......................................................................... 26 people to see! Vendors ....................................................................................... 28 Special 35th Anniversary Insert .......................................... 31 Fan Tracks .................................................................................. 36 Special Events & Contests ............................................... 46 36 FAN TRACKS Art Show ................................................................................... 46 Choose your own adventure with one (or all) of our fan-run tracks. Blood Drive ................................................................................47 Comic & Pop Artist Alley ....................................................... 47 Friday Night Costume Contest ........................................... 48 Hallway Costume Contest .................................................. 48 Puppet Slam ............................................................................ 48 46 SPECIAL EVENTS Moments you won’t want to miss Masquerade Costume Contest ........................................ -
2 the Idea.Pages
THE IDEA ‘Sure I’ve got a minute. What’s your series about?’ Imagine this: through luck or perseverance, you have tracked down the exact producer you want to meet. You’ve done your homework. You know exactly who this person is, what shows they made and why they are perfect to executive produce your series. You’ve got them on the phone or you’ve planted yourself directly in their path outside a screening. However it happens, you’ve got their attention. For about a minute. How you use that minute will determine whether you are invited to come in for a meeting, or whether that producer will excuse themselves with a polite, ‘good luck.’ So what do we say? How do we best answer this basic question: ‘What is your series about?’ I’m going to give you a formula for this in a minute, but before I do, it’s important that you understand that there are at least two levels of communication going on in this situation. There is the WHAT (i.e., basic information that describes your series) and there is the HOW (i.e., the level of confidence and professionalism with which you speak). Which of these two do you think matters most at the outset? You don’t need to be a deep student of psychology or interpersonal relations to know that confidence is crucial in a situation like this. How you communicate matters tremendously. And yet, where is this confidence supposed to come from? You, someone who has never made a tv series? Perhaps never even staffed or written a pilot – how are you supposed to convey the confidence and authority to make this person comfortable enough to trust you? It’s actually pretty simple: practice. -
Teen-Targeted Broadcast TV Can Be Vulgar… but Stranger Things Are
Teen-Targeted Broadcast TV Can Be Vulgar… But Stranger Things Are Happening On Netflix EXECUTIVE SUMMARY The entertainment industry has, for decades, The Parents Television Council renews its call for cautioned parents who want to protect their children wholesale reform to the entertainment industry- from explicit content to rely on the various age- controlled ratings systems and their oversight. based content ratings systems. The movie industry, There should be one uniform age-based content the television industry, the videogame industry rating system for all entertainment media; the and the music industry have, individually, crafted system must be accurate, consistent, transparent medium-specific rating systems as a resource to and accountable to those for whom it is intended to help parents. serve: parents; and oversight of that system should be vested primarily in experts outside of those who In recent years, the Parents Television Council has produce and/or distribute the programming – and produced research documenting a marked increase who might directly or indirectly profit from exposing in profanity airing on primetime broadcast television. children to explicit, adult-themed content. All of the television programming analyzed by the PTC for those research reports was rated as appropriate for children aged 14, or even younger. Today, with much of the nation ostensibly on lockdown as a result of the COVID-19 pandemic, children are at home instead of at school; and as a result, they have far greater access to entertainment media. While all forms of media consumption are up, the volume of entertainment programming being consumed through over-the-top streaming platforms has spiked dramatically. -
(IOM) (2019) World Migration Report 2020
WORLD MIGRATION REPORT 2020 The opinions expressed in the report are those of the authors and do not necessarily reflect the views of the International Organization for Migration (IOM). The designations employed and the presentation of material throughout the report do not imply the expression of any opinion whatsoever on the part of IOM concerning the legal status of any country, territory, city or area, or of its authorities, or concerning its frontiers or boundaries. IOM is committed to the principle that humane and orderly migration benefits migrants and society. As an intergovernmental organization, IOM acts with its partners in the international community to: assist in meeting the operational challenges of migration; advance understanding of migration issues; encourage social and economic development through migration; and uphold the human dignity and well-being of migrants. This flagship World Migration Report has been produced in line with IOM’s Environment Policy and is available online only. Printed hard copies have not been made in order to reduce paper, printing and transportation impacts. The report is available for free download at www.iom.int/wmr. Publisher: International Organization for Migration 17 route des Morillons P.O. Box 17 1211 Geneva 19 Switzerland Tel.: +41 22 717 9111 Fax: +41 22 798 6150 Email: [email protected] Website: www.iom.int ISSN 1561-5502 e-ISBN 978-92-9068-789-4 Cover photos Top: Children from Taro island carry lighter items from IOM’s delivery of food aid funded by USAID, with transport support from the United Nations. © IOM 2013/Joe LOWRY Middle: Rice fields in Southern Bangladesh. -
Aftercare Strategies for Chemically Addicted
AFTERCARE TO CHEMICALLY ADDICTED ADOLESCENTS: PRACTICE GUIDELINES FROM A SOCIAL WORK PERSPECTIVE by MARICHEN ANN VAN DER WESTHUIZEN Student Number: 4120-524-3 submitted in accordance with the requirements for the degree of DOCTOR OF PHILOSOPHY in the subject SOCIAL WORK at the UNIVERSITY OF SOUTH AFRICA Promoter: Dr. A.H. Alpaslan Joint promoter: Dr. M.S. de Jager Date submitted: June 2010 Student Number: 4120-524-3 I declare that “Aftercare to chemically addicted adolescents: Practice guidelines form a social work perspective”, is my own work and that all the sources that I have used or quoted have been indicated and acknowledged by means of complete references. ______________________________ ________________ Mrs. MA van der Westhuizen Date Acknowledgements I would like to thank those who have enabled me to start and complete this study with their help, support and encouragement: Professionally - • Colleagues at Walvis Bay Child and Family Centre and Hesketh King Treatment Centre, who introduced me to the field of addiction and the miracle of recovery. • My promoter, Dr. Alpaslan, for his remarkable ability to guide and support me. • My joint promoter, Dr. Mariana de Jager, for her patience and guidance. • My editor, Helen Allen, and independent coder, Laetitia le Roux, for giving such wonderful support. Personally - • My husband, Wynand, who gave me the freedom, support and encouragement to follow my dreams. • My parents, David and Valerie Basson, for their example. • My brother, Michel Basson, for inspiring me to be curious and to look further than the obvious. • My sister, Denise Basson, for joining me. • Nicolai and Jan-Hendrik, who helped me to keep a balance, and who ensured hours of fun in between the work. -
AN EXAMINATION of EMILY DICKINSON THESIS Presented To
310071 EMILY AND THE CHILD: AN EXAMINATION OF THE CHILD IMAGE IN THE WORK OF EMILY DICKINSON THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By Nancy Eubanks McClaran, B. A. Denton, Texas May, 1974 ABSTRACT mcClaran, Nancy Eubanks, Emily and the Child.: An Examination of the Child Image in the Work of Emily Dickinson. Master of Arts (English), May, 1974, 155 pp., 6 chapters, bibliography 115 titles. The primary sources for this study are Dickinson's poems and letters. The purpose is to examine child imagery in Dickinson's work, and the investigation is based on the chronological age of children in the images. Dickinson's small child exists in mystical communion with nature and deity. Inevitably the child is wrenched from this divine state by one of three estranging forces: adult society, death, or love. After the estrangement the state of childhood may be regained only after death, at which time the soul enters immortality as a small child. The study moreover contends that one aspect of Dickinson's seclusion was an endeavor to remain a child. TABLE OF CONTENTS Page Chapter I. INTRODUCTION . 1 II. INFANCY - .-- -. * . 21 III. EARLY CHILDHOOD: EARTH'S CONFIDING TIME * " 0 27 IV. THE PROCESSOF ESTRANGEMET . ... 64 V. THE ESTRANGED CHILD ...--...... " 0 0 123 VI. CHILDHOOD IN MORTALITY . 134 BIBLIOGRAPHY 0 0-- 0 -- 40.. .. .. " 0 0 156 iii CHAPTER I INTRODUCTION The poetry of Emily Dickinson has great significance in a study of imagery. Although that significance seemed apparent to critics almost from the moment the first volume of her poems was posthumously published in 1890, very little has been written on Dickinson's imagery. -
Lady Whistledown En Sevilla
LADY WHISTLEDOWN EN SEVILLA: DE LA CONDESA DE BASSANVILLE A FERNÁN CABALLERO, PIONERAS EN LA CRÓNICA DE SOCIEDAD DEL XIX Lady Whistledown in Seville: from Countess of Bassanville to Fernán Caballero, pioneers on the society chronicle of nineteenth century DOI: http://dx.doi.org/10.12795/RiCH.2021.i16.02 Recibido: 31-3-2021 Aceptado: 5-4-2021 Publicado: 30-6-2021 Elena María Benítez-Alonso Universidad de Sevilla, España [email protected] ORCID 0000-0002-2167-144X Como citar este artículo: BENÍNTEZ ALONSO, Elena (2021): “Lady Whistledown en Sevilla: de la condesa de Bassanville a Fernán Caballero, pioneras en la crónicaComo decitar sociedad este artículo:del XIX”, en BENÍNTEZ Revista Internacional ALONSO, deElena Historia (2021): de la Comunicación“Lady Whistledown, nº 16, 2021, en Sevilla:pp. 16-41. de la condesa http://dx.doi.org/10.12795/RiCH.2021.i16.02de Bassanville a Fernán Caballero, pioneras en la crónica de sociedad del XIX”, en Revista Internacional de Historia de la Comunicación, (16), pp. 10-36. © Universidad de Sevilla 161 Lady Whistledown en Sevilla: de la condesa de Bassanville a Fernán Caballero, pioneras en la crónica de sociedad del XIX Elena María Benítez Benítez-Alonso Alonso Resumen: La ya popular serie de televisión Los Bridgerton, producida por la plataforma Netflix, ha traído a la actualidad el no poco relevante, aunque tampoco suficientemente valorado, papel de la mujer como cronista de sociedad en los albores de la prensa inglesa decimonónica. Más allá de la polémica sobre su discutida fidelidad histórica (habría que diferenciar aquí entre ficción “histórica” y “de época”), lo cierto es que el éxito de la trama se debe en gran medida al hecho de ser mostrada a través de los epistolares society papers de Lady Whistledown, personaje de ficción que se nutre, no obstante, de auténticos referentes históricos. -
Luis Gerardo Méndez Filma Serie Para Paramount
2E Expreso Comparte las noticias en Facebook Expresoweb Miércoles 14 de Abril de 2021 Síguenos en Twitter @Expresoweb / Instagram @Expresomx Consulta más contenidos en expreso.com.mx/estelar.html Hoy edita esta sección Elsa Johnston STELAR ¿Tienes algo que comentar? [email protected] Maluma diseña para marca de lujo francesa AGENCIA REFORMA FOTOS: ESPECIAL/ EXPRESO MIAMI, EU a lu m a se Luis Gerardo Méndez participa en la serie del cineasta Juan José Campanella. convi r tió en el pri- mer artista Mlatino, y el segundo en el mundo, en trabajar Luis Gerardo en el diseño de una línea de ropa de edi- ción limitada en cola- boración con la casa de Méndez filma serie alta costura parisina Balmain. Con “Maluma X Balmain”, el artista, de 27 años, sigue así a para Paramount la estrella estadouni- dense Beyoncé, quien AGENCIA REFORMA FOTOS: ESPECIAL/ EXPRESO en 2018 lanzó su colec- CIUDAD DE MÉXICO ción con la exclusiva marca y que estuvo El mexicano Luis Gerar- inspirada en los dise- do Méndez está que no ños de sus presenta- cabe en ningún lado de ciones en el icónico la emoción y es que final- festival de Coachella. mente se le cumplió uno En el caso de Malu- Maluma es el primer latino y el segundo artista (sólo de sus grandes sueños: ma, su colección está detrás de Beyoncé) en colaborar para Balmain. trabajar con el cineas- inspirada en el Miami ta argentino Juan José de la década de los 90 y de goma negros con do- mil), respectivamente, y Campanella. fusiona la estética del rado por mil 150 dólares un blazer negro de rayas El realizador, famo- colombiano con la del (unos 23 mil); un conjun- blancas por 2 mil 295 dó- sos por su cinta de culto director creativo de to de bermuda y camisa lares (más de 46 mil).